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GRAMMYs

Patti Smith 

Photo: Steven Ferdman/Getty Images

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See Patti Smith's Latest Tribute To Greta Thunberg patti-smiths-latest-tribute-greta-thunberg-birthday-shout-out-instagram

Patti Smith's Latest Tribute To Greta Thunberg Is A Birthday Shout Out On Instagram

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Smith wrote a sweet poem in honor of Thunberg's 17th birthday, highlighting her outspoken spirit
Jennifer Velez
GRAMMYs
Jan 3, 2020 - 4:54 pm

If you follow punk rock legend Patti Smith, you're likely aware of her fondness for Swedish teen climate activist Greta Thunberg. The singer posted tributes to the teen throughout 2019, and didn't leave out posting one on Thunberg's birthday, Jan. 3.

Smith wrote a sweet poem in honor of Thunberg's 17th birthday, highlighting her outspoken spirit. "This is/ Greta Thunberg, turning/seventeen today, asking/for no accolade, no gifts,/save we not be neutral./ The Earth knows its kind,/ just as all deities, just as/animals and the healing/spring.Happy birthday/to Greta, who stood today,/as every Friday, refusing/ to be neutral," the poem reads. 



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This is Greta Thunberg, turning seventeen today, asking for no accolade, no gifts, save we not be neutral. The Earth knows its kind, just as all deities, just as animals and the healing spring. Happy birthday to Greta, who stood today, as every Friday, refusing to be neutral.

A post shared by This is Patti Smith (@thisispattismith) on Jan 3, 2020 at 5:54am PST

Last year, Smith took to Instagram to highlight Thunberg's fight to bring awareness to the wolrd's dangerous climate change. After Thunberg's emotional speech at the U.N. Climate Action Summit in September in which she denounced those in power doing nothing to stop harmful effects, Smith wrote a poem on Instagram about the moment that sparked a lot of attention. The speech was even turned into a metal song. 

"This is/ Greta Thunberg./ Our children are/ angry. They are/ frightened. Who/ will stand for them?/ Who will act? Who/ will wipe their tears?"

In May 2019, Smith posted a black-and-white picture of Thunberg holding her famous Swedish sign, that in English reads "School strike for the climate." 

Smith recently celebrated her own birthday on Dec. 30. She turned 73.

Remaining Allman Brothers Band Members To Reunite In New York City In Celebration Of 50th Anniversary

GRAMMYs

Greta Thunberg 

Photo: Jeenah Moon/Bloomberg via Getty Images

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Greta Thunberg Remix Speech To Aid Greenpeace metal-remix-greta-thunbergs-united-nation-speech-benefit-greenpeace

Metal Remix Of Greta Thunberg's United Nation Speech To Benefit Greenpeace

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The remix, made with metal music placed over the speech, was made by New York thrash metal band Suaka's drummer G.T., a.k.a. John Mollusk, and has garnered over 4.1 million views
Jennifer Velez
GRAMMYs
Oct 2, 2019 - 5:12 pm

A heavy-metal remix of Swedish teen climate activist Greta Thunberg's Sept. 23 now-viral United Nations Climate Action speech will be used to benefit Greenpeace, a worldwide non-profit environmental organization.

The remix, made with metal music placed over the speech, was made by New York thrash metal band Suaka's drummer G.T., a.k.a. John Mollusk, and has garnered over 4.1 million views. Swedish label Despotz Records is releasing the single and will have all profits go to Greenpeace.

In the speech, the 16-year-old activist calls out the corporations and those in power who are not addressing and doing their part to stop the climate crisis from growing. After the remix emerged, Thunberg had some fun with it too. 

"I have moved on from this climate thing... From now on I will be doing death metal only!!" the teen tweeted.

Despotz Records has also launched a campaigned called #GREENMETAL to unite metal towards environmental action. You can buy or stream the single via Spotify, Apple Music, Bandcamp, YouTube or Deezer/Amazon.

District Advocate Day Is Here! Music Creators Meet With Lawmakers Across The U.S.

 

 
Clockwise from top-left: Haim, Brittany Howard and CHIKA
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Pandora LIVE: Haim And More Confirmed pandora-announces-pandora-live-lineup-haim-brittany-howard-chika-2021-grammys

Pandora Announces Lineup For Pandora LIVE Countdown To The GRAMMY Awards: Haim, Brittany Howard And CHIKA Confirmed

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Taking place Thursday, March 11 at 6 p.m. PT/9 p.m. ET., the free virtual event will feature exclusive performances and a round-table interview with Haim, Brittany Howard and CHIKA
GRAMMYs
Mar 3, 2021 - 7:12 am

Pandora has announced the lineup for its Pandora LIVE Countdown To The GRAMMY Awards event. Taking place Thursday, March 11 at 6 p.m. PT/9 p.m. ET, the online event will feature Haim, Brittany Howard and CHIKA.

