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Your Weekly GRAMMY Social Roundup
Adele, Celine Dion and The Weeknd ARE FEATURED IN THE 10 TWEETS AND INSTAGRAM POSTS WE DIDN'T WANT YOU TO MISS
WOW! Thanks DC for an incredible start to my US tour last night. NYC tomorrow! https://t.co/VdpoW16WOE pic.twitter.com/IKcJe17pVa
— Corinne Bailey Rae (@CorinneBRae) May 23, 2016
#RedCarpet with @MagicJohnson. @MusiCares #SmokeyRobinson Tribute #MAPFund pic.twitter.com/04QhxpoajA
— KEM (@MusicByKEM) May 21, 2016
Thank you for a wonderful night at the Power Of Love gala. First cake & celebration as I approach my 90th bday. pic.twitter.com/AWkmJMCWzh
— Tony Bennett (@itstonybennett) May 22, 2016
After tonight... All I really want is a cheeseburger #BBMAs pic.twitter.com/47acSM1977
— Britney Spears (@britneyspears) May 23, 2016
This afternoon: talking to @Nas about Illmatic, Ether,
— Lin-Manuel Miranda (@Lin_Manuel) May 19, 2016
& writing your way out
for the #Hamildoc.
Life is Good. -Nas pic.twitter.com/wyH5h2meL8
Photo: Axelle/Bauer-Griffin / FilmMagic / Getty Images
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10 Love Songs That Have Nothing to Do With Love: From "Every Breath You Take" To "Baby It's Cold Outside"
Don't let the song titles fool you. From misogynist attitudes to tales of coercion and even a secret pregnancy, many popular love songs aren't about love at all.
Many studies on love have proven that it seems to be a trait present throughout species. Although it's undeniable that the capacity for love is universal, evidence suggests love manifests differently across individuals. That is why, for many people, love is undefinable, with the word meaning something for one and something else for another.
This point has never been proven more true than in love songs. Numerous musicians and bands have sung about love, but their definition or meaning of the word and yours might be wholly different. You would be surprised to learn how many love songs have absolutely nothing to do with emotional or physical love.
When you delve beneath the surface, "love" songs are sometimes twisted, uncomfortable, sadistic, and unsavory. So, let's look at 10 love songs with nothing to do with love and everything to do with what they shouldn’t.
"Every Breath You Take" - the Police
When the Police released "Every Breath You Take" in 1983, it immediately became a huge hit, reaching No.1 on U.S., UK, Canadian, Irish, and South African charts. On the surface, this song seems romantic, which is why it made its way into numerous movie scenes and weddings, but the lyrics are uncomfortable and prove the song is not actually about love.
Frontman Sting sings, "I'll be watching you," and, "Oh, can't you see, you belong to me?" about the song's object of affection. Rather than lyrics about a lover, it's believed that the song is about a stalker. At the time Sting was suffering a mental breakdown, making the verses infinitely more evil.
In fact, Sting himself said: "I think it's a nasty little song, really rather evil. It's about jealousy and surveillance and ownership."
"Rollercoaster of Love" - Ohio Players
On the surface, the lyrics "It's a rollercoaster ride/we're on top for the moment/ and then we'll take that dive" seem to describe a relationship's exhilarating ups and downs. However, there has been much debate over the years about the true meaning behind the Ohio Players' staple.
The most popular theory is that the song is about life's ups and downs, not love, but we'll never know. According to late frontman Leroy Bronner who wrote the tune, "To this day, I don't know what I wrote." He continued, "The words didn't make sense to me. But it was a hit."
The song also has a much darker recording humor, which further alienates it from the genre of love songs. According to the rumor to which the band responded "No comment," the scream on the track was the sound of a woman being murdered in the recording studio.
The woman's death is an urban legend, but the band decided to leave it in as a joke and as a way to create buzz for the song, with the actual scream belonging to keyboard player Billy Beck.
"Can't Feel My Face" - the Weeknd
The Weeknd is well known for penning lyrics that have multiple meanings, so it's not surprising that his hit track "Can't Feel My Face" isn't really about love.
