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GRAMMYs

Orianthi performs at the GRAMMY Museum

Photo: Mark Sullivan/WireImage.com

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orianthi-visits-grammy-museum

Orianthi Visits The GRAMMY Museum

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Singer/songwriter/guitarist details new album, Heaven In This Hell
Tim McPhate
GRAMMYs
Dec 2, 2014 - 4:06 pm

Singer/songwriter and guitarist Orianthi recently participated in an installment of the GRAMMY Museum's Great Guitars series. Before an intimate audience at the Museum's Clive Davis Theater, Orianthi discussed touring as a member of Alice Cooper's band, meeting Carlos Santana as a teenager and collaborating with producer Dave Stewart on her new album, Heaven In This Hell. Orianthi also performed a brief set, including "Sex E Bizarre" and "How Do You Sleep?" the latter of which also featured Stewart.

"I listened to a lot of blues [and rock] growing up," said Orianthi. "That's the kind of music I want to be playing for years to come."

Born in Adelaide, Australia, Orianthi became enchanted with guitar at age 6. Listening to artists such as Jimi Hendrix, Santana and Eric Clapton inspired her to take lessons and through her teen years she soaked up the sounds of hard rock artists such as Def Leppard, Van Halen and Whitesnake. At age 18, Orianthi scored the opportunity to jam with Santana backstage prior to one of his concerts. The GRAMMY-winning guitarist was so impressed by Orianthi that he invited her to join him onstage as a special guest.

In 2007 Orianthi secured a deal with Geffen and subsequently released her debut set, Violet Journey, an album showcasing not only her fiery fretwork but her vocal talents. Orianthi scored a career breakthrough in playing guitar during GRAMMY winner Carrie Underwood's performance at the 51st Annual GRAMMY Awards in 2009. Later that year, she landed a gig as the guitarist for Michael Jackson, who was in the process of assembling a band for a residency at London's O2 arena before his unexpected death in June 2009. Orianthi sang at Jackson's memorial service, and rehearsal footage of the guitarist backing the King of Pop was featured in the film Michael Jackson's This Is It. Orianthi's sophomore album, 2009's Believe, peaked at No. 19 on Billboard's Rock Albums chart, featuring the Top 20 single "According To You" and "Highly Strung," an instrumental duet with GRAMMY winner Steve Vai. In 2011 Orianthi signed on as a touring guitarist for legendary shock-rock artist Alice Cooper.

Released in February via Robo Records, Heaven In This Hell features 11 tracks, including eight songs co-written by producer Stewart. From the soulful ballad "How Do You Sleep?" to the raucous title track and the R&B-infused "How Does That Feel?" the album showcases Orianthi's blues guitar influences and overall growth as a musician.  

Upcoming GRAMMY Museum events include Reel To Reel: Big Star: Nothing Can Hurt Me (June 4) and Spotlight: Josh Ritter (June 13).

H.E.R.

H.E.R.

Photo: Daniel Mendoza/The Recording Academy

 
 
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GRAMMY In The Schools Fest Announced: H.E.R., More grammy-museum-announces-grammy-schools-fest

GRAMMY Museum Announces GRAMMY In The Schools Fest: H.E.R., HAIM, Charlie Puth And More Confirmed

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An official GRAMMY Week event, the four-day virtual GRAMMY In The Schools Fest, taking place Monday, March 8, through Thursday, March 11, 2021, celebrates music and music education
Morgan Enos
GRAMMY Museum
Feb 9, 2021 - 6:00 am

As the world is forced to rethink learning in the COVID era, it’s more important than ever to establish music as a cornerstone of a well-rounded education. To that end, the GRAMMY Museum is leading the charge. During GRAMMY Week this year, the Museum will kick off GRAMMY In The Schools Fest (GITS Fest), a four-day virtual festival running Monday, March 8, through Thursday, March 11​.

GITS Fest, previously GRAMMY In The Schools Live!, will feature GRAMMY winner and current nominee Derek "MixedByAli" Ali; current GRAMMY nominees HAIM; GRAMMY winner and current nominee H.E.R.; previous GRAMMY nominee Hunter Hayes; GRAMMY winner and current nominee Michael League of Snarky Puppy; GRAMMY winner and current nominee Manny Marroquin; GRAMMY winner and current nominee PJ Morton; previous GRAMMY nominee Charlie Puth; and Michael Sticka, President of the GRAMMY Museum.

Featuring performances by students and professionals along with engaging, educational panels by artists, educators and other music professionals, GITS Fest will truly localize the GRAMMY Week experience in cities and schools nationwide. Woven throughout the virtual festival will be lessons and other valuable information provided by top practitioners across the broad spectrum of music, music education and its connection to other school subject areas. Lesson plans and study guides will be made available free of charge to all teachers around the country who register their students to participate.

