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Behind The Record

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Behind The Record Returns To #GiveCredit To The Behind-The-Scenes Music Creators

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The Recording Academy's global social media initiative to celebrate the music makers behind the records you love is back to give credit where credit is due
GRAMMYs
Oct 14, 2020 - 10:11 am

On Oct. 15, join the Recording Academy for Behind The Record, a global social media initiative celebrating the producers, mixers, engineers, songwriters, composers and all the creators across all music genres who work tirelessly to make the songs and albums you love. This year's launch is marked by a new animated film narrated by spoken word artist and Recording Academy Chicago Chapter President J. Ivy highlighting 33 album titles to help tell the story about everyone who works Behind the Record.

Behind the Record’s mission is to inspire a conversation around the importance of credits, while giving credit where credit is due, especially during a time when the music community needs it the most.

Launched in 2019, Behind the Record returns this year to honor the work of all music creators by highlighting their contributions through album credits. Last year’s campaign featured more than 3,000 credit covers created and shared by artists, reaching hundreds of millions of fans around the world.

To participate, artists can create a custom Credit Cover to post on Instagram and other social networks, using the hashtags #BehindTheRecord and #GiveCredit, on Oct. 15 where they can tag all the creators who worked on their record and invite other artists to do the same. The Credit Covers, which can be created for a single track or a full album, will live in a gallery on the Behind the Record website where music fans can view and discover the roles of creatives behind some of their favorite records.

New for this year, artists participating in Behind the Record can sign the #GiveCredit petition, an official artist petition urging all digital music streaming services to display complete credits for songwriters, producers, engineers and non-featured performers on albums and tracks, the same way lyrics are available to those seeking them. Sadly, liner notes were largely left behind in the evolution of digital streaming. As a result, artists haven’t had a platform to publicly recognize the incredibly talented musicians and creators behind the music we love. By signing this petition, we hope to change that for future music-makers.

Behind the Record is supported by the Recording Academy's Producers & Engineers Wing®. Jaxsta, the world's largest public-facing, dedicated database of official music credits, provided credits for Warner Music, Sony Music, Universal Music Group and Merlin releases.

Look for your favorite artists' Credit Covers on Oct. 15, and be sure to follow and join the global conversation on social media using the hashtags #BehindTheRecord #GiveCredit and #WeAreMusic. Together, we can ensure that all creators are recognized for their work and contributions Behind the Record.

Learn More About The Recording Academy's Behind The Record

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Photo by: Giuseppe Greco/REDA&CO/Universal Images Group via Getty Images

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Resources for Music Creators & Professionals Affected By COVID-19: Asia, Europe & The U.K.

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The Recording Academy is committed to sharing resources to the global community of music creators and professionals affected by the coronavirus/COVID-19 pandemic
GRAMMYs
Mar 23, 2020 - 5:11 pm

In the current coronavirus/COVID-19 pandemic, music creators and many of the professionals who support them have been greatly affected. The Recording Academy is committed to creating, amplifying, and sharing resources that will provide some form of comfort.

While The Academy’s MusiCares has set up a COVID-19 Relief Fund available as a safety net for music creators in need, below you will find resources available to those in the music community who live in Asia, Europe and United Kingdom.
 

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ASIA

Hong Kong Arts Development Council
The organization has increased its support for the Arts & Cultural Sector to HK$55 million to help relieve the financial burden of the arts sector during this difficult period. Information on how to apply is on the org’s website.

Singapore Sets up Funding for Arts and Culture Sector amid COVID-19 Outbreak 
About S$1.6 million will be set aside for the arts and culture sector as part of support for the community amid the COVID-19 outbreak, and to prepare the sector for “post-disease recovery.”

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EUROPE

BELGIUM

Flanders Agency for Innovation and Entrepreneurship
Self-employed persons and assistants in the main occupation and assisting spouses who have to stop their activity due to the corona virus can receive financial benefits.

Wallonia-Brussels Federation
Information on aid for artists negatively impacted by event and job cancellations and/or postponements related to COVID-19.

FINLAND

Finnish Foundations and Ministry Provide Millions In Emergency Aid For Cultural Sector in Distress
A number of large Finnish foundations, the Ministry of Education and Culture, and Arts Promotion Centre Finland (Taike) are working together to grant swift assistance to arts and culture professionals who have been hard hit by the coronavirus outbreak. Funding totaling approximately EUR 1.5 million will be apportioned during April via the Arts Promotion Centre (Taike). Foundations will also grant significant sums in aid through their own channels.

