Avicii

Avicii

Photo: Tiffany Rose/Getty Images

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Avicii's New Posthumous Album 'TIM' Honors The Late Dance Music Hero

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"He told me that this was the first time he'd enjoyed making music in years, so I had to make this as good as I possibly could to honour him and our friendship," said Carl Falk, one of the co-producers of the LP
Ana Yglesias
GRAMMYs
Jun 6, 2019 - 4:35 pm

Today, June 6, TIM was released. It is the project that Tim Bergling aka Avicii left about two-thirds completed when he took his life last April, and arrives as a powerful tribute to the late dance music icon.

Seeing as his music connected with so many young people, and his collaborators saw the GRAMMY-nominated producer at his happiest in years while working on the tracks, his family reached out to several of them to help complete the album. The LP is filled with powerful vocals, including on the moving Chris Martin-assisted "Heaven" and "SOS," which reunites "Wake Me Up" vocalist Aloe Blacc with Avicii for another epic collab.

Not long before the one year anniversary of his death on April 20, Avicii's family announced the Tim Bergling Foundation, a Sweden-based non-profit they set up in his honor that "will initially focus on supporting people and organizations working in the field of mental illness and suicide prevention." Shortly after, the announced TIM, for which a hundred percent of the proceeds from the album will go to the org.

"When someone close to you passes, the emptiness becomes a mission. He told me that this was the first time he'd enjoyed making music in years, so I had to make this as good as I possibly could to honour him and our friendship," Carl Falk, one of TIM's co-producers, told The Guardian.

Falk, who met Avicii back in 2010, completed "Ain't A Thing," "Bad Reputation" and "Fades Away" for TIM, which they had started together. "There was never an ego with him," he also told The Guardian. On "Bad Reputation," Falk sampled "Levels," as Avicii sometimes used the same technique, reusing bits of his older tracks in new songs. The steel-drum beat on the track was inspired by a song from Kaliffa, a Swedish rapper the late producer loved.

Vincent Pontare and Salem Al Fakir, who make up the Swedish songwriting/production duo Vargas and Lagola, are two of the other main co-producers on the album. They worked on "Piece of Mind," "Tough Love" and "Excuse Me Mr Sir" on TIM, all of which they co-wrote with Avicii prior to his death.

"Tim getting out of that bad place, exercising and meditating. He was strong. Everyone could see it," Al Fakir told the news outlet.

On "Tough Love," a duet which opens with an Arabic-inspired string arrangement, Vargos and Lagola spoke to Avicii's family and decided to not include any new vocalists on the track.

"The duo re-recorded their guide vocals from the demo with Pontare and his wife, the Swedish singer Agnes, to keep it as close to the last Bergling-approved version as possible," The Guardian explains.

"Even the interviews talking about the process are part of the therapy for us. [Avicii] loved these songs, and wanted them to come out. That's the sad part. He's not here, and I feel like he'd just started something," Al Fakir said.

Avicii's Family Establishes Mental Health and Suicide Prevention Foundation

Hayden James

Hayden James

Photo: Cybele Malinowski

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Hayden James Dives Deep Into Debut Album, Feeling Inspired By Flume & Daft Punk

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"I wanted to keep it very true to what I do, which I think is very simple production but very powerful, very summery style beats as well," the Aussie singer/producer tells the Recording Academy about 'Between Us'
Ana Yglesias
GRAMMYs
Jun 19, 2019 - 11:01 am

Hayden James released his debut album, Between Us, on June 14. Featuring nine powerful vocalists across its 11 dreamy, chill-house tracks, it explores the different phases of romantic relationships in a story of like and love. But the Aussie singer/producer isn't the new kid in town. In fact, he's been putting out vibey, warm-weather jams for several summers now.

James first released his self-titled debut EP in 2013 on Aussie indie electronic label Future Classic, home to a small but mighty group of talent, including GRAMMY winner Flume. He followed with a trail of big singles, including "Something About You" in 2015, which put him on the map in both Australia and the U.S., with American dream-house duo ODESZA releasing a firery remix that same year.

Prior to dropping Between Us Stateside, we sat down with James to learn more about his vision for the project, what goes into choosing his collaborators, putting out an album versus a single, and how he gets the finished product to feel so fluid. James also talked about his biggest musical influences, which include his labelmates (Hi, Flume!), as well as the group that first caused him to fall in love with electronic music: GRAMMY winners and dance-music icons Daft Punk.

You're about to drop Between Us, your debut album. How are you feeling?

Great, amazing. It actually is out now in Australia. It hit midnight a couple of hours ago, tomorrow. I'm already getting some people commenting and going, "Oh, it's worth the wait." Because it's been six years since my first release and yeah, people have always just gone like, "We need more music," basically. So to be able to give them this, it feels incredible.

I don't think it's really hit me. It kind of did this morning; I've been up since 5:00 a.m. and through flying around a lot and the different time zones, but seeing it on Spotify for the first time and Apple Music, scrolling through I'm like, these aren't just demos on my phone anymore, people can actually actively listen to them now. It feels really cool.

What did you tweet earlier today, like, "I'm not crying, you're crying"?

Yeah. [Laughs.] I think I will later. Absolutely.

I bet it comes in waves, right?

Definitely. Yeah, for sure. And it's the first time I've ever had an album out, so, I'll let you know. [Laughs.]