Pandora LIVE is the continuation of the popular live event turned virtual series that features top artists from all genres, including country, rock, pop, R&B and more. Listeners can RSVP for the free event here.

Pandora LIVE Countdown To The GRAMMY Awards is a precursor to the 63rd GRAMMY Awards, which airs Sunday, March 14, on CBS.

Harvey Mason jr., Chair & Interim President/CEO of the Recording Academy, will host the evening and lead a round-table discussion with all three performers.  

Throughout the course of their career, Haim have fused genres and have established their own musical individuality. The band made history as the first all-female rock group to be nominated for Album Of The Year with their third studio album, Women In Music Pt. III. The album shows the trio’s multidimensionality by showcasing their songwriting style and melodies. The three-time GRAMMY nominees are set to perform for Pandora LIVE from their hometown of Los Angeles.

With 16 GRAMMY nominations and four GRAMMY wins (with her band Alabama Shakes), Brittany Howard has a compelling presence as a performer shattering soul, rock and blues norms. She will be performing for Pandora LIVE from Nashville.

CHIKA, a first-time GRAMMY nominee in the Best New Artist category this year, uses her powerful voice as a much-needed call to action for the marginalized and disenfranchised. With an instinct for creating impactful viral moments in the music, film/TV, fashion, brand and social media spaces, CHIKA’s ethos and persona have resonated with fans. Her Pandora LIVE performance from Los Angeles is sure to gain her new followers.

In conjunction with the Pandora LIVE Countdown To The GRAMMY Awards event, Pandora recently launched the GRAMMY Awards Radio station. Presented by Lincoln and airing now through March 31 on Pandora, the station celebrates this year’s nominees and shares behind-the-scene stories from past winners.

Event sponsors will enhance the viewing experience and get fans excited for the 2021 GRAMMY Awards show by curating unique content and activities. Prior to the show, Allstate will bring together some of Haim’s top Pandora listeners for a virtual meet and greet. During the show, attendees will have the opportunity to pose in the red-carpet-inspired photo booth, provided by Crest 3D White. To celebrate the event’s powerful and talented all-female lineup, Pandora and Olay Body will join forces to provide a donation to a select charity that supports fearless women in music, specifically those in STEM disciplines, and encourage everyone to get involved in the cause.

Pandora will invite fans to test their artist knowledge with pre-show trivia, connect with others via the interactive chat, and provide a limited amount of complimentary artist merchandise for attendees on a first-come, first-served code-redemption basis.

On March 12, SiriusXM will re-air the evening’s performances from all three artists on The GRAMMY Channel (ch. 104) beginning at Noon ET. On March 13, The Spectrum (ch. 28) will air Brittany Howard and Haim’s performances beginning at 7 p.m. ET and Hip-Hop Nation (ch. 44) will air CHIKA’s performance at 11 a.m. ET, followed by encore broadcasts.

GRAMMY Awards Radio Launches On Pandora Ahead Of The 2021 GRAMMYs Show

A girl looks at a photograph of Ewan McGregor who played Renton in the film 'Trainspotting' before the Private view for ?Look At Me - A Retrospective?

Photo of Ewan McGregor in Trainspotting

 

Photo: Chris Jackson/Getty Images

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Revisiting The 'Trainspotting' Soundtrack At 25 trainspotting-film-soundtrack-anniversary

How The 'Trainspotting' Soundtrack Turned A Dispatch From The Fringes Into A Cult Classic

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Twenty-five years after 'Trainspotting' first thrilled and scandalized moviegoers, the film's soundtrack remains an iconic collision of Britpop, rock and dance music
Jack Tregoning
GRAMMYs
Feb 28, 2021 - 3:43 pm

From its opening shot, Trainspotting is a movie in motion. As sneakers hit the sidewalk of Princes Street in Edinburgh, Scotland, we hear the raucous drumbeat of Iggy Pop's 1977 barnstormer "Lust For Life." Renton—played by Ewan McGregor—and Spud—by Ewen Bremner—sprint away from two security guards, their shoplifting spoils flying out of their pockets. 

"Choose life," Renton's narration begins, introducing an instantly classic monologue about the emptiness of middle-class aspirations. The action then zips to a soccer match that introduces Renton's ragtag mates: Spud, Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle) and Tommy (Kevin McKidd). The scene is all propulsion and attitude, with Iggy Pop dropping the match on the trail of fuel. In just 60 exhilarating seconds, Trainspotting tells us precisely what it's going to be.