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GITS Fest, presented by MusicPower, incorporates elements of various GRAMMY Museum education programs, including GRAMMY Camp, GRAMMY Career Day and the Music Educator Award. These programs also receive support from Ford Motor Company Fund as part of Ford’s commitment to music education.

The festival will be free to the public for those who register in advance here.

Below, check out the full GRAMMY In the Schools Fest schedule (all times listed are in PST):

Monday, March 8 — Thursday, March 11​, 2021

Monday, March 8

  • 2:00 p.m. – School Feature, Westfield Academy & Central School (NY): Creating a diverse music program and collaborating with other academic subjects to enhance it.
  • 3:00 p.m. – Hot Takes on Real World Scenarios: Career Tips in Music and Beyond with GRAMMY Camp Faculty Members.
  • 4:00 p.m. – Young Professionals in Music: Insights from emerging artists, songwriters, and musicians ft. GRAMMY In The Schools program alumni.
  • 5:00 p.m. – Music Careers in Preservation and Research: Experts discuss careers available in these areas.
  • 6:00 p.m. – Afternoon with HAIM: Insights on being a music professional ft. GRAMMY Nominee HAIM.

Tuesday, March 9

  • 2:00 p.m. – School Feature, University of Central Florida (FL): Socially distanced choral rehearsal techniques.
  • 3:00 p.m. – Afternoon with PJ Morton: Insights on being a music professional featuring GRAMMY winner PJ Morton.
  • 4:00 p.m. – Using Music to Teach Other Subjects
  • 5:00 p.m. – Afternoon with Hunter Hayes: Insights on being a music professional featuring GRAMMY nominee Hunter Hayes.
  • 6:00 p.m. – Business & Performance Latin GRAMMY Cultural Foundation® Panel: Tips on attaining success artistically and otherwise.

Wednesday, March 10

  • 2:00 p.m. – Afternoon with H.E.R.: Insights on being a music professional featuring GRAMMY winner H.E.R.
  • 3:00 p.m. – Afternoon with Michael League (Snarky Puppy): Insights on being a music professional featuring GRAMMY winner Michael League of Snarky Puppy.
  • 4:00 p.m. – The Art of Tech, Performance & Business: Career tips in music and beyond with GRAMMY Camp faculty members.
  • 5:00 p.m. – Afternoon with TBA Artist: Insights on being a music professional.
  • 6:00 p.m. – Young Professionals in Music: Musicians on the road featuring GRAMMY In The Schools program alumni.

Thursday, March 11​

  • 2:00 p.m. – Inside Look: Audio Recording: Explore elements of producing recorded music with multi-GRAMMY winner Derek “MixedByAli” Ali.
  • 3:00 p.m. – Women in the Business of Music: Insights on being a music professional working at a record label with women from Fearless Records.
  • 4:00 p.m. – School Feature, Los Angeles County High School for the Arts (CA): Preparing for a school performance on the GRAMMY telecast while maintaining a rigorous academic schedule.
  • 5:00 p.m. – School Feature, Maplewood Middle School (LA): Skills learned in music that are effective in other subjects.
  • 6:00 p.m. – The Art and Science of Recording, Songwriting & Performing: Insights on being a music professional with multi-GRAMMY winner Manny Marroquin and multi-GRAMMY nominee Charlie Puth.

GRAMMY Museum Announces "Live From The Vault" Digital Series In Partnership With Iron Mountain

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Mavis Staples

Mavis Staples

Photo: sGRAMMY Museum/Getty Images

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GRAMMY Museum Announces "Live From The Vault" grammy-museum-live-vault-digital-series-iron-mountain

GRAMMY Museum Announces "Live From The Vault" Digital Series In Partnership With Iron Mountain

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Appearances by Mavis Staples and Ringo Starr punctuate the event on the GRAMMY Museum's official streaming service, COLLECTION:live
Morgan Enos
GRAMMY Museum
Feb 4, 2021 - 1:04 pm

The GRAMMY Museum today (Feb. 4) announced a new "Live From The Vault" series in partnership with Iron Mountain Entertainment Services (IMES), a division of Iron Mountain Incorporated, the storage and information management services company. Since 2008, the GRAMMY Museum has curated more than 80 exhibits, hosted more than 1,000 programs and captured more than 2,000 hours of archived video footage. As the Official Preservation Partner of the GRAMMY Museum, IMES has stored the Museum's most prized physical artifacts in a climate-controlled vault and will now store, manage and distribute its video archives using Iron Mountain's secure digital content repository technology platform.

