searchsearch
Lauv On "F**k, I'm Lonely," Staying Independent, Mental Health & More

Lauv

news

Lauv On "F**k, I'm Lonely," Staying Independent, Mental Health & More

At 25 years old, the singer/songwriter and producer has found a way to be his own boss

GRAMMYs/Aug 9, 2019 - 03:33 am

In a sea of internet sensations filled with viral hits, indie-pop artist and producer Lauv has been like a shark—constantly moving forward. 

The singer/songwriter's work hits you in a whole spectrum of relatable feels. Last year's I met you when I was 18 EP will have you swooning over lyrics like, "To be young and in love in New York City/ To not know who I am but still know that I'm good long as you're here with me," while "Enemies" takes you through the awkward post-breakup space when you just want to be civil: "Why do we, we have to be/ Enemies, enemies?/ Forget all the scars/ All that they are memories."

With more than two billion streams, a growing following of one million on Instagram and more than four hundred thousand on Twitter, the singer known as @lauvsongs has also landed on Billboard's Next Big Sound and Emerging Artist charts.

The best part? It's all on his terms.

At 25 years old, Lauv has found a way to be his own boss in the complex music industry. Through the use of AWAL streaming service for global distribution, he has been able to control how his music is shared. Being independedent may not necesarilly have been his plan in the beginning, but sometimes when one door closes, another one opens. And that's certainly the case for Lauv.

"I always felt like I was trying to prove something to these label people, and I felt very intimidated," he told the Recording Academy. "I think once stuff started to happen for me and really once I put out, 'I Like Me Better,' I was like, wait a second. The tables are flipped. It's now possible for me to do this without the people that made me feel intimidated."

The Los Angeles-based artist, who originally wanted to work for other artists while studying at NYU and who has also penned songs for the likes of Charli XCX and Demi Lovato, is working on his forthcoming debut album. This time around, he's writing about more than just love. One of the topics he tackles is his own journey with mental health, something he is very open and honest about on social media. 

Lauv recently spoke to the Recording Academy about his mental health journey, his latest single "f*, i'm lonely," navigating the industry as an indepependent artist and more.

You went to NYU. What did you major in?

Yes. Music technology.

What did you learn majoring in that?

Basically, it's just all audio engineering stuff, learning proper miking techniques, music theory, and music history, ear training, some production classes, music for film classes, learning how to build a synth, really building stuff.

So how did you get into singing and songwriting?

I wasn't playing music when I was a little kid. I always played the piano and then I played viola and then guitar. And when I was 13, that's the first time I tried to write a song. And then I just fell in love. My voice sucked. I was really bad at singing. I remember I played in some bands and my friend's dad was like, "You guys need to get a new singer." But then I just stuck with it and kept writing songs and probably wrote, at this point, I've written thousands of songs.

How did you develop the voice you have now?

I did some vocal training, but I think it was about me ... I used to try to force my voice to be something that wasn't right. I wanted to sing, I wanted to belt super loud and like I was wrecking my voice. I think like once I started singing more in my head voice in Falsetto, I discovered a whole new side of my abilities and that's where I ended up finding my style.

I want to get back to music education a little bit because I feel like a lot of young people get into a major and then end up in working in a field that isn't related to it. Has your major helped you in any way with your singing and your songwriting?

Yeah, no, I think so. Just getting the experience of some of the more specific things like the music theory and the ear training and also just getting the opportunity to be studying something and honing all the technical parts as I was trying to find my own creative voice, I think it was a really good combination.

You've done songwriting for artists like Charlie XCX. How do you decide when a song is for you and when you're going to give it to somebody else?

That's a good question. I think it's just when I make a song and it and it feels like a song that I need to sing, meaning it's really truly about my life, then those are the songs that I just don't want to give away. But sometimes, because I can't really control the creative process, sometimes there's a song that I love but it doesn't feel like a song that I need to sing, if that makes sense. Yeah, that's the difference for me.

What are the different skills that you use, say, for producing versus songwriting?

Oh, that's a good question. No one's really ever asked me that. I guess production has just been all my years nerding out on my computer. The thing is for me, I would say I'm more of a songwriter than I am a producer. Even though I produce most of my own stuff, I feel like I always focus on the song; the lyrics and the melody and the chords, and the production really for me is just trying to support and not get in the way of the song. That's the way I think about it because it's so easy for producers to make something amazing, but it gets in the way of the song.

