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Janet Jackson performing at Super Bowl XXXVIII
'Malfunction: The Dressing Down Of Janet Jackson': How & What Time & Where To Watch The New 2021 Documentary
The 2004 Super Bowl halftime show incident wasn't just an unfortunate slip-up — it was a confluence of raging societal forces. Here's how and when to watch the new 2021 'Malfunction: The Dressing Down Of Janet Jackson' documentary.
What do you remember about the 2004 Super Bowl halftime show incident, where Justin Timberlake very briefly revealed Janet Jackson's partially nude right breast on national television? Was it a big deal? A not-so-big deal? Whatever your feelings about it — or lack thereof — the cultural ripple effect was undeniable.
As a brand-new Hulu doc illuminates, that 9/16ths-of-a-second was about more than an unfortunate wardrobe malfunction: It was where racial and sexual politics — and the eternal censorship debate — boiled together and came to a head very publicly.
In the new 2021 Malfunction: The Dressing Down of Janet Jackson documentary, which will be released Friday, Nov. 19, at 10 p.m. on FX and streaming on Hulu, producer/director Jodi Gomes will show how the split-second event fanned the flames in a variety of sectors — from the NFL to the FCC to various politicians and their circles.
As The New York Times reports, the former commissioner of the NFL., Paul Tagliabue, will make an appearance — as well as the MTV executives who were in charge of producing the halftime show. Plus, a handful of politicians will weigh in on how inappropriate, televised content landed at the center of the national debate.
On top of all that, Jackson's career was never the same, despite winning five GRAMMYs and being nominated for 26 — while Timberlake remains a bona fide superstar.
What else will the documentary reveal about this quintessential 2000s controversy? Log onto Hulu or turn on FX at 10 p.m. on Nov. 19 to find out.
Photo: Slaven Vlasic/Getty Images for BAM
11 Iconic Concert Films To Watch After 'Taylor Swift: The Eras Tour'
The concert film seems to be having a moment. From the Talking Heads to Queen, read on for 11 concert film experiences that will help keep the party going.
A lavender haze has descended upon movie theaters across America.
Taylor Swift’s filmed version of her historic Eras tour is the movie-music event of the year, dominating the box office becoming highest grossing dometic concert film in Hollywood history after a single weekend. Byt the time the Eras credits roll, you know all too well that you’re going to want to keep the party going.
Luckily, there are a breadth of artists whose musical singularity is reflected on the silver screen. Swift's major influence notwithstanding, the concert film seems to be having a moment in recent years: Pop stars such as Lizzo (Live in Concert), Selena Gomez (My Mind and Me) and Lewis Capaldi have released popular concert films.
Homecoming: A Film by Beyonce (2019)
When Beyoncé headlined the Coachella Music and Arts Festival — the first Black woman to do so — in 2018, she didn’t just perform; she delivered a tour de force extravaganza that spurred a whole new moniker: Beychella.
Shot over two nights, the Netflix film Homecoming includes a discography-spanning retrospective and memorable performances of "Run the World," "Single Ladies" and "Formation." Layered in ware nods to the Historically Black College and University experience, legends like Nina Simone and dazzling array of choreography, wardrobe and vocal chops.
The New Yorker later hailed it a "triumphant self portrait" and "a spectacle of soul." Directed by Queen Bey herself, Homecoming took home the golden gramophone for Best Music Film at hte 62nd GRAMMYs.
Stop Making Sense (1984)
The filmmaker Jonathan Demme is known for classics like Silence of the Lambs and Philadelphia, but he was also a major force in concert films. Among his achievements in this field is Stop Making Sense, his 1984 portrait of David Byrne and his Talking Heads.
Filmed at the peak of the band's popularity and following the release of Speaking in Tongues (which featured "This Must Be The Place" and "Burning Down the House,"), Stop Making Sense is a cult classic, from its array of hits to the band’s massive suits which became their calling card.
The film was re-released in theaters last month. "I'm kind of looking at it and thinking, who is that guy?," said David Byrne in a recent interview with NPR about watching his younger self. "I'm impressed with the film and impressed with our performance. But I'm also having this really jarring experience of thinking, ‘He's so serious.’"
BTS: Yet to Come in Cinemas (2023)
While the GRAMMY-nominated South Korean superstars BTS may be on a break — Jung Kook recently announced that he will release his debut solo full-length- bask in the glow of the K-pop and their rollicking concert film earlier this year. In the film, Jung Kook alongside Jin, RM, Jimin, V, J-Hope as they smoothly perform their calvadace of hits, including "Butter" and"Dynamite" in a 2022 performance for Busan, South Korea’s rally to host the 2030 World Expo.
