Charley Pride

Charley Pride

Photo: Jason Kempin/Getty Images

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Charley Pride Honored With GRAMMY Museum Mississippi's Inaugural Crossroads Of American Music Award

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The living legend performed at the annual gala event, which benefited the GRAMMMY Museum Mississippi's music education programs
Ana Monroy Yglesias
GRAMMYs
Nov 4, 2019 - 1:53 pm

On Friday, Nov. 1, GRAMMY-winning country legend Charley Pride was honored by the GRAMMY Museum Mississippi with their first-ever Crossroads of American Music Award. The new award was established by the museum's Board of Directors to honor "an artist who has made significant musical contributions influenced by the creativity born in the cradle of American music."

The living legend was there in person to accept the award and performed at the annual gala event, which benefited the GRAMMMY Museum Mississippi's music education programs.

The 85-year-old Mississippi-born, Texas-based country music icon's hits have spanned the decades, all the way back to the mid-'60s, and include "Is Anybody Goin' To San Antone," "Kiss an Angel Good Mornin'" and "All I Have To Offer You Is Me," from 1970, 1971 and 1986, respectively.

According to the museum, which opened in Cleveland, Miss., in 2016 as the first GRAMMY Museum outside of the flagship Downtown Los Angeles location, Pride has earned over 36 No. 1 country singles and 52 Top 10 country hits. Yee-haw indeed!

In addition to his impressive number of hits, he has earned 13 GRAMMY nominations over his illustrious career and three GRAMMY Awards to-date. His golden gramophones were won at the 14th GRAMMY Awards for songs from his 1971 gospel album Did You Think To Pray, including Best Sacred Performance for its title track, and at the 15th GRAMMY Awards for Best Country Vocal Performance, Male for Charley Pride Sings Heart Songs.

Charley Pride Wins Best Country Vocal Performance, Male

In 2017, the country great's indelible impact on music was honored with the Recording Academy's Lifetime Achievement Award. Additionally, he was inducted into the Grand Ole Opry in 1993 and the Country Music Hall of Fame in 2000.

Pride's most recent album was 2017's Music in My Heart.

For more information on exhibits, events and music education programs at the GRAMMY Museum in Mississippi, Los Angeles and New Jersey, please visit their respective websites.

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The Cox Family

The Cox Family

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Willard Cox, Of GRAMMY-Winning Bluegrass Group The Cox Family, Has Died At 82

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The local bluegrass/gospel heroes were beloved for the vocal harmony they delivered while performing both hymns and original songs
Ana Monroy Yglesias
GRAMMYs
Nov 8, 2019 - 11:47 am

Willard Cox, the father of GRAMMY-winning bluegrass/gospel/country group The Cox Family, has passed away at the age of 82. The sad news was shared on Bluegrass Today on Nov. 5.

The Cox Family—consisting of Willard, his late wife Marie, and their four children; Evelyn, Lynn, Sidney and Suzanne—began performing together in 1972. They first saw regional fame in the South, as they toured across their homestate, Louisiana, as well as Texas, Mississippi and Arkansas. The local bluegrass heroes were beloved for the vocal harmony they delivered while performing both hymns and original songs.

In 1993, they worked with 27-time GRAMMY winner Alison Krauss, who produced their album Everybody's Reaching Out For Someone. The following year, Krauss and The Cox Family released a collaborative gospel album, I Know Who Holds Tomorrow, which earned a win for Best Southern Gospel, Country Gospel Or Bluegrass Gospel Album at the 37th GRAMMY Awards.

The family's acclaim began to spread across the country, and in 2000, they were invited to work on the soundtrack for the Golden Globe-winning Coen Brothers film, Oh Brother, Where Art Thou? Krauss also performed on the soundtrack, which won all of them the coveted Album Of The Year at the 44th GRAMMY Awards.

The Cox Family's song on the soundtrack, "I Am Weary (Let Me Rest)," is one of their most popular on streaming services and helped them reach international audiences. On the deluxe edition of the album, they had two more songs; "Keep On The Sunny Side" and and "In The Highway."

