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Busta Rhymes

Busta Rhymes

Photo: Flo Ngala

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Busta Rhymes On 'Extinction Level Event 2', Growth busta-rhymes-being-beautiful-space-bringing-together-generations-hip-hop-artists

Busta Rhymes On Being In A "Beautiful Space" & Bringing Together Generations Of Hip-Hop Artists On 'Extinction Level Event 2'

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With 'Extinction Level Event 2: The Wrath of God,' Rhymes' first album in 11 years, the world has finally begun to process what his music has been telling us all along
Ana Monroy Yglesias
GRAMMYs
Dec 8, 2020 - 4:11 pm

There is really no comparing legendary New York rapper Busta Rhymes. With his dizzying flow, mind-blowing lyrics and commanding voice, he's been shaking up hip-hop culture since 1991 when he stole the show on A Tribe Called Quest's iconic posse cut "Scenario."

With Extinction Level Event 2: The Wrath of God, his ninth solo studio album out now, the global consciousness has finally begun to process what his music has been telling us all along: The system is broken and disaster is imminent. While 2020 has brought overwhelming death and suffering worldwide, it has also come with much needed reevaluation of the way things are. Similarly, the 22-track opus (the Deluxe Edition delivers 30 tracks!) is a hard-hitting cinematic firestorm of destruction; a reflection of our chaotic reality, but not without moments of vulnerability, love and celebration. Rhymes not only showcases his seemingly unlimited creative and vocal power, but that of other greats, including Mariah Carey, Mary J. Blige, Kendrick Lamar, and Rick Ross .

The album comes 11 years after 2009's Back On My B.S. partly because it took the rapper a "a long time to figure out the right support system to nurture and nourish the life and the success" of it. Eventually, he found a home for the album at San Francisco's EMPIRE records. But time does not faze Rhymes at all. "You can't put a timeline on greatness," he told GRAMMY.com. 

A few weeks after its critically acclaimed release in October, we caught up with the bad ass New Yorker himself to learn more about the creative process and the long journey behind it as well as the collaborators and the spooky album art. We also asked about his legacy and what he sees as the biggest difference between now and 1998 when he released Extinction Level Event: The Final World Front. Spoiler alert: not a lot has changed.

This interview has been edited and condensed for clarity.

You unleashed Extinction Level Event 2: The Wrath of God on October 30. What has the response of fans and critics so far felt like for you?

 Can you tell me what you've been hearing?

I've heard good stuff, that it's hard. For me, it's crazy that it's your first album in 11 years. It feels like you haven't missed a minute, you're just right back in.

Thank you so much. I've been hearing the words classic and masterpiece. For the first time, it's resonating so abundantly in such a short period of time, in just two weeks. This is the third week now and it's just an incredible feeling to hear this as the general consensus. There is just no way to really describe how incredible it is. So, I am floating on all of the plane of energy right now.

This year is crazy and the themes of the album—destruction, plague, chaos—feel very real. I'm really curious about the timeline of the album and what was going through your mind as you were working on it. I'm also wondering what was the spark that first got you back in the studio.

I never left the studio, that's the thing. This has been a narrative of mine since my solo career began, which is why my albums have been called The Coming, When Disaster Strikes, Extinction Level Event: The Final World Front (E.L.E.), Anarchy, Genesis and It Ain't Safe No More. This is just another chapter to the same book of E.L.E., so to speak. I went into this album with the intention of it being an Extinction Level Event 2, but I didn't confirm that probably until about four and a half to five years into the recording of the album once I knew I had the pieces that substantiated and warranted it being called that. I'd never done a sequel album in my entire career.

It was going to be the Extinction Level Event 2 way before COVID-19. I bought the album artwork two and a half to three years prior to the COVID shutdown. I include all 10 pieces of art in the album packaging of the CD booklet, and same with the vinyl. I met the young lady, an artist by the name of Chanelle Rose, through Swizz Beatz and the No Commission movement, which is pro-artists—the mantra is "for the artists by the artist." Swizz curated this initiative and always would introduce me to different incredible artists. When he introduced me to Chanelle Rose's work, it was about four years ago. I fell in love with what I was seeing from her immediately, and I bought the 10-piece collection from her. It took her a year to make it; one piece takes two months because she draws it with a ballpoint pen. It's just incredible what she does, I couldn't believe it.



