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GRAMMYs

Daddy Yankee

Photo: Jason Koerner/One Voice: Somos Live!/Getty Images

News
Daddy Yankee To Make Late Late Show History daddy-yankee-give-first-ever-spanish-language-performance-late-late-show-james-corden

Daddy Yankee To Give First-Ever Spanish-Language Performance On The Late Late Show With James Corden

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Puerto Rico's global music star will perform his latest single, "Con Calma" featuring Snow
Jennifer Velez
GRAMMYs
Mar 19, 2019 - 4:49 pm

Reggaeton icon Daddy Yankee will be the first-ever artist to have a Spanish-language performance on The Late Late Show with James Corden when he performs on March 20.

Puerto Rico's global music star will perform his latest single, "Con Calma" featuring Snow, which is this week's No. 1 on Billboard's "Latin Airplay Songs" chart. 

https://twitter.com/daddy_yankee/status/1107771778540191744

Catch me this Wednesday performing the #1 Most-Streamed Song Globally #ConCalma on the @latelateshow with @JKCorden

— Daddy Yankee (@daddy_yankee) March 18, 2019

The GRAMMY-nominated artist has been a trailblazer for reggaeton and latin urban pop in the music industry. In late Feb., J Balvin, Ozuna and other Latin urban artists paid tribute to Yankee at Premios Lo Nuestro, a testament to his influence.

"Without Daddy Yankee reggaeton would not be the same in the world ... J Balvin wouldn't exist without Daddy Yankee," Balvin said.

Catch the history-making Late Late Show performance on March 20 on CBS. Check your local listings. 

KAOS Las Vegas To Feature Sets From J Balvin, Bad Bunny, Ozuna, Deadmau5, Eric Prydz & More In April

GRAMMYs

Ozuna, Daddy Yankee and J Balvin 

Photo: John Parra/Getty Images

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Ozuna, J Balvin, More Pay Tribute To Daddy Yankee ozuna-j-balvin-more-pay-tribute-daddy-yankee-premio-lo-nuestro

Ozuna, J Balvin & More Pay Tribute To Daddy Yankee At Premio Lo Nuestro

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Yankee, whose career trajectory was honored with an award, performed his greatest hits including "Gasolina," Rompe" and "Lo Que Pasó, Pasó" alongside J Balvin, Ozuna, Yandel and more
Jennifer Velez
GRAMMYs
Feb 22, 2019 - 12:44 pm

Latin urban music stars came together on Thursday (Feb. 21) to pay tribute to GRAMMY-nominated and Latin GRAMMY-winning reggaeton icon Daddy Yankee at the Premio Lo Nuestro awards show in Miami. 

Yankee, whose career trajectory was honored with the Lifetime Achievement Award, performed his greatest hits including "Gasolina," Rompe" and "Lo Que Pasó, Pasó" alongside J Balvin, Ozuna, Yandel, Zion y Lennox and De La Ghetto. 

"I, my friends, my collegues first, the world thanks you," Latin GRAMMY winner Balvin said onstage after the performance, not reading from the teleprompter, but saying words from his heart. "Without Daddy Yankee reggaeton would not be the same in the world ... J Balvin wouldn't exist without Daddy Yankee."

Reggaeton hecho historia: #PremioLoNuestro reunió a los más grandes en un show con mucha 'gasolina' https://t.co/Y6nXa2qtrZ pic.twitter.com/ECfmeRdtnC

— Premio Lo Nuestro (@premiolonuestro) February 22, 2019

Balvin continued: "A lot of the time we wait for people to leave this world to tell them how great they are, I'll take this moment to tell you face to face, thank you for what you have done for us."

Yankee thanked his fans and his "veteran" and "new generation" colleagues. "This is for you. Our genre has grown because there is unison, there is a brotherhood," he said. He also had encouraging words for his native Puerto Rico, sharing that anyone can be a positive vessel for change, no matter where they come from.

Reggaeton won big at the awards, which celebrate talented performers in Latin music: Ozuna took nine awards including Male Artist Of The Year, Balvin took the Premio Lo Nuestro Artist Of The Year award for the third consecutive year and urban artist Natti Natasha took home four awards including one for her collaboration with Becky G. 