FRANCE

Institut Français COVID-19 Resources
This French institute, that promotes French culture abroad, while promoting artistic exchanges and dialogue between cultures, has compiled several available resources for French artists and those employed in cultural sectors.

French Government’s Measures for Temporary Workers and Employees in the Cultural Sector
Muriel Pénicaud, Minister of Labor, and Franck Riester, Minister of Culture, have announced exceptional measures to support intermittent workers and employees in the cultural sector in the context of the health crisis.

Pays de la Loire Region Coronavirus Emergency Plan
This €50 million plan would be devoted to supporting the local economy --- €25 million in immediately available credits in the form of existing support systems and €25 million in new measures and credits, including €2 million in support of cultural and sports associations. The Pays de la Loire covers the area to the south of Brittany and Normandy, along the lower stretches of the river Loire.

French Government Containment System Certifications
On March 16, 2020, the French Government decided to take measures to minimize contact and travel. “A containment system has been in place since Tuesday, March 17 at 12:00 p.m., for a minimum of fifteen days. Travel is prohibited except in the following cases and only if you have a certificate for: 1.) Move from home to work when telework is not possible 2.) Make essential purchases in authorized local shops 3.) Go to a health professional 4.) Travel for child care or to help vulnerable people, or for a compelling family reason, duly justified, on the strict condition of respecting barrier gestures 5.) Exercise only on an individual basis, around the home and without any gathering. Violations of these rules without a certificate will be punished with a fine of 135 euros.”

GERMANY

GEMA Corona Aid Fund
The German performance rights organization has created a $43 million fund for composers, lyricists, music publishers and songwriter members negatively impacted by the COVID-19 pandemic. Depending on how one is personally affected, members can apply for transitional aid of up to EUR 5,000.

The Luxembourg Government – COVID-19 Efforts
The Ministry of The Economy has established a website and hotline for information and recommendations for businesses

Queer Relief (Berlin) 
Created by the queer community in Berlin, this application was created to help offer support for those who are vulnerable to COVID-19. Applicants who are on the LGBTQIA+ spectrum, womxn, sex workers, refugees, and other marginalized individuals (i.e. BiPoC) will receive priority.

Petition: Help for Freelancer and Artists during the Corona Shutdown
This petition seeks to urge Federal Finance Minister Olaf Scholz immediate financial help for freelancers and people from the creative scene, for example in the form of “1.) Non-bureaucratic bridging money, for example in the form of a temporary (unconditional) basic income 2.) Aid fund to quickly compensate for lost income, e.g. connected to the artists' social security fund (but expressly NOT limited to its members, since all freelancers are equally affected) and 3.) A short-time work benefit, in which the net income from the last available tax assessment is based on a monthly support payment by the tax offices.”

ITALY

Petition: Appeal for Urgent Support For Show Business Workers
Fondazione Centro Studi Doc has set up this Change.org petition advocating Italy’s President and government to extend immediate emergency relief to the artistic community

POLAND

Poland’s Culture Promotion Fund
Poland’s Ministry of Culture and National Heritage is offering social assistance from The Culture Promotion Fund can be obtained by artists who are in a difficult financial situation.

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UNITED KINGDOM

Coronavirus (COVID-19): What You Need To Do
The UK Government has set up a webpage offering information on financial support, school and business closures, small business support, and health related updates.

UK Tax Helpline for Businesses
New Her Majesty's Revenue and Customs (HMRC) helpline launched to help businesses concerned about paying their tax due to coronavirus (COVID-19)

Help Musicians Health and Welfare Support
Help Musicians’ Health and Welfare team offers structured support to professional musicians in times of personal crisis. Their approach is “person-centered; building tailored support around an individual’s specific needs.” Help Musicians is unable to replace lost earnings. But they are able to provide financial support in cases of significant financial hardship as well as signposting for debt/welfare-related issues. The organization also provides financial assistance for health interventions and access to music specialist health assessments for performance-related health issues. Applicants who live in the United Kingdom who have savings that do not exceed £16,000 (rare exceptions may be made; for example, the limit is a higher £20,000 for retirees) should apply.