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When I saw these big skeleton figures with these masks on them, obviously, at the time when I purchased the art collection in it, there was no COVID issue. It was speaking to me in a whole 'nother way about what the corrupt politicians should truly look like when you strip the flesh off of them. They're all in masks, and they all have these agendas that have never really benefitted my people. The insensitive evil and wickedness that plays a significant role to the oppression of my people and a lot of other people. That has been the ongoing narrative since the beginning of time, since the United States was born. The masks always deceived the sh*t they're doing to everybody else, that they're protecting themselves from. That's metaphorically what the pictures said to me.

I thought that those were the perfect images for Extinction Level Event 2 and then the irony of it is COVID happened and now everybody's being [told] to wear masks. That felt prophetic. That reassured me all the more to why I needed to really dive into bringing the album home as we were going into the second phase of the recording process. 

Read: "Loops Of Funk Over Hardcore Beats": 30 Years Of A Tribe Called Quest's Debut, 'People's Instinctive Travels And The Paths Of Rhythm'

That's really such a journey. When did you first start working on the songs for this, and when did you wrap up?

I started in 2009, and I wrapped up sometime in August 2020.

How do you feel like you shifted during the process of making this project?

I think for the first time in this career of mine, I've gotten to a place of comfort where I've been able to feel good enough about sharing things on a personal level and in a vulnerable way that I've never had prior to this album. It took years for me to get to that place and once you find that it's a very fulfilling thing to be able to share. You help remind people that they're not alone in these realities that a lot of us are never and will never be exempt from going through. It also reminds people that it's okay to talk about it. I think a lot of the times, especially as Black men, we don't get the opportunity to really be allowed to share when we're hurting or when we are afraid or when we are in need of help.

I think even more so now than ever, with everything that everybody is going through, we need to make a conscious effort to show people it's okay to say, "I need somebody to help what I'm going through right now." Or "I just need some support. I'm a little insecure about something. I just need someone to listen." I wanted to share a lot of that. I think that comes with maturity, with growth, with being a man, and understanding what it is to be a man as opposed to thinking you're one. A lot of times people think they're grown men and they still have a lot of learning left to do before they can actually walk in that space. They tell you that you were a man legally when you're 18. That's such a lie. 

I'm just in a really beautiful space, still a work in progress. I think we never completely figure it out. While we're learning as we go along, we still also got to be great listeners and that's where I'm at in my life. I'm always willing to learn, and to teach and share, and that's what I'm trying to give through this music and through this album, Extinction Level Event 2: The Wrath of God. We need to have a good balance of informative content, and we also still need to remember what it is to laugh, live, love and learn and have some fun. We need to recharge because being in the battlefield dealing with this crazy sh*t every day, we need to go back home relaxed and refueled so we can get back in to it with the energy and strength that we need to continue to fight the good fight.

Related: Mortal Man: Author Marcus J. Moore Talks 5 Years Of Kendrick Lamar's 'TPAB' & His Forthcoming Book, 'The Butterfly Effect'

On the album, you brought in some of the younger rap and R&B greats, like Kendrick Lamar, Rapsody and Anderson .Paak. What was it like working with them and was it an intentional mentorship sort of decision?

I definitely didn't do it because I was mentoring any of them. I did it because I'm a huge fan of all three of them. They would give me sh*t that I felt like I was hugely inspired by. They're such incredible talents. I mean, when Rapsody and I did ["Best I Can"] together [about a troubled relationship between a father and a mother], she gave me the song with the track and the verse all ready. She created the whole creative direction, which was genius because I'm the one with the kids and she doesn't have any. It was just beautiful to see her look at things from a perspective of being on the outside looking in, but being so close to the situation in real life. That she can actually illustrate a perspective about this reality, that is one that has never been illustrated in this way on a record—since the beginning of hip-hop's birth and conceiving, we always hear about how the fathers are deadbeats.

I grew up without my father, but you never hear about how a woman is apologetic for all of the vindictive things she did to a man that's trying to actually be a damn good father. Through all of the humiliation and disrespect, he actually still sticks it out and makes sure that nothing comes between him and his child. That's important and needs to be heard and it's a reality that a lot of fathers needed to hear and a lot of women needed to hear. It creates a dialogue that I think is needed.

Kendrick Lamar is my favorite MC in the world. Anderson .Paak is one of the most brilliant minds that I've ever met as an MC and as a R&B artist, as a performing artist. All three of them are like super powers to me. I wasn't trying to mentor them because they are so great. If there would be any mentoring that would be needed, it would have to come from them. 

