The best cover songs are arguably the ones in which the artist makes the song their own.

Classically trained violinist Lindsey Stirling has attempted to do just that with her reinterpretation of Green Day's GRAMMY-winning "Boulevard Of Broken Dreams" for the latest installment of The Recording Academy's ReImagined series. Stirling, who is joined by Kit Nolan (keyboards) and Drew Steen (cajon), performs a stripped-down rendition of the song, allowing Billie Joe Armstrong's somber lyrics to shine through the lens of her violin.

Featured on 2004's American Idiot, "Boulevard Of Broken Dreams" earned Green Day a GRAMMY for Record Of The Year for 2005. The prior year, at the 47th GRAMMY Awards, the chart-topping American Idiot won a GRAMMY for Best Rock Album.

Watch: Green Day wins Record Of The Year for "Boulevard Of Broken Dreams"

Since 2007, Stirling has amassed more than 9 million subscribers on her YouTube channel. She released her third studio album, Brave Enough, in 2016. The album peaked at No. 5 on the Billboard 200, and features collaborations with GRAMMY winner Lecrae, Christina Perri and ZZ Ward. Also in 2016, Stirling published her autobiography, The Only Pirate At The Party, which became a New York Times best-seller.

By pairing YouTube creators with a GRAMMY-winning song catalog, the ReImagined series celebrates the talent and contributions of today's YouTube influencers, highlights the creative spirit of musical collaboration, and pays tribute to the artists and songs recognized by The Recording Academy.

Want more ReImagined? Watch Our Last Night reinterpret Sam Smith's "Stay With Me"

As a founding member of the National Recording Preservation Board, the Recording Academy was instrumental in lobbying and getting the board created by Congress. Now, the Library of Congress has added new treasures to the National Recording Registry, preserving masterpieces that have shaped American culture.

The 2024 class not only celebrates modern icons like Green Day’s punk classic Dookie and Biggie Smalls' seminal Ready to Die, but also honors vintage gems like Gene Autry’s "Rudolph, the Red-Nosed Reindeer" and Perry Como’s hits from 1957. These recordings join over 650 titles that constitute the registry — a curated collection housed within the Library’s vast archive of nearly 4 million sound recordings. 

Librarian of Congress Carla Hayden announced these additions as essential pieces of our nation’s audio legacy, each selected for their cultural, historical, or aesthetic importance. This selection process is influenced by public nominations, which hit a record number this year, emphasizing the public's role in preserving audio history.

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"The Library of Congress is proud to preserve the sounds of American history and our diverse culture through the National Recording Registry," Hayden said. "We have selected audio treasures worthy of preservation with our partners this year, including a wide range of music from the past 100 years, as well as comedy. We were thrilled to receive a record number of public nominations, and we welcome the public’s input on what we should preserve next."

The latest selections named to the registry span from 1919 to 1998 and range from the recordings of the all-Black 369th U.S. Infantry Band led by James Reese Europe after World War I, to defining sounds of jazz and bluegrass, and iconic recordings from pop, dance, country, rock, rap, Latin and classical music.

"For the past 21 years the National Recording Preservation Board has provided musical expertise, historical perspective and deep knowledge of recorded sound to assist the Librarian in choosing landmark recordings to be inducted into the Library’s National Recording Registry," said Robbin Ahrold, Chair of the National Recording Preservation Board. "The board again this year is pleased to join the Librarian in highlighting influential works in our diverse sound heritage, as well as helping to spread the word on the National Recording Registry through their own social media and streaming media Campaigns."

Tune in to NPR's "1A" for "The Sounds of America" series, featuring interviews with Hayden and selected artists, to hear stories behind this year’s picks. Stay connected to the conversation about the registry via social media and listen to many of the recordings on your favorite streaming service.

For more details on the National Recording Registry and to explore more about the selections, visit The Library of Congress's official National Recording Registry page.

National Recording Registry, 2024 Selections (chronological order)

1. "Clarinet Marmalade" – Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)

2. "Kauhavan Polkka" – Viola Turpeinen and John Rosendahl (1928)

3. Wisconsin Folksong Collection (1937-1946)

4. "Rose Room" – Benny Goodman Sextet with Charlie Christian (1939)

5. "Rudolph, the Red-Nosed Reindeer" – Gene Autry (1949)

6. "Tennessee Waltz" – Patti Page (1950)

7. "Rocket ‘88’" – Jackie Brenston and His Delta Cats (1951)

8. "Catch a Falling Star" / "Magic Moments" – Perry Como (1957)

9. "Chances Are" – Johnny Mathis (1957)

10. "The Sidewinder" – Lee Morgan (1964)