With the lyrics: "I can't feel my face when I'm with you/But I love it" and "And I know she'll be the death of me, at least we'll both be numb/And she'll always get the best of me; the worst is yet to come." It sounds like a dark love song about a man who is so in love that he loses all control, which is plausible, but it's more likely the song is about cocaine.
According to Billboard, the song is about drug dependency, and the Weeknd is crooning about cocaine and likening it to a bad relationship. The Weeknd had hinted at the song being about drugs when he commented: "I just won a new award for a kids' show, Talking 'bout a face numbing off a bag of blow." Unfortunately, it's not very romantic.
"Umbrella" - Rihanna
Most believe that one of Rihanna's most famous songs is about a woman comforting her partner and explaining that she will be there for him through the good and bad times. "Baby 'cause in the dark you can't see shiny cars/And that's when you need me there. With you, I'll always share," she sings.
However, a few people believe "Umbrella" is about the corruption of a person's soul – Rhianna's in this case. Some believe that the 2007 hit is about Rhianna welcoming the devil into her heart, body, and soul. While this is more of a conspiracy theory than anything else, a pastor recently posted on TikTok that he came back from hell, and "Umbrella" was one of the songs being used to torture individuals.
"All I Wanna Do is Make Love To You" - Heart
If you listen carefully to the lyrics in "All I Wanna Do Is Make Love To You," it's clear that the 1990 song actually about deceit.
Nancy and Ann Wilson are singing about being in love with another man who cannot provide her with children because he is impotent — so she finds a willing one-night stand. She sings, "I didn't ask him his name, this lonely boy in the rain." When morning comes, the protagonist says "All I left him was a note/ I told him I am the flower; you are the seed. We walked in the garden; we planted a tree."
After some time has passed, she's unnerved to come across his path, presumably pregnant: "You can imagine his surprise when he saw his own eyes/I said please, please understand/I'm in love with another man/And what he couldn't give me was the one little thing that you can."
"Bad Romance" - Lady Gaga
"Bad Romance" was developed as an experimental pop record featuring elements of German techno and house. With more than 184 million YouTube streams, the 2008 track quickly became one of Lady Gaga's best songs.
On the surface, "Bad Romance" centers on the pull of a love that's bad for you: "I want your ugly, I want your disease/I want your everything as long as it's free/I want your love." However, it's not so straightforward.
Gaga said she drew inspiration from the paranoia she experienced while on tour. She also stated the song is about her attraction to unhealthy romantic romances that are not always about love.
"Young Girl" - Gary Puckett and the Union Gap
Not all love is appropriate, as the song "Young Girl" by Gary Puckett and the Union Gap proves. This 1968 single is wholly inappropriate and creepy (and illegal), but it still managed to become one of the band's best-known songs. In fact, despite the lyrics being more about unsavory infatuation than love, it still reached No. 2 on the Billboard Hot 100 (just behind "(Sittin' On) The Dock of the Bay").
Initially, this song doesn't appear inappropriate with lyrics "Young girl, get out of my mind" possibly referencing the romance of a slight age gap. But the group doubles down: "My love for you is way out of line/ Better run, girl/You're much too young, girl."
If these words aren't enough to prove the song is about being infatuated with an underage girl, you might be convinced by lead singer Gary Puckett singing, "Beneath your perfume and make-up you're just a baby in disguise" and "Get out of here before I have the time to change my mind."
"Under My Thumb" - by the Rolling Stones
The Rolling Stones have had their share of controversy over the years, and it's not hard to see why when you consider the meaning behind many of their big hits. "Under My Thumb" might have been marketed as a love song, but it's about a relationship rooted in hate and control.
With lyrics such as "Under my thumb/It's a squirmin' dog who's just had her day/Under my thumb/
A girl who has just changed her ways," it's apparent that Mick Jagger is singing less about heartbreak and more about power. The misogyny is so clear in this song that it made it into the book Under My Thumb: Songs That Hate Women and the Women That Love Them.
"Baby It's Cold Outside" - Dean Martin
One of the most popular holiday season love songs, "Baby, It's Cold Outside" was written by Frank Loessser and performed by Dean Martin and Ella Fitzgerald. It's difficult to say if these musicians knew the song's sinister and controversial underbelly.