The GRAMMY Museum and IMES will curate specific archived videos as part of a new series, "Live From The Vault," which takes fans inside the vaults of some of the Museum's most iconic programs, showcasing rarely seen footage. Mavis Staples will be the first artist featured from her 2010 program in the Museum's Clive Davis Theater, released starting today on the Museum's official streaming service, COLLECTION:live, with free access to all viewers. To further increase accessibility, the Museum will utilize Iron Mountain's Content Localization Services (CLaaS) system to transcribe the Museum's archives into other target languages, including subtitles.

"As we've seen in the past year, it's vital for museums to increase their digital presence and the GRAMMY Museum has been doing just that," GRAMMY Museum President Michael Sticka said in a statement. "We're thrilled to partner with IMES for our new 'Live From The Vault' series to preserve these important recordings and moments in music history from our archives."

This series will also include a previously recorded program with Ringo Starr, which will be released on March 4 on COLLECTION:live. Additional artists and special programming will be announced soon.

"Our mission is to help our customers protect and activate their archives," Lance Podell, Senior Vice President and General Manager, IMES at Iron Mountain, said. "Our long relationship with the GRAMMY Museum is rooted in this shared dedication to preserve musical history. We're proud to be the Museum's Official Preservation Partner to help safeguard their diverse treasure trove and propel it into the streaming age, featuring dynamic artist interviews and performances. We're excited about sponsoring the 'Live From The Vault' series and its debut episode with musical pioneer Mavis Staples—what a privilege it is to hear in her own words how her upbringing and social justice convictions inspired her music."

Billie Eilish & FINNEAS To Appear On GRAMMY Museum's New Streaming Service COLLECTION:live

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Jimi Hendrix

Jimi Hendrix

Photo: Daniel Teheney/Authentic Hendrix LLC

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John McDermott Talks New Jimi Hendrix Documentary john-mcdermott-interview-jimi-hendrix-documentary-music-money-madness

Director John McDermott Talks New Jimi Hendrix Documentary, 'Music, Money, Madness … Jimi Hendrix in Maui'

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Ahead of an exclusive premiere of the film this week, presented as part of the GRAMMY Museum's COLLECTION:live programming, GRAMMY.com caught up with McDermott to discuss how the documentary continues Hendrix's lasting legacy
David McPherson
GRAMMYs
Nov 16, 2020 - 5:45 pm

Jimi Hendrix accomplished more in five years than most artists achieve in a lifetime. Songs like "Hey Joe," "Purple Haze" and "Voodoo Child" are classic rock staples. His innovation on the electric guitar influenced generations. He's responsible for seminal moments now emblazoned in the annals of rock: the time he set his axe ablaze at the Monterey Pop Festival or the time he played an instrumental version of "The Star-Spangled Banner" on a Sunday morning coming down at Woodstock. In the late 1960s, Hendrix was also the pensive leader of America's counterculture movement. 

The Seattle-born musician left us far too soon. On Sept. 18, 1970, the 27-year-old died at the bohemian Samarkand Hotel in Notting Hill, England. The cause: asphyxia while intoxicated with barbiturates. Fortunately for fans, old and new, Hendrix left a cache of unreleased music. Now, thanks to archivist John McDermott and the Experience Hendrix family-run company, his lost music allows us to discover another untold chapter in the life of this mercurial musician. 

The new narrative: the backstory on the making of Rainbow Bridge, a bizarre and controversial independent movie released in 1971. Directed by Warhol acolyte Chuck Wein, the project was financed by a $500,000 advance from Reprise Records, with the promise of a Hendrix soundtrack. 

In his new documentary, Music, Money, Madness … Jimi Hendrix in Maui, McDermott attempts to set the record straight about this boondoggle. The feature-length film, which drops Nov. 20, includes never-before-released original footage and new interviews with those who were there. (Live In Maui, a two-CD/three-LP package that includes the free Maui concert at the foot of the Haleakalā volcano on July 30, 1970, in its entirety, arrives the same day.) 

On Wednesday (Nov. 18), the GRAMMY Museum will host an exclusive premiere of Music, Money, Madness as part of its COLLECTION:live programming. The event will also include a live panel discussion featuring some of Hendrix's closest family members and associates, including younger sister Janie Hendrix, former bassist Billy Cox, engineer Eddie Kramer and McDermott.

Ahead of the premiere, GRAMMY.com caught up with director John McDermott to discuss his personal Hendrix history, his insights on Music, Money, Madness … Jimi Hendrix in Maui, and why, 50 years on, the groundbreaking electric guitarist's music still resonates.