And to have an opportunity to work with them and with my alumni of artists and artists that are elder statesmen to me, like Bell Biv Devoe and Rakim. I wanted to show the world that I got three incredible generations of our culture on one body of work. Look how incredible and amazing we all can sound together, as long as we continue to bridge these gaps. That's what I was trying to do, show the world that we are the timeless greats. You can't put a timeline on greatness.

"You can't put a timeline on greatness."

That's real. What do you see as the biggest differences between 1998 when you dropped Extinction Level Event: The Final World Front and now?

The biggest difference between then and now, to me, is technology. A lot of the sh*t I was talking about then and a lot of the issues that we faced as a people then, none of that has changed now. We're still in the same horrible crisis of a situation as far as Black and brown people are concerned. I think the difference, in a way, now is that it is a little more directly affecting white people in a negative way. Because of this COVID thing and the narrative of it and the shutting down of the entire planet, it has now compromised the comfort level of every nationality and race. 

Unfortunately, the reality is a lot of things that were the same then have probably even gotten worse now. We didn't have social media in 1998. [Now, on social media] you can watch Black people getting killed every two to three days and there's no accountability. The worst part about it is that we didn't have these phones where we could watch this person getting killed on film, on repeat, from an uncensored Instagram post. We only saw it on the news. The kids are seeing this around the clock. It's an unbelievably unfortunate crisis as a result of technology and the systematic f***ery that has been implemented by design, by the powers that be. So again, this never changed, this is what it's been since the beginning. It's just magnified with how it's being put in our faces and how it is completely shifting the conscious and the subconscious thought processes. It has given birth to generations of valueless perspectives on life, as the generations are born into seeing this sh*t as a normalized thing. It's horribly unfortunate.



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What do you hope your legacy will be?

That's a good question because I got so much left to do. [Laughs.] I don't know, because I have huge plans to do so many things outside of music that will contribute in a major way to the legacy I would love to leave. But as far as music is concerned, I want my legacy to be that I am held in a godly regard when it comes to being an artist; A significant contributor to the culture and a true MC and a profound climate shifter of the culture. And one of the best to ever do this sh*t. If I left out anything, I'll let you fill in the blanks. [Laughs.]

Pull Up On The Best Rap Song Nominees | 2021 GRAMMYs

Megan Thee Stallion at Rolling Loud L.A. 2019

Megan Thee Stallion at Rolling Loud L.A. 2019

Photo: Scott Dudelson/Getty Images

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Rolling Loud Virtual Festivals Coming To Twitch rolling-loud-announces-virtual-festivals-weekly-content-new-twitch-channel

Rolling Loud Announces Virtual Festivals & Weekly Content On New Twitch Channel

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The massive hip-hop event launched their brand-new Twitch channel today, Sept. 1, where they will be airing three virtual fests
Ana Monroy Yglesias
GRAMMYs
Sep 1, 2020 - 1:59 pm

Today, Sept. 1, Rolling Loud, "the Woodstock of Hip-Hop," launches their brand-new Twitch channel, where they will stream three virtual festivals, the first of which will take place on Sept. 12-13. The channel will also feature weekly rap-centric original programming, including "The Leak," previewing new music from hip-hop's rising stars, and "Got Bars?," a six-month freestyle competition.

https://twitter.com/RollingLoud/status/1300618618821111808

Our #LOUDSTREAM next weekend is free.99. We're all going to Rolling Loud now 🔥🔥🔥

— Rolling Loud (@RollingLoud) September 1, 2020

Check out our WATCH LIST: Free Online Livestream Concerts To Catch During Coronavirus Quarantine

The live virtual concerts, dubbed Loud Stream, will bring the massive fest's high-production value and stacked lineups directly to your living room—for free! "Complete with state-of-the-art production and the star-studded lineups that Rolling Loud is known to bring, each digital festival will present over five hours of live performances each day of the event," the press release explains.

The lineup for the first Loud Stream will be announced closer to Sep. 12, and the dates for the following two events will be announced later.

"At Rolling Loud, our core business lies in exchanging energy with fans. The artist puts out the energy, the fans give it right back to the artist—it's a complete power exchange. That's what a concert, and more specifically Rolling Loud, is. We trap energy and the trap is boomin'. When we planned to bring Rolling Loud to the virtual experience, we needed to find a partner that could help create that energy exchange and understand the core DNA of Rolling Loud. It only made sense to partner with Twitch—a service that thrives off of live engagement with fans and champions a diverse collection of creators," Tariq Cherif, Co-Founder/Co-CEO of Rolling Loud, said in the release.