"Baby It's Cold Outside" is about a man who pressures a woman to stay at his home by any means necessary. The woman in the song tries to give reasons why she cannot stay with lyrics like "My mother will start to worry" and "My father will be pacing the floor." Yet, her concerns are shot down at every turn, with the man using the bad weather outside to keep her captive. Fortunately, the song has been remade with consensual lyrics, thanks to Kelly Clarkson and John Legend.
"You're Gorgeous" - Babybird
This song may have a happy rhythm, but if you pay attention to the lyrics, there is much more to this song than meets the eye. Although the song appears to be about a man who would do anything for his lady love, it is about exploitation.
This song — the British group's biggest hit, from 1996 — is about a sleazy photographer who takes advantage of a young and naive model and photographs her for men's magazines. The lyrics "You got me to hitch my knees up/And pulled my legs apart" details the true nature of this song.
"People should never be told how to interpret a song," Babybird told the blog Essentially Pop. "So, if they thought it was romantic, then fine." He continued, "Sadly, very few people got the true meaning, which is about male predatory behavior, but in popular music, most critics are a little blind to correct interpretation."
Photo: Michael Owens/Getty Images
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Usher's Super Bowl Halftime Show Was More Than A Performance, It Was A Celebration Of Black Excellence
From celebrating Atlanta's HBCU culture to shining light on Southern rappers like Ludacris and Lil Jon, Usher brought the brilliance of the Black South to Las Vegas.
In the days leading up to Usher’s Super Bowl performance, the singer waxed poetically about the significance of this moment not only in popular culture but for Black music.
Speaking with Kelly Carter on "Good Morning America," Usher reflected on the history of Black entertainers who performed for the masses under restrictive laws. Although a majority of those laws have been overturned, it would be remiss to not think about the recent series of court cases that have targeted Black musicians, such as Atlanta-based rapper Young Thug, whose music is currently being used against him in court.
For singers like Usher who have been privy to the ways in which Black music — and those who create it — have been mistreated, his halftime performance was as much as a statement as it was a tribute to those who came before him. "I'm coming through the front door with this one," Usher told Carter.
It is only fitting that the performance opened with lines from "My Way" — the title of his Las Vegas residency, which has featured a who’s who of prominent figures in pop culture — before launching into "Caught Up." Usher then descended from his anointed throne in a crisp, all white Dolce & Gabbana ensemble, he began a Michael Jackson-inspired dance routine with an array of backup dancers; the standout being renowned celebrity choreographer Sean Bankhead.
Usher made it clear early on, however, that his performance was no mere spectacle. He paused to deliver a testimony, one that bears repeating despite his new album and $100 million-earning Vegas residency: "They said I wouldn't make it, they said I wouldn't be here today, but I am."
Once the air cleared and Usher thanked his momma for her steadfast advocacy and faith in him, he led Allegiant Stadium in a sing along of "Superstar." The track from 2004’s Confessions recently inspired a viral challenge on TikTok.
A consummate performer and supporter of his peers, Usher wasn't content to simply highlight his own success. The singer transformed Allegiant Stadium to "The Yard" — the singular place at Historically Black Colleges and Universities, where students gather to talk, discuss, and have fun — and filled it with music.
Usher’s Yard included a performance of "Love In This Club" with the assistance of two members of Kappa Alpha Psi Fraternity Inc., the second oldest Black fraternity in the U.S. The trio was supported by the Jackson State University marching band, known as the "Sonic Boom of The South," to finish the song.
Even his brief moment of affection with singer Alicia Keys, who joined the singer for "My Boo," can be described as a "homecoming hug." Homecoming is another HBCU tradition, where alumni convene at their respective campuses and greet their former flame with a hug.
When Jermaine Dupri entered the stage to announce the 20th anniversary of Confessions, the transportation was complete. The audience was no longer in Vegas, but in Atlanta, the Black Mecca of the world. And Usher is Atlanta’s nucleus.
It is here that the spirits of Michael Jackson, Marvin Gaye, and Prince accompanied Usher as he bewitched millions with a singular microphone and momentum stage presence. A haze of purple clouds and smoke led the way for singer H.E.R., the night’s self appointed "Bad Girl" and her crew of roller skating baddies.