The boys are actually no stranger to the genre, with Yet To Come marking their fifth concert film in addition to BTS Permission to Dance on Stage — Seoul: Live Viewing and 2020’s Break the Silence: The Movie among others.
Madonna: Truth or Dare (1991)
With off-stage footage shot in black and white and performances in vivid color, this early '90s classic depicts Queen Madge at the height of her power. Taken from an actual game Madonna and friends play towards the end of the film (to scandalous results), Truth or Dare showcases the breadth of Madonna’s superstardom up until that point with performances of classics like "Holiday" and "Like a Virgin" with its artfully-shot juxtaposition of performance and documentary footage a trailblazer in the concert film genre.
"The surprise of Truth or Dare is just what a blast Madonna is," wrote the Guardian on the occasion of the film’s 30th anniversary. "Nastily funny, openly horny, undisguised in her contempt for anyone she deems less fabulous than herself and her blessed collaborators."
Justin Bieber: Never Say Never (2011)
Way before Swiftmania, there was Bieber Fever. In the wake of Justin Bieber’s explosive rise, Never Say Never interspersed performances with snapshots of his journey from humble Canadian roots to global pop force to be reckoned with.
Helmed by Jon M. Chu (who’d go onto direct blockbusters like Crazy Rich Asians and In the Heights), Never Say Never is a time capsule of a younger, more innocent Bieber and his early earworm bubblegum hits. Until Swift's Eras is tallied it’s the top-grossing concert movie ever released in the USA.
Prince: Sign o’ the Times (1987)
This iconic concert film was once hard to come by; after its theatrical run, Sign o’ the Times was only issued on VHS and eventually went out of print. But thanks to the magic of streaming, one can now easily transport oneself back to the '80s and enjoy the magic that is Prince.
Directed by the artist and using his acclaimed 1987 album Sign o’ the Times as a jumping off point (the album itself was a 2017 inductee into the GRAMMY Hall of Fame), the film reminds viewers of the Purple One's magnetism. Under an array of colorful lights and performing to a raucous crowd, the icon may have died in 2016, but Sign o’ the Times serves as a deft time capsule of his royal talent.
Katy Perry: Part of Me (2012)
As Katy Perry was in the midst of releasing her acclaimed album Teenage Dream, the pop singer had the foresight to chronicle the ensuing pandemonium.
"I feel like it was, like, a big wave coming," she told ABC upon the release of Katy Perry: Part of Me, the 2012 concert film that documented her blockbuster California Dreams tour. "I thought to myself, 'Well, I think this is going to be a moment. Maybe I should catch it on tape. I'm either going to go completely mental, completely bankrupt, or have the best success of my life."
Fortunately the later wound up occurring, with the subsequent film a celebrity-packed (featuring everyone from Lady Gaga to Adele) hit-filled ("Teenage Dream" and "California Girls") look into the life, times and music of the star.
Queen: Live at Wembley ‘86 (1986)
Songs like "We Will Rock You" and "We Are the Champions" fit right in on Wembley's massive stage, with the concert film depicting the thundering live versions of those classics. Relive those heady days with this film which showcases just what made Mercury and his band rock icons, and huge ones at that.
"Mercury was indeed a born ringmaster," wrote CNN in a piece about their status as stadium savants. "There was no alienating affectation, no wallowing in sentiment... Queen consciously wrote their songs as vehicles for theatrics."
Summer of Soul (2021)
Back in 1969, Stevie Wonder, Gladys Knight, Nina Simone and B.B. King joined forces for the Harlem Cultural Festival, a mostly forgotten multi-week legendary summit. That all changed when Roots frontman Ahmir "Questlove" Thompson obtained a treasure trove worth of footage and directed this stunning film, aptly dubbed Summer of Soul, which brought the event back to vivid life and subsequent acclaim including a GRAMMY Award for Best Music Film.
"It was gold," Thompson told Pitchfork of his process of sifting through the footage to create what would become a passion project. "If anything, it was an embarrassment of riches. It was too much. I kept this on a 24-hour loop for about six months straight. Slept to it. Traveled to it. It was the only thing I consumed."
