meta-scriptTibet House US Benefit Concert 2020: Patti Smith, Iggy Pop, Phoebe Bridgers & More Confirmed | GRAMMY.com
Patti Smith - Tibet House US Benefit Concert 2020

Patti Smith and Iggy Pop perform at the Tibet House US Benefit Concert in 2017

Photo: Jason Kempin/GETTY IMAGES

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Tibet House US Benefit Concert 2020: Patti Smith, Iggy Pop, Phoebe Bridgers & More Confirmed

Composer Philip Glass is confirmed as the artistic director for the one-night benefit show, taking place February 2020 in New York City

GRAMMYs/Dec 6, 2019 - 12:26 am

Tibet House US, the nonprofit educational institution and cultural embassy founded by the Dalai Lama, has announced the lineup for its annual, long-running benefit concert, which returns to Carnegie Hall in New York City Feb. 26, 2020, for its 33rd annual event. The lineup for next year's show includes punk pioneers and GRAMMY nominees Iggy Pop and Patti Smith, soul singer and five-time GRAMMY nominee Bettye LaVette, 2018 Best New Artist nominee Margo Price and many others. Legendary composer Philip Glass, a four-time GRAMMY nominee, curated the lineup and serves as the event's artistic director.

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Excited to announce that <a href="https://twitter.com/MissMargoPrice?ref_src=twsrc%5Etfw">@MissMargoPrice</a>, <a href="https://twitter.com/phoebe_bridgers?ref_src=twsrc%5Etfw">@phoebe_bridgers</a>, <a href="https://twitter.com/IggyPop?ref_src=twsrc%5Etfw">@IggyPop</a>, Patti Smith, Matt Berninger of <a href="https://twitter.com/TheNational?ref_src=twsrc%5Etfw">@TheNational</a>, <a href="https://twitter.com/OnlyAnExpert?ref_src=twsrc%5Etfw">@OnlyAnExpert</a>, <a href="https://twitter.com/BettyeLaVette?ref_src=twsrc%5Etfw">@BettyeLaVette</a>, <a href="https://twitter.com/tenzinchoegyal?ref_src=twsrc%5Etfw">@tenzinchoegyal</a> and more will join <a href="https://twitter.com/philipglass?ref_src=twsrc%5Etfw">@PhilipGlass</a> for <a href="https://twitter.com/tibethouseus?ref_src=twsrc%5Etfw">@tibethouseus</a> <a href="https://twitter.com/hashtag/TibetBenefit2020?src=hash&amp;ref_src=twsrc%5Etfw">#TibetBenefit2020</a> on 2/26. Get your tix now! <a href="https://t.co/myklOn3Kgk">https://t.co/myklOn3Kgk</a> <a href="https://t.co/CpjlDBMxOR">pic.twitter.com/CpjlDBMxOR</a></p>&mdash; Tibet House US (@tibethouseus) <a href="https://twitter.com/tibethouseus/status/1202265731766861824?ref_src=twsrc%5Etfw">December 4, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Also joining the show are Matt Berninger, frontman for indie/alternative rock band The National, singer-songwriter Phoebe Bridgers, avant-garde artist Laurie Anderson, musician/activist Jesse Paris Smith and Tenzin Choegyal, a Tibetan artist and cultural ambassador. More artists will be announced soon.

Read: Michael McDonald Crushes IRONMAN, MusiCares Fundraising Goal & 20 Years Of Sobriety

One of the longest-running charity events of its kind, the Tibet House US Benefit Concert is widely known for its unique musical collaborations and solo performances. Past artists and performers include David Bowie, Carly Simon, Alabama Shakes, Paul Simon, Sharon Jones, FKA twigs and many others.

<iframe width="620" height="349" src="https://www.youtube.com/embed/Td3NNDLq29U" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Proceeds from the concert benefit Tibet House US, which works to "ensure the survival of Tibetan civilization and culture," according to the organization's website.

Tickets for the 2020 Tibet House US Benefit Concert are on sale now via the Carnegie Hall website. Learn more about Tibet House US via the organization's website.

Aerosmith To Be Honored As 2020 MusiCares Person Of The Year

Andrew Watt
Andrew Watt

Photo: Adali Schell

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How Andrew Watt Became Rock's Big Producer: His Work With Paul McCartney, Ozzy Osbourne, Pearl Jam, & More

Andrew Watt cut his teeth with pop phenoms, but lately, the 2021 Producer Of The Year winner has been in demand among rockers — from the Rolling Stones and Blink-182 to Elton John.

GRAMMYs/Apr 17, 2024 - 01:45 pm

While in a studio, Andrew Watt bounces off the walls. Just ask Mick Jagger, who once had to gently tell the 33-year-old, "Look, I can deal with this, but when you meet Ronnie and Keith, you have to dial it down a little bit."