Trainspotting burst into U.K. cinemas in February 1996, followed immediately by a debate on whether its fizzing depiction of junkie life glorified drug use. Audiences staggered out, scandalized and delighted in equal measure by "The Worst Toilet In Scotland," Spud's soiled sheets and a ceiling-crawling baby. By the time it opened in the US in May, the movie was already a critical and box office hit at home. Its credentials were undeniable, including a compelling young cast led by newcomer McGregor, a visually daring director in Danny Boyle and a script adapted from Irvine Welsh's cult book of the same name. 

In a year dominated by slick Hollywood blockbusters like Independence Day, Twister and Mission: Impossible, Trainspotting was the scrappy, no-kids-allowed outsider that could. One of the movie's most significant talking points, and a key reason for its enduring legacy, was its use of "needle drops" in lieu of a traditional composerly film score. The soundtrack reaches back to the '70s and '80s, while also showcasing of-the-moment Britpop and dance music. The music of Trainspotting endures because it's intrinsic to the movie, with each song meant to elevate a particular scene or moment. 

Read: How 1995 Became The Year Dance Music Albums Came Of Age

Welsh's 1993 novel frames Renton's misadventures as a heroin addict against the dismal backdrop of Leith, just north of Edinburgh's city center. Trainspotting was first adapted as a stage play, with Ewen Bremner (perfectly cast as Spud in the movie) playing Renton. Before long, the movie offers rolled in. "There was loads of interest," Welsh told Vice in 2016. "Everybody seemed to want to make a film of Trainspotting."

Most directors wanted to ground the adaptation in social realism, but Welsh knew Trainspotting needed a wilder take. In 1994, a promising young director called Danny Boyle had made his feature debut with the pitch-black comedy Shallow Grave, starring Ewan McGregor. Impressed by the movie's visual flair, Welsh gave Boyle the keys to Trainspotting. 

The making of the movie was a thrill for all involved. Fresh from writing Shallow Grave, screenwriter John Hodge relished the opportunity to adapt Welsh's book for the screen. (Hodge was nominated for Best Adapted Screenplay at the 1997 Academy Awards - the movie's only Oscar nod.) Before filming, Boyle sent his actors to spend time with Calton Athletic, a real-life recovery group for addicts. The shoot began in June 1995 and lasted 35 days (a step up from the 30 allocated for Shallow Grave), with Glasgow mostly standing in for Edinburgh. 

Alongside cinematographer Brian Tufano, Boyle brought a bold, kinetic style to every shot. "We'd set out to make as pleasurable a film as possible about subject matter that is almost unwatchable," Boyle told HiBrow in 2018. 

While Shallow Grave gave an early glimpse of Boyle's tastes, including his fondness for electronic duo Leftfield, the music in Trainspotting demanded a bigger role. Welsh's book is peppered with references to The Smiths, Iggy Pop, Lou Reed and David Bowie, so the call went out to a select list of musical icons. Bowie was a no, but others who'd loved the novel happily offered up their music to the project. 

Welsh and Boyle were both clued-in to acid house and rave culture (represented on the soundtrack by the likes of Underworld, Leftfield and John Digweed and Nick Muir's Bedrock project), but it was the director's idea to bring in the likes of Blur and Pulp. That decision was a "masterstroke", Welsh told Vice, because "Britpop was kind of the last strand of British youth culture, and it helped position the film as being the last movie of British youth culture."

Several of the best scenes in Trainspotting are soundtracked by songs made before 1990. Following "Lust For Life", the sleazy strut of Iggy Pop's 1977 track "Nightclubbing" lurks behind a sequence of Renton's relapse into heroin. (Both songs were co-written by David Bowie, giving him an honorary spot on the soundtrack.) New Order's 1981 song "Temptation" is a motif for Renton's taboo relationship with high schooler Diane (Kelly Macdonald in her first film role), while Heaven 17's 1983 pop hit "Temptation" plays at the club where they first meet. 

Lou Reed's "Perfect Day" lands the hardest punch. In a dazzling sequence, Renton visits his dealer Mother Superior (Peter Mullan) for a hit of heroin. As Renton's body sinks almost romantically into the floor, we hear Lou Reed softly singing about a perfect day drinking sangria in the park. The romance ends there. Knowing an overdose on sight, Mother Superior drags his sort-of friend to the street, then heaves him into a taxi, tucking the fare in his shirt pocket. (In a brilliant small detail, we see an ambulance rush past, headed for someone else.) 

