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DJ Khaled

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Behind The Board: DJ Khaled Reflects On His Early Days, Working With Music's Biggest Artists & More

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The GRAMMY-nominated multi-threat DJ/producer/artist recalls spinning vinyl and making beats in his garage, the best advice he’s ever received, working with so many of music’s biggest names and more...
Nate Hertweck
GRAMMYs
Jan 20, 2020 - 12:46 pm

Perennial hit-maker DJ Khaled does it all, and he does it well. From his early days DJ'ing in the garage on vinyl and making beats on his first MPC to an influential A&R, music executive, producer, DJ, and artist (with an impressive 11 albums to his name), the music that has been in him from the very beginning has reached more ears worldwide than you could count. 

Behind The Board: DJ Khaled

But it all started for Khaled from a passion for music, one he recalled fondly. "Just being in that garage with my turntables, my reconds, my beat machine and posters all around of my favorite artists for inspiration," he said. "I remember those days, and those days took me to inside the studio. Now I work with all the biggest artists."

DJ Khaled also shared the best advice he's ever received. "God is great. That's the key," he said. "That's the biggest advice I've gotten, and it's real. It keeps me grounded, focused and also... give thanks and have gratitude and love."

The GRAMMY-nominated mult-threat also talks about his artistic vision and how he treats every song as "the one," expecially on his latest album, Father of Asahd, an experience he calls "special" and an album he said he's "very, very proud of."

Watch the latest installment of Behind The Board above to learn more about DJ Khaled's journey to prolific hit-maker, and stay tuned for more episodes coming soon... 

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Behind The Board: Shani Gandhi On Moving To Nashville, Sarah Jarosz & Studio Collaboration

 

BTS

BTS

Photo: Theo Wargo/Getty Images for The Recording Academy

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10 Must-See Moments From The 2021 GRAMMY Awards Show, From Anderson .Paak To BTS To Megan Thee Stallion

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The 2021 GRAMMY Awards show may have been reimagined in comparison to past editions. But that simplicity added elegance and kept the music front and center, from BTS to Cardi B and beyond
Pamela Chelin
GRAMMYs
Mar 15, 2021 - 12:50 pm

Music's Biggest Night more than lived up to that tagline last night at the 63rd GRAMMY Awards, broadcast from downtown Los Angeles. An elegantly scaled-back event due to the COVID-19 pandemic, the GRAMMYs still managed to seem as big and celebratory as they've ever been.

From Harry Styles’ delightful opening performance to Cardi B's and Megan Thee Stallion’s captivating combination to South Korea's always-engaging BTS, the GRAMMYs exemplified the special power of music. For a few lively hours, it transported viewers to another plane and provided a reprieve from the pandemic.

Trevor Noah Kept Things Jovial

The Daily Show’s Trevor Noah was a charming GRAMMYs host. Noah balanced his terrific sense of humor with his deep love of music and appreciation of artistry, keeping the show's tone upbeat and fun after a tough year. Noah said the last year has felt like a decade due to the coronavirus in his opening monologue.Acknowledging our world gone Zoom, Noah joked that the Staples Center behind him was real—not a Zoom background. 

Noah ended his short but sweet opening monologue on a hopeful note. "We're hoping that this is all about what 2021 can be, you know," he said. "Full of joy, new beginnings and coming together, never forgetting what happened in 2020, but full of hope for what is to come. So, let's do this, people."

Three Sisters, One Classic Sound

Los Angeles natives HAIM performed their GRAMMY-nominated rock song "The Steps" from their GRAMMY-nominated record Women in Music, Pt. III. Billie Eilish, FINNEAS and Harry Styles looked on and grooved along with the high-energy, lovable sisters.

With Danielle on drums, Este on bass (on her birthday, to boot!), and Alana on guitar, the sisters were effortlessly rock-cool, their voices blending seamlessly. Haim quickly demonstrated their musical versatility, switching it up on the song's second verse, where Danielle took over on guitar and Alana played drums.

Black Pumas Brought The Soul

Multiple GRAMMY-nominated Austin band Black Pumas performed their soulful song "Colors." In a short film introducing the duo, singer Eric Burton recalled moving from New Mexico to Los Angeles in 2014, where he had to take two trains and two buses to busk at the Santa Monica Pier.

Burton said he had a love-hate relationship with street performing. Yet he always performed as if he was on the GRAMMYs stage, which he dreamed about as a little kid. With backup singers, wailing guitars, and smooth vocals, the dynamic performance—replete with a screeching yowl or two—gave the night some essential groove.

Enter DaBaby

Multiple GRAMMY-nominated rapper DaBaby performed the GRAMMY-nominated "Rockstar" with multiple GRAMMY nominee Roddy Ricch and a guest appearance by Anthony Hamilton. Backed by a gospel choir of older folks dressed as judges in robes, DaBaby kicked off his performance with his back to the audience, facing the choir and waving a conducting baton.

When Ricch and Hamilton took the mic, DaBaby turned around and conducted the choir. DaBaby added lyrics to the original version of "Rockstar," rapping about his GRAMMYs performance right then and there. "My skin don't look the same, so I get singled out/ Right now, I'm performing at the GRAMMYs; I’ll probably get profiled before leaving out."

Rounding out the ensemble was violinist MAPY. DaBaby then joined GRAMMY winner Dua Lipa for the disco-infused "Levitating."

Introducing… Silk Sonic!

Anderson .Paak, who won a GRAMMY for Best Melodic Rap Performance, and Bruno Mars debuted their new R&B project Silk Sonic. The performance followed a playful campaign on Twitter during GRAMMY week. They tweeted at the Recording Academy that they are "two out of work musicians" who would love to perform, a request that was happily obliged.

Performing their '70s soul-infused first single "Leave the Door Open" from their forthcoming record An Evening with Silk Sonic in throwback suits and shades, the pair delivered a smooth, crowd-pleasing performance. 

They even caught the eyes and ears of Halle Berry, who tweeted "Ima leave the door ooopen!"

A Touching In Memoriam

During a year in which we lost over 500,000 American lives to the pandemic, the In Memoriam tribute was even more poignant. Noah introduced the segment, explaining that because of the number of people we tragically lost in the last year, not all the names would appear, but they'd all be online after the show. 

The segment opened with footage of GRAMMY-winner Bill Withers, who died in March, performing his GRAMMY-winning song "Ain't No Sunshine." Then, Bruno Mars (on vocals) and Anderson .Paak (on drums) honored rock and roll pioneer Little Richard, who died in May, with "Good Golly Miss Molly" and "Long Tall Sally."

Lionel Richie, who wrote Kenny Rogers' hit song "Lady," performed the song in a touching tribute to the country legend and Richie's longtime friend who died last March. After his performance, an emotional Richie said, "I miss you, Kenny. I miss you, man." 

There was also footage of country legend Charley Pride, who died in December from complications of coronavirus, singing his GRAMMY-winning song "Kiss an Angel Good Morning," and multiple GRAMMY-winner Italian composer Ennio Morricone, who died last summer, conducting the score to "Cinema Paradiso."

Brandi Carlile Performs John Prine | 2021 GRAMMYs

Brandi Carlile paid tribute to her friend, the GRAMMY-winning singer/songwriter John Prine, who died in April from complications related to the coronavirus, with a stirring performance of his song "I Remember Everything." At the end of her performance, Carlile said, "We all thank you, John. For everything."

Alabama Shakes' Brittany Howard took the stage with Coldplay's Chris Martin accompanying her on the piano. They performed a powerful rendition of "You'll Never Walk Alone," originally written by Rodgers and Hammerstein and a hit song in the 1960s for Gerry and the Pacemakers, whose lead singer Gerry Marsden died in January. 

The segment ended with a tribute to Walter C. Miller, a longtime veteran director of the GRAMMY Awards, Tonys, Emmys, and CMAs who died last year.

Country's Leading Lights Shone Bright

Country artist Mickey Guyton, who Noah introduced as the first Black female solo artist ever nominated in the country category, performed her gorgeous GRAMMY-nominated song "Black Like Me," giving an especially stirring and goosebumps-inducing performance with a backing gospel choir. Vibrant GRAMMY-winner Miranda Lambert performed her catchy country GRAMMY-nominated hit "Bluebird."