Music Venue Trust
Emergency legal advice for music venues. The organization allows every venue in the country to access free legal and expert advice on licensing, planning, development, noise, and even tenancy issues.

Coronavirus (COVID-19) Guidance for Musicians
Incorporated Society of Musicians has compiled an online resource hub for performers, music professionals, private and employed music teachers.

Musicians’ Union Coronavirus (COVID-19) Advice
Find advice and read latest news on Coronavirus for musicians

Association of Independent Promoters
The Association of Independent Promoters (AIP) is a new not for profit trade association bringing together independent promoters from across the UK. Our aim is to represent, empower and provide a vital support network to promoters.

Petition: UK Government to offer economic assistance to the events industry during COVID-19
For the UK government to provide economic assistance to businesses and staff employed in the events industry, who are suffering unforeseen financial challenges that could have a profound effect on hundreds of thousands of people employed in the sector.

Petition: Temporary Income Protection Fund
This Change.org petition is asking the government to create a Temporary Income Protection Fund to support freelancers through the Coronavirus crisis. The idea is for a time-limited, targeted injection of funds to keep businesses afloat over the coming months and cover basic income costs like food and rent.

Scottish Government COVID-19 Relief Efforts
The Scottish government has announced a £350m fund for councils, charities, businesses and community groups. Roughly £45 million will be added to the existing Scottish Welfare Fund which makes community grants and crisis grants to those in immediate need. In addition, £20 million will be allocated to a Third Sector Resilience Fund, £40 million to the Supporting Communities Fund to support the rapidly growing and inspiring community efforts at a local level; £70m will be allocated to a Food Fund and £50 million will be given to the Wellbeing Fund which will help charities and others who require additional capacity to work with at-risk people.

Ireland Artist Emergency Relief Fund
The Civic Theatre in Dublin has created this fund to provide financial relief to Irish artists experiencing lost income related to COVID-19. Small grants of up to €500 will be paid rapidly on a first-come, first-served basis to affected artists and groups.
 

GENERAL RESOURCES

MusiCares COVID-19 Relief Fund
The Recording Academy and its affiliated charitable foundation MusiCares have established the COVID-19 Relief Fund to help people in the music industry affected by the coronavirus disease (COVID-19) outbreak and subsequent cancellation of multiple music events. From hotel and bar gigs to major music festivals, COVID-19 is deeply impacting live music events, and the creative community behind it all. Administered through MusiCares, the COVID-19 Fund will be used to directly support those in the music community with the greatest need. To establish the fund, both the Recording Academy and MusiCares have contributed an initial donation of $1 million each, totaling $2 million. Additionally, all Recording Academy Chapters have committed to fundraising in their local communities. Further updates and announcements will be made in the coming days.

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Hero The Band perform at the Recording Academy Atlanta Chapter Annual Membership Celebration
Photo: Marcus Ingram/WireImage

News

Report: Music & Culture Infrastructure Can Create Better "Future Cities"

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How sound planning for a creative future in our urban areas makes all the difference for artists and musicians
Nate Hertweck
GRAMMYs
Oct 23, 2019 - 2:27 pm

The future, as they say, is now. And for music makers around the world, building a future for themselves often starts at home, in their local creative community and in the city where they live. While technology has expanded communication and made the world smaller, cities continue to grow, making planning for the future a critical cultural mission of the present.

To that end, a new report by global organization Sound Diplomacy titled "This Must Be The Place" examines, "The role of music and cultural infrastructure in creating better future cities for all of us." The 37-page deep dive into community planning and development highlights the importance of creative culture in what it calls "Future Cities."

"The government defines ‘Future Cities’ as 'a term used to imagine what cities themselves will be like," the report states, "how they will operate, what systems will orchestrate them and how they will relate to their stakeholders (citizens, governments, businesses, investors, and others),'"

According to the report, only three global cities or states currently have cultural infrastructure plans: London, Amsterdam and New South Wales. This fact may be surprising considering how city planning and sustainability have become part of the discussion on development of urban areas, where the UN estimates 68 percent of people will live by 2050.

"Our future places must look at music and culture ecologically. Much like the way a building is an ecosystem, so is a community of creators, makers, consumers and disseminators," the report says. "The manner in which we understand how to maintain a building is not translated to protecting, preserving and promoting music and culture in communities."