A full list of winners can be found on the Premio Lo Nuestro website.

Behind The Board: Producer Teddy Walton On Working With Kendrick Lamar & What Makes A Great Track

Luis Fonsi & Daddy Yankee in "Despacito"

Luis Fonsi & Daddy Yankee in "Despacito"

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"Despacito" Is The Most-Viewed Music Video Ever what-was-youtubes-most-streamed-music-video-decade

What Was YouTube's Most-Streamed Music Video Of The Decade?

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"Despacito" by Luis Fonsi and Daddy Yankee earns the spot of the most-streamed music video of all time with over 6.5 billion views to date
Ana Monroy Yglesias
GRAMMYs
Dec 12, 2019 - 2:06 pm

YouTube has released data for the most streamed music videos of all time on its platform. Not surprisingly, Luis Fonsi's and Daddy Yankee's huge 2017 Latin GRAMMY-winning hit, "Despacito," earns the spot of the most-streamed music video of all time with over 6.5 billion (!) views to date.

To be clear, this is the original version, not the Justin Bieber-assisted remix, although the pop sensation also makes the top 10 list, at No. 6, for his 2015 bop "Sorry." The Purpose track earns the spot with over 3.2 billion views. In fact, each of the top 10 videos has racked up over two billion views.

Related: Who Ruled Music Streaming In 2019?

The second most-viewed music videos on YouTube is one of the other catchy-as-hell, inescapable hits of 2017: Ed Sheeran's GRAMMY-winning "Shape Of You," which has over 4.5 billion views to date. Another one of the British pop star's GRAMMY-winning songs, 2014's "Thinking Out Loud," also makes the list, at No. 10 with over 2.8 billion video views.

As for the third and fourth spots, we have 2015's "See You Again" by Wiz Khalifa featuring Charlie Puth, a GRAMMY-nominated song from the Furious 7 Soundtrack, and 2014's GRAMMY-winning bop "Uptown Funk" by Mark Ronson featuring Bruno Mars. These two music videos have over 4.3 billion and over 3.7 views, respectively. Fifth place goes to PSY's 2012 meme-ready viral hit, "GANGNAM STYLE," at over 3.4 billion video views.

The seventh most video of all time goes to the song that allegedly prompted a stranger to throw sugar at Adam Levine's face, Maroon 5's GRAMMY-nominated hit "Sugar." The 2015 track's visual has over three billion views on YouTube and is followed by Katy Perry's 2013 GRAMMY-nominated empowerment anthem, "Roar" at over 2.9 million views. Finally, the number nine spot goes to OneRepublic's 2013 barn-stomping pop hit, "Counting Stars."

Related: Maroon 5 Announce Massive 2020 Tour With Leon Bridges & Meghan Trainor

The data, which YouTube shared via a press release, broke out the top music videos by the last four decades, based on the year they were originally released because, of course, YouTube has only been around since 2004. While the aforementioned top 10 videos of the 2010s were also the top 10 videos of all time, the top music videos of the 2000s, 1990s and 1980s also had some interesting finds.

The No. 1 song of the 2010s is Axel F's "Crazy Frog" at over 1.9 billion views, surpassing Linkin Park's Numb," Lady Gaga's "Bad Romance" and Taylor Swift's "You Belong To Me," which followed chronologically on that decade chart. Guns N' Roses take the number one spots for both the 1990s and 1980s list, with "November Rain" topping the former and "Sweet Child O' Mine" the latter.

An honorable mention goes to "Baby Shark Dance," the kid's song that was released in 2016 by South Korean company Pinkfong and went viral earlier this year. The original video (not to be confused with the many spinoffs or official EDM remix by JAUZ) has earned more views than "Uptown Funk." Baby Shark's family takes the number five spot of the most viewed videos of all time (music or otherwise) list on YouTube. Don't worry, Fonsi and Yankee are still at the top of this all-content list, so they don't have to worry about any hungry baby sharks—for now, at least.