GRAMMY-nominated Maren Morris performed her hit GRAMMY-nominated song "Bones" accompanied by John Mayer on guitar. With Morris wearing a red gown and diamond choker and Mayer dressed casually in a blazer, white t-shirt and jeans, the pair looked at odds with each other. Still, they had powerful chemistry and seemed to be having a good time, with Mayer smiling broadly at Morris.

Post Malone Took Us To Church

A multiple-GRAMMY nominated Post Malone performed his poignant GRAMMY-nominated song "Hollywood's Bleeding." Opening with a robed choir holding candles in the darkness, Malone emerged on stage dressed entirely in leather covered in crosses with a giant cross hanging around his neck. Kneeling over in complete darkness, which became illuminated by purple lighting, Malone gave a focused and vibrant performance surrounded by dry ice.

BTS Made A Joyful Sound

Watch: BTS "Dynamite" 2021 GRAMMYs Performance

South Korea's BTS, who made their GRAMMY debut last year performing alongside Lil Nas X, Billy Ray Cyrus, Diplo, and Nas, were first-time GRAMMY nominees this year. The seven-member boy band closed out the show from Seoul, Korea, on a set resembling the GRAMMYs in downtown Los Angeles.

Looking sharp in their colorful suits, they performed their GRAMMY-nominated smash hit "Dynamite." The slick choreography took the seven members on a journey from a rose-festooned stage to a red carpet with fireworks to a rooftop with strobe lights.

Lil Baby Raised His Voice

Multiple GRAMMY-nominated rapper Lil Baby took on police brutality with his highly charged performance of his GRAMMY-nominated song "The Bigger Picture." The performance opened with pulling over actor Kendrick Sampson and removing him from his car. As a quote by writer and activist James Baldwin was piped in, the police opened fire.

Activist Tamika Mallory appeared on stage, putting a call out to President Biden, saying, "President Biden, we demand justice, equity, policy and everything else that freedom encompasses." 

Later, Killer Mike made a surprise appearance rapping a verse from RTJ4's "Walking in the Snow." Lil Baby ended his moving performance standing on a police cruiser as fireworks are set off, his face turned toward the sky as he holds one arm high above his head.

2021 GRAMMYs Awards Show: Complete Winners & Nominees List

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Yolanda Adams and PJ Morton at the Inaugural Black Music Collective GRAMMY Week Celebration

Yolanda Adams (L) and PJ Morton (R)

Photo: Arturo Holmes/Getty Images The Recording Academy

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Here's What Went Down At The Black Music Collective's Inaugural 2021 GRAMMY Week Celebration

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In case you missed it, we have all the words of wisdom shared and performance highlights from the Inaugural Black Music Collective GRAMMY Week Celebration
Jaelani Turner-Williams
GRAMMYs
Mar 11, 2021 - 5:56 pm

The Black Music Collective’s Inaugural GRAMMY Week Celebration, held on Wednesday, March 10 as part of GRAMMY Week 2021, honored the upliftment of Black music and its impact on both society and industry culture. Hosted by Jeriel Johnson, Executive Director of the Recording Academy’s Washington D.C. chapter, and sponsored by Mastercard and Amazon Music, the event provided the space for artists, industry professionals and executives to speak about inclusion opportunities for Black artists across music genres. Here are some of the moments that took place at the historic event.

Harvey Mason Jr, Valeisha Butterfield BMC GRAMMY Week 2021

Harvey Mason jr. (L) and Valeisha Butterfield Jones (R) attend the Inaugural Black Music Collective GRAMMY Week Celebration | Photo: Arturo Holmes/Getty Images The Recording Academy

H.E.R, Harvey Mason Jr. And Valeisha Butterfield-Jones Started The Celebration

H.E.R. opened up the festivities with a noir version of her protest anthem, "I Can’t Breathe." The two-time Grammy winner performed with her guitar in-hand as a montage of protest images were displayed behind her. 

After the R&B singer’s touching performance, the Recording Academy’s first Black Chair and Interim President/CEO, Harvey Mason Jr., and Valeisha Butterfield-Jones, Chief Diversity, Equity and Inclusion Officer, continued the program with hope and solemnity. Mason Jr. spoke about the Recording Academy’s commitment to overseeing emerging industry opportunities while Butterfield-Jones took a moment to note the pandemic’s disproportionate effect on communities of color and the effects of heightened police brutality on Black music. 

John Legend And Social Justice Leader Tamika Mallory Discussed Music And Activism After Freddie Gibbs And The Alchemist Took The Virtual Stage

2021 GRAMMY Awards show Best Rap Album nominees Freddie Gibbs and The Alchemist then set up the mood with an in-studio performance of Alfredo single "Scottie Beam" after a brief Mogul Moment clip with Quincy Jones.

Following Jones' appearance, the first fireside chat of the evening took place. Eleven-time GRAMMY winner and Trustee of the L.A. Recording Academy chapter, John Legend, spoke with Activist and Social Justice Leader, Tamika Mallory. The two chatted about the impact of Black music and the culture-shifting power of it, as well as the impact of Black women in the industry.

The conversation naturally turned towards activism when Mallory, who has been mentored by legendary Jamaican-American singer, actor and activist Harry Belafonte, shared a quote from activist Paul Roberson she learned from Belafonte: "Artists are the gatekeepers of truth. We are civilization's radical voice."

Mallory also touched on how activism and music have come together in the past, recalling James Brown’s activism through music in the late ‘60s . 

"When I think about James Brown saying ‘I’m Black and I’m proud”, I can only imagine that in that moment, the [Black] Panthers and other organizers felt good," she said. "This is one of the hottest entertainers saying ‘I’m in solidarity with you."

Legend followed up with another quote, one from iconic singer Nina Simone that he referenced during his Oscar win in 2015 alongside Common for their track "Glory" from the Martin Luther King biopic Selma: "It’s an artist’s duty to reflect the times."

When Mallory asked Legend about his choice of becoming a conscious artist, Legend shared the purpose of his art-making statement:

"I feel like I can be the full range of my humanity—I write about love in all of its forms. Part of what it means to love in public means that you love people that you don’t even know. That means you care about what happens to them, you see their humanity, you care about justice for them," he said. "We also feel the range of human emotion—we feel joy, we feel attraction, we celebrate, we do it all in our music. What I love about Black music is that we are able to express all those things and we are at the forefront of what’s happening in music. [We’re] so influential well beyond our representation in the population—our music has an outsized influence on American culture and global culture."

Mallory brought up the way she expresses her activism work. Touching on accountability measures for police and financially supporting local activism and political campaigners, Mallory spoke about her upcoming book State of Emergency: How We Win in the Country We Built. The book features a foreword with a conversation between educator and activist Angela Davis and Cardi B. Mallory said she received backlash for using the discussion between the two as the book’s foreword.

"I explain to people that, number one, I am Tamika Mallory, this girl who grew up in the housing projects in Harlem. I’m a good mix between Cardi B and Angela Davis; I have a Birkin one minute and I’m strapping up my boots to hit the streets in the next," Mallory joked. "The conversation the two of them are having is so powerful because Angela Davis is giving Cardi advice to keep being who she’s been and to keep using her voice."

Universal Music Group CEO Jeffery Harleston Provided Words Of Wisdom 

In the next segment of the program, Jeffery Harleston, Universal Music Group CEO provided five pieces of advice for his younger self and rising executives who work with musicians, fans and partners to move the culture:

"The first would be to listen. You learn so much more by listening when you’re starting out. The second would be to demand excellence in yourself and everything you do, and excellence in who you’re working with. The third and one of the most important things I’ve learned in my career is flexibility; the one thing that’s certain in the music business is change and you have to be able to move with the currents as they’re changing. The fourth is something that someone did tell me when I first entered the music business and it was about integrity because you only have one opportunity to make an impression. If you carry yourself with integrity, you’ll be able to have a long-standing career. And finally, the reason why we’re all in this business is to remember you’re in the music business, to have fun."