While Usher may have began the halftime show with the enthusiasm of a young boy who just got his chance to perform a solo in the church choir, by its end he was fully inhabiting his chart-topping sex icon persona.Will.i.am’s voice rippled through the stadium as Usher, donning a blue and black Off-White outfit reminiscent of football shoulder pads, glided onto the stage with an aura that is equal parts charismatic and sinful sweet.
Skating, a main tenant of Atlanta’s culture, is embedded in Usher’s ethos and a part of his larger business. The singer loves skating and owns several skating rinks.
Usher finished the extravagant performance with "Yeah!" — a song beloved in Atlanta and far, far beyond. That the song is turning 20 this year and still resonates with a global audience (not to mention a football-loving one) is further evidence that Usher truly is the "King of R&B."
"Your moment is your moment. And this is a moment I’ve prepared for during the last 30 years," Usher told Billboard ahead of the Super Bowl.
He certainly owned his moment. Usher's Super Bowl halftime show was no singular performance or an audition, but a coronation. He was receiving the torch carried by all the Black entertainers who preceded him, and reminding the world that the South still has something to say.
Surrounded by Ludacris and Lil Jon, strippers, and his own marching band, Usher closed the night out with the A-Town Stomp and one important phase: "I took the world to the A!"
Usher's Biggest Hits, From Baby-Making Slow Jams To Dance Floor Classics
Photo: Ezra Shaw/Getty Images
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Usher Electrifies Las Vegas with Triumphant Super Bowl LVIII Halftime Show: 6 Best Moments
R&B superstar Usher ran through his career of hits, from “U Got It Bad,” “Burn” and “Yeah!” to “My Boo,” “Love in This Club,” “O.M.G.,” and more during his halftime performance at Super Bowl LVIII.
He’s (still) got it bad! Usher lit up Super Bowl LVIII with an electrifying halftime show filled with a career-spanning setlist, drool-worthy dance moves and a parade of surprise guests including Alicia Keys, Ludacris, Lil Jon, H.E.R., will.i.am and more.
Days before taking the stage at Allegiant Stadium, the eight-time GRAMMY-winning R&B superstar opened up to Apple Music about the creative approach he took to planning his halftime show. “What I did is, I was very mindful of my past, celebrating my present, which is here in Las Vegas, and thinking about where we’re headed in the future, and that was really the idea,” he said. “What songs do I feel people know me for? What songs have been a celebration of all of the journey of what life and love and emotion has been offered in my music?
Usher’s halftime show comes on the heels of a monumental year and a half for the star, following his sold-out 100-show Las Vegas residency, My Way, at the Park MGM’s Dolby Live Theater. The R&B heartthrob also released Coming Home — his ninth studio album (and first in nearly a decade) on Friday — just two days before his epic performance.
Below, GRAMMY.com broke down all the best moments from Usher’s momentous halftime show.
That Grand, Las Vegas-Style Entrance
From the drop, Usher let us know his Super Bowl set would be a celebration of all things Sin City as the camera wove through acrobats, showgirls, contortionists and dancers to reveal the R&B icon in all his glory — dressed in a dazzling white cape and seated on a mirrored thrown.
From there, he launched into a high-energy rendition of “Caught Up,” one of the five consecutive top 10 singles from his landmark 2004 album Confessions. Not even an acrobat being launched through the air could distract from Usher’s swagger as he sauntered across the field.
A Sweet Shout-Out to His Mom
Transitioning between 2003’s “U Don’t Have to Call'' and a snippet of Confessions deep cut “Superstar,” Usher took a moment to recognize the magnitude of the occasion with a shout-out to his mother, Jonetta Patton. “But if you do call, know that God answers prayers. They said I wouldn’t make it. They said I wouldn’t be here today, but I am. Hey, mama, we made it. Now this — this is for you. My number one,” he said before crooning, “Spotlight, big stage / Sixty-thousand fans screamin’ in a rage.”
A Nostalgic Duet with His “Boo”
Usher’s halftime performance really hit its stride once he broke into his 2008 No. 1 hit “Love in This Club” with a full marching band. But the end of the song delivered the first big surprise of the night as the singer gestured across the field to introduce none other than Alicia Keys.