"Streaming on Twitch transports viewers into a live concert atmosphere and creates an experience for artists to interact with fans in ways only possible on Twitch," Will Farrell-Green, Head of Music Content at Twitch, added. "As in-person concerts are put on hold, we're working to create an incredible backstage environment that fans can access from anywhere in the world."

https://twitter.com/RollingLoud/status/1300513626542026754

Make sure you tap in with us on Twitch every week. We'll have special guests, new music previews, Rolling Loud giveaways, competitions, all that 🔥https://t.co/znkUb2RqIR pic.twitter.com/ifY7m89a1S

— Rolling Loud (@RollingLoud) August 31, 2020

The 2019 Rolling Loud festivals, held in Los Angeles, Oakland, Calif., New York and Miami, featured Future, Migos, Travis Scott, Kid Cudi, YG, Megan Thee Stallion, Doja Cat and many more powerhouse rappers across their lineups.

At the time of this writing, the 2021 in-person events are currently slated for Feb. 12-14 in Miami and July 6-8 in Portimão, Portugal, both of which were rescheduled from 2020 due to COVID-19.The Florida fest will be headlined by A$AP Rocky, Scott and Post Malone, while the debut European one will be led by Rocky, Future and Wiz Khalifa.

Poll: From "WAP" To "Big Booty," What's Your Favorite Megan Thee Stallion Feature?

Beyoncé at 2020 BET Awards

Beyoncé at 2020 BET Awards

Photo: BET Awards 2020/Getty Images

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Watch Beyoncé Accept 2020 BET Humanitarian Award watch-beyonc%C3%A9-dedicate-bet-2020-humanitarian-award-those-marching-fighting-change

Watch Beyoncé Dedicate BET 2020 Humanitarian Award To Those "Marching & Fighting For Change"

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Michelle Obama presented the honor to her friend, saying, "You inspire me, you inspire all of us"
Ana Monroy Yglesias
GRAMMYs
Jun 29, 2020 - 1:33 pm

Yesterday, June 28, Beyoncé joined the virtual presentation of the 2020 BET Awards, to accept the Humanitarian Award and offer a powerful speech. The seven-and-a-half-minute segment, which you can view in full below, also included former First Lady Michelle Obama, who presented the award and a video detailing the many philanthropic initiatives the honoree has led with her BeyGOOD Foundation and more.

According to Pitchfork, Chance the Rapper, Nipsey Hussle, John Legend and Quincy Jones have been past recipients of the Humanitarian Award.

https://twitter.com/beyonceW0RLD/status/1277434850421727232

Congrats to Beyonce on her Humanitarian Award! #BETAwards #BETAwards2020 pic.twitter.com/TN9b0JB9ms

— The Beyonce World (@beyonceW0RLD) June 29, 2020

Beyoncé Announces New Visual Album 'Black Is King,' Out July 2020 On Disney+

"She's always turning up, looking out and making us a little bit better, a little more fierce and she's doing it all while staying devoted to her children and the loved ones she holds dear," Obama said. "You inspire me, you inspire all of us."

Obama's speech was followed by the video detailing the extensive work Queen Bey has done giving back in her hometown of Houston and beyond. Beyoncé and Twitter CEO Jack Dorsey, through their nonprofits, collectively donated $6 million to various orgs fighting COVID-19 and supporting mental health, both focused on communities of color. BeyGood's coronavirus work helped open a wing at Houston Memorial Hospital, as well as offer mobile testing and food supplies. It also supported the National Alliance On Mental Health for their on the ground work supporting communities of color in New York, New Orleans, Houston and Detroit.

In the video, we heard from Tina Knowles-Lawson, Treyvon Martin's mother, the director of BeyGOOD, Homecoming Scholarship recipients and others. The scholarships are given to Black students in the U.S., especially those going to HBCUs (historically Black colleges and universities). In partnership Global Citizen and Tyler Perry, BeyGOOD has also launched fellowship programs in Africa to support young people there.

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Beyoncé Celebrates Juneteenth With "BLACK PARADE" & Epic Black-Owned Businesses Directory

Beyoncé was up next, looking stunning with natural makeup, a diamond choker and strapless black dress. She used her speech to celebrate those taking action in protests around the country, encouraging everyone to not give up and to please vote.