PJ Morton And Yolanda Adams Performed Before BET CEO Debra Lee Acknowledged How Black Music Has Broken Barriers

Gospel and R&B artists PJ Morton and Yolanda Adams shared a touching rendition of "Say So" and "Follow Your Heart" in separate locations. (Morton was supported by a band and accompanying vocalists while Adams appeared on her own.)

Debra Lee, former Chairman and CEO of BET talked about witnessing the ‘60s Detroit origins of Motown, and Black artists facing racial barriers in music. 

"Music helped integrate our industry and our world. Black musicians and artists who came along early on had to break the racial injustice they encountered," she said. "Even today, hip-hop and other forms of music are telling the story of our times. In times of crisis and in good times, music is always a reflection of our times."

Issa Rae And Janelle Monáe Talked About Power, Progress and Purpose

Issa Rae, Janelle Monae BMC GRAMMY Week 2021

Clockwise from top-left: Valeisha Butterfield-Jones, Janelle Monáe and Issa Rae attend the Inaugural Black Music Collective GRAMMY Week Celebration | Photo: Arturo Holmes/Getty Images The Recording Academy

Moderated by Butterfield-Jones, Issa Rae and Janelle Monáe discussed power, progress and purpose in the industry as well as the state of Black music. Like other creatives, Monáe and Rae felt the initial shock of event cancellations, facing an early denial but accepting that the world was experiencing the pandemic together. 

Monáe also reflected on taking a non-traditional path in music and facing rejection by label executives before her breakout debut album, The Archandroid. Leaving performing arts school in New York and relocating to Atlanta’s HBCU area where she prepared to be an independent artist, Monáe gained confidence in and redefined her narrative of Black music. Her efforts came full circle in 2020 when Monáe was tapped by Georgia politician and social justice leader Stacy Abrams to contribute to her documentary All In: The Fight for Democracy.

"Creating music for me has come from a place of normalcy. When things started to turn with politics and this global pandemic, I didn’t know how to create in that space. I felt like the concrete was pulled from under my feel— had no foundation and I needed to get stable. Then I watched All In: The Fight for Democracy and I said ‘there’s no way I can say no to this," Monáe said. "The angle that I wanted to come from was, ‘How do I narrate the revolution we’re in right now?’ It’s not about a hit song, it’s not about an album—we’re in a revolution, everybody’s gonna need fuel, we’re gonna get fatigued. I was like, ‘What kind of music does Stacy Abrams need to hear when she’s advocating for us and protect marginalized voices?'"

Rae agreed with the sentiment and discussed the final season of "Insecure" and how showcasing independent artists and Black music on the show has kept her inspired. For Rae, the music of Insecure was an extension of each episode and the celebration of independent artists. 

"We were in the process of editing and mixing the final episodes when the pandemic hit. Normally, mixing an episode is a highlight, because it’s the first time you see it with other people who aren’t on set, who aren’t a part of the writers' room,” Rae said. “What kept me motivated was sometimes there [are] artists who haven’t gotten the exposure, and people who haven’t heard the song before will associate that emotion with this particular scene or how they felt at the time with this particular episode. There’s something so powerful about, and admittedly selfish about, [associating] whatever they were going through and whatever they felt at that time with these characters and your intention."

Jimmy Jam Shared Importance Of Paying It Forward And Marvin Gaye Helped End Program On A Touching Note

Relaying a message of ‘paying it forward’ legendary producer Jimmy Jam spoke about the unison of the Black community and music community. 

"What’s important is finding our commonalities, not fighting over our differences. Like I say about my partner Terry Lewis—we’ve never had an argument. An argument is something you’re trying to win and I never want to see Terry Lewis lose at anything. Music is the divine art, it is the way we learn our language. Putting melody into people’s lives is what we do," Jam said.

Riggs Morales, Co-Chair of the Black Music Collective ended the program with the final words of the night. Evoking a legend, PJ Morton and Yolanda Adams closed the night with a cover of Marvin Gaye's classic "What’s Going On."

On its first event, the collective covered an array of radical changes in the music industry and the necessary steps for Black inclusivity.

Learn more about the Recording Academy's Black Music Collective.

Women In The Mix 2021 Recap: How Female Powerhouses Convened To Close The Wage Gap And Amplify Women's Voices Across The Music Industry

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Photo of GRAMMY trophies at the 60th Annual GRAMMY Awards in 2018

GRAMMY statues

Photo: DON EMMERT/AFP via Getty Images

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2021 GRAMMYs Awards Show: Complete Winners & Nominees List

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Find out who won in each of the 83 categories at the 2021 GRAMMY Awards show
GRAMMYs
Nov 24, 2020 - 9:45 am

Updated March 14, 2021.

It's a wrap for the 2021 GRAMMY Awards show, officially known as the 63rd GRAMMY Awards! Find out who is won in each of the 83 categories. Use the links to jump to a desired field.

The 63rd GRAMMY Awards recognize recordings released between Sept. 1, 2019, and Aug. 31, 2020.

Looking for more GRAMMYs news? Here's everything you need to know about the 2022 GRAMMYs Awards show!
 

General Field

Pop

Dance/ Electronic Music

Contemporary Instrumental Music

Rock

Alternative

R&B

Rap

Country

New Age

Jazz

Gospel/ Contemporary Christian Music

Latin

American Roots Music

Reggae

Global Music

Children's

Spoken Word

Comedy

Musical Theater

Music For Visual Media  

Composing/ Arranging

Package

Notes

Historical 

Production, Non-Classical

Production, Immersive Audio

Production, Classical

Classical

Music Video/Film

 

General Field

1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

  • BLACK PARADE
    Beyoncé
    Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer
     
  • COLORS
    Black Pumas
    Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer
     
  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
    SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer
     
  • SAY SO
    Doja Cat
    Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer
     
  • EVERYTHING I WANTED - WINNER
    Billie Eilish
    Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer
     
  • DON'T START NOW
    Dua Lipa
    Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer
     
  • CIRCLES
    Post Malone
    Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer
     
  • SAVAGE
    Megan Thee Stallion Featuring Beyoncé
    Beyoncé & J. White Did It, producers; Eddie "eMIX" Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering engineer

2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

  • CHILOMBO
    Jhené Aiko
    Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer
     
  • BLACK PUMAS (DELUXE EDITION)
    Black Pumas
    Adrian Quesada, producer; Adrian Quesada, engineer/mixer; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer
     
  • EVERYDAY LIFE
    Coldplay
    Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer
     
  • DJESSE VOL.3
    Jacob Collier
    Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers
     
  • WOMEN IN MUSIC PT. III
    HAIM
    Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer
     
  • FUTURE NOSTALGIA
    Dua Lipa
    Lorna Blackwood & Koz, producers; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer
     
  • HOLLYWOOD'S BLEEDING
    Post Malone
    Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer
     
  • FOLKLORE - WINNER
    Taylor Swift
    Joe Alwyn, Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim "Kaydence" Krysiuk & Rickie "Caso" Tice, songwriters (Beyoncé)
     
  • THE BOX
    Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
     
  • CARDIGAN
    Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
     
  • CIRCLES
    Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
     
  • DON'T START NOW
    Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
     
  • EVERYTHING I WANTED
    Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
     
  • I CAN'T BREATHE - WINNER
    Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
     
  • IF THE WORLD WAS ENDING
    Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)

4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

  • INGRID ANDRESS
     
  • PHOEBE BRIDGERS
     
  • CHIKA
     
  • NOAH CYRUS
     
  • D SMOKE
     
  • DOJA CAT
     
  • KAYTRANADA
     
  • MEGAN THEE STALLION - WINNER

Pop

5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.

  • YUMMY
    Justin Bieber
     
  • SAY SO
    Doja Cat
     
  • EVERYTHING I WANTED
    Billie Eilish
     
  • DON'T START NOW
    Dua Lipa
     
  • WATERMELON SUGAR  - WINNER
    Harry Styles
     
  • CARDIGAN
    Taylor Swift

6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

  • UN DIA (ONE DAY)
    J Balvin, Dua Lipa, Bad Bunny & Tainy
     
  • INTENTIONS
    Justin Bieber Featuring Quavo
     
  • DYNAMITE
    BTS
     
  • RAIN ON ME - WINNER
    Lady Gaga with Ariana Grande
     
  • EXILE
    Taylor Swift Featuring Bon Iver

7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.

