Photo: Mary Caroline Russell
Positive Vibes Only: Watch Crowder Rock The Stage With His Impassioned Performance Of "Good God Almighty"
Crowder's joyous performance of "Good God Almighty" can be felt by anyone who listens to the latest episode of Positive Vibes Only
When two-time GRAMMY-nominated contemporary Christian artist Crowder wrote "I know where I'd be without Your mercy, so I keep praising Your name at the top of my lungs," he meant it.
In the latest episode of Positive Vibes Only, Crowder's impassioned energy is infectious from start to finish, as he and a lively choir command the room with their performance of "Good God Almighty."
Having earned GRAMMY nominations in 2017 and 2020 for Best Contemporary Christian Album for American Prodigal and I Know a Ghost, respectively, Crowder is a staple in the genre. And with performances like this episode's Positive Vibes Only, it doesn't look like he's slowing down anytime soon.
Keep the vibes going by checking out more uplifting episodes of Positive Vibes Only below.
ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"
Singer/songwriter Ant Clemons puts his own spin on Bill Withers' immortal "Ain't No Sunshine" in an exclusive performance for ReImagined At Home
Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?
Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?
Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible.
In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.
Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.
Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.
Will Smith at the 1999 GRAMMYs
GRAMMY Rewind: Watch Will Smith Dedicate His 1999 Best Rap Solo Performance GRAMMY To His Son
In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith"
Today, Sept. 25, we celebrate the birthday of the coolest dad—who else? Will Smith! For the latest episode of GRAMMY Rewind, we revisit the Fresh Prince's 1999 GRAMMY win for Best Rap Solo Performance for "Gettin' Jiggy Wit It."
In the below video, watch rappers Missy Elliott—donning white leather—and Foxy Brown present the GRAMMY to a stoked Smith, who also opted for an all-leather look. In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith." He dedicates the award to his eldest son, Trey Smith, joking that Trey's teacher said he (then just six years old) could improve his rhyming skills.
The classic '90s track is from his 1997 debut studio album, Big Willie Style, which also features "Miami" and 1998 GRAMMY winner "Men In Black," from the film of the same name. The "Está Rico" rapper has won four GRAMMYs to date, earning his first back in 1989 GRAMMYs for "Parents Just Don't Understand," when he was 20 years old.
Photo: Jeff Kravitz
Body Count Perform "Black Hoodie" | 2018 GRAMMYs
Ice-T & Co. blaze through their GRAMMY-nominated track
If there's one way to powerfully encapsulate anger, metal music might just be one of the most effective outlets. Such is the case with band Body Count and their track "Black Hoodie."
The group — fronted by legendary rapper Ice-T— got political with the Best Metal Performance GRAMMY-nominated slugger, railing against the shooting of unarmed black teenager Trayvon Martin in 2012. The band didn't hold back their rage, tapping into the zeitgeist of what many are feeling in today's political climate.
Body Count brought the unapologetic song to the 60th GRAMMY Awards Premiere Ceremony with a performance that won't soon be forgotten. Take a look for yourself.
Press Play At Home: Watch Dodie Perform A Morning-After Version Of "Four Tequilas Down"
In the latest episode of Press Play At Home, singer/songwriter dodie conjures a bleary last call in a hushed performance of "Four Tequilas Down"
"Four Tequilas Down" is as much a song as it is a memory—a half-remembered one. "Did you make your eyes blur?/So that in the dark, I'd look like her?" dodie, the song's writer and performer, asks. To almost anyone who's engaged in a buzzed rebound, that detail alone should elicit a wince of recognition.
Such is dodie's beyond-her-years mastery of her craft: Over a simple, spare chord progression, she can use an economy of words to twist the knife. "So just hold me like you mean it," dodie sings at the song's end. "We'll pretend because we need it."
In the latest episode of Press Play At Home, watch dodie stretch her songwriting muscles while conjuring a chemically altered Saturday night—and the Sunday morning full of regrets, too.
Check out dodie's hushed-yet-intense performance of "Four Tequilas Down" above and click here to enjoy more episodes of Press Play At Home.