Justin Timberlake + The Tennessee Kids (2016)
Also directed by Jonathan Demme and released before his 2017 death, Justin Timberlake + The Tennessee Kids showcases Timberlake's popular 20/20 Experience World Tour and litany of solo hits including "Sexyback" and "Suit & Tie."
"I don’t think anything can compete with live performance," admitted Demme to Rolling Stone before his death in 2017. "You can’t beat it. But we strive to provide the most exciting interpretation of that feeling, as filmmakers. We can provide a roving best seat in the house. We can linger on closeups. We can follow the dynamics of the music. I love shooting music."
The Last Waltz (1978)
One of the earliest projects of director Martin Scorsese’s career was helping edit the monumental film version of Woodstock in 1970. But as that decade progressed and the auteur became known for narrative features including Mean Streets, he revisited his roots by directing The Last Waltz. A trailblazer in the genre, the film captures the last performance of The Band featuring frontman Robbie Robertson alongside a range of guests including Bob Dylan, Ringo Starr and Eric Clapton. Filmed on Thanksgiving Day in 1976, it’s a time capsule of the day’s biggest acts at the height of their artistry.
"It's a picture that kind of saved my life at the time," Scorsese told an audience at the Toronto International Film Festival during a 2019 screening. "It's very special to me. Forty years on, it's very special to a great number of us."
Photo: Jeff Kravitz/FilmMagic
GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
Photo: Matt Winkelmeyer/Getty Images for Children's Hospital Los Angeles
Justin Timberlake's Biggest Songs, From His Best *NSYNC Moments To The Solo Smashes
As rumors swirl about a new Justin Timberlake album and *NSYNC fans pray for a reunion tour, revisit the defining songs that have made JT one of pop's greats.
From the moment Justin Timberlake first stepped into the spotlight at just 11 years old, his star power was strikingly apparent. Initially dabbling in country music on Star Search, he further displayed his knack for performing on The Mickey Mouse Club in 1993 and 1994 before being recruited for the boy band *NSYNC in 1995 — and soon, he was on his way to pop domination.
As the group's popularity soared and they sold over 70 million records worldwide, so did Timberlake's solo appeal. With his curly blond hair and falsetto that would make Michael Jackson proud, he became a defining figure in the late '90s/early 2000s zeitgeist. He took the lead in several *NSYNC songs and progressively developed his songwriting skills, hinting to the world that he was a star of his own right.
By the time <em>NSYNC halted in early 2002, Timberlake's solo career was not a mere possibility, but an undeniable next step. A few months later, he released his debut album, Justified*, which set the stage for one of the most innovative, defining artists of his time. In the two decades since, Timberlake has released five studio albums (with a sixth reportedly on the way), sold more than 88 million records, collaborated with the likes of Jay-Z and Madonna, and won 10 GRAMMYs. It's hard to imagine pop music today without his contributions.
Although Timberlake has periodically taken some time off music to focus on his family, acting and producing, a comeback was always around the corner. Last week, for example, he reunited with *NSYNC at the 2023 MTV Video Music Awards and confirmed the release of their first new song in 20 years, "Better Place," out Sept. 29.
He also recently reunited with Nelly Furtado and Timbaland for "Keep Going Up," the long-awaited follow-up to their 2007 smash "Give It To Me." Timbaland — a longtime collaborator of Timberlake's — further teased what's to come for JT, telling Variety that Timberlake's next album is "finished up" and sounds like "FutureSex/LoveSounds part two."
To celebrate these upcoming chapters, as well as Timberlake's boundless creativity, GRAMMY.com looks back at the most defining songs in his trailblazing career.
"Pop," Celebrity (2001)
A response to all the animosity surrounding the success of late 90s' boy bands, "Pop" gave us *NSYNC at their most "no strings attached." Composed by Timberlake in partnership with choreographer, director, and songwriter Wade Robson, it blended electropop, metal riffs and Timberlake's signature beatboxing into a thrilling, limitless portrait of what being a pop star really means.
"It doesn't matter/ 'Bout the clothes I wear, and where I go, and why/ All that matters/ Is that you get hyped, and we'll do it to you every time," Timberlake sings in the pre-chorus. As the first single off <em>NSYNC's last album, 2001's Celebrity*, "Pop" foreshadowed key elements of Timberlake's burgeoning success — setting sights on his impending, hit-filled solo career.