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It’s finally here... my album, ‘Between Us’. I honestly didn’t think this day would come. It’s been a long journey to get here and I’m so proud of what I’ve created. ⁣ ⁣ Between Us is about those intimate moments in your life.. that energy you feel with someone. It’s a look at different stages of relationships - love, loss and everything in between. ⁣ ⁣ I dreamed of writing a record that you can press play on the first song and just let it play all the way through... no fillers - every song belonging, fitting into the story and meaning something special. I hope I’ve done this for you. ⁣ ⁣ To everyone that listens to my music, comes to my shows and supports me, thanks for waiting so long for this moment. I’m so excited to share this new music with you. ⁣ There’s so many people that helped me get here. To everyone involved in making this record with me, thank you from the bottom of my heart. You’ve helped me realise my dream. ⁣ This feels like just the beginning. ⁣ ⁣ Love, ⁣ Hayden James. ⁣

A post shared by Hayden James (@haydenjames) on

I'm sure it's a different feeling from putting a track out that people really vibe with.

Yeah, one song and it's like, cool. But this is a whole story and it makes sense together so it's definitely... It's like I'm writing a book. And yeah, it nearly killed me. [Laughs.]

"I wanted to keep it very true to what I do, which I think is very simple production but very powerful, very summery style beats as well."

Going into that process of starting your first album, what was the main sound or goal you had with the project?

So the main goal was to not only tell this story of mine, but to keep the production the same. You know when a band or a group, they'll write a couple of singles or whatever, then they'll go for the album or they'll do the second album and there will be a change. It'll be like, "You know we're trying something different." I hate that. The reason I'm a fan of you is how you do something.

I wanted to keep it very true to what I do, which I think is very simple production but very powerful, very summery style beats as well. I've worked with a bunch of amazing feature vocalists on this, people who I've worked with previously too, so it kind of felt right to tell this story together.

I started the process about two years [ago]. I always wanted to write an album, but I actively said, "Hey, I want to do an album." That was about maybe two and a half years ago, actually. After I had written maybe 30, 40 demos, I kind of dwindled it down into 11.

What was that process like, of having to put your babies away in the corner?

I've still got them. But yeah it feels good to just choose the strongest ones, the ones that make sense together. I really enjoyed picking the order of the tracks as well, that's a huge thing for me. One of the big goals of mine as well with an album is, and you can't do this with many albums I don't think, is to listen, like press play on the first track and just listen through. There tends to be a lot of other filler songs or stuff that just doesn't make sense to the listener, which I'm sure that that'll be the case with this for a lot of it, but to me it makes a lot of sense. It was a lot of fun figuring out how they all fit together too.

Did having that "just press play and listen" qualifier help you find the sound of the album or the path of the songs?

Yeah, absolutely. These all fit together not just through the story, but also sonically as well. And they all kind of came effortlessly in that every single that I've ever done, it's been quite quick. It's often taken months to produce and make it what I want, but the actual writing of the song has always been literally a day or less with that vocalist, so that's what these songs represent too.

Where do you start when you work on a song? Is it the beat, is it an idea?

It's always different. I play piano and guitar and saxophone, so I'll just play and see what happens. I'll listen to friends' stuff and be like, "Oh, that's cool." I'll listen to older stuff as well, older electronic stuff. Or I'll have 10 or 15 demos, when I'm like, "Oh, I'm with Boy Matthews tomorrow, I'm gonna write a bunch of stuff quickly now." With literally just a couple of core progressions and maybe some different beat ideas, we'll get together and just start going and then it just evolves like that.

I was impressed by how you have nine different collaborators on the album and, even with those different inputs in the way they sound and their style, it all flows well so together.

Yeah, I think that's because I'm the one telling the story and they're helping me do that.

How did you choose the collaborators?

A lot of them through my label Future Classic. I met Shungudzo at the Future Classic x Dropbox studio [in Los Angeles] last year. I met Boy Matthews from a friend of a friend in New York the year before. Elderbrook, I toured with in the States, so there's all these different connections. Nat Dunn, who sings with NAATIONS on "Nowhere To Go" and on "Favours," she's an Aussie as well, but we had never met and have mutual friends. So yeah, it's all different connections. Some people I just reached out to on their Instagram and said, "Hey let's do something."

Were there any chance encounters, like someone introduced you to someone, but it felt naturally once it happened?

Yeah, the last song I wrote on the record is "Lost to You" featuring Farr, and the guy who sings on it is Romero. So I was in L.A. in January and kind of finishing up the album, but I felt like I needed a couple of more songs to choose from. And he is a friend of my manager actually, they manage him too but he hasn't really put a lot of stuff out yet. We had a session, I was literally flying out back to Sydney that night and I had like three hours, and we had a session near the airport, and within half an hour I was like, "This has got to be on the record." It just makes sense to me. Yeah so, that was very chance it was just like, "What?" And out here, the right time, the right place.

"Just Friends" with Boy Matthews was a really big summer track last year. Did you guys go back in the studio together to work on "Hold Me Back," or what was the process for the second collab together?

We didn't actually, because I haven't been here in the States for a little while, so we did that one just over the net and FaceTime. So I would rent out a studio here, like a Future Classic studio, or there's another one called Westlake Studios, and kinda just be on the phone with him, guiding him through what I was feeling and all that kind of stuff, and we would write together that way, just on FaceTime. And just send stuff back and forth. I think it wouldn't have worked if we didn't collaborate before and knowing how we work together. Everyone else I was in the studio with, but yeah the fact that we knew each other from before that and had collaborated very closely in the studio made it easier.

What was your hope going into that second song together? Were you trying to create your next summer hit?