  • BLUE UMBRELLA
    (Burt Bacharach &) Daniel Tashian
     
  • TRUE LOVE: A CELEBRATION OF COLE PORTER
    Harry Connick, Jr.
     
  • AMERICAN STANDARD - WINNER
    James Taylor
     
  • UNFOLLOW THE RULES
    Rufus Wainwright
     
  • JUDY
    Renée Zellweger

8. Best Pop Vocal Album
For albums containing at least 51% playing time of new pop vocal recordings.

  • CHANGES
    Justin Bieber
     
  • CHROMATICA
    Lady Gaga
     
  • FUTURE NOSTALGIA - WINNER
    Dua Lipa
     
  • FINE LINE
    Harry Styles
     
  • FOLKLORE
    Taylor Swift

Dance/Electronic Music

9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

  • ON MY MIND
    Diplo & SIDEPIECE
    Diplo & SIDEPIECE, producers; Luca Pretolesi, mixer
     
  • MY HIGH
    Disclosure Featuring Aminé & Slowthai
    Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
     
  • THE DIFFERENCE
    Flume Featuring Toro y Moi
    Flume, producer; Eric J Dubowsky, mixer
     
  • BOTH OF US
    Jayda G
    Fred Again.. & Jayda G, producers; Fred Again.. & Jayda G, mixers
     
  • 10% - WINNER
    Kaytranada Featuring Kali Uchis
    Kaytranada, producer; Neal H. Pogue, mixer

10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.

  • KICK I
    Arca
     
  • PLANET'S MAD
    Baauer
     
  • ENERGY
    Disclosure
     
  • BUBBA - WINNER
    Kaytranada
     
  • GOOD FAITH
    Madeon

Contemporary Instrumental Music

11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

  • AXIOM
    Christian Scott aTunde Adjuah

  • CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARD
    Jon Batiste

  • TAKE THE STAIRS
    Black Violin
     
  • AMERICANA
    Grégoire Maret, Romain Collin & Bill Frisell
     
  • LIVE AT THE ROYAL ALBERT HALL - WINNER
    Snarky Puppy

Rock

12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.

  • SHAMEIKA - WINNER
    Fiona Apple
     
  • NOT
    Big Thief
     
  • KYOTO
    Phoebe Bridgers
     
  • THE STEPS
    HAIM
     
  • STAY HIGH
    Brittany Howard
     
  • DAYLIGHT
    Grace Potter

13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.

  • BUM-RUSH - WINNER
    Body Count
     
  • UNDERNEATH
    Code Orange
     
  • THE IN-BETWEEN
    In This Moment
     
  • BLOODMONEY
    Poppy
     
  • EXECUTIONER'S TAX (SWING OF THE AXE) – LIVE
    Power Trip

14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • KYOTO
    Phoebe Bridgers, Morgan Nagler & Marshall Vore, songwriters (Phoebe Bridgers)
     
  • LOST IN YESTERDAY
    Kevin Parker, songwriter (Tame Impala)
     
  • NOT
    Adrianne Lenker, songwriter (Big Thief)
     
  • SHAMEIKA
    Fiona Apple, songwriter (Fiona Apple)
     
  • STAY HIGH - WINNER
    Brittany Howard, songwriter (Brittany Howard)

15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.

  • A HERO'S DEATH
    Fontaines D.C.
     
  • KIWANUKA
    Michael Kiwanuka
     
  • DAYLIGHT
    Grace Potter
     
  • SOUND & FURY
    Sturgill Simpson
     
  • THE NEW ABNORMAL - WINNER
    The Strokes

Alternative

16. Best Alternative Music Album
Vocal or Instrumental.

  • FETCH THE BOLT CUTTERS - WINNER
    Fiona Apple
     
  • HYPERSPACE
    Beck
     
  • PUNISHER
    Phoebe Bridgers
     
  • JAIME
    Brittany Howard
     
  • THE SLOW RUSH
    Tame Impala

R&B

17. Best R&B Performance
For new vocal or instrumental R&B recordings.

  • LIGHTNING & THUNDER
    Jhené Aiko Featuring John Legend
     
  • BLACK PARADE - WINNER
    Beyoncé
     
  • ALL I NEED
    Jacob Collier Featuring Mahalia & Ty Dolla $ign
     
  • GOAT HEAD
    Brittany Howard
     
  • SEE ME
    Emily King

18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.

  • SIT ON DOWN
    The Baylor Project Featuring Jean Baylor & Marcus Baylor
     
  • WONDER WHAT SHE THINKS OF ME
    Chloe X Halle
     
  • LET ME GO
    Mykal Kilgore
     
  • ANYTHING FOR YOU - WINNER
    Ledisi
     
  • DISTANCE
    Yebba

19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BETTER THAN I IMAGINED - WINNER
    Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)

  • BLACK PARADE
    Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim "Kaydence" Krysiuk & Rickie "Caso" Tice, songwriters (Beyoncé)
     
  • COLLIDE
    Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & EARTHGANG)
     
  • DO IT
    Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)
     
  • SLOW DOWN
    Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)

20. Best Progressive R&B Album
For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B.

  • CHILOMBO
    Jhené Aiko
     
  • UNGODLY HOUR
    Chloe X Halle
     
  • FREE NATIONALS
    Free Nationals
     
  • F*** YO FEELINGS
    Robert Glasper
     
  • IT IS WHAT IT IS - WINNER
    Thundercat

21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.

  • HAPPY 2 BE HERE
    Ant Clemons
     
  • TAKE TIME
    Giveon
     
  • TO FEEL LOVE/D
    Luke James
     
  • BIGGER LOVE - WINNER
    John Legend
     
  • ALL RISE
    Gregory Porter

Rap

22. Best Rap Performance
For a Rap performance. Singles or Tracks only.

  • DEEP REVERENCE
    Big Sean Featuring Nipsey Hussle
     
  • BOP
    DaBaby
     
  • WHATS POPPIN
    Jack Harlow
     
  • THE BIGGER PICTURE
    Lil Baby
     
  • SAVAGE - WINNER
    Megan Thee Stallion Featuring Beyoncé
     
  • DIOR
    Pop Smoke

23. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.

  • ROCKSTAR
    DaBaby Featuring Roddy Ricch
     
  • LAUGH NOW CRY LATER
    Drake Featuring Lil Durk
     
  • LOCKDOWN - WINNER
    Anderson .Paak
     
  • THE BOX
    Roddy Ricch
     
  • HIGHEST IN THE ROOM
    Travis Scott

24. Best Rap Song
A Songwriter(s) Award.  A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..

  • THE BIGGER PICTURE
    Dominique Jones, Noah Pettigrew & Rai'shaun Williams, songwriters (Lil Baby)
     
  • THE BOX
    Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
     
  • LAUGH NOW CRY LATER
    Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk)
     
  • ROCKSTAR
    Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch)
     
  • SAVAGE - WINNER
    Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.

  • BLACK HABITS
    D SMOKE
     
  • ALFREDO
    Freddie Gibbs & The Alchemist
     
  • A WRITTEN TESTIMONY
    Jay Electronica
     
  • KING'S DISEASE - WINNER
    Nas
     
  • THE ALLEGORY
    Royce 5’9"

Country

26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.

  • Stick That In Your Country Song
    Eric Church
     
  • WHO YOU THOUGHT I WAS
    Brandy Clark
     
  • WHEN MY AMY PRAYS - WINNER
    Vince Gill
     
  • BLACK LIKE ME
    Mickey Guyton
     
  • BLUEBIRD
    Miranda Lambert

27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.

  • ALL NIGHT
    Brothers Osborne
     
  • 10,000 HOURS - WINNER
    Dan + Shay & Justin Bieber
     
  • OCEAN
    Lady A
     
  • SUGAR COAT
    Little Big Town
     
  • SOME PEOPLE DO
    Old Dominion

28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLUEBIRD
    Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert)
     
  • THE BONES
    Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
     
  • CROWDED TABLE - WINNER
    Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)
     
  • MORE HEARTS THAN MINE
    Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress)
     
  • SOME PEOPLE DO
    Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)

29. Best Country Album
For albums containing at least 51% playing time of new country recordings.

  • LADY LIKE
    Ingrid Andress
     
  • YOUR LIFE IS A RECORD
    Brandy Clark
     
  • WILDCARD - WINNER
    Miranda Lambert
     
  • NIGHTFALL
    Little Big Town
     
  • NEVER WILL
    Ashley McBryde

New Age

30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.