Before we talk about the documentary, I'm curious how you landed this dream job as "keeper of the Hendrix vault" in the first place.

In the late 1980s, I was working as a writer, producer and a director on various music projects. I was always fascinated by the Hendrix story. I had previously written about him for a major music magazine, and that opened up a friendship with Hendrix engineer Eddie Kramer. From there, we worked on a book together, Hendrix: Setting The Record Straight, which came out in 1992. It was not a traditional biography. We presented Jimi through the eyes of those closest to him. 

The idea of a tribute album came next [Stone Free: A Tribute to Jimi Hendrix]. Released in 1993, the record featured artists like Seal, Buddy Guy and Eric Clapton. Some proceeds went to a United Negro College Fund scholarship fund created in Jimi's name. 

Shortly after, Eddie heard Jimi's father [James Al Hendrix] was involved in litigation over the ownership of his son's legacy, including the rights to Jimi's music, name and likeness. The Hendrix family asked me to help. Eventually, Al was victorious and all rights were returned to the Hendrix estate. That's when Al asked me to manage Jimi's music catalog. It's hard to believe that was 25 years ago. Since our first archival releases of unreleased Hendrix music in 1997, our mission has remained the same: keep Jimi in front of as many fans as possible. As a fan myself, I only came to truly appreciate Hendrix after his death … I never saw him live. For me, he was always this extraordinary artist with a fascinating story.

Speaking of fascinating stories, Music, Money, Madness … Jimi Hendrix in Maui certainly fits the bill. It's a captivating tale of a strange yet seminal time for the Jimi Hendrix Experience.
What makes this show so fascinating is its uniqueness. Three weeks before he was playing to 500,000 [people] at the second Atlanta International Pop Festival. Then, he arrives on Maui to play for 700 people seated by astrological order at the side of a volcano … that was something only Jimi could do.

Why did you decide to tell the story of the making of Rainbow Bridge and the Jimi Hendrix Experience's Maui sojourn in the summer of 1970?

We've told the arc of Jimi's story before: from birth to death in Jimi Hendrix: Voodoo Child [2010]. In other archival releases, we've examined temporal moments such as the Monterey Pop Festival and Woodstock. 

The Maui performance is always one fans request the most. With this film, we wanted to drill down and recalibrate what this whole thing represented. If we were going to do it, we wanted to do it in a way that provided the context for this story and share all of what exists of film—using the complete concert performance at Haleakalā to tell the real story. Rainbow Bridge was clearly not a Jimi Hendrix project, but it only could have taken the form it did with him dying. Had he lived, it never would have taken this form. Maybe it might have been just an instrumental score for a surfing documentary … no one really knows. 

Since Jimi died in September, less than two months following these concerts, the Rainbow Bridge movie and accompanying soundtrack played a larger role in Jimi's initial posthumous legacy. With this movie, we want to reframe that story.

How did you reframe the story to specifically focus more on Jimi's story and the free Haleakalā concert? 

First, we recovered original footage from Jimi's time in Maui. This documentary was more about extracting that new footage and providing fresh context. In Rainbow Bridge, there [were] only 17 minutes of performance footage that was haphazardly put in the movie. Mitch [Mitchell] had to overdub his drums at Electric Lady Studios just to save the audio. 

Read: Jimi Hendrix's 'Electric Ladyland' Turns 50

At the same time, you wanted to present an objective story, correct? How did you achieve this balance?
Definitely. You get the Hendrix side of the story listening to new interviews with surviving bandmates Mitchell and Billy Cox; Warner Bros. record executives; his engineer, Eddie Kramer; and others close to Jimi. We chatted with some of the original participants in the movie and included interview clips with [Rainbow Bridge director] Chuck Wein to tell their side. 

Fans need to understand how this chapter in Hendrix's career became blown up because of his death. To hear his bandmates talk about that time in Maui … that fascination that attracted me decades ago happens anew for kids around the world who appreciate the phenomena that was Jimi Hendrix. Take the Beatles film Eight Days A Week. Those who lived through that understand about the girls screaming at their shows—the tsunami and energy about the creation of that music—but that movie showed a new generation of global audiences what The Beatles really meant. In the same way, you can't fathom how amazing Jimi was until you see, hear and learn more about him. 

Why now? Did you plan the film's release to coincide with the 50th anniversary of Hendrix's death?

Not at all. Restoring the footage and the original audio took time. This is a project we had on the broiler for quite a while. We wanted to take time to get it right and speak to the right people. There is a temptation sometimes to get the easiest folks to speak, but often these people don't shed the greatest light on a subject. Originally, we had hoped to screen it at the Maui Film Festival this past June, but because of the pandemic, that didn't happen.