Boy and I together equal pop music. So it's like the brother or sister of "Just Friends," a little bit darker. The theme revolves around the fact that you want to let this person go, but they're not leaving. So it's a bit darker and a bit sadder then "Just Friends," but I love it.

You talked a bit about being part of Future Classic, but I'd like to know a little more about what it's like being part of such a powerhouse indie label.

Yeah, it feels like a major label because of the incredible artists on it. It's amazing because they're an Aussie label and they've only just recently come over to the States.

The L.A. studio, I don't think it's a year old, but yeah they've been here in that office for maybe two years I think. They're Sydney guys and I knew of them because of Flume, Touch Sensitive and a whole bunch of people like that. So it's an honor to be a part of a group of such amazing artists that I look up to, and it's also great representing Australian music too, with an Australian label.

They're great people. They're so dedicated to what they do and they just got this idea of where they want to take things.

Do you feel like it enhances you as an artist creatively, being a part of that crew?

Yeah, definitely. I think because the music's so cool that people release, you feel... Not pressure, but just like, "I need to step up too and make my mark." 

Like healthy sibling rivalry with your brother or sister.

Exactly, it's like "Oh that's good! All right, sh*t." I just heard Flume's song with London Grammar and was like, that's tight, I always wanted to collaborate with someone like her. It's great too because we're all actually friends. I think all of us kinda live over here [in L.A.] now, but, we all live really close to each other in Sydney. It's pretty wild. What So Not, Flume, Touch, RÜFÜS DU SOL, Flight Facilities, we're all within like 20 miles of each other.

Do you have a good summer barbecues together? 

Absolutely, I had the ODESZA guys around last summer and they were like, "We need to move here, this is wild, you guys all live here together." And we've all got studios so we can all just hang out, and we send each other music all the time and demos.

That's cool, that sounds like being in a really good school for music.

Yeah, it's fully open, everyone trusts each other, it's good just to share other music as well, because we DJ as well, and just sharing what we're into.

What sort of music did you listen to growing up, and who are your biggest influences now?

Growing up, it was whatever my parents and my older brother would listen to. So my parents used to listen to Queen, David Bowie, Lionel Richie, the Beach Boys. I love the Beach Boys because of their harmonies and that's how I kind of got into music. My brother used to listen to Nirvana and Pearl Jam, Foo Fighters, but then he brought home Daft Punk's "Around The World." When I heard that it just changed my whole perspective on music, and I just started getting into dance music from there.

About how old where you then?

Sh*t, like, 15, 14. From there I was the biggest Daft Punk fan, even still now. There's a couple songs on my record, there's one called "Feelin'" which I'm singing on and it's got that very Daft funky vibe. And it comes from my love of my favorite album, [Daft Punk's 2001 LP] Discovery. That's [almost] 20 years old, Discovery. It's wild, I still listen to it, I'm like, if this was released now I'd still be in love with it.

It feels really classic without feeling super vintage.

Exactly. It's not so much the fact of they're telling story through their songs, but they're not relying on production of the time, which is what I try and do as well. If you can listen to a song that's five years old that you still love, that's great, it's a good song. I think for me it's important to be able to play a song on the guitar around a campfire, it doesn't have to be the electronic version of it. It's about writing songs first for me then producing at some point.

And you mentioned that the production part tends to be the longest part of the process for you. Are you kind of your own worst critic?

That's why it's taking me so long, yeah. Well, that's kind of the how of telling the story, we've got the why, with what the song is, and the how is that, well you can tell it any way you want, and that's the most difficult thing. I could've released this two years ago, but it just wouldn't have been anything like what it is now for me. So it's really important for me to be able to find that voice and get it right, through the production.

What do you think makes a good dance track? What about a good summer jam?

I mean, I love FISHER. I love just all that kind of massive builds into really simple drops. I don't write dance music really, but I love DJing so, yeah, lots of different dance music on my USB too, other than FISHER.

It's just all FISHER.

[Laughs.] It's all FISHER. But yeah totally different to writing songs, and summer songs.

For me it's like, there's a saying people say, "Don't bore us, get to the chorus." So it's just like, if there's a hook or something, I don't want eight bars of something before the first verse, it's like, let's go. I guess that's what pop music is for me as well, it's pretty immediate. And that's kind of what I figured out, when I wrote "Just Friends" and "Something About You" especially it's like, you are straight in, within the first five seconds, you're into the track you know what's going on immediately.

It takes a while to figure out, okay, why is this song so popular, what have they done? And a lot of people try and emulate that, unsuccessfully. And it's just about being unique but also figuring out, there are little things you can do, it's not a formula, it's a feeling. And the better you are at it the more you'll make it your own. So I feel like I've made a certain thing work for me.

It's kinda like your thesis statement as an artist, it can adapt and evolve but if you know, sort of the way you're going to go it makes more sense to the listener.

And it's got your DNA on it because you're writing it. And that's why there's a lot of other big pop stars out there that have people write their music for them, and you can kind of tell because it just doesn't feel right, it doesn't feel the same as what their earlier stuff felt like.

You have a big tour coming up: You're going to hit up Australia first, and then the U.S. in the fall. What are you most looking forward to about touring this time around?

Playing all the new music. When I was touring the last couple of years, it was off singles, and so what else do I play? Because when I played my live show I don't want to play anyone else's music, I like playing only stuff I've touched, so it's like remixes, edits of things. For years I've played demos of some of the songs that were on the album, I would just say "Hey, here's something new" and just see what the crowd reaction was. But now that I have an album that's probably the most exciting thing, I'm pumped about playing that live, but also bringing it to so many different cities in a new way as well. It's a new show, so I'm really excited about it.