"I want to dedicate this award to all of my brothers out there, all of sisters out there, inspiring me, marching and fighting for change. Your voices are being heard and you're proving to our ancestors that their struggles were not in vain. Now we have one more thing we need to do to walk in our true power, and that is to vote. I'm encouraging you to continue to take action, continue to change and dismantle a racist and unequal system.

We have to continue to do this together, continue to fight for each other and lift each other up, because there are people banking on us staying at home during local elections and primaries happening in states across the country. We have to vote like our life depends on it, because it does. So please continue to be the change you want to see."

Beyoncé: Justice For Breonna Taylor Would Demonstrate The Value Of A Black Woman's Life

Her poignant words were followed by the trailer for her upcoming Disney+ film, Black Is King, featuring music from her 2019 Lion King: The Gift album. During the show, the "Formation" singer also earned the BET Her Award for "Brown Skin Girl," a track featuring daughter Blue Ivy Carter, Wizkid and Saint Jhn from the The Gift album.

The broadcast was filled with other powerful moments, including Public Enemy opening the show with a 2020 update on their still pertinent 1989 classic "Fight The Power," with support from Nas, Black Thought, Rapsody, YG and more. Another moving performance critiquing police brutality came from DaBaby and Roddy Ricch rapping "Rockstar," with DaBaby beginning the set on the ground as a white man dressed as a police officer kneeled on his neck, evoking the brutal killing of George Floyd by Derek Chuavin.

Houston Rappers Talk George Floyd's Musical & Community Legacy

Alicia Keys delivered the first-ever live performance of her touching new track "Perfect Way To Die," Jennifer Hudson brought chills with Nina Simone's "To Be Young, Gifted & Black" and Anderson .Paak and Jay Rock delivering "Lockdown," among other epic musical moments. Watch more via BET's YouTube here.

"Fight The Power": 7 Facts Behind Public Enemy's Anthem | GRAMMY Hall Of Fame

Kendrick Lamar at the 2018 GRAMMYs

Kendrick Lamar performs at the 2018 GRAMMYs

Photo: Theo Wargo/WireImage

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GRAMMY Rewind: Kendrick Lamar Opens 2018 GRAMMYs grammy-rewind-watch-kendrick-lamar-u2-dave-chappelle-open-2018-grammys-powerful

GRAMMY Rewind: Watch Kendrick Lamar, U2 & Dave Chappelle Open The 2018 GRAMMYs With A Powerful Performance

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Kung-Fu Kenny served up golden bars for a medley, which included "XXX." and "DNA."—from his 2017 masterpiece, 'DAMN.'—plus "New Freezer" and "King's Dead"
Ana Monroy Yglesias
GRAMMYs
Jun 19, 2020 - 8:17 am

On Jan. 28, 2018, Kenrick Lamar amplified the energy and emotion at Madison Square Garden in New York City to 100 with a moving performance featuring Bono and The Edge of U2, Dave Chapelle and a literal army of dancers.

For the latest episode of GRAMMY Rewind, the Recording Academy returns to this unforgettable moment when Kung-Fu Kenny opened the 60th GRAMMY Awards, unleashing his poignant lyrics and incomparable flow. During the six-and-a-half-minute spectacular, he delivered golden bars from "XXX." and "DNA."—both off his 2017 masterpiece, DAMN.—as well as "New Freezer," his feature with Rich The Kid, and "King's Dead," from the Black Panther: The Album soundtrack.

GRAMMY Rewind: Kendrick Lamar Opens 2018 GRAMMYs

The Compton-born hero won five GRAMMYs for DAMN. that night, sweeping all four rap categories. The LP earned him the golden gramophone for Best Rap Album, and its massive hit single, "HUMBLE.," won for Best Rap Performance, Best Rap Song and Best Music Video. His Rihanna collab, "LOYALTY.," saw the powerhouse pair take home Best Rap/Sung Performance.

Watch: GRAMMY Rewind: Watch Kendrick Lamar Accept Best Rap Album For 'DAMN.' At The 2018 GRAMMY Awards

"King's Dead," which also features Jay Rock, Future and James Blake, won Best Rap Performance the following year at the 2019 GRAMMYs. Released as a single in January 2018, two weeks before Kendrick performed it on the GRAMMY stage, the track was featured on both the Lamar-produced Black Panther soundtrack and Rock's 2018 album, Redemption. The Black Panther project earned Lamar a total of eight nominations at the 2019 GRAMMYs, including Album Of The Year as well as Song Of The Year and Record Of The Year for its dreamy SZA-supported lead single, "All The Stars."