"Perfect Day" keeps on at its languid pace as Renton is ejected at the hospital, hauled onto a stretcher and revived by a nurse with a needle to his arm. "You're going to reap just what you sow," Lou Reed sings as Renton gasps wildly for air. 

Boyle pushed for Britpop on the soundtrack, but he didn't want obvious hits. Britpop, a genre coined in the '90s to describe a new wave of British bands influenced by everything from the Beatles to the late '80s "Madchester" scene, was at its peak during the Trainspotting shoot in the summer of 1995. Pulp had just released the Britpop anthem "Common People," Elastica and Supergrass were flying high from their debut albums, and genre superstars Oasis and Blur were locked in a media-fueled battle for chart supremacy. 

In the heat of all that hype, Boyle reached back to 1991 and took "Sing" from Blur's debut album, Leisure. The song's stirring piano melody picks up after the "Nightclubbing" sequence, as Renton and his fellow addicts hit a harrowing rock bottom. Later, when Begbie busts in on Renton's new life in London, Pulp's "Mile End" underlines the mood of big city ennui. Along with contributions from Elastica and Blur frontman Damon Albarn, Trainspotting draws on just enough Britpop to keep its cool. 

If Trainspotting has a signature song, it's Underworld's "Born Slippy .NUXX". The duo of Rick Smith and Karl Hyde already had three albums behind them when Boyle reached out to use their 1995 B-side in his movie's climax. The duo was wary—as Smith later put it to Noisey, their music was often sought out to accompany "a scene of mayhem"—but Boyle convinced them with a snippet of the film. Underworld also contributed the propulsive "Dark & Long" to the indelible scene of Renton detoxing inside his childhood bedroom. After Trainspotting, "Born Slippy .NUXX" became the defining song of Underworld's career and a constant euphoric peak in their live sets. 

Just as Trainspotting caught the Britpop zeitgeist, it also immortalized a high point for dance music. A rush of trailblazing dance albums came out in 1995, including Leftfield's Leftism, The Chemical Brothers' Exit Planet Dust and Goldie's Timeless. In a time of rave culture colliding with chart hits, the movie finds room for both the dark electronics of Leftfield's "A Final Hit" and the goofy Eurodance of Ice MC's "Think About The Way". 

In one scene, Renton sits grinning between the speakers at a London nightclub that's going off to Bedrock and KYO's 1993 classic "For What You Dream Of." "Diane was right," he narrates, recalling a conversation from before he left Edinburgh. "The world is changing, music is changing, drugs are changing, even men and women are changing." For the briefest moment, we see the thrill of '90s dance music as it really was. 

The Trainspotting soundtrack album hit shelves in July of 1996. The cover played on the movie's iconic poster design, framing the characters in vivid orange. The soundtrack sold so well that a second volume followed in 1997, featuring other songs from the movie and a few that missed the cut. (The same year, the hugely popular Romeo + Juliet soundtrack also inspired a "Vol. 2.") 

Boyle continued to use music as a key character in his movies, following up Trainspotting with the madcap Americana of A Life Less Ordinary and the pop-meets-electronica of The Beach. After 20 years, Boyle got the gang back together for 2017's T2 Trainspotting. In contrast to the original's wall-to-wall needle drops, the sequel weaved a score by Underworld's Rick Smith around songs by High Contrast, Wolf Alice and Young Fathers. 

Many impressive, star-studded soundtracks followed in the wake of Trainspotting. What makes this one rare, though, is how deeply its unholy union of rock, Britpop and dance music belongs to the movie. Remove any needle drop from a scene in Trainspotting, however fleeting, and it'd lose something vital—that's how you know it's built to last.

How 1995 Became A Blockbuster Year For Movie Soundtracks

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Photo: Daniel Mendoza/The Recording Academy

 
 
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GRAMMY In The Schools Fest Announced: H.E.R., More grammy-museum-announces-grammy-schools-fest

GRAMMY Museum Announces GRAMMY In The Schools Fest: H.E.R., HAIM, Charlie Puth And More Confirmed

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An official GRAMMY Week event, the four-day virtual GRAMMY In The Schools Fest, taking place Monday, March 8, through Thursday, March 11, 2021, celebrates music and music education
Morgan Enos
GRAMMY Museum
Feb 9, 2021 - 6:00 am

As the world is forced to rethink learning in the COVID era, it’s more important than ever to establish music as a cornerstone of a well-rounded education. To that end, the GRAMMY Museum is leading the charge. During GRAMMY Week this year, the Museum will kick off GRAMMY In The Schools Fest (GITS Fest), a four-day virtual festival running Monday, March 8, through Thursday, March 11​.