When you would play demos and stuff did that sort of affect your creative process or editing process?

Definitely. I remember before "Better Together" was released with Running Touch I would structure it a bit differently live to make it build a bit longer and play some base notes on the SPD a little bit differently, and I'm like, "Actually, that's really hot, that's gotta be in the track." So yeah, playing something live changed a few things for me for sure.

Any hints you want to give to fans about the tour? What to expect, any special guests?

Yeah so I've got a couple of people. Especially on the West Coast I've got a whole bunch of people from the record. They're actually going to come and sing at the shows, which is cool. I love that, when I go and see a group and they've got the singers that actually perform on the track come out. So that's really fun. Brand-new production as well, the lighting thing that we've been working on with my Aussie guys for like six months.

What are you most excited about for next year?

I'm pumped for the album but I feel like there's a huge weight that's been lifted off me now. That's done and it's so exciting, and I feel way more confident.

I think that's one of the big things for me is, when you release something, there are people out there on the internet that will just shade you, and you're just like, "Aw, I feel horrible." Which is tough, and you've gotta learn just to say, "F*** off." Like, who are these people? So releasing the album, now I feel really confident because I'm so proud of it, no matter what anyone says or thinks about it, to be honest.

I'm just using that energy and writing a whole lot more. I'd love to do a couple of collaborations, first up. I want to release another two singles this year after the album. I've been speaking with the Gorgon City guys, the ODESZA guys. I have a whole bunch of stuff in the works already.

GRiZ Talks Pride, Snoop Dogg Collab, Detroit's Music Scene, Giving Back & More

Claude VonStroke at Dirtybird Campout 2018

Claude VonStroke at Dirtybird Campout 2018

Photo: Max Benedict

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Dirtybird Campout 2019: Justin Jay, Jhené Aiko, J.Phlip, Shiba San, Mija, Tiga & More

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The camping music festival includes "'OG' Saturday night" sets, featuring your favorite Dirtybird heavyweights, from label head and house music legend Claude VonStroke himself, as well as Ardalan, Justin Martin, J.Phlip, Kill Frenzy, Worthy and more
Ana Yglesias
GRAMMYs
Jun 4, 2019 - 4:24 pm

Today, Dirtybird Campout announced the lineup for their beloved 2019 West Coast music festival, which includes many of your Dirtybird favorites like Justin Jay, J.Phlip, Shiba San, Mija, Walker & Royce and Dirtybird Records founder Claude VonStroke. The event returns to its 2018 home along the water at Modesto Reservoir Campgrounds on Oct. 4–6.

GRAMMY-nominated soulful R&B queen Jhené Aiko, turntable legend Cut Chemist, Detroit funkstress DJ Holographic, and Wajatta, the project of spoken word artist/comedian Reggie Watts and experimental house producer John Tejada, will also be bringing the beats to Dirtybird Campout West 2019.

More: Justin Jay On The Joy Of DJing, Expanding His Horizons, And How Fans Think He's Still A College Freshman

For all the early Dirtybirds who can't wait until that Friday to get their groove on, this year's Campout offers early arrival passes that not only guarantee "premier camping spots," but an extra special Thursday night B2B set from Tiga and Matthew Dear, as well as a "warm up set" from VonStroke. "Head Counselor Claude," as the press release calls him, will also be performing under his trippy beats alias Barclay Crenshaw aka VonStroke's given name.

Other musical highlights include an "'OG' Saturday night" featuring sets from longtime Dirtybird Records/events regulars including Ardalan, Justin Martin, J.Phlip, Kill Frenzy, Worthy, Christian Martin and, of course, the OG master of good times, VonStroke.

Related: Metronomy's Joe Mount Breaks Down Surviving Music Festivals

The weekend will not only be filled with enough music to keep you dancing literally all day and night, the camp-themed fest also features tons of fun activities and games to help you live out the best version of summer camp you could possibly dream up. Attendees, including those behind the decks, are assigned to teams who will duel it out in dodgeball, tug of war matches and even the ".5K Floatie race."

Arts and crafts will also be aplenty, for campers to get their creativity flowing with screen-printing, totem-making and more. Grill$on's BBQ, a staple of the Dirtybird BBQ day parties the label hosts across the country every summer, will be on site to provide ample dancefloor and activity fuel up.

Tickets for Dirtybird Campout West are on sale now; for all options, including camping and BBQ add-ons, as well as the complete lineup, check out their website.

Your 2019 Guide To The Best Summer/Spring Music Festivals

Lightning in a Bottle 2018

Lightning in a Bottle 2018

Photo: Aaron Glassman

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Your 2019 Guide To The Best Summer/Spring Music Festivals

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Having trouble keeping up with 2019's many music fests? We've got you covered with this comprehensive list of 20+ ones to check out across North America—plus a few abroad
Ana Yglesias & Jennifer Velez
GRAMMYs
May 8, 2019 - 10:40 am

Both weekends of Coachella 2019 have come and gone, which means that we are fully entrenched in music festival season in North America. Since late last year, the fest lineups keep coming, and, like many of you, we couldn't be more excited for the sunny, music-filled days around the corner.

To help you keep abreast on all the major fests you can explore this summer, we've compiled this handy list to highlight some of the ones across the country (plus a few abroad) you may want to check out.

Related: Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

MAY
 

Lightning in a Bottle | May 8–13 | Bakersfield, Calif.