  • SONGS FROM THE BARDO
    Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
     
  • PERIPHERY
    Priya Darshini
     
  • FORM//LESS
    Superposition
     
  • MORE GUITAR STORIES - WINNER
    Jim "Kimo" West
     
  • MEDITATIONS
    Cory Wong & Jon Batiste

Jazz

31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.

  • GUINNEVERE
    Christian Scott aTunde Adjuah, soloist
    Track from: Axiom
     
  • PACHAMAMA
    Regina Carter, soloist
    Track from: Ona (Thana Alexa)
     
  • CELIA
    Gerald Clayton, soloist
     
  • ALL BLUES - WINNER
    Chick Corea, soloist
    Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)
     
  • MOE HONK
    Joshua Redman, soloist
    Track from: RoundAgain (Redman Mehldau McBride Blade)

32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.

  • ONA
    Thana Alexa
     
  • SECRETS ARE THE BEST STORIES - WINNER
    Kurt Elling Featuring Danilo Pérez
     
  • MODERN ANCESTORS
    Carmen Lundy
     
  • HOLY ROOM: LIVE AT ALTE OPER
    Somi With Frankfurt Radio Big Band Conducted By John Beasley
     
  • WHAT'S THE HURRY
    Kenny Washington

33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.

  • ON THE TENDER SPOT OF EVERY CALLOUSED MOMENT
    Ambrose Akinmusire
     
  • WAITING GAME
    Terri Lyne Carrington + Social Science
     
  • HAPPENING: LIVE AT THE VILLAGE VANGUARD
    Gerald Clayton
     
  • TRILOGY 2 - WINNER
    Chick Corea, Christian McBride & Brian Blade
     
  • ROUNDAGAIN
    Redman Mehldau McBride Blade

34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.

  • DIALOGUES ON RACE
    Gregg August
     
  • MONK'ESTRA PLAYS JOHN BEASLEY
    John Beasley’s MONK’estra
     
  • THE INTANGIBLE BETWEEN
    Orrin Evans And The Captain Black Big Band
     
  • SONGS YOU LIKE A LOT
    John Hollenbeck With Theo Bleckmann, Kate McGarry, Gary Versace And The Frankfurt Radio Big Band
     
  • DATA LORDS - WINNER
    Maria Schneider Orchestra

35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

  • TRADICIONES
    Afro-Peruvian Jazz Orchestra
     
  • FOUR QUESTIONS - WINNER
    Arturo O'Farrill & The Afro Latin Jazz Orchestra
     
  • CITY OF DREAMS
    Chico Pinheiro
     
  • VIENTO Y TIEMPO - LIVE AT BLUE NOTE TOKYO
    Gonzalo Rubalcaba & Aymée Nuviola
     
  • TRANE'S DELIGHT
    Poncho Sanchez

Gospel/Contemporary Christian Music

36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

  • WONDERFUL IS YOUR NAME
    Melvin Crispell III
     
  • RELEASE (LIVE)
    Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter
     
  • COME TOGETHER
    Rodney "Darkchild" Jerkins Present: The Good News; Rodney "Darkchild" Jerkins & Jazz Nixon, producers; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters
     
  • WON'T LET GO
    Travis Greene; Travis Greene, songwriter
     
  • MOVIN' ON - WINNER 
    Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.

  • THE BLESSING (LIVE)
    Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters
     
  • SUNDAY MORNING
    Lecrae Featuring Kirk Franklin; Denisia Andrews, Saint Bodhi, Rafael X. Brown, Brittany Coney, Kirk Franklin, Lasanna Harris, Terrence Antonio Jones, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters
     
  • HOLY WATER
    We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters
     
  • FAMOUS FOR (I BELIEVE)
    Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters
     
  • THERE WAS JESUS - WINNER
    Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

  • 2ECOND WIND: READY
    Anthony Brown & group therAPy
     
  • MY TRIBUTE
    Myron Butler
     
  • CHOIRMASTER
    Ricky Dillard
     
  • GOSPEL ACCORDING TO PJ - WINNER
    PJ Morton
     
  • KIERRA
    Kierra Sheard

39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

  • RUN TO THE FATHER
    Cody Carnes
     
  • ALL OF MY BEST FRIENDS
    Hillsong Young & Free
     
  • HOLY WATER
    We The Kingdom
     
  • CITIZEN OF HEAVEN
    Tauren Wells
     
  • JESUS IS KING - WINNER
    Kanye West

40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

Latin

41. Best Latin Pop or Urban Album
For albums containing at least 51% playing time of new Latin pop or urban recordings.

  • YHLQMDLG - WINNER
    Bad Bunny
     
  • POR PRIMERA VEZ
    Camilo
     
  • MESA PARA DOS
    Kany García
     
  • PAUSA
    Ricky Martin
     
  • 3:33
    Debi Nova

42. Best Latin Rock or Alternative Album
For albums containing at least 51% playing time of new Latin rock or alternative recordings.

  • AURA
    Bajofondo
     
  • MONSTRUO
    Cami
     
  • SOBREVOLANDO
    Cultura Profética
     
  • LA CONQUISTA DEL ESPACIO - WINNER
    Fito Paez
     
  • MISS COLOMBIA
    Lido Pimienta

43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

  • HECHO EN MÉXICO
    Alejandro Fernández
     
  • LA SERENATA
    Lupita Infante
     
  • UN CANTO POR MÉXICO, VOL. 1 - WINNER
    Natalia Lafourcade
     
  • BAILANDO SONES Y HUAPANGOS CON MARIACHI SOL DE MEXICO DE JOSE HERNANDEZ
    Mariachi Sol De Mexico De Jose Hernandez
     
  • AYAYAY!
    Christian Nodal

44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.

  • MI TUMBAO
    José Alberto "El Ruiseñor"
     
  • INFINITO
    Edwin Bonilla
     
  • SIGO CANTANDO AL AMOR (DELUXE)
    Jorge Celedon & Sergio Luis
     
  • 40 - WINNER
    Grupo Niche
     
  • MEMORIAS DE NAVIDAD
    Víctor Manuelle

American Roots Music

45. Best American Roots Performance
For new vocal or instrumental American Roots recordings.  This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

  • COLORS
    Black Pumas
     
  • DEEP IN LOVE
    Bonny Light Horseman
     
  • SHORT AND SWEET
    Brittany Howard
     
  • I'LL BE GONE
    Norah Jones & Mavis Staples
     
  • I REMEMBER EVERYTHING - WINNER
    John Prine

46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • CABIN
    Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
     
  • CEILING TO THE FLOOR
    Sierra Hull & Kai Welch, songwriters (Sierra Hull)
     
  • HOMETOWN
    Sarah Jarosz, songwriter (Sarah Jarosz)
     
  • I REMEMBER EVERYTHING - WINNER
    Pat McLaughlin & John Prine, songwriters (John Prine)
     
  • MAN WITHOUT A SOUL
    Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

  • OLD FLOWERS
    Courtney Marie Andrews
     
  • TERMS OF SURRENDER
    Hiss Golden Messenger
     
  • WORLD ON THE GROUND - WINNER
    Sarah Jarosz
     
  • EL DORADO
    Marcus King
     
  • GOOD SOULS BETTER ANGELS
    Lucinda Williams

48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

  • MAN ON FIRE
    Danny Barnes
     
  • TO LIVE IN TWO WORLDS, VOL. 1
    Thomm Jutz
     
  • NORTH CAROLINA SONGBOOK
    Steep Canyon Rangers
     
  • HOME - WINNER
    Billy Strings
     
  • THE JOHN HARTFORD FIDDLE TUNE PROJECT, VOL. 1
    (Various Artists)
    Matt Combs & Katie Harford Hogue, producers

49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

  • ALL MY DUES ARE PAID
    Frank Bey
     
  • YOU MAKE ME FEEL
    Don Bryant
     
  • THAT'S WHAT I HEARD
    Robert Cray Band
     
  • CYPRESS GROVE
    Jimmy "Duck" Holmes
     
  • RAWER THAN RAW - WINNER
    Bobby Rush

50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

  • HAVE YOU LOST YOUR MIND YET? - WINNER
    Fantastic Negrito
     
  • LIVE AT THE PARAMOUNT
    Ruthie Foster Big Band
     
  • THE JUICE
    G. Love
     
  • BLACKBIRDS
    Bettye LaVette
     
  • UP AND ROLLING
    North Mississippi Allstars

51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.