You own your own music. It took Tom Petty a huge battle to get his rights back. Going into music, were you always aware that you wanted to own your own music?

No. My whole dream was to get signed to a record label. It was always that when I was a kid.

So how did you get here? How did you decide, "I'm going to do this independent thing"?

Well, basically ... That's a really good question. The funny thing is before I started releasing music in 2015, I didn't really have that much traction. In that time, I met with some labels and people were always ... I always felt like I was trying to prove something to these label people, and I felt very intimidated. I think once stuff started to happen for me and really once I put out "I Like Me Better," I was like, wait a second. The tables are flipped. It's now possible for me to do this without the people that made me feel intimidated, to be honest. I could do this with my management that I love and build a team around me that feels like people that I genuinely feel connected to on. I have nothing against major labels. I think for a lot of artists that makes a lot of sense. But for me, I just have this weird complex where I feel intimidated by stuff like that for some reason.

So has it been a process where you're learning as you go about the business? Have you nerded out on books or how have you navigated it all?

I rarely read, sadly. Yeah, I think I've definitely been learning along the way, mostly conversations with my team and my attorney and stuff like that. We talk a lot. I definitely stay out of the details of the business because I just don't really have the bandwidth. I'm trying to focus on just making the album and so on and so forth. But as I go along the way, I'm definitely gleaning stuff.

So you released your own music, and I've noticed that you like to release some songs on Instagram. How come?

Yes. Because to be honest, I have so many songs. I can't even tell you how many songs I have. Right now, I'm trying to figure out which ones are going to be on the album. There's all this release strategy about when's the best time to put out songs and so on and so forth, timing. I'm always just like, fk it. I want to give people music so if I have an idea. I just leak it and then that's it.

Tierra Whack released a mini album on IG. Do you think you'd ever do something like that?

That's fking sick. I actually didn't know that. That would be sick. I would love to do something like that. I'm pretty sure my managers would kill me.

Do you feel like social media has been your greatest tool as an artist?

I think it's been probably. I think along with Spotify and Apple Music and just streaming in general. Social media has definitely been the best way for me to build an actual connection with my fans and not just be songs but be a real thing.

How did you find out about AWAL and why did you decide to use it?

I'm trying to remember how I originally found out about them. I think it's just something that came up through these people I knew in the industry as they were transitioning from just doing the AWAL deals to doing the more high profile full services deals. Around that time, I think someone on my team had worked with them in the past and said they were amazing. Then I met with them and then loved it.

How helpful has it been to you?

Really helpful. Yeah. No, it's been super helpful. They've been super amazing. I actually have a team there that puts in a lot of work around the world. So it's really cool that I get to do it in a way were I control everything and I own everything, but I have a team that's actually working really hard.

What is the most challenging thing about being an independent artist today?

I think honestly just getting people to take it seriously sometimes. I think sometimes people ... obviously there's Chance The Rapper, and he's a legend, but I think a lot of people ... there's all these associations between artists; these people in the public or these people are on whatever, whatever it might be. I know there's a lot of events to bring artists together and stuff. And I always feel like I'm on the outside looking in a little bit.

What about the greatest thing about being an independent artist?

Oh, the greatest thing? Getting to do whatever I want and yeah, owning my masters, for sure.

Your single "Sad Forever" continues the conversation you started in "Drugs And The Internet" about your journey with mental health and medication. How did you decide to seek medication?

That's a really good question. Honestly, I was super resistant towards it. One time when I was in college, I went through depression and they tried to prescribe me some meds and I never took them. I think I always felt like I was better than that or something. I had this idea in my head that started to change the way I thought. But after talking to my family, because there's some mental health stuff in my family, and also talking to my therapist and psychiatrist, I felt like I was at such a low point that I just didn't really have any other options because I was having such bad obsessive thoughts that I couldn't get out of and that I couldn't live my normal life. So I felt like I had no other option. Once I gave them a shot, it all clicked to me how important it was for me to be open to it. Some of the mental health stuff is really illogical. It's not just think more positively because sometimes chemically, you're lacking chemicals you need, so you really can't think positively. Everything feels negative no matter how positive it is. So I think for some people it's important to be open to medication, not for everybody, but for some people.

How are you doing now?

