
2020 New Member Class Roundtable_070920
2020 New Member Class Roundtable

2020 New Member Class Roundtable

Myke Towers

Armand Hutton



Bright Eyes
Released in June 1995, Post remains a kinetic and exhilarating reflection of the experimental pop artist's London years.
In the latest episode of GRAMMY Rewind, GRAMMY.com takes a journey back to the 1974 GRAMMY Awards when a then-23-year-old Stevie Wonder took home his first four GRAMMY wins for music for his classic albums Talking Book (1972) and Innervisions (1973).
As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors.
Celebrating its 20th anniversary this month, debut album Parachutes remains Coldplay's most primitive work—but it remains by far and away their most influential.
"I've been waiting all day for / One night vacation," the Haitian-American singer/comedian/hosts sings, invoking a fun night out with friends we've certainly been missing lately.
Like Marvin Gaye and so many '70s heroes before him, D'Angelo imbued easy listening with urgency on his studio debut.
Academy President/CEO Harvey Mason jr. says, "We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community."
Towers addresses police brutality and racism, channeling Malcolm X with more of a traditional hip-hop sound that takes him back to his roots.
The Mötley Crüe drummer talks to GRAMMY.com about genre-hopping on his forthcoming solo work 'Andro', life in lockdown and being "57 going on 15."
Quarantining from her home in Los Angeles, Orji spoke to GRAMMY.com about the overwhelmingly positive response around "Momma, I Made It!," separating Yvonne the comedian from her very different "Insecure" character and why now—in the time of coronavirus and the Black Lives Matter movement—it's more important than ever to show and experience Black joy.