Why, a half-century since the electric guitar innovator and Recording Academy Lifetime Achievement Award recipient died, is the Hendrix legacy still important to preserve?
First, Jimi alone keeps his legacy alive. He is the guy who does the heavy lifting. Why is his legacy still so important? Compare it to what people would give to hear just one more wire recording from Robert Johnson. Because Jimi died so young, he left so many questions unanswered. Every one of these projects we release is another clue to that puzzle, from both a sonic and a visual perspective. Hendrix's appeal [resonates] with young people and remains with original fans. They, along with a growing global audience, see him as an ongoing touchstone: No matter the country where they are from, their gender, their race or their age … something about Jimi cuts right through.

'Band Of Gypsys': 5 Facts About Jimi Hendrix's Final Living Release | GRAMMY Hall Of Fame

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Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Photo: Rebecca Sapp/WireImage for The Recording Academy

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GRAMMY Museum In August: Margo Price & Much More grammy-museum-august-2020-content-lineup-margo-price-pete-yorn-bright-eyes-ava

GRAMMY Museum August 2020 Content Lineup: Margo Price, Pete Yorn, Bright Eyes, Ava Max, Kiana Ledé & Much More

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The upcoming month's programming also includes intimate sit-down interviews with Toots and the Maytals, Burt Bacharach & Daniel Tashian, The Airborne Toxic Event, Ashley McBryde and many others
John Ochoa
GRAMMY Museum
Jul 31, 2020 - 4:03 pm

The GRAMMY Museum has announced the next round of new and never-before-released digital content to be shared every week throughout August 2020. As the physical location in Los Angeles remains closed until further notice in light of the COVID-19 pandemic, the GRAMMY Museum will continue its digital initiatives, including the newly announced Spotlight Saturdays series.

Highlights for next month's programming include new, intimate sit-down interviews with artists and musicians recorded via Zoom, as part of the Museum's Public Programs digital series, with breakout country star Margo Price, alternative legend Pete Yorn, pop sensation Ava Max, indie icons Bright Eyes, reggae legends Toots And The Maytals and several others. 

Launching this weekend (Aug. 1) at their Digital Museum, the GRAMMY Museum's new Spotlight Saturdays series will feature intimate sit-down interviews and performances via digital conferencing with up-and-coming artists. The series kicks off with an exciting class of emerging acts including platinum-selling R&B artist Kiana Ledé, New Zealand pop star BENEE, rising L.A. rapper Duckwrth and others. 

https://twitter.com/GRAMMYMuseum/status/1288597820224741381

Next month➡️ we are teaming up with our friends over at @RepublicRecords to launch a digital program series spotlighting new artists! Tune-in every Saturday to watch 🖥️ https://t.co/3lTSvKJFgh pic.twitter.com/Ou4UVstiSy

— GRAMMY Museum (@GRAMMYMuseum) July 29, 2020

On August 7, the GRAMMY Museum will also release a new digital exhibit, "Rhymes & Reasons: The Music Of John Denver," with several photo slideshows.

In addition to the new content released during August, GRAMMY In The Schools Mini-Lessons will be posted on Thursdays. 

Since the GRAMMY Museum opened 12 years ago, it has offered more than 900 Public Programs. The Museum continues to release digital educational content and lesson plans as part of the GRAMMY In The Schools Knowledge Bank, continuing its mission of paying tribute to our musical heritage and bringing our community together through music.

Check out the GRAMMY Museum's full digital programming schedule for August 2020 below:

DIGITAL PUBLIC PROGRAMS

8/3 – Ruth B.
8/5 – Burt Bacharach & Daniel Tashian 
8/5 – The Immediate Family
8/10 – Pete Yorn
8/10 – Ava Max
8/12 – Margo Price
8/17 – Chuck Prophet
8/17 – Bright Eyes
8/19 – The Mavericks
8/24 – The Secret Sisters
8/24 – Toots & The Maytals
8/26 – The Airborne Toxic Event
8/31 – NEEDTOBREATHE
8/31 – Ashley McBryde

SPOTLIGHT SATURDAYS SERIES

8/1 — Kiana Ledé 
8/8 — BENEE
8/15 — Conan Gray
8/22 — Duckwrth
8/29 — Jeremy Zucker

DIGITAL EXHIBIT

8/7 – Rhymes & Reasons: The Music of John Denver

For more information about the GRAMMY Museum, how to become a member and to access its catalog of digital content, visit their Digital Museum. 

Little Big Town, Ledisi & More Partner With GRAMMY Museum & Michelle Obama's Reach Higher To Mentor College Students

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.