It's been good. Well, let's see. I won't bore you with too many details, but there's been some trial and error trying to find the right medication, but I'm currently, especially on a mood stabilizer. That's helped me not swing really high and then swing really low. I'm still always figuring it out and trying to get the dosage right and get to a place where I feel like my normal is a real good place, that I'm not sitting really low where I'm not sitting very high, but I'm just sitting at a normal place.

In "Sad Forever" there's a lyric that says, "Sometimes I just want to give up." Is that related to you personally?

Yeah, yeah. I'm just thankful to not be there right now. I've definitely felt that way and that's definitely just a story about my life, but I'm just thankful that I'm in a better place now.

What gives you hope?

God, what gives me hope? I think my friends, my family, my dog, and just knowing that ... I can actually have a real impact on other people's lives and not just make the music that they can party to, but make something that can help them get through something. I know that my favorite music always did that for me. I think just the thought of being able to do that for somebody is really special.

Is that why you've been so open with your journey?

Yes. I'm the type of person where I feel I have to be an open book or else I feel really weird. I don't know why.

Tell me about your latest single

Yes. Yeah. The song is called "Fk, I'm Lonely," and basically ... Well, actually it's the least deep song I put out. It's just a fun one because I'm so used to making songs that are so ... Obviously "Drugs And The Internet" and "Sad Forever" are one thing. It's basically about missing somebody. It's pretty straightforward. I did it with Anne Marie, who is an amazing artist and a massive pleasure to work with. 

You're also working on an album. Can we get any more details on that?

So it's called How I'm Feeling and basically all the songs that I've put out so far, like "Drugs and the Internet" and "Sad Forever" and "Fk, I'm Lonely" are all part of the album. Basically, I'm still working on it, but I want to keep writing some songs until the album's done and then I'll drop the rest of the album. And basically I'd say how it's different than my first project, which I mentioned was when I was 18, it's moreso just about everything in my life. It's not just about me in a relationship. I have songs about that my parents and my best friends and my dog and my favorite bar, literally everything.

You're starting a tour in October. Do you think the album will be out by then?

That would be amazing. But, I don't know.

11 Breakout Acts You May Have Missed At Lollapalooza 2019

Rotimi On Performing At ESSENCE Fest, Growing Up African-American & More

Rotimi

news

Rotimi On Performing At ESSENCE Fest, Growing Up African-American & More

The Nigerian-American singer and actor sat down with the Recording Academy to talk about what inspired his latest album, 'Walk With Me'

GRAMMYs/Jul 8, 2019 - 10:04 pm

In 2015, Rotimi stepped into the New Orleans Superdome for the first time to experience the magic of ESSENCE Fest. Four years later, in 2019, the "Love Riddim" singer returned to the celebration as a performer, something he said was spoken into existence.

"Last year me and my manager had a conversation and I said, 'Listen, I'm going to be on the [ESSENCE] mainstage this year. 365 days later, we did it," Rotimi told the Recording Academy at the 25th annual ESSENCE Fest.

Rotimi, also an actor on Starz' "Power," has evolved since his last album, 2017's Jeep Music, Vol.1. The singer said he really hit home with its follow-up, the recently released Walk With Me, a project he worked hard for, putting in hours in the studio after filming on set.

"Walk With Me is the first time I actually felt like I was giving myself as an artist, and personally I feel like with everything else I have going on I wanted to show people that this is really what I do," he said. "I wanted people to understand who Rotimi is, who Rotimi was before, who I want to be and just understand my growth and the journey and my passion for what I do."

Part of why the album felt like such a representation of him is because it embodies beats of his African roots, something he said was very present growing up Nigerian-American. 

"I grew up with a lot of Fela Kuti and I grew up with Bob Marley," he said of his musical roots. "But I also grew up with Carl Thomas and Genuine and Usher, so there was a genuine mixture of who I am and what I've grown up to listen to. The actual Walk With Me project was a mixture of influences of Akon and Craig David."

Mumu Fresh On What She Learned From Working With The Roots, Rhyming & More

Rosalía Announces First Solo North American Tour

Rosalía 

Photo: Carlos Alvarez/Getty Images

news

Rosalía Announces First Solo North American Tour

El Mal Querer Tour, named after the Spanish pop star's latest album, will come to Los Angeles on April 17 in between her Coachella performances

GRAMMYs/Mar 20, 2019 - 12:25 am

Rosalía is set to perform at some of the most popular music festivals around the globe, including Primavera Sound in Spain, Lollapalooza (Argentina and Chile) and Coachella, but the Spanish pop star isn't stopping there when she gets to the States. Now, she has announced her first solo North American Tour with a string of dates that will bring her to select cities in the U.S. and Canada.