Need to get away and lose yourself in the music ASAP? Well, Lightning in a Bottle is probably calling your name. Bring your pool floaties to cool off in Buena Vista Lake, home to the new location of the Southern California camping music fest. Run by the good time experts/electronic music connoisseurs at the DoLaB, which just made an appearance at Coachella; the environmentally and socially conscious event was one of the first major "transformational music festivals" that so many others have been modeled after.

This year's stacked musical lineup features seven stages and a variety of house, techno and bass artists, featuring GRAMMY-nominated British dance duo Disclosure, a 3D experience from Flying Lotus, Santigold, Toro y Moi, Gramatik, Channel Tres, DJ Koze and Damian Lazarus. There will also be yoga, sound healing, and engaging talks, like one with activist hip-hop duo Climbing PoeTree titled "Creativity is the Antidote to Destruction: Artistic Tools for Urgent Times."

Tickets are still available with options that range from two to five days; more info here.

Corona Capital Fest | May 11 | Guadalajara, Mex.

Taking place on Mexico's West Coast in the city of Guadalajara, Corona Capital will bring the country some of the biggest names in rock, electronica and pop. Featuring Phoenix, the Yeah Yeah Yeahs, Tame Impala, The Chemical Brothers, Christine & the Queens and more, the fest will give people in Mexico the unique opportunity to see artists that tend only to stop by in Mexico City, which hosts its own Corona Capital fest.

Those visiting the country for the fest will find the one-day event a convenient factor, as they can explore the rich history and culinary vastness of the second-largest city in the country, which is known to be the area where tequila and mariachi originated. Sports fans will find excitement in listening to music at the festival site, which is also home to the city’s soccer team, Las Chivas. For more information, visit the festival's website.

GRAMMYs at Corona Capital: Holy Ghost! On What "Do This" Is Really About & Why They Feel So Good About 'Work'

Electric Daisy Carnival | May 17–19 | Las Vegas

Rave lords Insomniac have been bringing the beats with their now-global Electric Daisy Carnival (and its many other EDM events) at the 23rd annual EDC. The flagship fest's ninth year in Las Vegas will take over Sin City from May 17–19 this year. The 2019 lineup is positively stacked with dance music greats, featuring GRAMMY winners Diplo, David Guetta and Tiësto, plus GRAMMY nominees TOKiMONSTA, Paul Oakenfold, Deadmau5, Above & Beyond and Kaskade.

Deadmau5 will be making his first return to the fest since 2010, bringing his new "Cube 3.0" stage setup, and Guetta will be back for his first time since 2012. Australian singer/songwriter DJ/producer extraordinaire Alison Wonderland, plus GRAMMY-nominated rave icons Steve Aoki and Armin van Buuren will bring fire to the three-day event.

If you want to get your dance on and check out the carnival rides, interactive art and plenty of lights and lasers with EDC in Vegas, you're in luck; tickets are still available. Check out EDC's website for more info.

Hangout Music Fest | May 17–19 | Gulf Shores, Ala.

If you're looking for something where you can chill in one spot, perhaps by a body of water, Hangout Music Fest in Gulf Shores, Ala. may be more along the lines of what you're craving. The 10th anniversary, which the organizers have coined a "music vacation," will take place on May 17–19 on the beach.

The stacked lineup of over 50 acts is pretty diverse among artists and genres, with big names in dance music such as GRAMMY winner Diplo, GRAMMY nominees Mura Masa and Sofi Tukker, along with Detroit hero GRiZ and dance festival favorite Alison Wonderland.

Meanwhile, artists in the pop/indie-rock arena include GRAMMY nominees Hozier and Bebe Rexha, as well fan favorites The 1975, Walk The Moon and Jimmy Eat World. 

For more info and to see the complete list of artists, visit the Hangout Fest website.

BottleRock | May 24–26 | Napa, Calif.

If you want to experience the literal fruits of the world-renowned Napa Valley wine country while listening to some solid jams, BottleRock, which is located in wine-rich Napa, may be the fest for you. Its seventh-edition festival's top-tier headliners are GRAMMY winners Imagine Dragons, Mumford & Sons and Neil Young, who will be playing with Lukas Nelson's band Promise Of The Real. Other notable acts include Santana, Pharrell Williams, Gary Clark Jr., Sylvan Esso, Logic, Lord Huron, Nathaniel Rateliff & The Night Sweats and Tash Sultana.

Other festival highlights include the Culinary Stage, which features both music from the likes of Big Boi and Juanes, as well as more culinary-focused guests, including Antoni Potowski, the resident foodie of "Queer Eye." No matter your fuel of choice, attendees can expect an amazing selection of Northern California wine, beer and even craft cocktails, as well as food prepared by your neighborhood Michelin-starred Napa faves. The Silent Disco offers even more music, with GRAMMY-nominated dance greats The Crystal Method and Paul Oakenfold taking the decks.

Tickets, including one-day and three-day options, are still available on the fest's website.

More: Tomasa Del Real On Bringing Her Take On Reggaetón, NeoPerreo, To Coachella

Primavera Sound | May 30–June 1 | Barcelona

If you've been itching to take a trip abroad in a scenic European city and have eclectic music tastes, you'll have a blast at Barcelona's Primavera Sound. The 19th edition of the music festival offers what organizers coined "The New Normal," a 50/50 gender split among performers. Of the 226 billed artists, over half are women.