Seated at a futuristic red piano with a majestic cape of the same shade billowing behind her, the 16-time GRAMMY-winning singer-songwriter performed a snippet of her own 2004 single “If I Ain’t Got You” before being joined by Usher on their No. 1 hit “My Boo.”
The pair’s decades of friendship were palpable as they belted out, “I don’t know about y’all but I know about us, and uh / It’s the only way we know how to rock / It started when we were younger, you were mine / My boo” and the number ended with both stars grinning ear to ear as Usher wrapped his arms around Keys.
“Burn”-ing Up to Confessions
With producer Jermaine Dupri playing hype man, Usher celebrated the 20th anniversary of Confessions by running through a medley of songs from the 14x-platinum album, including “Confessions Part II” and a soaring take on “Burn,” which was undeniably one of the standout vocal moments of Usher’s entire set.
The star also put his sex appeal on full display, tearing away his glittery silver top to reveal a simple white tank as he performed “U Got It Bad” — only to remove that as well, finishing the song shirtless and glistening with sweat before ceding the spotlight to H.E.R. on an electric guitar.
“O.M.G.,” That Roller Skate Choreography!
Joined by will.i.am, Usher returned to stage dressed in a sparkling black-and-blue ensemble and roller skates — incorporating a popular moment from his recent residency as he ran through his 2010 chart-topper “O.M.G.” by nailing the choreography on wheels. For added measure, he finished off the section by skating deftly through will.i.am’s legs and striking a pose.
Peace Up, A-Town Down
Of course, the grand finale of Usher’s halftime set couldn’t be anything but “Yeah!,” his smash worldwide hit that became the longest-running No. 1 of 2004 and an inescapable soundtrack to the early 2000s. Enlisting help from collaborators Lil Jon and Ludacris, Usher turned Allegiant Stadium into an all-out dance party and brought his halftime show to a triumphant climax with the song’s infectious, shout-it-out chorus.
Reba McEntire Performs Patriotic Rendition of the National Anthem at Super Bowl LVIII
Photo: Dave Hogan / Getty Images Archive
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In Memoriam (2023): The Recording Academy Remembers The Music People We Lost
Take a moment to salute the members of the music community we lost in 2022-2024.
Below is a tribute to the luminaries and esteemed professionals from the music community we lost between Dec. 5, 2022, through Jan. 26, 2024.
During the 2024 GRAMMYs broadcast, the Recording Academy's In Memoriam segment featured performances by several masterful musicians. Annie Lennox was joined by Wendy Melvoin and Lisa Coleman to honor Sinéad O’Connor. Stevie Wonder took the stage to pay homage to the legendary Tony Bennett, Jon Batiste honored the "Godfather of Black Music" Clarence Avant and Fantasia Barrino paid tribute to the Queen of Rock 'n' Roll, Tina Turner. The performances were set against a video homage of several of the distinguished figures on this list. Every individual who passed away before the publication date has also been respectfully commemorated in the official 2024 GRAMMYs program book.
The Recording Academy offers its profound respect and appreciation for the unique gifts and enduring contributions these individuals have bestowed upon our culture and collective spirit.
Abe Stoklasa
Adam Johnstone
Aérea Negrot
Akbar Golpayegani
Alan Arkin
Alan Niederland
Alan Rankine
Alan Warner
Alan Moore Stowell
Alba 'Albita' Eagan
Algy Ward
Alice Parker
Allen Becker
Alton Wade Kelley
Amos Ettinger
Amp Fiddler
Amparo Rubín
Ana Clara Benevides Machado
Andrew Penhallow
Andrew Speight
Andy Rourke
Angela Zilia
Angelo Bruschini
Anita Kerr
Anne Hart
Annie Nightingale
Anthony Topham
Anthony John Heyes
Anup Ghoshal
Arie Levanon
Arif Cooper
Arthur Ward Eller
Audie Blaylock
August 08
Axali Doëseb
B. Sasikumar
Barbara Bryne
Barrett Strong
Baxter Black
Beeyar Prasad
Ben Lipitz
Benito Castro
Benjamin Zephaniah
Berit Lindholm
Bernie Marsden
Betta St. John
Betty Price
Beytocan
Bhavani Shankar
Bhavatharini Raja
Big Pokey
Big Scarr
John Nelson "Big John" Trimble Jr.