Unfortunately, not long after the family finished working on the iconic soundtrack, Willard and Marie were seriously hurt in a car accident, leaving Willard with a severe spine injury. Despite the challenges, the family performed a limited number of shows with Willard in a wheelchair. Marie also fought breast cancer for several years and passed away in 2009.

The Cox Family's final album, Gone Like The Cotton, was released in 2015. 

Willard's funeral service is taking place today in Minden, La. The surviving family shared a kind message on the obituary: "The Family wishes to thank you all the thoughts and prayers shown during this time so far! Please continue to keep us in your prayers in the next few days as we celebrate his life!"

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Anderson. Paak Malibu Credit Cover
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Behind The Record: Your Favorite Artists #GiveCredit Where It's Due

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Artists took to social media to #GiveCredit on Oct. 25 with detailed Credit Covers for fans to explore
Ana Monroy Yglesias
GRAMMYs
Oct 28, 2019 - 4:50 pm

Last Friday, on Oct. 25, Behind the Record launched, and in doing so, acknowledged countless creatives behind your favorite records. 

Tons of artists showed up for the conversation, sharing Credit Covers highlighting the names of professionals who worked on all kinds of songs and albums.

For starters, L.A.-based producer/DJ TOKiMONSTA shared the Credit Cover for her track "I Wish I Could," featuring Belgian singer/songwriter Selah Sue on vocals, from her GRAMMY-nominated 2017 album Lune Rogue. She wrote: "Everyone on a track deserves to be recognized. A big thank you to everyone who works #BehindTheRecord."

More: Artists: Find Out How To #GiveCredit & Celebrate Your Collaborators Today!

2019 GRAMMY host Alicia Keys also posted for her latest single, "Show Me Love" featuring Miguel, along with a powerful message: "One of my favorite things about making music is the collaboration process and everyone bringing their beautiful spirits and expertise to the process! It's an honor to have created magic with you on 'Show Me Love'!! Big Love to all the people #behindtherecord you're amazing and I'm grateful to you for rockin' with me. I'm here to #givecredit."

With Credit Covers, you can you can discover the instrumentalists, producers, mixers, engineers and whoever else made helped song that much more memorable and powerful. Did you know that the guitars on "Show Me Love" were performed by GRAMMY-winning singer/songwriter/multi-instrumentalist Raphael Saadiq and producer/songwriter Morgan Matthews (who also co-produced and co-wrote the track with Keys)?

"Proper crediting, at its core, is about a reverence for creativity and the incongruous ways in which it moves through creators. As technology continues to change at a rapid rate, we must be prepared to redefine the ways in which we recognize and define creative roles in order to create a more diverse and inclusive industry. We must be prepared to leave behind precedent in favor of a true recognition of modern authorship." - Maggie Rogers

Below, explore the collaborators on two GRAMMY winners' albums: H.E.R.'s 2019 EP, I Used To Know H.E.R., and Brandi Carlile's By The Way, I Forgive You. GRAMMY-nominated electro-pop duo SOFI TUKKER shared the cover for their fun new single, "Purple Hat," and the GRAMMY-nominated Jonas Brothers celebrated their co-creators behind Happiness Begins.

 
 
 

"We make music in the spirit of fun and collaboration and it's important to us that that spirit stays alive from the making of the track into its whole lifespan. Plus, it’s just fair. If someone helps make a song, they deserve to be credited. We usually make songs with our friends and it's so fun to be able to share the joy of releasing a song with people we love." - SOFI TUKKER

Nigerian Afropop queen Yemi Alade shared the credit cover for her 2019 album, Woman of Steel, and GRAMMY-winning alt-rockers The Black Keys shared one for their 2019 LP, Let's Rock. GRAMMY-winning country group Little Big Town celebrated all the hands behind the scenes on "Over Drinking," while EDM DJ/producer Marshmello did the same for his track "Happier" featuring Bastille.

 
 
 

GRAMMY-winning disco queen Gloria Gaynor thanked the collaborators on her 2019 gospel album, Testimony. GRAMMY- and Latin GRAMMY-winning Puerto Rican singer/activist iLe shared the Credit Cover for her 2019 album, Almadura, while GRAMMY-winning experimental jazz artist Esperanza Spaulding gave thanks for everyone who helped her with her 2018 LP, Twelve Little Spells.

