For nearly two decades, South African worship group Soweto Gospel Choir has been bringing their joyous music and message to audiences across the globe. Now, they are teaming up with Simon Lewicki — aka Groove Terminator, the "Superstar DJ" from Down Under — to spread the culture of house music.

"Everybody's free to feel good," Soweto Gospel Choir cheers in the outro of "Everybody's Free," a track from their joint album with Groove Terminator, History of House. The project aims to culturally and musically reimagine the genre's classic hits, with Soweto Gospel Choir performing in their native Zulu.

GRAMMY Award-winning producer Dennis White (Latroit) produced the album. The original track, "Everybody's Free (To Feel Good)," was written in English and performed by Zimbabwean electronic performer Rozalla in 1991.

"The choir performing in Zulu was not the original idea," White revealed in a press statement. "We sent English lyric sheets to the choir, who decided amongst themselves to record the songs in Zulu ... Simon and I realized at that moment that this project has a soul of its own, and our job is to pay close attention to what it's telling us it wants to be."

Last year, the Soweto Gospel Choir and Groove Terminator brought the History of House in tour form; the album of the same name will arrive in spring 2024 via Music is Fun/House of Latroit/Gallo Records.

Press play on the video above to watch Soweto Gospel Group & Groove Terminator's mesmerizing rendition of "Everybody's Free," and check back to GRAMMY.com for more new episodes of Global Spin.

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On March 22, Bodine unveiled her latest EP, Quemo Lento. Translating to "I burn slow," the eight-song project displays the duality of pain and pleasure — but on the EP's only piano-driven track, "Bambi," it's all heartache.

"It's short, but it explains everything it has to explain in that minute," Bodine said of the song in an interview with Univision. "It describes the feeling of slow-burning, a pain so deep that it is inexplicable."

In the latest episode of Global Spin, the Amsterdam-born, San Juan-raised artist performs a stripped-down version of "Bambi." Mirroring the black-and-white imagery of the song's music video, the performance is even more haunting than the original with just a piano and her soprano vocals.

Quemo Lento has been touted for its dreamy visuals and experimental sound. As of press time, Bodine has released four music videos from the EP, most recently delivering the visual for "Nalgaje," featuring fellow Dutch rapper Zefanio.

Earlier this year, Bodine made her SXSW stage debut and performed a string of shows throughout Puerto Rico to celebrate the release of Quemo Lento.

Press play on the video above to watch Bodine's chilling performance of "Bambi," and remember to check back to GRAMMY.com for more new episodes of Global Spin.

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The mission for The Snuts' third album, Millennials, was to tap into "the emotions that we maybe haven't processed" and put "those big boiling points in your life" into song. And on their B-side, "Novastar," the Scottish indie rock band takes autonomy of their actions and emotions.

"Hey, mama, what you gon' tell me? I can be a heartbreaker, troublemaker, sunshaker/ Yeah, you better bet on me," they declare. "Alive/ I'm a Novastar, coming of age."

In this episode of Global Spin, The Snuts deliver an electrifying performance of "Novastar," playing each of their instruments live in the studio.

The Snuts released the standard and deluxe versions of Millennials on February 23 via Happy Artist Records, their imprint via The Orchard.

"On the last record, there was a bit more nuance," frontman Jack Cochrane said in a press statement. "With this one, we wanted to see how it would feel if we went more direct on the songs and to connect as easily as possible."

They recently wrapped the North American and European leg of the project's accompanying tour. In May, they'll perform a string of shows in Australia and Japan with support from Eliza & the Delusionals.

Press play on the video above to watch The Snuts' explosive performance of "Novastar," and check back to GRAMMY.com for more new episodes of Global Spin.

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On her burning single "she," Slovakian singer Karin Ann beams about a confident, effortlessly beautiful mystery woman — from her unique distaste for modern television to her quaint apartment in the city.

"If someone ever would take her to the dance floor/ The world would disappear, the music would still be playing," Ann croons in the chorus. "Her heart beats so loud, even after everyone is gone/ She'd still be dancing, dancing in her own mind."

In this episode of Global Spin, watch Ann deliver a full-band performance of the track, complete with two guitars, a keyboard and a drum set — and a wall of records as a backdrop.

Ann came up with the concept for the track while searching through her phone during a sleepless night: "I stumbled upon a sentence that sparked inspiration. Most of my songs lean towards the sad or melancholic, but this particular lyric was different. I find it challenging to write happy songs, so it felt like creating this character allowed me the freedom to explore new territories with 'she.'"

"She" is the lead single from Ann's debut album, through the telescope, which arrives May 10 via 3amRecords. As "she" and second single "false gold" hint, the album will explore themes of love, identity and mental health while also showing off Ann's musical versatility.

Press play on the video above to watch Karin Ann's edgy performance of "she," and check back to GRAMMY.com for more new episodes of Global Spin.

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On "sick," K-pop star AleXa is so in love that she's almost physically ill.

"Boy, you make me sick/ You're too f—ing perfect/ I don't deserve it," she gushes in the chorus. "Losing my s—, and you make me sick/ Sick to my stomach/ I wanna vomit/ Kissing your lips."

In this episode of Global Spin, AleXa delivers a grungy performance of the track, tied together by her edgy fashion and a grayscale filter.

"Sick" is AleXa's first single of 2024, dropping on Feb. 23 via Interview Music and ZB Label. The vulnerable song also marks a new sonic era, leaving behind her pop hits like "Back in Vogue" and "Wonderland."

"This era of my career feels like the most authentic version of myself. 'Sick' is a departure from my previous releases, and I'm excited to share a side of me that is deeply connected to my pop-punk influences," she revealed in a press statement.

On March 29, AleXa will commence the Sick of You Tour in New York City. She'll hit six cities — including her hometown, Tulsa, Oklahoma — before ending April 7 in Los Angeles. 

Press play on the video above to watch AleXa's rocking performance of "sick," and check back to GRAMMY.com for more new episodes of Global Spin.

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