William "Bill" Castle
Bill Humble
Bill Lee
Bill Mayne
Bill Saluga
Bill Zehme
Bill Hayes
Billy Smith
Billy White Jr.
Billy "The Kid" Emerson
Bilqees Khanum
Bishop Carlton Pearson
Blair Tindall
Blas Durán
Blayne Tucker
Bob Burwell
Bob Feldman
Bob Jones
Bob Mummert
Bob Nalbandian
Bob Rice
Bob Siggins
Bob "Norton" Thompson
Bobbi Staff
Bobby Caldwell
Bobby Casey
Bobby Eli
Bobby Schiffman
Bonny Beverley
Brad Houser
Brad Thomson
Bram Inscore
Brandon Marcel Williams
Brett Radin
Brian McBride
Brian "Brizz" Gillis
Bridgette Wimberly
Broderick Smith
Bruce Guthro
Brucene Harrison
Bruno Ducol
Buddy McNeill
Burt Bacharach
C-Knight
C.J. Harris
Calton Coffie
Calton Coffie
Calvin Newton
Canelita Medina
Canisso Canisso
Care Failure
Carl Pagter
Carl Tovey
Carla Bley
Carlee Ann Vaughn
Carlin Glynn
Carline Smith Wilhite
Carlos Fonseca
Carlos Lyra
Carmen Jara
Carmen Xtravaganza
Carole Cook
Catherine Christer Hennix
Cayle Sain
Cecilia Pantoja Levi
Chabelita Fuentes
Chad Allan
Chaim Topol
Charline Whillhite
Charles Gayle
Charlie Dominici
Charlie Gracie
Charlie Monk
Charlie Robison
Chas Newby
Chick Rains
Chico Novarro
Choi Sung-Bong
Chris Ford
Chris Ledesma
Chris Lee
Chris Peluso
Christy Dignam
Chuck Flood
Chuck Jackson
Chuck Morris
Charley Morris
Clarence Avant
Clarence Barlow
Claude Kahn
Clay Hart
Cliff Fish
Clifton Oliver
Clint Yeager
Cobi Narita
Coco Lee
Colette Maze
Colin Burgess
Conny Van Dyke
Costa Titch
Craig Burbidge
Craig Hayes
Curtis Fowlkes
Cynthia Haring
Dan Lardner
Daniel Bourgue
Daniel Jones
Daniel Lee Stephen Jones
Danny Kaleikini
Danny Schur
Danny Milhon
Dave Cohen
Dave Dickerson
Dave Roe
Dave Freeman
David Drozen
David LaFlamme
David McCallum
David Soul
David Lumsdaine
David Beckwith
David Jude Jolicoeur
Dedi Graucher
Del Palmer
Denis Badault
Denyse Plummer
Dev Kohli
Dick Biondi
Dickie Harrell
Dima Nova
Dino Danelli
DJ Casper
DJ Deeon
DJ Dino Calvao
Djalma Corrêa
Don Graham
Don Kissil
Don Mulkey
Don Williams
Donnie McKethan
Dorian Kweller
Dr Latozi Madosini Mpahleni
Duane Tabinski
Dusty Street
Dwight Twilley
Ed Stone
Ed "Beanpole" Efaw
Edino Krieger
Edward Sexton
Edward Walters
Edward "Kidd" Jordan
Elayne Jones
Eliud Treviño
Ellen Fitzhugh
Elliot Goldman
Eloise Wyatt Russo
Emahoy Tsegué-Maryam Guèbrou
Enrique "Zurdo" Roizner
Eric Boehlert
Eric Shoutin' Sheridan
Eric Moyo
Eric Alan Livingston
Essra Mohawk
Fallece Marilú
Faye Fantarrow
Fito Olivares
Florence Malgoire
Fran La Maina
Francesa Cappucci
Francis Monkman
François Glorieux
Frank Harlow
Frank Kozik
Frank Solivan Sr.