Aventura Announce First U.S. Tour In 10 Years, Confirmed For Winter 2020

GRAMMYs
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Who Ruled Music Streaming In 2019? who-ruled-music-streaming-2019

Who Ruled Music Streaming In 2019?

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With Spotify Wrapped, Pandora's Top Thumb Hundred, the new Apple Music Awards, as well as Shazam and YouTube's most popular songs of 2019, there's a lot of new streaming data to explore
Ana Monroy Yglesias
GRAMMYs
Dec 9, 2019 - 10:24 am

December is not only the perfect time for slowing down, sipping hot chocolate and spending time with loved ones, it's also a great opportunity to look back on which artists broke new records in streaming numbers. From Spotify to Pandora, Apple Music—and Shazam, which Apple owns—and YouTube, let's see who dominated the streaming game in 2019.

If you're active on Twitter or Instagram, you may have noticed various versions of Spotify Wrapped being shared over the past few days, after the streaming giant launched their annual microsite, which allows Spotify users to dive into their personal top artists and songs of the year. They also released the data for the platform as a whole, which named current 2020 GRAMMY nominee Post Malone as their most streamed artist globally, with over 6.5 billion streams this year.

The rest of Spotify's top artist list is made up of current GRAMMY nominees, with Billie Eilish taking the No. 2 spot with over six billion streams, followed by Ariana Grande, Ed Sheeran and Bad Bunny, respectively. Eilish's GRAMMY-nominated debut album, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, is the platform's top-streamed album of 2019, making the 17-year-old the first female artist to have a No. 1 spot in that category. The highly anticipated project was also the top-streamed album on Apple Music this year.

Read: "WE ARE ALL WINNERS": 2020 GRAMMY Award Nominees React On Social Media

And that's not all for the L.A. pop giant: Eilish's GRAMMY-nominated hit "bad guy" ranks as the second-most-streamed song of the year on Spotify, surpassed only by Shawn Mendes and Camila Cabello's hit "Señorita," which saw more than one billion streams and is also up for a 2020 GRAMMY. Spotify's other top three global tracks of 2019 are also currently in the running for a GRAMMY: Malone and Swae Lee's "Sunflower," Grande's "7 rings" and Lil Nas X and Billy Ray Cyrus' "Old Town Road – Remix."  

Meanwhile, Apple Music broke out their top-streamed artists by genre instead of listing top overall, but with their new Apple Music Awards, they named Eilish their Artist of the Year. The other two awards were given to Lizzo, as the Breakthrough Artist of the Year and Lil Nas X, for Apple Music's Song of the Year with "Old Town Road." The ubiquitous Cyrus-assisted remix of the song took the No. 1 spot on Apple's global most-streamed song list, followed by "Sunflower," Grande's "thank u, next," "7 rings" and Eilish's "bad guy." Spotify named Lizzo, Lil Nas X and Puerto Rican reggaetonero Lunay as their Top Breakout Artists.

Poll: Who Will Win Best Pop Vocal Album At The 2020 GRAMMYs?

As for the top tracks on Pandora—which is measured by the numbers of "thumbs up" it gets from listeners—"Old Town Road" and "7 rings" also won over Pandora listeners, earning the No. 1 and No. 3 spots, respectively. J. Cole's Best Rap Performance GRAMMY-nominated "Middle Child" took the No. 2 spot, Malone's "WOW" snagged No. 4 and Cardi B's and Bruno Mars' "Please Me" earned the fifth highest number of likes. Pandora named Malone and Cardi as the most popular artist on their platform this year, as both artists had five songs each on this top 100 list.

Finally, YouTube also shared its platform numbers last week, with Daddy Yankee and Snow's reggaetón hit "Con Calma" earning the title of most-streamed music video globally in 2019. Rosalía, J Balvin and El Guincho's Latin GRAMMY-winning bop "Con Altura" earning the second spot on the global list, with all top five spots going to Latin urban songs.