  • BONNY LIGHT HORSEMAN
    Bonny Light Horseman
     
  • THANKS FOR THE DANCE
    Leonard Cohen
     
  • SONG FOR OUR DAUGHTER
    Laura Marling
     
  • SATURN RETURN
    The Secret Sisters
     
  • ALL THE GOOD TIMES - WINNER
    Gillian Welch & David Rawlings

52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

  • MY RELATIVES "NIKSO KOWAIKS"
    Black Lodge Singers
     
  • CAMERON DUPUY AND THE CAJUN TROUBADOURS
    Cameron Dupuy And The Cajun Troubadours
     
  • LOVELY SUNRISE
    Nā Wai ʽEhā
     
  • ATMOSPHERE - WINNER
    New Orleans Nightcrawlers
     
  • A TRIBUTE TO AL BERARD
    Sweet Cecilia

Reggae

53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.

  • UPSIDE DOWN 2020
    Buju Banton
     
  • HIGHER PLACE
    Skip Marley
     
  • IT ALL COMES BACK TO LOVE
    Maxi Priest
     
  • GOT TO BE TOUGH - WINNER
    Toots & The Maytals
     
  • ONE WORLD
    The Wailers

Global Music

54. Best Global Music Album
For albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.

  • FU CHRONICLES
    Antibalas
     
  • TWICE AS TALL - WINNER
    Burna Boy
     
  • AGORA
    Bebel Gilberto
     
  • LOVE LETTERS
    Anoushka Shankar
     
  • AMADJAR
    Tinariwen

Children's

55. Best Children's Music Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

  • ALL THE LADIES - WINNER
    Joanie Leeds
     
  • WILD LIFE
    Justin Roberts

Spoken Word

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

  • ACID FOR THE CHILDREN: A MEMOIR
    Flea
     
  • ALEX TREBEK - THE ANSWER IS...
    Ken Jennings
     
  • BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH - WINNER
    Rachel Maddow
     
  • CATCH AND KILL
    Ronan Farrow
     
  • CHARLOTTE'S WEB (E.B. WHITE)
    Meryl Streep (& Full cast)

Comedy

57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.

  • BLACK MITZVAH - WINNER
    Tiffany Haddish
     
  • I LOVE EVERYTHING
    Patton Oswalt
     
  • THE PALE TOURIST
    Jim Gaffigan
     
  • PAPER TIGER
    Bill Burr
     
  • 23 HOURS TO KILL
    Jerry Seinfeld

Musical Theater

58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

  • AMÉLIE
    Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)
     
  • AMERICAN UTOPIA ON BROADWAY
    David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)
     
  • JAGGED LITTLE PILL - WINNER
    Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)
     
  • LITTLE SHOP OF HORRORS
    Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)
     
  • THE PRINCE OF EGYPT
    Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast
     
  • SOFT POWER
    Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

Music for Visual Media

59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album.  In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

  • A BEAUTIFUL DAY IN THE NEIGHBORHOOD
    (Various Artists)
    Nate Heller, compilation producer; Howard Paar, Music Supervisor

  • BILL & TED FACE THE MUSIC
    (Various Artists)
    Jonathan Leahy, compilation producer

  • EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
    (Various Artists)
    Savan Kotecha, compilation producer; Becky Bentham, music supervisor

  • FROZEN 2
    (Various Artists)
    Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Dave Metzger, compilation producers

  • JOJO RABBIT - WINNER
    (Various Artists)
    Taika Waititi, compilation producer

60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

  • AD ASTRA
    Max Richter, composer
     
  • BECOMING
    Kamasi Washington, composer
     
  • JOKER - WINNER
    Hildur Guðnadóttir, composer
     
  • 1917
    Thomas Newman, composer
     
  • STAR WARS: THE RISE OF SKYWALKER
    John Williams, composer

61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BEAUTIFUL GHOSTS [FROM CATS]
    Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)
     
  • CARRIED ME WITH YOU [FROM ONWARD]
    Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
     
  • INTO THE UNKNOWN [FROM FROZEN 2]
    Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & AURORA)
     
  • NO TIME TO DIE [FROM NO TIME TO DIE] - WINNER
    Billie Eilish O'Connell & Finneas Baird O'Connell, songwriters (Billie Eilish)
     
  • STAND UP [FROM HARRIET]
    Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)

Composing/Arranging

62. Best Instrumental Composition
A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

  • BABY JACK
    Arturo O'Farrill, composer (Arturo O'Farrill & The Afro Latin Jazz Orchestra)
     
  • BE WATER II
    Christian Sands, composer (Christian Sands)
     
  • PLUMFIELD
    Alexandre Desplat, composer (Alexandre Desplat)
     
  • SPUTNIK - WINNER
    Maria Schneider, composer (Maria Schneider)
     
  • STRATA
    Remy Le Boeuf, composer (Remy Le Boeuf's Assembly Of Shadows Featuring Anna Webber & Eric Miller)

63. Best Arrangement, Instrumental or A Cappella
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • BATHROOM DANCE
    Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)
     
  • DONNA LEE - WINNER
    John Beasley, arranger (John Beasley)
     
  • HONEYMOONERS
    Remy Le Boeuf, arranger (Remy Le Boeuf's Assembly Of Shadows)
     
  • LIFT EVERY VOICE AND SING
    Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)
     
  • URANUS: THE MAGICIAN
    Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

64. Best Arrangement, Instruments and Vocals
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • ASAS FECHADAS
    John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)
     
  • DESERT SONG
    Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)
     
  • FROM THIS PLACE
    Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)
     
  • HE WON'T HOLD YOU - WINNER
    Jacob Collier, arranger (Jacob Collier Featuring Rapsody)
     
  • SLOW BURN
    Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

Package

65. Best Recording Package

  • EVERYDAY LIFE
    Pilar Zeta, art director (Coldplay)
     
  • FUNERAL
    Kyle Goen & Alex Kalatschinow, art directors (Lil Wayne)
     
  • HEALER
    Julian Gross & Hannah Hooper, art directors (Grouplove)
     
  • ON CIRCLES
    Jordan Butcher, art director (Caspian)
     
  • VOLS. 11 & 12 - WINNER
    Doug Cunningham & Jason Noto, art directors (Desert Sessions)

66. Best Boxed Or Special Limited Edition Package

  • FLAMING PIE (COLLECTOR'S EDITION)
    Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)
     
  • GIANTS STADIUM 1987, 1989, 1991
    Lisa Glines & Doran Tyson, art directors (Grateful Dead)

  • MODE
    Jeff Schulz & Paul A. Taylor, art directors (Depeche Mode)

  • ODE TO JOY - WINNER
    Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

  • THE STORY OF GHOSTLY INTERNATIONAL
    Michael Cina & Molly Smith, art directors (Various Artists)

Notes

67. Best Album Notes

  • AT THE MINSTREL SHOW: MINSTREL ROUTINES FROM THE STUDIO, 1894-1926
    Tim Brooks, album notes writer (Various Artists)
     
  • THE BAKERSFIELD SOUND: COUNTRY MUSIC CAPITAL OF THE WEST, 1940-1974
    Scott B. Bomar, album notes writer (Various Artists)
     
  • DEAD MAN'S POP - WINNER
    Bob Mehr, album notes writer (The Replacements)
     
  • THE MISSING LINK: HOW GUS HAENSCHEN GOT US FROM JOPLIN TO JAZZ AND SHAPED THE MUSIC BUSINESS
    Colin Hancock, album notes writer (Various Artists)
     
  • OUT OF A CLEAR BLUE SKY
    David Sager, album notes writer (Nat Brusiloff)

Historical

68. Best Historical Album

  • CELEBRATED, 1895-1896
    Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)
     