The comparison and interaction between the intangibility of culture and the presence of physical space is an ongoing theme throughout the report. For instance, one section of the report outlines how buildings can and should be designed to fit the cultural needs of the neighborhoods they populate, as too often, use of a commercial space is considered during the leasing process, not the construction process, leading to costly renovations.

"All future cities are creative cities. All future cities are music cities."

On the residential side, as cities grow denser, the need increases for thoughtful acoustic design and sufficient sound isolation. Future cities can and should be places where people congregate

"If we don’t design and build our future cities to facilitate and welcome music and experience, we lose what makes them worth living in."

For musicians and artists of all mediums, the answer to making—and keeping—their cities worth living in boils down to considering their needs, impact and value more carefully and sooner in the planning process.

"The report argues that property is no longer an asset business, but one built on facilitating platforms for congregation, community and cohesion," it says. "By using music and culture at the beginning of the development process and incorporating it across the value chain from bid to design, meanwhile to construction, activation to commercialisation, this thinking and practice will result in better places."

The report offers examples of how planners and leaders are handling this from around the world. For instance, the Mayor Of London Night Czar, who helps ensure safety and nighttime infrastructure for venues toward the Mayor's Vision for London as a 24-hour city. Stateside, Pittsburgh, Penn., also has a Night Mayor in place to support and inform the growth of its creative class.

Diversity, inclusion, health and well-being also factor into the reports comprehensive look at how music and culture are every bit as important as conventional business, ergonomic and environmental considerations in Future Cites. Using the Queensland Chamber of Arts and Culture as a reference, it declared, "A Chamber of Culture is as important as a Chamber of Commerce."

In the end, the report serves as a beacon of light for governments, organizations, businesses and individuals involved in planning and developing future cities. Its core principals lay out guideposts for building friendly places to music and culture and are backed with case studies and recommendations. But perhaps the key to this progress is in changing how we approach the use of space itself, as the answer to supporting music may be found in how we look at the spaces we inhabit.

"To develop better cities, towns and places, we must alter the way we think about development, and place music and culture alongside design, viability, construction and customer experience," it says. "Buildings must be treated as platforms, not assets. We must explore mixed‑use within mixed‑use, so a floor of a building, or a lesser‑value ground floor unit can have multiple solutions for multiple communities."

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Be Like Björk: Iceland Unveils New 'Record In Iceland' Initiative

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A Message From The Chairman, Interim CEO Of The Recording Academy

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The Recording Academy’s ongoing commitment to Diversity & Inclusion
Membership
Jan 26, 2020 - 10:41 am

Six months ago, when I put my hat in the ring to be your Chair, I did so because I believed that the Academy could do better – could be better. The music we create has always reflected the best of ourselves and our world. But what was true of music has historically not been true of the music business as a whole. Too often, our industry and Academy have alienated some of our own artists – in particular, through a lack of diversity that, in many cases, results in a culture that leans towards exclusion rather than inclusion.
 
The Academy is recognized for our excellence. We are a leader. And being a leader means taking responsibility even when it feels like the problems at hand are bigger than us.
 
This is hard. Some might feel that responsibility is unfair, while others might feel it’s not going far enough. But in the end, we must take on this work. Because it’s the right thing to do.
 
I ran for this position because, as a music creator, I wanted to help bring this organization in line with the values I know this community shares. I asked for your trust – and your help – as we continue to push the Academy towards a place where everyone is valued, respected, and included. That’s the Academy that we – artists and fans alike – deserve.
 
In entering this role six months ago, I was fortunate to be building on courageous and inspiring work. Artists – especially women and artists of color – had long begun demanding transparency and taking on our traditional power structure. They have found allies across the industry who believe that we can do better and have joined the fight for change.
 
In February 2018, we empowered a Diversity Task Force, led by Tina Tchen and made up of distinguished individuals from outside the Academy, to take a hard, independent look at our organization specifically and the music industry as a whole. They detailed the ways in which we were falling short, and laid out 18 recommendations for change.
 
Since I took office, we as an organization have agreed to 17 of those 18 recommendations. I know some will feel that we’re not doing enough fast enough. I understand the urgency. For me personally, and for this organization, these immediate steps are a continuation of our ongoing work.
 
But it’s not enough to pledge ourselves to change. We must take action. There is no excuse for waiting, especially when so many of our members have been tirelessly advocating for a bold new direction for so long.
 