Frank Woodard
Frank Ford
Frank Farian
Freddie Ross Hancock
Fuzzy Haskins
Gabriele Schnaut
Gangsta Boo
Garry Mapanzure
Garry Lee Rentfro
Gary Hobish
Gary Rossington
Gary Smith
Gary Wright
Gary Young
Gennady Gladkov
George Logan
George Maharis
George Moffett
George Newall
George Portz
George Tickner
George Yanok
Georgia Holt
Gérard Drouot
Germano Mathias
Glen "Spot" Lockett
Gloria Belle
Gloria Coates
Goa Gil
Gordy Harmon
Gordy Nichol
Grace Bumbry
Grady Hockett
Graeme Malcolm
Graham Clark
Grand Daddy I.U.
Gregory Brian Wright
Hans Poulsen
Harley Worthington
Harold Childs
Harold Killian
Harold Black
Harry Sheppard
Haydn Gwynne
Heather Dunbar
Heike Matthiesen
Heklina Heklina
Helen Thorington
Henri Duaman
Henry Grossman
Herb Deutsch
Hiroshi "Heath" Morie
Hoppy Hopkins
Horacio Malvicino
Howie Kane
Huey "Piano" Smith
Ian Bairnson
Ian Emes
Ian Tyson
Iasos
Ilanga
Inga Swenson
Ingrid Haebler
Ira Selsky
Irish Grinstead
Irma Capece Minutolo
Irv Lichtman
Isaac "Redd" Holt
Ismaïlia Touré
Ivan "Mamão" Conti
Ivan M. Tribe
J.J. Barnes
Jack Lee
Jack Pruett Jr.
Jack Sonni
Jacqueline Dark
Jaquelyne Ledent-Vilain
Jah Shaka
Jaimie Branch
Jake Marlowe
James Bowman
James Casey
James Harvey IV
James Jorden
James Lewis
James Kottak
James C. "Jimmy" LaRocca
Jamie Reid
Jamie Tiller
Jan Woods
Jane Birkin
Jannis Noya Makrigiannis
Jasmin Stavros
Javier Álvarez Fuentes
Jay Goldberg
Jay Weston
Jay Clayton
Jeff Cook
Jeff Davis
Jeff Heiman
Jeffrey Foskett
Jeremiah Green
Jerry Bradley
Jerry Dodgion
Jerry Fretwell
Jerry Kearns
Jerry Samuels
Jerry Springer
Jerry Whitehurst
Jerry Paul Arnold
Jesus Garber
Jet Black
Jim Boyer
Jim Parker
Jim Sharpley
Jim Vienneau
Jim Ladd
Jim Rae
Jo Mersa Marley
Joanna Merlin
Joaquin Romaguera
Joaquin "Jocko" Fajardo
Joe Fagin
Joe McGuire
Joey Bogan
John Albert
John Beckingham
John Cirillo
John Deyle
John Giblin
John Gosling
John Kezdy
John Lomax IV
John Marshall
John Miller
John Morris
John Regan
John Waddington
John Cutler
John Alexander
John Andrew Tartaglia
John Watson Algee
Johnny Allon
Johnny Fean
Johnny Ruffo
Jon Fausty
Jon Kennedy
Jordan Blake
José Evangelista
Joseph Koo
Joshua Culbreath
Joshua Madsen
Joss Ackland
Jovit Baldivino
Joy McKean
Joyce Bryant
Judy Massey
Julián Figueroa
Julian Sebothane Bahula
Justin Bartlett
Justin Fontaine
K. Neville Garrick
K.J. Joy
Kaija Saariaho
Karaikudi Mani
Karl Berger
Karl Tremblay
Karl F. Dieterichs
Katherine Anderson Schaffner
Kathy Chow
Keiko Okuya Jones
Keith Gattis
Keith Reid
Keith Holzman
Kelly Joe Phelps
Ken Brigham
Ken Fish
Ken Roberts
Ken Calvert
Kendall A. Minter
Kenneth Anger
Kenneth Force
Kenneth Montgomery
Kent Stax
Kevin Fleming
Kevin Lemons
Kevin "Geordie" Walker
Kihnu Virve
Kim Simmonds
Kirk Arrington
Kirstie Alley
Klee Benally
Kwame Brathwaite
Kyle Jacobs
Ladislav Jásek
Lance Reddick
Larry Chance
Larry Morris
Lasse Wellander
Laura Lynch
Lawrence "Larry" Cohn
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