El Mal Querer Tour, named after her latest album, will come to Los Angeles on April 17 in between her Coachella performances. Then she'll play San Francisco on April 22, New York on April 30 and close out in Toronto on May 2.

 

RELATED: How Rosalia Is Reinventing What It Means To Be A Global Pop Star

"I’m so happy to announce my first solo North American tour dates," the singer tweeted.

Rosalía won Best Alternative Song and Best Fusion/ Urban Interpretation at the 19th Latin GRAMMY Awards in November and has been praised for bringing flamenco to the limelight with her hip-hop and pop beats. During her acceptance speech she gave a special shout-out to female artists who came before her, including Lauryn Hill and Bjork. 

Rosalía has been getting some love herself lately, most notably from Alicia Keys, who gave the Spanish star a shout-out during an acceptance speech, and Madonna, who featured her on her Spotify International Women's Day Playlist. 

Tickets for the tour go on sale March 22. For more tour dates, visit Rosalía's website.

2019 Music Festival Preview: Noise Pop, Coachella, Ultra & More

Listen: Tame Impala Release New Track "Patience"

Kevin Parker of Tame Impala

Photo: Rick Kern/WireImage

news

Listen: Tame Impala Release New Track "Patience"

It's been four years since we've heard new music from Tame Impala, but their new release has come just in time for festival season

GRAMMYs/Mar 23, 2019 - 12:08 am

Tame Impala have released a new single appropriately called "Patience." The GRAMMY-nominated music project by Australian singer and musician Kevin Parker had not released any new tracks since 2015's Currents.

The long-awaited latest release embodies the exact feeling of having to wait for something: "Has it really been that long? / Did I count the days wrong? ... I've been waiting here / Waiting for the day to come," Parker's soft voice sings on the track featuring an equally soft piano. 

Parker, who has come to fame for the psychedelic, dreamy pop sound he shares as Tame Impala, teased the single on Instagram last night. "New track. 1 hour. Speakers/headphones people," the post said. 

He and his touring band will be headlining Coachella and Lollapalooza this year and starting a U.S. tour after the Indio, Calif. dates. He said that he would like to release a new album by mid-2019. 

"I'd be really disappointed if we didn't have something out by then." Parker told Matt Wilkinson on Beats 1. "I love playing the songs live, I love playing Currents songs I love playing Lonerism songs and everything but I think I'm ready to play some other songs live."

Behind The Board: Matt Ross-Spang On Why Memphis Is The Reason He Produces

Lila Downs Announces New Album Paying Tribute To The Chile Pepper, Releases Tour Info

Lila Downs 

news

Lila Downs Announces New Album Paying Tribute To The Chile Pepper, Releases Tour Info

The announcement was made with the release of the first single, a cover of the Peruvian cumbia classic "Cariñito"

GRAMMYs/Apr 11, 2019 - 04:42 am

GRAMMY-winning singer/songwriter Lila Downs, known for her eclectic mixture sounds from Mexico and beyond, has announced that her latest album, Al Chile, will pay tribute to the chile pepper and will drop May 3. The news came with the release of the first single, "Cariñito."

Al Chile, produced by the GRAMMY-nominated DJ and producer Camilo Lara (Mexican Institute of Sound) and mixed by Mario Caldato Jr., who has worked with the Beastie Boys and Jack Johnson, is not a joke; it sincerely shows love for the fruit. 

"Yes, the music is a tribute to the fruit that causes us so much craving and suffering, but that we really love!" Downs said in a statement. "We fry the chile, add beats from the city, then saxophones, trumpets and drums from the Mexican coast to keep the dance going. The village and the city are united by the same beat. With a mezcal in hand, we dream of a place with a palm tree where one falls in love and reflects."

The first single is Down's take on a Peruvian cumbia classic. The singer also released dates for the album's supporting tour that will take her to Los Angeles' Walt Disney Concert Hall, New York City, Seattle and other cities across the U.S.

For more information on the tour, visit Downs' website

Closing The Gap: How Latina Artists Are Combating Gender Inequality In Urban Music