The hip-hop icon, who just turned 33 this week, earned his first GRAMMY nominations back at the 2014 GRAMMYs, following the release of his 2012 sophomore album, Good Kid, M.A.A.D City, which earned nods for Album Of The Year and Best Rap Album. While he didn't take home any golden gramophones that evening, he earned a total of seven nominations, including Best New Artist.

The next year, at the 57th GRAMMY Awards, K-Dot took home his first two GRAMMYs, for Best Rap Song and Best Rap Performance, for "i," the inspiring lead single off his 2015 album, To Pimp A Butterfly. He would then take home five more golden gramophones the following year, at the 2016 GRAMMYs, including Best Rap Album for Butterfly and Best Rap Song and Best Rap Performance for the Black pride anthem "Alright." To date, Kendrick has earned 13 GRAMMY wins and 37 overall nominations.

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Mortal Man: Author Marcus J. Moore Talks 5 Years Of Kendrick Lamar's 'TPAB' & His Forthcoming Book, 'The Butterfly Effect'

Nadia Nakai

Nadia Nakai

Photo: Frennie Shivambu/Gallo Images/Getty Images

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Def Jam Africa Launches With 9 African Artists def-jam-africa-launches-nadia-nakai-cassper-nyovest-nasty-c-more-african-artists

Def Jam Africa Launches With Nadia Nakai, Cassper Nyovest, Nasty C & More African Artists

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Larry Gaaga, Boity, Tshego, Ricky Tyler, Vector and Tellaman round out the new label division's flagship roster
Ana Monroy Yglesias
GRAMMYs
May 26, 2020 - 1:18 pm

Today, May 26, Def Jam Recordings and Universal Music Group announced their newest division, Def Jam Africa. The new label will have offices in two major music hotspots in Africa, Johannesburg, South Africa and Lagos, Nigeria, but will recruit artists from across the continent.

Def Jam Africa launches with nine powerhouse rappers and singers from South Africa and Nigeria, several of whom were already signed to UMG: Nadia Nakai, Cassper Nyovest, Nasty C, Larry Gaaga, Boity, Tshego, Ricky Tyler, Vector and Tellaman.

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It will have dedicated A&R, marketing, creative and digital support from the UMG teams based in Nigeria and South Africa, led by Sipho Dlamini, Managing Director of Universal Music Sub-Saharan Africa & South Africa.

Watch: Burna Boy Talks 'African Giant,' Damian Marley & Angelique Kidjo Collab, Responsibility As A Global Artist

"Many of us in Africa grew up on music from legendary labels under the UMG umbrella. From Blue Note for jazz fans, to Mercury Records, which was Hugh Masekela's first US label and Uptown Records, the home of Jodeci and Mary J. Blige and many more. For those into hip-hop, no label has such cultural and historic relevance as Def Jam. From Run DMC, to LL Cool J, [Ludacris' label] Disturbing tha Peace, Jay-Z, Big Sean and Kanye West, Def Jam has always been the ultimate destination for hip-hop and urban culture worldwide," Dlamini said in a statement.

"It is a historic achievement that we’re now able to bring this iconic label to Africa, to create an authentic and trusted home for those who aspire to be the best in hip-hop, Afrobeats and trap. Together, we will build a new community of artists, that will push the boundaries of hip-hop from Africa, to reach new audiences globally."

More: Victoria Kimani Talks New Album, Repping Kenya, Dream Collabs With Lauryn Hill & Rihanna | Up Close & Personal

In the coming months, fans can expect Def Jam Africa to drop singles from Tyler, Boity, Nasty C, Tellaman feat. Alpha P, Vector, Nyovest and Tshego. Earlier this year, it was revealed that Nasty C will be releasing his third studio album, Zulu Man With Some Power, in the States this summer via Def Jam Recordings.

"Def Jam is a globally recognized brand, synonymous with excellence in hip-hop, and we enthusiastically welcome the launch of Def Jam Africa as an opportunity for audiences worldwide to discover the incredibly talented hip-hop artists emerging from across the continent," Jeff Harleston, the interim Chairman & CEO of Def Jam Recordings, added.

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