  • HITTIN' THE RAMP: THE EARLY YEARS (1936 - 1943)
    Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)
     
  • IT'S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS - WINNER
    Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)
     
  • 1999 SUPER DELUXE EDITION
    Trevor Guy, Michael Howe & Kirk Johnson, compilation producers; Bernie Grundman, mastering engineer (Prince)
     
  • SOUVENIR
    Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)
     
  • THROW DOWN YOUR HEART: THE COMPLETE AFRICA SESSIONS
    Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

Production, Non-Classical

69. Best Engineered Album, Non-Classical
An Engineer's Award. (Artists names appear in parentheses.)

  • BLACK HOLE RAINBOW
    Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)
     
  • EXPECTATIONS
    Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)
     
  • HYPERSPACE - WINNER
    Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)
     
  • JAIME
    Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)
     
  • 25 TRIPS
    Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

70. Producer Of The Year, Non-Classical​

  • JACK ANTONOFF

• August (Taylor Swift) (T)
• Gaslighter (The Chicks) (A)
• Holy Terrain (FKA Twigs Featuring Future) (T)
• Mirrorball (Taylor Swift) (T)
• This Is Me Trying (Taylor Swift) (T)
• Together (Sia) (S)

  • DAN AUERBACH

• Cypress Grove (Jimmy "Duck" Holmes) (A)
• El Dorado (Marcus King) (A)
• Is Thomas Callaway (CeeLo Green) (A)
• Singing For My Supper (Early James) (A)
• Solid Gold Sounds (Kendell Marvel) (A)
• Years (John Anderson) (A

  • DAVE COBB

• Backbone (Kaleo) (S)
• The Balladeer (Lori McKenna) (A)
• Boneshaker (Airbourne) (A)
• Down Home Christmas (Oak Ridge Boys) (A)
• The Highwomen (The Highwomen) (A)
• I Remember Everything (John Prine) (S)
• Reunions (Jason Isbell And The 400 Unit) (A)
• The Spark (William Prince) (S)
• You're Still The One (Teddy Swims) (S)

  • FLYING LOTUS

• It Is What It Is (Thundercat) (A)

  • ANDREW WATT - WINNER

• Break My Heart (Dua Lipa) (T)
• Me And My Guitar (A Boogie Wit Da Hoodie) (T)
• Midnight Sky (Miley Cyrus) (S)
• Old Me (5 Seconds Of Summer) (T)
• Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)
• Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T)
• Under The Graveyard (Ozzy Osbourne) (T)

71. Best Remixed Recording
A Remixer's Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

  • DO YOU EVER (RAC MIX)
    RAC, remixer (Phil Good)
     
  • IMAGINARY FRIENDS (MORGAN PAGE REMIX)
    Morgan Page, remixer (Deadmau5)
     
  • PRAYING FOR YOU (LOUIE VEGA MAIN REMIX)
    Louie Vega, remixer (Jasper Street Co.)
     
  • ROSES (IMANBEK REMIX) - WINNER
    Imanbek Zeikenov, remixer (SAINt JHN)
     
  • YOUNG & ALIVE (BAZZI VS. HAYWYRE REMIX)
    Haywyre, remixer (Bazzi)

Production, Immersive Audio

72. Best Immersive Audio Album
Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

Production, Classical

73. Best Engineered Album, Classical
An Engineer's Award. (Artist names appear in parentheses.)

  • DANIELPOUR: THE PASSION OF YESHUA
    Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • GERSHWIN: PORGY AND BESS
    David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
     
  • HYNES: FIELDS
    Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
     
  • IVES: COMPLETE SYMPHONIES
    Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)
     
  • SHOSTAKOVICH: SYMPHONY NO. 13, 'BABI YAR' - WINNER
    David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

74. Producer Of The Year, Classical
A Producer's Award. (Artist names appear in parentheses.)

  • BLANTON ALSPAUGH

• Aspects Of America - Pulitzer Edition (Carlos Kalmar & Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)
• Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke's)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

  • DAVID FROST - WINNER

• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
• Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, 'Babi Yar' (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

  • JESSE LEWIS

• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes & Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)

  • DMITRIY LIPAY

• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 & Symphony No. 2, 'The Four Temperaments' (Thomas Dausgaard & Seattle Symphony)

  • ELAINE MARTONE

• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)

Classical

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

  • ASPECTS OF AMERICA - PULITZER EDITION
    Carlos Kalmar, conductor (Oregon Symphony)
     
  • CONCURRENCE
    Daníel Bjarnason, conductor (Iceland Symphony Orchestra)
     
  • COPLAND: SYMPHONY NO. 3
    Michael Tilson Thomas, conductor (San Francisco Symphony)
     
  • IVES: COMPLETE SYMPHONIES - WINNER
    Gustavo Dudamel, conductor (Los Angeles Philharmonic)
     
  • LUTOSłAWSKI: SYMPHONIES NOS. 2 & 3
    Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

  • DELLO JOIO: THE TRIAL AT ROUEN
    Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    William Boggs, conductor; Alexander Dobson, Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
     
  • GERSHWIN: PORGY AND BESS - WINNER
    David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
     
  • HANDEL: AGRIPPINA
    Maxim Emelyanychev, conductor; Elsa Benoit, Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński & Luca Pisaroni; Daniel Zalay, producer (Il Pomo D'Oro)
     
  • ZEMLINSKY: DER ZWERG
    Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

  • CARTHAGE
    Donald Nally, conductor (The Crossing)
     
  • DANIELPOUR: THE PASSION OF YESHUAH - WINNER
    JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J'Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)
     
  • KASTALSKY: REQUIEM
    Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke's; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)
     
  • MORAVEC: SANCTUARY ROAD
    Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)
     
  • ONCE UPON A TIME
    Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

  • CONTEMPORARY VOICES - WINNER
    Pacifica Quartet
     
  • HEALING MODES
    Brooklyn Rider
     
  • HEARNE, T.: PLACE
    Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods, Diana Wade & Place Orchestra
     
  • HYNES: FIELDS
    Devonté Hynes & Third Coast Percussion
     
  • THE SCHUMANN QUARTETS
    Dover Quartet

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
     
  • BEETHOVEN: COMPLETE PIANO SONATAS
    Igor Levit
     
  • BOHEMIAN TALES
    Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
     
  • DESTINATION RACHMANINOV - ARRIVAL
    Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
     
  • THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA - WINNER
    Richard O'Neill; David Alan Miller, conductor (Albany Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

  • AMERICAN COMPOSERS AT PLAY - WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
    Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)
     
  • CLAIRIÈRES - SONGS BY LILI & NADIA BOULANGER
    Nicholas Phan; Myra Huang, accompanist
     
  • FARINELLI
    Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
     
  • A LAD'S LOVE
    Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)
     
  • SMYTH: THE PRISON- WINNER
    Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

  • ADÈS CONDUCTS ADÈS
    Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
     
  • SAARIAHO: GRAAL THÉÂTRE; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
    Clément Mao-Takacs, conductor; Hans Kipfer, producer
     
  • SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
    José Serebrier, conductor; Jens Braun, producer
     
  • THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE- WINNER
    Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
     
  • WOOLF, L.P.: FIRE AND FLOOD
    Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

82. Best Contemporary Classical Composition
A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

  • ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
    Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)
     
  • DANIELPOUR: THE PASSION OF YESHUA
    Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
     
  • FLOYD, C.: PRINCE OF PLAYERS
    Carlisle Floyd, composer (William Boggs, Alexander Dobson, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)
     
  • HEARNE, T.: PLACE
    Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
     
  • ROUSE: SYMPHONY NO. 5- WINNER
    Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

Music Video/Film

83. Best Music Video
Award to the artist, video director, and video producer.

  • BROWN SKIN GIRL - WINNER
    Beyoncé, Blue Ivy & WizKid
    Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers

  • LIFE IS GOOD
    Future Featuring Drake
    Julien Christian Lutz, video director; Harv Glazer, video producer

  • LOCKDOWN
    Anderson .Paak
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • ADORE YOU
    Harry Styles
    Dave Meyers, video director; Nathan Scherrer, video producer
     
  • GOLIATH
    Woodkid
    Yoann Lemoine, video director; Horace de Gunzbourg, video producer