GITS Fest, previously GRAMMY In The Schools Live!, will feature GRAMMY winner and current nominee Derek "MixedByAli" Ali; current GRAMMY nominees HAIM; GRAMMY winner and current nominee H.E.R.; previous GRAMMY nominee Hunter Hayes; GRAMMY winner and current nominee Michael League of Snarky Puppy; GRAMMY winner and current nominee Manny Marroquin; GRAMMY winner and current nominee PJ Morton; previous GRAMMY nominee Charlie Puth; and Michael Sticka, President of the GRAMMY Museum.

Featuring performances by students and professionals along with engaging, educational panels by artists, educators and other music professionals, GITS Fest will truly localize the GRAMMY Week experience in cities and schools nationwide. Woven throughout the virtual festival will be lessons and other valuable information provided by top practitioners across the broad spectrum of music, music education and its connection to other school subject areas. Lesson plans and study guides will be made available free of charge to all teachers around the country who register their students to participate.

https://www.instagram.com/p/CLEw6sHBzM0

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GITS Fest, presented by MusicPower, incorporates elements of various GRAMMY Museum education programs, including GRAMMY Camp, GRAMMY Career Day and the Music Educator Award. These programs also receive support from Ford Motor Company Fund as part of Ford’s commitment to music education.

The festival will be free to the public for those who register in advance here.

Below, check out the full GRAMMY In the Schools Fest schedule (all times listed are in PST):

Monday, March 8 — Thursday, March 11​, 2021

Monday, March 8

  • 2:00 p.m. – School Feature, Westfield Academy & Central School (NY): Creating a diverse music program and collaborating with other academic subjects to enhance it.
  • 3:00 p.m. – Hot Takes on Real World Scenarios: Career Tips in Music and Beyond with GRAMMY Camp Faculty Members.
  • 4:00 p.m. – Young Professionals in Music: Insights from emerging artists, songwriters, and musicians ft. GRAMMY In The Schools program alumni.
  • 5:00 p.m. – Music Careers in Preservation and Research: Experts discuss careers available in these areas.
  • 6:00 p.m. – Afternoon with HAIM: Insights on being a music professional ft. GRAMMY Nominee HAIM.

Tuesday, March 9

  • 2:00 p.m. – School Feature, University of Central Florida (FL): Socially distanced choral rehearsal techniques.
  • 3:00 p.m. – Afternoon with PJ Morton: Insights on being a music professional featuring GRAMMY winner PJ Morton.
  • 4:00 p.m. – Using Music to Teach Other Subjects
  • 5:00 p.m. – Afternoon with Hunter Hayes: Insights on being a music professional featuring GRAMMY nominee Hunter Hayes.
  • 6:00 p.m. – Business & Performance Latin GRAMMY Cultural Foundation® Panel: Tips on attaining success artistically and otherwise.

Wednesday, March 10

  • 2:00 p.m. – Afternoon with H.E.R.: Insights on being a music professional featuring GRAMMY winner H.E.R.
  • 3:00 p.m. – Afternoon with Michael League (Snarky Puppy): Insights on being a music professional featuring GRAMMY winner Michael League of Snarky Puppy.
  • 4:00 p.m. – The Art of Tech, Performance & Business: Career tips in music and beyond with GRAMMY Camp faculty members.
  • 5:00 p.m. – Afternoon with TBA Artist: Insights on being a music professional.
  • 6:00 p.m. – Young Professionals in Music: Musicians on the road featuring GRAMMY In The Schools program alumni.

Thursday, March 11​

  • 2:00 p.m. – Inside Look: Audio Recording: Explore elements of producing recorded music with multi-GRAMMY winner Derek “MixedByAli” Ali.
  • 3:00 p.m. – Women in the Business of Music: Insights on being a music professional working at a record label with women from Fearless Records.
  • 4:00 p.m. – School Feature, Los Angeles County High School for the Arts (CA): Preparing for a school performance on the GRAMMY telecast while maintaining a rigorous academic schedule.
  • 5:00 p.m. – School Feature, Maplewood Middle School (LA): Skills learned in music that are effective in other subjects.
  • 6:00 p.m. – The Art and Science of Recording, Songwriting & Performing: Insights on being a music professional with multi-GRAMMY winner Manny Marroquin and multi-GRAMMY nominee Charlie Puth.

GRAMMY Museum Announces "Live From The Vault" Digital Series In Partnership With Iron Mountain

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.