11. "Surrealistic Pillow" – Jefferson Airplane (1967)

12. "Ain’t No Sunshine" – Bill Withers (1971)

13. "This is a Recording" – Lily Tomlin (1971)

14. "J.D. Crowe & the New South" – J.D. Crowe & the New South (1975)

15. "Arrival" – ABBA (1976)

16. "El Cantante" – Héctor Lavoe (1978)

17. "The Cars" – The Cars (1978)

18. "Parallel Lines" – Blondie (1978)

19. "La-Di-Da-Di" – Doug E. Fresh and Slick Rick (MC Ricky D) (1985)

20. "Don’t Worry, Be Happy" – Bobby McFerrin (1988)

21. "Amor Eterno" – Juan Gabriel (1990)

22. "Pieces of Africa" – Kronos Quartet (1992)

23. Dookie – Green Day (1994)

24. Ready to Die – The Notorious B.I.G. (1994)

25. "Wide Open Spaces" – The Chicks (1998)

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In the latest episode of ReImagined, soul-pop newcomer Dylan Chambers delivers a fresh, heartfelt take on "Uptown Funk", using an electric guitar to drive the performance.

In the year of its inception, Mark Ronson and Bruno Mars' "Uptown Funk" quickly made strides across the map, from a No. 1 peak on the Billboard Hot 100 to a Record Of The Year and Best Pop Duo/Group Performance win at the 2014 GRAMMYs. Ten years after its release, it is the ninth most-viewed YouTube video of all-time and was named one of Billboard's "Songs That Defined The Decade."

Chambers named Mars as one of his most influential inspirations and praised Silk Sonic's Las Vegas residency as one of the "greatest concerts" he has attended in an interview with Muzic Notez.

"Don't believe me, just watch," Chambers calls in the chorus, recreating its notable doo-wop ad-libs with the strums of his instrument.

Chambers dropped his latest single, "I Can Never Get Enough" on April 10, following his March release "High (When I'm Low)." Both tracks will be a part of his upcoming EP, For Your Listening Pleasure!, out May 17.

Press play on the video above to watch Dylan Chambers' groovy rendition of Bruno Mars & Mark Ronson's "Uptown Funk," and check back to GRAMMY.com for more new episodes of ReImagined.

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In 2022, Bruno Mars and Anderson .Paak had a memorable GRAMMYs night together as Silk Sonic. As .Paak declared on stage, they made a "clean sweep," winning every category in which they were nominated: Best R&B Song, Best R&B Performance, Record Of The Year and Song Of The Year. And it was all thanks to their smash "Leave the Door Open."

In this episode of ReImagined, R&B newcomers WanMor perform a smooth cover of the iconic track. Against a lush greenery backdrop, the foursome each take turns at the mic and come together for some silky harmonies.

"I'ma leave the door open girl/ That you feel that I feel/ And you want me like I want you tonight, baby/ Tell me that you're coming through," they croon with the same swagger Silk Sonic possessed in the 2021 single.

WanMor consists of the four sons of Boyz II Men's Wanyá Morris, with their moniker paying homage to their father's first and last names. Individually, they go by the stage names Big Boy, Chulo, Tyvas, and Rocco.

On March 29, the sibling quartet released their latest project, Alone With You — which also featured their previous singles "BABY" and "Please Don't Go" — via Beautiful Life Productions, Mary J. Blige's 300 Entertainment imprint.

Press play on the video above to watch WanMor's groovy rendition of Silk Sonic's "Leave the Door Open," and check back to GRAMMY.com for more new episodes of ReImagined.

Bruno Mars' GRAMMYs Legacy: How His 'Clean Sweep' With Silk Sonic Continued A Remarkable Winning Streak

Almost exactly two decades ago, Green Day traced the story of a lonely teenager, Jesus of Suburbia, in their seventh album, American Idiot. Its most notable chapter, "Boulevard of Broken Dreams," earned the band Record Of The Year at the 2006 GRAMMYs.

In this episode of ReImagined, Canadian pop-punk singer LØLØ delivers her take on the song, an ethereal acoustic version.

LØLØ is a longtime fan of Green Day. In an interview with Kerrang! magazine, she recalled their single "Good Riddance (Time of Your Life)" as the first song she learned to play. She later told idobi Radio that her 2023 track "omg" was "a bunch of intrusive thoughts jumbled into a song, wondering if I will ever be enough, or ever be as cool as Green Day."

This year, LØLØ released two original singles, "poser" and "2 of us," via Hopeless Records.

Press play on the video above to hear LØLØ's fresh rendition of "Boulevard of Broken Dreams," and check back to GRAMMY.com for more new episodes of ReImagined.

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