That’s why I’m proud to announce these new initiatives, initiatives developed in partnership with the Diversity Task Force and other champions of change. They include the following:
 
The Academy will hire a dedicated Diversity & Inclusion Officer. This person will be hired within the next 90 days.
We will establish a fellowship, funded by the Academy, that will be responsible for independent review and reporting of the progress of the Academy's Diversity & Inclusion efforts. This will be in place within 120 days.

We will create a fund to be distributed annually to different “women in music” organizations that will be managed by the D&I Officer. This will go into effect immediately.

The Academy will recommit to meeting all 18 of the Task Force Recommendations as outlined in the full report and in a manner that will endure, with the caveat that we will have a deeper exploration, along with the Task Force into voting processes for the GRAMMYS.

We are committing to meet with the Task Force to review our progress on these as well as the rest of their eighteen initiatives. This first meeting will happen in 45 days. There will be subsequent follow ups to review progress.

It’s been a challenging week for our Academy family. I’ve heard from many of you who feel betrayed and hurt by the untruths being spread about our motives and actions, the integrity of our process and the artists who've rightfully earned their GRAMMY Nominations, and the reminders of the hard truths we do have to face as a community. We can all be proud that we are recommitting ourselves to transparency, to independent investigations, and to following the facts wherever they lead. And I want to thank the incredible Academy team that, through it all, work day and night, from staff, artist support services, member relations, chapter leaders, MusiCares, The GRAMMY Museum Foundation, and to those putting on a spectacular show and the week’s events.
 
The movement to ensure that the Academy – and the music business – is truly representative of artists and their audiences has been going on for a long time. And that struggle will continue, not just for women and people of color, but for members of the LGBTQ+ community, for artists struggling to make ends meet, for those suffering from addiction or mental health challenges, for people of all shapes and sizes and backgrounds, and for groups we may not even recognize today. As a leading voice in the industry, we have an obligation to be on the frontlines of that change. To build a system that continuously evolves with our changing society – a system where every artist, no matter who they are, feels welcomed and supported. That’s what it will take to not just survive but thrive in an industry that’s transforming as quickly as ours.
 
This won’t be easy. But here’s the thing: I know we can do this together. Because that’s what we have always done. We are collaborators. After all, as a peer-based community, the

Academy truly represents music at its best. It has always reflected the very artists who grapple with the issues that shape our times, and push society to live up to our ideals. That’s what it means to be a part of this extraordinary community of artists – people with integrity, people with passion, and people who, above all, are committed to music and its possibilities.
 
Tonight, many of our colleagues will take the stage on Music’s Biggest Night, be honored by their community of peers and thank the Academy. On behalf of the Academy, I’d like to thank them. Thank you for the authenticity you bring to your craft, the dignity with which you carry yourselves, and the love you show to each other and our world.
 
I look forward to working side by side with you to continue building an Academy that reflects the best in us, and honors the incredible artists who lift us up every day.
 
Respectfully Yours,
Harvey Mason Jr

2021 GRAMMYs
News

Participating Talent For 2021 GRAMMY Nominations Announced: Dua Lipa, Sharon Osbourne, Imogen Heap And More

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Additional talent, including Pepe Aguilar, Mickey Guyton, Lauren Daigle, Nicola Benedetti, Gayle King and more, will join Chair and Interim Recording Academy President/CEO Harvey Mason jr. to announce the nominees for the 63rd GRAMMY Awards on Nov. 24
Recording Academy
Nov 20, 2020 - 4:09 pm

Updated Nov. 23 with livestream run-of-show details.

The Recording Academy today (Nov. 20) revealed the first round of talent who will be joining Chair and Interim Recording Academy President/CEO Harvey Mason jr. to announce nominees for the 63rd GRAMMY Awards on Tuesday, Nov. 24. 

Four-time GRAMMY-winning Regional Mexican singer-songwriter Pepe Aguilar, Nigerian Afropop singer Yemi Alade, GRAMMY-winning classical violinist Nicola Benedetti, two-time GRAMMY-winning contemporary Christian singer Lauren Daigle, country singer-songwriter Mickey Guyton, two-time GRAMMY-winning recording artist and past GRAMMY Awards Premiere Ceremony host Imogen Heap, "CBS This Morning" anchor Gayle King, two-time GRAMMY-winning singer-songwriter Dua Lipa and "The Talk" host Sharon Osbourne will be part of the nominations livestream that will begin at approximately 9:00 a.m. PT/12:00 p.m. ET. The livestream will be available to view on GRAMMY.com. Additional talent will be revealed in the upcoming days. See details for the full 2021 GRAMMY nominations livestream run of show below.