"Con Calma" also made the U.S. version of the list at No. 10., the only Spanish song on it. Lil Nas X made this U.S. list twice; in the No. 1 spot for the audio version of the Cyrus remix and the No. 5 spot for the cameo-filled visual.

According to Apple, Spanish-language bops were also popular with Shazam users across the globe this year. "Con Calma" was the sixth-most-Shazamed song, not to be confused with Pedro Capó's Latin GRAMMY-winning "Calma," whose Farruko-supported remix earned the No. 4 spot. Not surprisingly, Eilish's "bad guy" was the most-Shazamed track globally this year.

We hope you have fun revisiting your favorite songs, music videos and albums of 2019. Find out which ones will take home a golden gramophone at the 62nd GRAMMY Awards, airing live on Jan. 26, 2020 on CBS.

Find Out Who Just Made History With Their GRAMMY Nominations: 2020 GRAMMYs By The Numbers

J Balvin at Lolla 2019

J Balvin at Lolla 2019

Photo: Josh Brasted/FilmMagic/Getty Images

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J Balvin Brings Wisin Y Yandel For Epic Lolla Set j-balvin-brings-out-wisin-y-yandel-all-vibras-historic-lollapalooza-set

J Balvin Brings Out Wisin Y Yandel & All The Vibras For Historic Lollapalooza Set

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The Colombian reggaetón champ offered positivity, gratitude, inclusiveness and infectious energy during his headlining show
Ana Monroy Yglesias
GRAMMYs
Aug 4, 2019 - 11:06 am

Four songs into his history-making Lollapalooza headline set last night, J Balvin paused as he finished his Nicky Jam collab, "X," took off his sunglasses and looked out at the massive crowd. "I want to see you guys, I want to see your energy out there," the Colombian Latin GRAMMY winner said, hyping up the already hyped audience.

"It took us 28 years to be on this stage…and I'm so happy and so grateful to be headlining, for the first time a Latino act." His gratitude, along with a level of humbleness typically not reserved for a headline act, was present throughout J Balvin's 75-minute set.

Rocking lime-green hair, Balvin shone brightly onstage, filling Grant Park with his shimmering energy and smooth voice. But it wasn't just about him—Balvin's show was about representing fellow Latinos proudly—including the reggaetoneros that paved the way for him.

28 years in the making, @JBALVIN is the first Latino to headline @lollapalooza I’m so proud! pic.twitter.com/Ej2ji90QDf

— Rudy (@ThaliaLover) August 4, 2019

As he reflected on the historic moment, he added "From Medellín, Colombia to the world, pa' la vi' Latino (short for para la vida, aka for the Latino life), this is our time. This is our moment. It's our time to make our dreams come true. Like I'm making my dream, you can make your dream too." Based on the echoing cheers and applause alone, it's safe to say the other attendees also found his words, presence and overall performance deeply inspired and ridiculously fun.

As the crowd cheered, he continued through his impressive catalog of massive Spanish-language bops. He went into his perreando-ready "Reggaeton," checked in with the crowd—"How's the energy?"—and followed with "Safari," his 2017 Pharrell Williams-assisted track. Balvin's equally energetic dance crew, who rocked pieces from his Guess x J Balvin Vibras collection and sometimes dressed as clouds and other playful characters from Balvin's colorful FriendsWithYou collab, brought his smooth lyrical flow and his DJ and band's big beats even more life as they tore up the stage.

The crowd fed from and added to the energy of the experience, enjoying every moment, but no one was prepared for the surprise that came next.

"I'm so grateful to be here, gracias...but I wouldn't be here without the reggaeton OGs...that's why we gotta pay homage to the OGs," Balvin said as the music went into N.O.R.E. and Daddy Yankee's 2004 reggaeton classic hit, "Oye Mi Canto." The crowd, of course, got down to the old-school club track as Balvin rapped along.

HISTORY. ¡PA’ LA CULTURA! pic.twitter.com/rytG8IOCNi

— monica. (@SARAMAMBlCHE) August 4, 2019

The energy levels went from a 10 to a 12 as GRAMMY and Latin GRAMMY winners Wisin y Yandel took the stage to rap with Balvin for another reggaeton classic, their 2005 debut single, "Rakata." It felt like the most lit Latin music club in your city was popping off, except it was happening on Lollapalooza's main stage, and the songs were being performed by three of the biggest heroes of the first and second waves of the genre. 