"Gone," Celebrity (2001)
Another collaboration between Timberlake and Robson for Celebrity, "Gone" remains one of the most stirring ballads of the new millennium. Originally written for Michael Jackson, who passed on the offer — but later regretted it, as Timberlake told Oprah's Master Class Podcast in 2014 — "Gone" was the first and only *NSYNC single where Timberlake sings all the lead vocals and plays the music video protagonist.
Although its success led to a nomination for Best Pop Performance by a Duo or Group with Vocals at the 2002's GRAMMY Awards, the song unveiled uncomfortable feelings about the future of the group. If *NSYNC were to halt activities, it laid bare the fact that Timberlake could survive — and thrive — as a soloist just as well.
"Like I Love You," Justified (2002)
As many suspected, <em>NSYNC did go into a hiatus after the release of Celebrity, and Timberlake's much-anticipated solo debut came shortly after. In November 2002, he released the studio album Justified*, spearheaded by lead single "Like I Love You."
Pairing his penmanship with producer duo the Neptunes, Timberlake found an exquisite recipe to express himself. "Like I Love You" posed a sleek introduction to a fully-developed star, mixing funk drums, pop beats, Spanish guitars, sultry falsettos, and a participation by hip-hop duo Clipse. Coincidentally landing the same spot on the Billboard Hot 100 as "Gone" at No. 11, "Like I Love You" showed that Timberlake was able — and ready — to hold his own.
"Cry Me a River," Justified (2002)
If "Like I Love You" was an introduction to Justin Timberlake the soloist, follow-up single "Cry Me a River" cemented him as 2002's main character. A vengeful opera inspired by his former (and very high-profile) relationship with Britney Spears, Timberlake showed his spiteful side — one that would later resurface on his second album, FutureSex/LoveSounds.
The poignancy of his feelings is aided by producers Timbaland and Scott Storch, who crafted a haunting synthscape filled with wails and warnings. In the music video, Timberlake finally sheds his good-boy image, breaking into a Spears look-alike's mansion to film steamy moments of himself with another woman.
On top of giving the audience much to think about, "Cry Me a River" gave Timberlake one his first two solo GRAMMY Awards in 2003: the song won Best Male Pop Vocal Performance, and Justified won Best Pop Vocal Album.
"Señorita," Justified (2002)
Justified offered hit after hit, and although "Señorita" wasn't the biggest (it peaked at No. 27 on the Hot 100), it's still a Timberlake staple. The song highlighted Timberlake's commitment to go beyond expectations, as he created his own deconstructed salsa, pushing and pulling vocals around the Neptunes' unmistakable drum beats and Stevie Wonder influences.
While singles like "Rock Your Body" may have found more popularity, "Señorita" and its odd little strutting intro is instantly recognizable — and remains one of Timberlake's best displays of the fun he has in the studio . The call-and-response section at the end, where Timberlake directs "the fellas and the ladies" to sing in different vocal tones, is the cherry on top of it all.
"SexyBack," FutureSex/LoveSounds (2006)
Four years after Justified, Timberlake returned raunchier than ever: "I'm bringing sexy back," he sings in the opening line of "SexyBack," unknowingly birthing 2006's ultimate catchphrase. The first single off his highly-acclaimed sophomore album, FutureSex/LoveSounds, "SexyBack" became Timberlake's first No.1 song on the Billboard Hot 100, and further solidified the finesse of his collaborations with Timbaland.
Scurrying through a suffocating dance floor, "SexyBack" distorts everything it touches, creating a cybernetic atmosphere where Timberlake will both "let you whip me, if I misbehave" and make you "watch how I attack." Timbaland's low vocals bounce off Timberlake's high-pitched lines and make for a breathless, sweaty run.
"My Love," FutureSex/LoveSounds (2006)
Timberlake achieved his second consecutive Hot 100 No.1 with "My Love," a song that has been defined by many as the sequel to "Cry Me a River." Although borrowing from the same insistent staccato beats, "My Love" is rather a happier, snappier version of it. Gone is the desire for retaliation — Timberlake is now focused on the sweet highs of a promising relationship.
"All I want you to do is be my love," he sings over masterful production by Nate "Danja" Hills and Timbaland, who infuse the track with quirky distortions, beatboxing and a slow beat juxtaposed to Timberlake's frenzy. Atlanta rapper T.I. also adds contrast to the track, delivering a stack of verses that contrast Timberlake's lyrics and add to the multifaceted perceptions of love. If Timberlake's lines represent one's heart soaring with possibility, the other elements of the song keep it grounded, reminding us that true love runs steady.