84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

  • BEASTIE BOYS STORY
    Beastie Boys
    Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers
     
  • BLACK IS KING
    Beyoncé
    Emmanuel Adjei, Blitz Bazawule, Beyonce Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers
     
  • WE ARE FREESTYLE LOVE SUPREME
    Freestyle Love Supreme
    Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers
     
  • LINDA RONSTADT: THE SOUND OF MY VOICE - WINNER
    Linda Ronstadt
    Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers
     
  • THAT LITTLE OL' BAND FROM TEXAS
    ZZ Top
    Sam Dunn, video director; Scot McFadyen, video producer

The 64th GRAMMY Awards: Everything You Need To Know About The 2022 GRAMMYs Awards Show

Grammys Newsletter

 
Rosalía at the 2020 GRAMMYs

Rosalía at the 2020 GRAMMYs

Photo: Rachel Luna/FilmMagic/Getty Images

News

Meet Rosalía, Lil Nas X, Billie Eilish & More GRAMMY 2020 Winners Backstage

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Watch 2020 GRAMMY winners FINNEAS, DJ Khaled, Elvis Costello and Cage The Elephant talk about their big moments backstage at Staples Center
Ana Monroy Yglesias
GRAMMYs
Jan 30, 2020 - 8:30 am

The 62nd GRAMMY Awards officially wrapped last Sunday (Jan. 26) after an evening filled with powerhouse performances and exciting first-time GRAMMY winner moments. Let's revisit Music's Biggest Night from a new location by going backstage at Staples Center to talk with some of the freshly crowned GRAMMY winners.

2020 GRAMMY winners Rosalía, Lil Nas X, Billie Eilish and FINNEAS, DJ Khaled, Elvis Costello & The Imposters and Cage The Elephant all spoke to the ever-upbeat backstage interview host Ted Stryker after their big moments. Read on to watch each of the conversations and learn more about their wins.

Watch: Rosalia 2020 GRAMMYs Backstage

Shortly after taking three more Latin GRAMMYs (for a total of five to date) back home to Barcelona in November, Spanish nu-flamenco queen Rosalía earned her first GRAMMY nominations: Best New Artist and Best Latin Rock, Urban Or Alternative Album. On Sunday during the GRAMMY Premiere Ceremony, she won the latter category for her epic sophomore album, 2018's El Mal Querer.

"I can't believe that this happened, I can't believe that the people here are receiving my music with so much love. I'm so shocked and still processing," the Barcelonan star said backstage.

Read More: How Rosalía Is Reinventing What It Means To Be A Global Pop Star

She also made her GRAMMY stage debut last week, stunning viewers with her powerful vocals and choreography during a mind-blowing performance featuring her newest song, "Juro Que," and the EMQ favorite, "Malamente." When asked if she was nervous before her performance, she revealed she was, but was also thrilled about sharing her flamenco-inspired music on the acclaimed GRAMMY stage in Los Angeles. "The excitement was bigger than anything else."

Watch: Lil Nas X 2020 GRAMMYs Backstage

2019 was a wild ride for genre-dancing cowboy Lil Nas X, who took us all to the "Old Town Road" multiverse. From a viral sensation on TikTok to a record-breaking No. 1 run in a matter of months, the 20-year-old now has two GRAMMYs to his name: Best Music Video and Best Pop Duo/Group Performance, both for the megahit. He also made his shimmering GRAMMY stage musical debut with a trippy, star-studded performance of the GRAMMY-winning bop and "Rodeo."

"A year ago, I was somewhere online, promoting this song called 'Old Town Road' with barely a nickel to my name," the "Panini" artist said, rocking a fierce hot pink cowboy getup. "Now I'm here at the GRAMMYs, [with] two GRAMMY Awards."

More: 10 Unforgettable Moments From The 2020 GRAMMY Awards

Reflecting on his rapid rise toward fame and global acclaim, he revealed, "The journey has been very spiritually and mentally challenging, but it helped so much. I've completely turned, and I'm going to continue to turn, into a better version of myself."

Billie Eilish & FINNEAS: One-On-One Interview

A few minutes after taking home their final GRAMMY wins (they each earned five!), sibling wunderkinds Billie Eilish and FINNEAS caught up with Stryker backstage. When he asked where all the emotion was coming from, a teary-eyed Eilish laughingly responded, "Dawg, everywhere! Where is the emotion? It's everything… It's coming from the fact that we just won a bunch of GRAMMYs."

He also asked what their biggest hopes for the album were. Their answers make their GRAMMY triumph even more powerful. "I wasn't expecting anything," Eilish answered.

WATCH: Billie Eilish Performs "When The Party's Over" | 2020 GRAMMY Awards

"We just made this album that we liked. I can't stress it enough. We didn't mean for it to win a GRAMMY, you know? We made an album that we loved and that we wanted to make. That was kind of our only goal, to enjoy making it, enjoy it once it was out and enjoy performing it, so this is just unreal."

"One of the only goals we had with it was that we wanted to make an album that we love playing live because we tour so much," FINNEAS added.

Watch: DJ Khaled 2020 GRAMMYs Backstage

DJ/producer DJ Khaled also took home his first GRAMMY win on Sunday for Best Rap/Sung Performance for "Higher." The uplifting track features late L.A. rapper Nipsey Hussle—the song was recorded before his death and released less than two months afterward—along with EGOT king John Legend. Hussle won two posthumous GRAMMYs, also taking home Best Rap Performance for the last single he released, "Racks In The Middle," featuring Roddy Ricch and Hit-Boy.

Watch: Behind The Board: DJ Khaled Reflects On His Early Days, Working With Music's Biggest Artists & More

"The day it started off—it was tough, it was real tough," Khaled shared, referring to NBA hero Kobe Bryant's shocking death earlier that day. "[During sound check], John Legend was playing the piano and started singing 'Higher.' It touched my soul. It made me like, 'We gonna go out here, we gonna do it for our brothers.'"

"We come to show love and spread love, for the families," he added, also sharing his excitement for the recent birth of his second son, Aalam.

Watch: Elvis Costello 2020 GRAMMYs Backstage

1979 Best New Artist nominee Elvis Costello has been doing things his own way within the pop space since before 2020 Best New Artist Billie Eilish was even born, and he's still in it. On Sunday, he took home Best Traditional Pop Vocal Album for Look Now, his 2018 album with his band, The Imposters. It is the group's first GRAMMY win together and Costello's second—his first was in 1999 for Best Pop Collaboration With Vocals for "I Still Have That Other Girl," featuring Burt Bacharach.

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Introducing his bandmates, including GRAMMY- and Latin GRAMMY-winning producer Sebastian Krys, Costello said, smiling, "We are our own tradition. Being traditional ain't a bad thing… I guess people were surprised because they think of us in terms of one kind of music from 40 years ago, but we play every kind of music."

He also talked about collaborating with Bacharach again on some of the GRAMMY-winning album's tracks and how one of the songs was one he'd written with Carole King 25 years ago. Now, they're ready to share more surprises in 2020.

Watch: Cage The Elephant 2020 GRAMMYs Backstage

Alt-rock favorites Cage The Elephant, who broke through the dense alt-rock landscape of the late-'00s/early-'10s with "Ain't No Rest For The Wicked" in 2009, just earned their second golden gramophone. They won Best Rock Album for Social Cues, the Kentucky group's fifth studio album. The amazingly eclectic-dressed squad, with bassist Daniel Tichenor and drummer Jared Champion both wearing Helen Anthony threads, caught up with Stryker backstage to share in the excitement.

More: 2020 GRAMMYs: Usher, Sheila E. & FKA Twigs Honor The Purple One With A Prince-Themed Medley

"I think all [albums] have their own journey, but this one took longer. I think it was exactly what it needed to be," guitarist Brad Shultz said. They also joked about how they felt their acceptance speech went ("second worst" compared to 2017). Lead vocalist Matt Shultz explains how he had typed up a speech with who to thank, along with a poem, but left it on his seat in the surprise moment of the win.

"It's just such a blessing to be able to share something with people and to bring people together, and I think that's the most gratifying thing that you can get out of any of this," Brad added. "It's such a blessing to be recognized by the Academy, and it's kind of confirmation that we're connecting with people."

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