Immediately following the livestream, the press release and a full nominations list will be on GRAMMY.com, and the Recording Academy's social media platforms. Select clips of each participant will be made available as well. 

The 63rd GRAMMY Awards will be broadcast in HDTV and 5.1 surround sound on the CBS Television Network, Sunday, Jan. 31, at 8:00 p.m. ET/5:00 p.m. PT. 

63rd GRAMMY Awards Nominations Livestream Run of Show

Opening Remarks by Recording Academy President/CEO Harvey Mason jr.

Production (Non-Classical and Classical) Fields — Harvey Mason jr.

Best Engineered Album, Non-Classical
Producer Of The Year, Non-Classical
Best Remixed Recording
Best Engineered Album, Classical 
Producer Of The Year, Classical

Rock, Alternative, Package, and Notes Fields — Yemi Alade 

Best Rock Performance
Best Metal Performance
Best Rock Song 
Best Rock Album
Best Alternative Music Album
Best Recording Package 
Best Boxed Or Special Limited Edition Package
Best Album Notes

New Age and Jazz Fields — Imogen Heap

Best New Age Album 
Best Improvised Jazz Solo
Best Jazz Vocal Album 
Best Jazz Instrumental Album 
Best Large Jazz Ensemble Album
Best Latin Jazz Album

Latin and Composing/Arranging Fields — Pepe Aguilar 

Best Latin Pop Or Urban Album
Best Latin Rock Or Alternative Album
Best Regional Mexican Music Album (Including Tejano)
Best Tropical Latin Album
Best Instrumental Composition
Best Arrangement, Instrumental Or A Cappella 
Best Arrangement, Instruments And Vocals

American Roots Field — Lauren Daigle

Best American Roots Performance 
Best American Roots Song
Best Americana Album 
Best Bluegrass Album
Best Traditional Blues Album
Best Contemporary Blues Album 
Best Folk Album
Best Regional Roots Music Album 

Comedy, Musical Theater, Music For Visual Media, and Music Video/Film Fields — Sharon Osbourne 

Best Comedy Album
Best Musical Theater Album
Best Compilation Soundtrack For Visual Media  
Best Score Soundtrack For Visual Media  
Best Song Written For Visual Media
Best Music Video 
Best Music Film 

Classical Field — Nicola Benedetti

Best Orchestral Performance
Best Opera Recording 
Best Choral Performance
Best Chamber Music/Small Ensemble Performance
Best Classical Instrumental Solo
Best Classical Solo Vocal Album
Best Classical Compendium
Best Contemporary Classical Composition

R&B and Rap Fields — Gayle King

Best R&B Performance
Best Traditional R&B Performance  
Best R&B Song
Best Progressive R&B Album
Best R&B Album
Best Rap Performance
Best Melodic Rap Performance 
Best Rap Song
Best Rap Album

Pop, Contemporary Instrumental Music, Reggae, and Global Music Fields — TBA

Best Pop Solo Performance
Best Pop Duo/Group Performance
Best Traditional Pop Vocal Album
Best Pop Vocal Album
Best Contemporary Instrumental Album
Best Reggae Album
Best Global Music Album

Dance/Electronic Music, Country, Children’s, and Historical Fields — Dua Lipa

Best Dance Recording
Best Dance/Electronic Album
Best Country Solo Performance 
Best Country Duo/Group Performance 
Best Country Song
Best Country Album 
Best Children’s Music Album
Best Historical Album 

Gospel/Contemporary Christian Music and Spoken Word Fields — Mickey Guyton

Best Gospel Performance/Song
Best Contemporary Christian Music Performance 
Best Gospel Album
Best Contemporary Christian Music Album
Best Roots Gospel Album
Best Spoken Word Album 

General Fields — Harvey Mason jr.

Record Of The Year
Album Of The Year 
Song Of The Year
Best New Artist

Harvey Mason jr. Closing Remarks

The 63rd GRAMMYs: Looking Ahead To The 2021 GRAMMY Awards

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