 
 

Make sure to visit behindtherecord.grammy.com and follow us on Twitter, Instagram and Facebook to stay in the loop on Behind the Record updates and other great behind-the-music content. You can also search the hashtags #GiveCredit, #BehindTheRecord and #WeAreMusic to join in on the global conversation.  

We are beyond grateful to all the artists and partners who have helped make this dream project a reality, to help give credit where it's due; thank you to everyone who has participated so far.

If you are an artist and want to make your own Credit Cover and have not yet; please check out the instructions here and visit behindtherecord.grammy.com/creditcovers.

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Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Margo Price (L) speaks at the GRAMMY Museum in Los Angeles in 2016

Photo: Rebecca Sapp/WireImage for The Recording Academy

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GRAMMY Museum August 2020 Content Lineup: Margo Price, Pete Yorn, Bright Eyes, Ava Max, Kiana Ledé & Much More

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The upcoming month's programming also includes intimate sit-down interviews with Toots and the Maytals, Burt Bacharach & Daniel Tashian, The Airborne Toxic Event, Ashley McBryde and many others
John Ochoa
GRAMMY Museum
Jul 31, 2020 - 4:03 pm

The GRAMMY Museum has announced the next round of new and never-before-released digital content to be shared every week throughout August 2020. As the physical location in Los Angeles remains closed until further notice in light of the COVID-19 pandemic, the GRAMMY Museum will continue its digital initiatives, including the newly announced Spotlight Saturdays series.

Highlights for next month's programming include new, intimate sit-down interviews with artists and musicians recorded via Zoom, as part of the Museum's Public Programs digital series, with breakout country star Margo Price, alternative legend Pete Yorn, pop sensation Ava Max, indie icons Bright Eyes, reggae legends Toots And The Maytals and several others. 

Launching this weekend (Aug. 1) at their Digital Museum, the GRAMMY Museum's new Spotlight Saturdays series will feature intimate sit-down interviews and performances via digital conferencing with up-and-coming artists. The series kicks off with an exciting class of emerging acts including platinum-selling R&B artist Kiana Ledé, New Zealand pop star BENEE, rising L.A. rapper Duckwrth and others. 

On August 7, the GRAMMY Museum will also release a new digital exhibit, "Rhymes & Reasons: The Music Of John Denver," with several photo slideshows.

In addition to the new content released during August, GRAMMY In The Schools Mini-Lessons will be posted on Thursdays. 

Since the GRAMMY Museum opened 12 years ago, it has offered more than 900 Public Programs. The Museum continues to release digital educational content and lesson plans as part of the GRAMMY In The Schools Knowledge Bank, continuing its mission of paying tribute to our musical heritage and bringing our community together through music.

Check out the GRAMMY Museum's full digital programming schedule for August 2020 below:

DIGITAL PUBLIC PROGRAMS

8/3 – Ruth B.
8/5 – Burt Bacharach & Daniel Tashian 
8/5 – The Immediate Family
8/10 – Pete Yorn
8/10 – Ava Max
8/12 – Margo Price
8/17 – Chuck Prophet
8/17 – Bright Eyes
8/19 – The Mavericks
8/24 – The Secret Sisters
8/24 – Toots & The Maytals
8/26 – The Airborne Toxic Event
8/31 – NEEDTOBREATHE
8/31 – Ashley McBryde

SPOTLIGHT SATURDAYS SERIES

8/1 — Kiana Ledé 
8/8 — BENEE
8/15 — Conan Gray
8/22 — Duckwrth
8/29 — Jeremy Zucker

DIGITAL EXHIBIT

8/7 – Rhymes & Reasons: The Music of John Denver

For more information about the GRAMMY Museum, how to become a member and to access its catalog of digital content, visit their Digital Museum. 