"What Goes Around... Comes Around," FutureSex/LoveSounds (2006)
The true "Cry Me a River" sequel lays on the grandiose "What Goes Around... Comes Around." Despite the single's lofty arrangements and a cinematic music video starring Scarlett Johansson, Timberlake is still heartbroken.
However, instead of seeking revenge by his own hands, he now trusts karma to take care of his lover's wrongdoings. The circular, haunting motifs of the lyrics are repeated through synth loops and Turkish strings.
"What Goes Around... Comes Around" is one of FutureSex/LoveSounds' standouts, bridging the catchy sounds of Justified with more experimental nuances. It also seemed to resonate with listeners, as it landed the singer his third consecutive chart-topper.
"LoveStoned," FutureSex/LoveSounds (2006)
While violins surely can provide a sultry mood, it's not often that they will be paired with beatboxing and funky bass — which makes "LoveStoned" a peculiar feat.
One of Timberlake's most provocative tracks off FutureSex/LoveSounds, it could also be defined as a bolder cousin to 2002's "Rock Your Body" due to its rushing, disco-esque energy. Along an easygoing progression, it carries Timbaland's trademark vibes and fiery lyrics about what the internet would call a "baddie" nowadays ("She's bad, and she knows," Timberlake sings).
Originally named "LoveStoned/I Think She Knows (Interlude)," the track swiftly slows down in the last two minutes, where an Interpol-inspired guitar solo flourishes, offering a hazy conclusion to an innovative pop expedition.
"Suit & Tie (feat. Jay-Z)" The 20/20 Experience, (2013)
After wrapping up his highly successful FutureSex/LoveShow world tour in 2007, Timberlake took some time off to focus on acting and producing for other musicians. Following a six-year musical hiatus, he released his third studio album in 2013, The 20/20 Experience, led by the steamy "Suit & Tie," featuring rapper Jay-Z.
The single is anchored by samples of Sly, Slick and Wicked's 1972 song "Sho' Nuff" and swirls around a matured, glistening R&B production by Timberlake, Timbaland and J-Roc. It's the most sophisticated that Timberlake has sounded, accompanied by a fittingly classy, black-and-white music video — which won a GRAMMY for Best Music Video in 2014.
"Mirrors," The 20/20 Experience, (2013)
The second single off The 20/20 Experience, "Mirrors" was written back in 2009 and inspired by Timberlake's relationship with wife Jessica Biel, as well as his grandparents' six-decade marriage. Although the sounds harken back to "Cry Me a River" at times, the lyrics reveal that Timberlake is no longer bitter, but instead very much in love: "Now, you're the inspiration of this precious song/ And I just wanna see your face light up since you put me on/ So now I say goodbye to the old me, it's already gone."
Paired with an emotional music video, "Mirrors" is a defining landmark in Timberlake's discography, showing how personal growth impacted his music for the better. Alongside trusty producers Timbaland and J-Roc, he proved that it's possible to turn an eight-minute prog-soul aria into a timeless, effortlessly catchy love song.
"Drink You Away," The 20/20 Experience – 2 of 2 (2013)
Six months after the release of The 20/20 Experience, in September 2013, Timberlake dropped the second half of the album, The 20/20 Experience – 2 of 2. Out of its four singles (which also included "Take Back the Night," "TKO," and "Not a Bad Thing"), "Drink You Away" stands out for its adventurous streak.
Here, Timberlake recalls his Southern roots, spinning a pop twist on Memphis soul and country rock riffs. "I've tried Jack, I've tried Jim/ I've tried all of their friends/ But I can't drink you away," he sings, matching love pains to alcoholism. Once again working with producers Timbaland and J-Roc, he daringly explores new scenarios, ultimately proving that his talents can't be restrained. (The track also teased Timberlake's later collab with country crooner Chris Stapleton, as the pair mashed "Drink You Away" with Stapleton's "Tennessee Whiskey" at the 2015 CMA Awards.)
"CAN'T STOP THE FEELING!," Trolls (2016)
Timberlake's career may have firm pillars in experimentation, but 2016's "CAN'T STOP THE FEELING!" showed that he is also a master in well-rounded bubblegum pop. In 2016, after voicing the character Branch and serving as the executive music producer for the movie Trolls, Timberlake worked with Max Martin and Shellback for the soundtrack's lead single.