Related: Daddy Yankee To Give First-Ever Spanish-Language Performance On The Late Late Show With James Corden

As Wisin Y Yandel left the stage, Balvin ended the epic three-song tribute with Yankee's Latin GRAMMY-nominated 2004 banger, "Gasolina." Balvin closed the tribute with, "Dios bendiga el reggaetón (God bless reggaetón)," a line from his own song "Reggaeton," which in itself is a tribute to the OGs.

Gracias por su energia! #lollapalooza @jbalvin @wisinyyandel pic.twitter.com/xx3Vtxs4Zn

— Yandel (@yandeloficial) August 4, 2019

He continued the set with more of his own songs and features, including Cardi B's massive GRAMMY-nominated bilingual Hot 100 No. 1 hit with Balvin and Bad Bunny, "I Like It." The song got its own Balvin show-that-feels-like-the-best-Latin-club-night-treatment, opening with the original version of boogaloo song sampled on the track—"I like It Like That," released by Bronx-born Latin jazz artist Pete Rodriguez in 1967—as his squad salsa-danced together.

More: J Balvin & Bad Bunny Drop Surprise Album 'Oasis,' Release Sensual Single "Que Pretendes"

Balvin checked in with the crowd again, asking, "Where are my people from Mexico, Colombia, Puerto Rico…," celebrating the diverse, lively crowd and the various Latin-culture influences of "I Like It." Cheers erupted from around the crowd as the fans, like Balvin, proudly identified with their Latino roots, as much of the audience grabbed their friends' or lovers' hands and salsa-ed along with the dancers on stage. As the music progressed into the 2018 song, the crowd jumped to the beat. Fireworks shot up from the stage and it was impossible not to feel chills with the power of the moment. The vibras were very real.

Being a part of JBalvin’s audience tonight was inspiring. I remember listening to reggaton in my friends basements as a kid. As a Cuban American it’s so amazing to see him headline #Lollapalooza AND pay tribute to Daddy Yankee and others who paved the way for a Latino headliner pic.twitter.com/XfwUZS4uFf

— Therese Davis (@TDavisxx) August 4, 2019

As the set neared to a close, the audience was still vibing and grooving hard with Balvin. As he finished 2014's "Ay Vamos"—yes, he's been dropping big bops for awhile now, beginning with his 2013 debut album, La Familia—he announced the next song would be his last and thanked everyone one more time.

J Balvin at Lolla 2019

The ridiculously catchy extended club cut "Mi Gente" featuring Willy William would wrap the powerful show on a high note. The bouncing track was huge single for Balvin and introduced him to an even bigger fanbase when he dropped the hit in 2017, spawning countless remixes including one bringing on Beyoncé, but somehow it didn't feel like he had missed it earlier during the show.

He asked the crowd to jump with him and to shine their lights, los luzes, together and everyone did. As the song slowed down, you could hear "otra, otra!" (meaning another/one more) echoing through the joyful crowd; they were not ready to end this massive moment. Thankfully, Balvin and his touring DJ/hype-man took "Mi Gente" into an extended, EDM-esque version of it, which they played much earlier during his Coachella 2019 set.

Eventually the last beat dropped—the "Mi Gente" club mix was indeed the last song—and Balvin paused for a final grateful look to all the people that moved with him the whole time. He left the stage but much of the crowd held on the moment a bit longer, yelling "otra!" again. Throughout the show, they danced and cheered for him, his killer music and his big moment, but were also very much celebrating with him and a understood their part in it too; his gente, his "Latino Gang" and everyone who comes together with his music as the catalyst.

Otras más pa la cultura LOLLAPALOOZA!!

— J BALVIN (@JBALVIN) August 4, 2019

Matoma On Playing Lolla 2019: "It's All About Spreading Love & Positivity, That's Why I'm Here"

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.