The beautifully dense lineup includes both big names and hidden gems across genres, yet the headliners alone show that they are walking their talk. Erykah Badu, Future, Interpol, Tame Impala, Janelle Monáe, Solange, J Balvin, Rosalía, Nas, James Blake and Robyn all take the top spots.

The rest of the lineup is also filled with gems, including Kali Uchis, Liz Phair, Carly Rae Jepsen, Clairo, Cuco, Mura Masa, Empress Of, FKA Twigs, Pusha T and Big Red Machine (the National's Aaron Dessner and Bon Iver's Justin Vernon collab project).

The festival has also highlighted Primavera's commitment to urban music, with a focus on reggaeton and hip-hop. From the Latin side, in addition to unofficial second-wave reggaeton leader J Balvin, old-school genre legends Ivy Queen (one of the first and few women in the emerging scene in the '90s) and DJ Playero will be throwing down. From the U.S. side, Primavera 2019 will feature an exciting selection of female rappers, including Tierra Whack, Princess Nokia, CupcakKe and Rico Nasty.

Tickets, including single-day options, are still avaible on Primavera Sound's website.

Governors Ball | May 31–June 2 | New York City

Governors Ball Music Festival is returning for their ninth year on Randall's Island Park in New York City on May 31–June 2. 2019 will bring performances by headliners The Strokes and GRAMMY nominees Tyler, the Creator and Florence & the Machine.

The three-day music, art and music event certainly brings an N.Y.C.-inspired melting pot approach to their lineup, and this year does not disappoint. Other highlights include GRAMMY winners Lil Wayne and Kacey Musgraves, GRAMMY nominees SZA, Nas, The Internet, Jorja Smith, Bob Moses, Charli XCX, ZHU, plus Vince Staples, BROCKHAMPTON, Blood Orange, Clairo, Bazzi, MØ, Major Lazer (DJs Jillionaire, Walshy Fire and GRAMMY winner Diplo), Noname, Kaytranada, Gesaffelstein and King Princess.

More info on tickets, as well as the complete lineup and event details, can be found on the Governors Ball site.

Related: Tinder Teams Up With EDC, Gov Ball & More Music Fests For "Festival Mode"

JUNE
 

Roots Picnic | June 1 | Philadelphia

The Roots Picnic is back for its 12th year on June 1 and will feature a special headline performance from GRAMMY-winning band The Roots in celebration of the 20th anniversary of their 1999 album Things Fall Apart. 

H.E.R., 21 Savage and Lil Baby are among other artists on the music festival's bill. Raphael Saadiq,Tank & The Bangas and City Girls will also perform at the one-day event, taking place at its new location at The Mann At Fairmount Park in Philly. 

"We finally have a Roots Picnic in the Park," The Roots' manager Shawn Gee and President of Live Nation Urban said. "The vision 12 years ago was always to provide an all-day musical and cultural experience in Fairmount Park. Black Thought, Questlove and I grew up spending our Sunday afternoons at the Belmont Plateau in Fairmount Park watching Philly DJs spin, and enjoying the vibe and the culture. It's a great feeling to be able to come full circle."

For more information on tickets, visit the Ticketmaster website.

Splash House | Jun 7–9 | Palm Springs, Calif.

Splash House has been bringing the beats to the pastel-colored desert of Palm Springs for several years now, and will return June 7–9 (as well as in August). GRAMMY-winning French electro heavyweights Justice, GRAMMY-nominated U.S. house music stalwart Armand van Helden, New York-based house producer Jai Wolf and U.K. bass/trap champ TroyBoi will headline. The three-day fest takes place poolside at three beautiful desert aesthetic hotels: The Renaissance, The Riviera and The Saguaro.

The rest of the lineup offers an equally impressive and diverse group of electronic artists, including GRAMMY nominees Jax Jones and Dirty South, along with Pete Tong, A-Track, CRAY and more. Shiba San, Dusky, Kidnap and a few others will keep the vibes going into the nighttime, with official after-hours shows at the Palm Springs Air Museum.

Daytime tickets for the June edition of Splash House went quickly, but they can be requested via a ticket exchange program. More info on all options can be found on Splash House's website.

Bonnaroo | June 13–16 | Manchester, Tenn.

Founded in 2002, this down-south outdoor fest once specialized in all things folk and jam. Nowadays, the lineup's diversified a bit, welcoming artists of nearly every popular genre. This year's Bonnaroo will take place June 13–16 at Great Stage Park, a 700-acre farm and event space in Manchester, Tenn., 60 miles southeast of Nashville.

The diverse group of artists on Friday alone include Phish, Childish Gambino, Solange, The Avett Brothers, Brockhampton, Courtney Barnett, Gojira, K.Flay and more. Post Malone, Odesza, Kacey Musgraves, The National, ZHU, John Prine, Maren Morris, The Lumineers, Cardi B and more will also get the farm grooving.

New for 2019, Bonnaroo will feature a "Sanctuary of Self-Love" campground experience curated by Paramore's Hayley Williams. There will also be circus acts, immersive cinema shows, theme parties, and the fest's first-ever Pride parade.

Tickets can be found on the festival's website.

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Ruido Fest | Jun 21–23 | Chicago

For three days, Ruido Fest takes over Union Park, also home to Pitchfork Fest, and turns Chicago into a Latin alternative music mecca. This year, the music festival happening June 21– 23 celebrates its 5th edition and will gather iconic music groups like El Tri, Los Tigres Del Norte, Hombres G and Enanitos Verdes on the same stages as rising stars like Latin urban artist Tomasa Del Real, Helado Negro, Monsieur Perine and many more. From rock, to pop and electro, this festival boasts some of the best in established and up-and coming music artists in the Latin genre For more information on Ruido fest, visit their website.