The result was a simple, yet contagiously happy disco track that quickly hit No. 1 on Billboard's Hot 100, followed by several other countries' charts. "CAN'T STOP THE FEELING!" was also the top-selling song in the U.S. that year according to Nielsen Music's Year-End Report, and quickly achieved an omnipresent status; the song remains a global staple today.
"Young Man," Man of the Woods (2018)
After another long break between albums, Timberlake released his fifth LP, Man of the Woods, in 2018. The title references the meaning behind his firstborn son's name, Silas, and features some of his most experimental trials to date, despite enlisting the same longtime producers like the Neptunes and Timbaland.
As Timberlake's personal life changed with marriage and parenthood, so did his music. He plunged even deeper into his Tennessee origins and the country music of his childhood, as evidenced in singles "Filthy," "Supplies," and the Stapleton-featuring "Say Something."
However, the most essential song to understand Timberlake's current moment is the sweet, deeply personal "Young Man." It closes the album on a vulnerable note, showing the singer not as a superstar, but as a devoted father passing on his teachings. Vocal snippets from both Silas and Jessica Biel make it even more special, framing a fleeting moment into eternity.
After seeing Timberlake grow from a teenager himself to raising his own family, there's a full-circle element coloring his next steps with much expectation. What will be his next reinvention? If Timbaland's words are true, luckily we won't have to wait too long to find out.
Photo: Tasos Katopodis/Getty Images for MTV Entertainment
10 Artists Who Are Outspoken About Mental Health: Billie Eilish, Selena Gomez, Shawn Mendes & More
From Ed Sheeran to Janet Jackson, take a look at some of the major music stars who have shared their struggles with mental health — and helped fans feel supported and seen in the process.
Sharing mental health issues with close family or specialized medical professionals can be challenging enough. Add in the pressures of fame and being in the public eye, and any struggles are exponentially more difficult to cope with.
In recent years, though, mental health has become a much more widely discussed topic in celebrity culture. Several artists have used their music and their platform to open up about their own struggles with depression, anxiety and the like, from Bruce Springsteen to Selena Gomez.
In honor of Mental Health Awareness Month this May, GRAMMY.com highlights the inspirational impact of music superstars who speak out about what they're going through, and how they manage their challenges. These 10 performers are making change through their courage and candor.
Ed Sheeran takes fans behind the curtain of his personal life and struggles with mental health in Ed Sheeran: The Sum of It All. The four-episode docuseries, which is now streaming on Disney+, details the pain of losing his best friend Jamal Edwards and his wife Cherry Seaborn receiving a cancer diagnosis while she was pregnant with their daughter Jupiter.
"What I think is really great about the documentary is the themes that it explores, everyone goes through," Sheeran said at the New York City premiere on May 2, according to the Hollywood Reporter. "Everyone goes through grief. Everyone goes through ups and downs of their mental health."
Sheeran dives deeper into his struggles — and is more vulnerable than ever before — on his latest album Subtract, which arrived on May 5. "Running from the light/ Engulfed in darkness/ Sharing my eyes/ Wondering why I'm stuck on the borderline," he sings on album cut "Borderline," which touches on battling suicide thoughts.
Like Sheeran, Scottish singer Lewis Capaldi also gave fans an incredibly upfront look at his mental health challenges in a documentary, How I'm Feeling Now. The new Netflix release details his experience with anxiety and Tourette's syndrome, taking viewers to physical therapy with Capaldi and discussing how his medication both helps and hurts the quality of his life.
Capaldi's second album, Broken By Desire To Be Heavenly Sent (due May 19) will further explore his anxieties and vulnerability. While he has admitted it wasn't easy to be so raw in his music and on screen, Capaldi wants to make a difference in other people's lives. "If people notice things that are concurrent with what's going on in their life, then it's all been worth it," he told Variety.
While Billie Eilish's music has been raw and real from the start, her music has become increasingly more vulnerable throughout the years. Whether in her music or in interviews, the star has opened up about dealing with body dysmorphia, depression and thoughts of self-harm — hoping to inspire fans to speak up when they are hurting, and to know that it gets better.
"It doesn't make you weak to ask for help," she asserts in a 2019 video for Ad Council's Seize The Awkward campaign, which features stars discussing mental health.
"Kids use my songs as a hug," she told Rolling Stone earlier that year. "Songs about being depressed or suicidal or completely just against-yourself — some adults think that's bad, but I feel that seeing that someone else feels just as horrible as you do is a comfort. It's a good feeling."