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Courtesy Photo: GRAMMY Museum

Courtesy Photo: GRAMMY Museum

Courtesy Photo: GRAMMY Museum

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#DoorsClosedMissionOpen: GRAMMY Museum Staff Curates Daily Playlists To Soundtrack Your COVID-19 Quarantine

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The daily playlists are part of a larger digital initiative from the GRAMMY Museum during the location's temporary closure, which includes never-before-released free digital content from the archives
John Ochoa
GRAMMYs
Apr 2, 2020 - 10:42 am

Like many other businesses, arts organizations and museums around the world, our beloved GRAMMY Museum home base in Los Angeles is currently being impacted by the ongoing COVID-19 pandemic. Since mid-March, the GRAMMY Museum has temporarily closed its doors until further notice for safety and health precautions in light of the coronavirus pandemic. 

But while the location may be physically closed for now, the GRAMMY Museum's mission of cultivating a greater understanding of the history and significance of music remains wide open and alive online. And they're keeping that mission at the forefront in the best way they know how: music. 

As part of their ongoing digital initiatives, the music-loving staff at the GRAMMY Museum is sharing exclusive Spotify playlists to soundtrack your daily life during this time of social distancing. Updated daily at 10 a.m. PT, the playlists are curated by staff members from across the GRAMMY Museum team in an effort to keep all employees engaged with each other and with the Museum's followers and patrons during this closure. 

Featuring selections from everyone from guest services and security team members to the executive team and spotlighting everything from disco hits and Afrobeat to classic rock and Latin trap, the playlists highlight the wide range of personal tastes reflected in the Museum's diverse staff and honor the genres and artists both the Recording Academy and GRAMMY Museum celebrate every day in our missions.

Read: Recording Academy And MusiCares Establish COVID-19 Relief Fund

"Once we made the decision to temporarily close our doors, it was a priority for me that we maintain staff engagement as much as possible," GRAMMY Museum President Michael Sticka said. "Asking each member of our staff to curate their own playlists has been one way that we've been able to do that. For me personally, I have loved getting to know our staff better by listening to their music choices and hearing their personalities shine through! I'm proud that we have been able to build a digital museum that properly continues each pillar of our mission, including public programs, education and virtual exhibits. Our digital museum has been a key element of our strategic plan for some time now, so I'm happy that all of these initiatives will continue after we re-open our doors. For the time being, our doors may be closed, but our mission isn't and we look forward to continuing to bring music content to the general public during this time and into the future."

The daily playlists are part of a larger digital initiative from the GRAMMY Museum during the location's temporary closure, which includes never-before-released free digital content from the archives. The newly announced lineup of April 2020 programming includes exclusive content from Tanya Tucker, Ben Platt, Common, Los Tigres del Norte, Courtney Barnett and many more. They join previously announced programs featuring Billie Eilish and FINNEAS, Greta Van Fleet and Kool & The Gang, making this April a can't-miss event for the GRAMMY Museum's digital content public programming. 

This month, the GRAMMY Museum will also debut the Digital Exhibit Series, exhibit slideshows featuring past exhibitions and museum installations, featuring Jenni Rivera, Whitney Houston, Frank Sinatra and Ella Fitzgerald. 

The Museum's Public Programs digital series features intimate sit-down interviews with artists and musicians in its 200-seat Clive Davis Theater from past programs. Since the Museum opened 12 years ago, it has offered more than 900 Public Programs.

Additionally, the Museum continues to release digital educational content and lesson plans titled GRAMMY In The Schools Mini-Lessons, continuing its mission of paying tribute to our musical heritage and bringing our community together through music.

In all, the Museum is releasing new content every day of the week, with GRAMMY In The Schools Mini-Lessons on Sundays and Tuesdays, Digital Public Program Series on Monday, Wednesday and Saturday and Digital Exhibit Series on Friday. Thursdays are Member Engagement Nights. Exclusive for Museum members, these special nights include an Album Club, which is an interactive experience similar to a book club, except members listen to music instead of reading books.

To experience all the Museum At Home digital content and to view the full programming schedule, visit the GRAMMY Museum website, where you can also find more information about the organization and its programs.

GRAMMY Museum's April Online Lineup: Tanya Tucker, Ben Platt, Common, Los Tigres Del Norte & More