Firefly | June 21–23 | Dover, Del.

Firefly Music Festival, which touts itself as "the East Coast's largest music and camping festival," returns for its eighth year in The Woodlands of Dover, Del. The June fest will feature GRAMMY-nominated headliners Panic! At The Disco, Post Malone and Travis Scott. 

GRAMMY winners TLC, Vampire Weekend and Zedd, as well as GRAMMY nominees Courtney Barnett, Death Cab For Cutie, DJ Snake and Tyler, The Creator will also perform at the woodsy fest. Alison Wonderland, Brockhampton, Dashboard Confessional, GRiZ, Kygo, Gucci Mane, Jessie Reyez, Snail Mail, Walk The Moon, and Young The Giant are also on this year's bill.

Tickets, along with "glamping" options, can be purchased on Firefly's website.

JULY
 

Essence Festival | July 4–7 | New Orleans

Essence Festival returns for its 25th year of celebrating black culture in New Orleans. The music portion of the event will take place from July 4–7 at the Mercedes Benz Superdome, with billed performers like Missy Elliott, Timbaland, Pharrell Williams, Brandy, Jermaine Dupri, H.E.R., Big Freedia, Ledisi, Mary J. Blige and many more. Former First Lady Michelle Obama will also bring extra inspiration to the main stage on Saturday.

Four other stages at the Superdome will showcase more talented artists such as AlunaGeorge, City Girls and Normani, as well as Mase, Ginuwine and Slick Rick.

Several different music fest ticket options are available, more info here.

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Mad Cool | July 11–13 | Madrid

Mad Cool Festival's diverse musical lineups have brought out a global fan base to its home in Madrid every year since 2016. Bon Iver, Vampire Weekend and Noel Gallagher's High Flying Birds top the lineup on Thursday, which also features Canada's Kaytranada, La Dispute and The Hives. Friday will bring out The National and the Smashing Pumpkins as headliners, plus Madrid's own Vetusta Morla, Wolfmother and Germany's Sophie Hunger, among other exciting acts. Saturday closes off the musical celebration with The Cure, The 1975 and Greta Van Fleet.

If this lineup hasn't inspired you to experience the fest, maybe visiting the beautifully historic city of Madrid will. Single-day and three-day tickets can be found on Mad Cool's website.

Pitchfork Music Festival | July 19–21 | Chicago

The 14th annual Pitchfork Music Festival, held at Union Park in Chicago, offers an eclectic lineup perfectly embodied by its headliners: GRAMMY-nominated dancefloor-pop innovator Robyn, GRAMMY-winning godfathers of funk The Isley Brothers and GRAMMY-nominated sister trio HAIM.

The Isley Brothers, consisting of remaining members Ronald and Ernie Isley, will be celebrating 60 years as a group at the fest, bringing the funk with "special guests," Pitchfork reports. GRAMMY-winning blues and gospel icon Mavis Staples will also bring her longtime musical excellence to the three-day event.

GRAMMY-nominated hip-hop powerhouses Earl Sweatshirt, Jeremih and Pusha T, along with fellow GRAMMY nominee and electro-pop stalwart Charli XCX, are also slated to play. Several innovative '90s acts will also be performing: London-based avant-garde dream-pop group Stereolab, Scottish folk-pop band Belle & Sebastian (who will be playing their 1996 album If You're Feeling Sinister in full) and Swedish GRAMMY-nominated MC Neneh Cherry, who earned a nod for Best New Artist at the 32nd GRAMMY Awards in 1999.

The festival prides itself on highlighting emerging talent; some of the up-and-comers on the lineup are 20-year-old dream-pop artist Clairo, L.A.-based social activist/rapper JPEGMAFIA, French-Cuban electro-soul sister duo Ibeyi and 21-year-old N.Y.C. rapper Rico Nasty.

Both weekend and single-day tickets are available; visit the fest's site for more info.

Float Fest | July 20–21 | Gonzales, Texas

Billed as the "only festival in the world to combine the Texas tradition of floating the river and live music," Float Fest 2019 will feature Gucci Mane, Major Lazer, Ice Cube, Kaskade, Portugal. The Man, The Flaming Lips, Big Gigantic, Zeds Dead, Grouplove, Big Boi, Jungle and more at its new home at a private ranch on the Guadalupe River in Gonzalez, Texas.

"We're thrilled to be moving to a new city and keep the tradition of our fest going. Gonzales is known as the birthplace of Texas independence and we can't think of a better place to celebrate a festival rich in Texas traditions such as live music, floating the river, and camping," Float Fest founder Marcus Federman said.

Additional performers include G. Love & Special Sauce, Missio, St. Lucia, Houndmouth, The Floozies and more. The fest will also be partnering once again this year with local business to organize a river cleanup project. 

Tickets, including weekend and day passes, can be found on Float Fest's website.

Related: Exclusive: Lizzo On Lollapalooza, New Music & RuPaul's 'Drag Race'

Lovebox | July 12–13 | London

Chance the Rapper, Solange, Cypress Hill and 2 Chainz are among the headliners that make the U.K.'s Lovebox an international music festival with one of the most exciting lineups. Taking place in London's Gunnersbury Park, the two-day fest will also have Lizzo, Brockhampton, Action Bronson, and Kaytranada hit the stage.

The fest will also feature plenty of U.K.-based artists, including J Hus and Slowthai. For more information, visit the festival's website.