As one of the most-followed stars on social media, Selena Gomez has often used her formidable presence to discuss her mental health and connect with others. In 2022, the singer launched a startup called Wondermind, which is focused on "mental fitness" and helping users maintain strong mental health.
Just a few months later, Gomez further chronicled her own mental health journey in an Apple TV+ documentary, Selena Gomez: My Mind and Me, which shows extremes she's suffered with her depression and bipolar disorder. She has said she was initially hesitant to share the film, but ultimately reflected on how many others could be helped if she did.
"Because I have the platform I have, it's kind of like I'm sacrificing myself a little bit for a greater purpose," she explained in a 2022 cover story with Rolling Stone. "I don't want that to sound dramatic, but I almost wasn't going to put this out. God's honest truth, a few weeks ago, I wasn't sure I could do it."
In 2019, Shawn Mendes first publicly addressed his struggles with anxiety in the dynamic — and GRAMMY-nominated — hit "In My Blood." Three years later, the singer postponed his 2022 tour in order to focus on his mental health, opening up an important conversation to his legion of fans.
"The process was very difficult," he said in a February interview with Wall Street Journal. "A lot of doing therapy, a lot of trying to understand how I was feeling and what was making me feel that way. And then doing the work to help myself and heal. And also leaning on people in my life to help a little bit.
"It's been a lot of work, but I think the last year and a half has been the most eye-opening and growing and beautiful and just healing process of my life," he continued. "And it just really made me see how culture is really starting to get to a place where mental health is really becoming a priority."
Even an artist as successful and celebrated as Bruce Springsteen has faced depression. In his 2016 autobiography Born to Run, the 20-time GRAMMY winner cites a difficult relationship with his father and a history of mental illness in the family, sharing that he has sought treatment throughout his life.
"I was crushed between 60 and 62, good for a year, and out again from 63 to 64," he wrote in the book. In that time, he released his 2012 album, Wrecking Ball, which featured a raw track called "This Depression." "Baby, I've been down, but never this down I've been lost, but never this lost," he sings on the opening verse.
As his wife, Patti Scialfa, told Vanity Fair in 2016, "He approached the book the way he would approach writing a song…A lot of his work comes from him trying to overcome that part of himself."
The physical and emotional abuse suffered by the famous Jackson family is well-documented in books, documentaries and TV dramatizations. But it's only been in recent years that Janet Jackson has talked about her own depression, which she has referred to as "intense." Her son Aissa has helped her heal from mental health challenges that have followed her all of her life.
"In my 40s, like millions of women in the world, I still heard voices inside my head berating me, voices questioning my value," she wrote in a 2020 ESSENCE cover story. "Happiness was elusive. A reunion with old friends might make me happy. A call from a colleague might make me happy. But because sometimes I saw my failed relationships as my fault, I easily fell into despair."
After seeing global success with her debut single, "Ex's & Oh's," Elle King experienced the woes of sudden fame as well as a crumbling marriage. Her second album, 2018's Shake the Spirit, documented her struggles with self-doubt, medicinal drinking and PTSD.
"There's two ways out," she told PEOPLE in 2018, describing her marriage as "destructive," physically abusive and leading her to addiction. "You can take the bad way out or you can get help. I got help because I knew that I have felt good in my life and I knew I could get there again."
Certain public situations can trigger crippling anxiety attacks for Brendon Urie, who has been open about mental health concerns throughout his career. He can perform in front of thousands of fans, but he's revealed that being in the grocery store or stuck in an elevator for too long with other people are among some of his most uncomfortable scenarios in his life.
"You would never tell on the surface, but inside it's so painful I can't even describe," the former Panic! At The Disco frontman — who disbanded the group earlier this year to focus on his family — said in a 2016 interview with Kerrang.
Rapper Big Sean and his mother released a series of educational videos during Mental Health Awareness Month in 2021 — two years after the Detroit-born star started talking about his own long-held depression and anxiety publicly.
"I was just keeping it real because I was tired of not keeping it real," he said in an interview with ESSENCE in 2021. "I was tired of pretending I was a machine and everything was cool and being politically correct or whatever. I just was like, I'm a just say how I feel."
Like many of his peers, he hopes that his honesty will help others. "Whatever they can apply to their life and better themselves and maybe it just even starts a whole journey in a different direction as far as upgrading and taking care of themselves and bossing up themselves," he added. "Whatever they're trying to do, I hope it helps them get to that place."