Newport Folk Festival | July 26–28 | Newport, R.I.

Newport Folk Festival returns for its 60th year to Newport, R.I., for a three-day fest. Taking place at Fort Adams State Park, Newport offers rolling lineup announcements, meaning some artists are still yet to be announced.

The genre-diverse bill is absolutely stacked: Audiences can expect sets from Maggie Rogers, Noname, Sheryl Crow, Hozier, Kacey Musgraves, Portugal. The Man, Stephen Marley and The HighWomen. The latter is a new country supergroup consisting of Amanda Shires, Brandi Carlile, Maren Morris and Natalie Hemby, who have yet perform together publically.

Even without the complete lineup, tickets to Newport have sold out. That said, tickets can be still requested via Newport's fan-to-fan exchange; more info here.

GRAMMYs at Newport 2018: Exclusive: Brandi Carlile On 'By The Way, I Forgive You' & "The Joke"

AUGUST
 

Lollapalooza | Aug. 1–4 | Chicago

Lollapalooza, the iconic Chicago fest held annually in the Windy City's Grant Park, always gets a long lineup of some of the biggest names in music, along with plenty of artists steadily rising to household-name status. For example, prior to dropping their major-label debut LPs this year, both Billie Eilish and Lizzo performed at the 2018 fest.

This year's flagship (organizers have launched Lollas globally now, too) event offers a diverse lineup, including GRAMMY winners Childish Gambino, Ariana Grande, Kacey Musgraves, Flume, Lil Wayne and H.E.R.. Janelle Monáe, The Strokes, J Balvin, Rosalía, Tame Impala and RÜFÜS DU SOL will also bring heat to the four-day fest.

For ticket information, visit Lollapalooza's website. 

Lolla 2018: Exclusive: Billie Eilish On Success, Her Radio Show & New Music

Outside Lands | Aug. 9–11 | San Francisco, Calif.

San Francisco's biggest music festival returns for its 11th year in the city's gorgeous Golden Gate Park. Outside Lands' 2019 lineup features 2019 GRAMMY winners Childish Gambino, Kacey Musgraves, Leon Bridges, Lauren Daigle, Ella Mai, PJ Morton and Anderson .Paak.

This year's stellar lineup also includes earlier GRAMMY winners Twenty One Pilots, Edie Brickell, Flume, Lil Wayne, Paul Simon and Mavis Staples. GRAMMY nominees Bebe Rexha, Tierra Whack, Blink-182, Counting Crows, Hozier, the Lumineers and Bob Moses will also perform among the trees of Golden Gate Park.

Three-day tickets are currently available for the fest, while Outside Lands typically offers one-day options closer to the event.

Made In America | Aug. 31–Sept. 1 | Philadelphia

Made In America Festival, started by GRAMMY-winning rap legend JAY-Z in 2012, boasts GRAMMY nominee Travis Scott and GRAMMY winner Cardi B as this year's headliners. The two-day event will also include performances from GRAMMY winners Anderson .Paak, with The Free Nationals, James Blake and Kaskade.

61st GRAMMY Awards first-time nominees Jorja Smith and Tierra Whack are also on the bill, along with rising rappers Juice WRLD and Blueface, among others. The eighth annual festival will take place outdoors at Philly's Benjamin Franklin Parkway, and is a great way to close out a busy festival season.

Tickets and more info are available on the fest's site.

No matter your musical and venue taste, there are plenty of festivals to keep you dancing all summer long. Stay tuned to grammy.com for updates on new lineup releases, along with exclusive behind-the-scenes artist interviews from the biggest events as we approach festival season.

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Splash House 2018

Splash House 2018

Photo: ĀRYĀ COLLECTIVE 

News

Splash House: Justice, Armand Van Helden, Jai Wolf & TroyBoi Headlining June Poolside Fest

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The French electronic duo are fresh off of their second GRAMMY win, for Best Dance/Electronic Album for 'Woman Worldwide,' at the 61st GRAMMY Awards
Ana Yglesias
GRAMMYs
May 1, 2019 - 3:30 pm

Splash House has announced the stacked lineup for their June music fest; GRAMMY-winning French electro heavyweights Justice, GRAMMY-nominated U.S. house music stalwart Armand van Helden, New York-based house producer Jai Wolf and U.K. bass/trap champ TroyBoi will headline.

The event will take place during the day at three scenic hotel pools in Palm Springs, Calif. from Jun 7–9.

Justice, who is fresh off of their second GRAMMY win, taking home Best Dance/Electronic Album for Woman Worldwide at the 61st GRAMMY Awards, will be playing a DJ set during the three-day event. The rest of the lineup offers an equally impressive and diverse group of electronic artists, including GRAMMY nominees Jax Jones and Dirty South, along with Pete Tong, A-Track, CRAY and more.

The daytime sets will all take place poolside at three beautiful desert aesthetic hotels: The Renaissance, The Riviera and The Saguaro. Shiba San, Dusky, Kidnap and a few others will keep the vibes going into the nighttime, with official after-hours shows at the kitschy Palm Springs Air Museum.

Related: Rejecting The Dance Label, Justice Follow Their Electronic Muse

Splash House has been bringing the beats to Palm Springs for several years now. As they have the last few summers, they will be returning to help close out the summer with a second weekend, whose lineup is forthcoming, from Aug. 9–11.

Tickets for the June edition of Splash House go on sale this Friday, May 3; more info on all ticket options and the full lineup can be found on their website.

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