Or ask Pearl Jam's Stone Gossard. "He really got the best out of [drummer] Matt [Cameron] just by being excited — literally jumping up and down and pumping his fist and running around," he tells GRAMMY.com.

As Watt's hot streak has burned on, reams have rightly been written about his ability to take a legacy act, reconnect them with their essence, and put a battery in their back. His efficacy can be seen at Music's Biggest Night: Ozzy Osbourne's Patient Number 9 won Best Rock Album at the 2023 GRAMMYs. At the last ceremony, the Rolling Stones were nominated for Best Rock Song, for Hackney Diamonds' opener "Angry."

On Pearl Jam's return to form, Dark Matter, due out April 19. Who was behind the desk? Take a wild guess.

"You want to see them live more than you want to listen to their albums, and they have the ability to look at each other and play and follow each other. I don't like my rock music any other way, as a listener," Watt tells GRAMMY.com. "All my favorite records are made like that — of people speeding up, slowing down, playing longer than they should."

As such, Watt had a lightbulb moment: to not record any demos, and have them write together in the room. "They're all playing different stuff, and it makes up what Pearl Jam is, and singer Eddie [Vedder] rides it like a wave."

If you're more of a pop listener, there's tons of Watt for you — he's worked with Justin Bieber ("Hit the Ground" from Purpose), Lana Del Rey ("Doin' Time" from Norman F—ing Rockwell) and much more. Read on for a breakdown of big name rockers who have worked with Andrew Watt.

Pearl Jam / Eddie Vedder

Watt didn't just produce Dark Matter; he also helmed Vedder's well-received third solo album, Earthling, from 2022. Watt plays guitar in Vedder's live backing band, known as the Earthlings — which also includes Josh Klinghoffer, who replaced John Frusciante in the Red Hot Chili Peppers for a stint.

The Rolling Stones

Dark Matter was a comeback for Pearl Jam, but Hackney Diamonds was really a comeback for the Stones. While it had a hater or two, the overwhelming consensus was that it was the Stones' best album in decades — maybe even since 1978's Some Girls.

"I hope what makes it fresh and modern comes down to the way it's mixed, with focus on low end and making sure the drums are big," Watt, who wore a different Stones shirt every day in the studio, has said about Hackney Diamonds. "But the record is recorded like a Stones album."

Where there are modern rock flourishes on Hackney Diamonds, "There's no click tracks. There's no gridding. There's no computer editing," he continued. "This s— is performed live and it speeds up and slows down. It's made to the f—ing heartbeat connection of Mick Jagger, Keith Richards, Ronnie Wood and Steve Jordan.

"And Charlie," Watt added, tipping a hat to Watts, who played on Hackney Diamonds but died before it came out. "When Charlie's on it."

Iggy Pop

Ever since he first picked up a mic and removed his shirt, the snapping junkyard dog of the Stooges has stayed relevant — as far as indie, alternative and punk music has been concerned.

But aside from bright spots like 2016's Josh Homme-produced Post Pop Depression, his late-career output has felt occasionally indulgent and enervated. The 11 songs on 2023's eclectic Watt-produced Every Loser, on the other hand, slap you in the face in 11 different ways.

"We would jam and make tracks and send them to Iggy, and he would like 'em and write to them or wouldn't like them and we'd do something else," Watt told Billboard. "It was very low pressure. We just kept making music until we felt like we had an album." (And as with Pearl Jam and Vedder's Earthlings band, Watt has rocked out onstage with Pop.

Ozzy Osbourne

You dropped your crown, O Prince of Darkness. When he hooked up with Watt, the original Black Sabbath frontman hadn't released any solo music since 2010's Scream; in 2017, Sabbath finally said goodbye after 49 years and 10 (!) singers.

On 2020's Ordinary Man and 2022's Patient Number 9, Watt reenergized Ozzy; even when he sounds his age, Ozz sounds resolute, defiant, spitting in the face of the Reaper. (A bittersweet aside: the late Taylor Hawkins appears on Patient Number 9, which was written and recorded in just four days.)

Maroon 5

Yeah, yeah, they're more of a pop-rock band, but they have guitars, bass and drums. (And if you're the type of rock fan who's neutral or hostile to the 5, you shouldn't be; Songs About Jane slaps.)

At any rate, Watt co-produced "Can't Leave You Alone," featuring Juice WRLD, from 2021's Jordi. Critics disparaged the album, but showed Watt's facility straddling the pop and rock worlds.

5 Seconds of Summer

When it comes to Andrew Watt, the Sydney pop-rockers — slightly more on the rock end than Maroon 5 and their ilk — are repeat customers. He produced a number of tracks for 5 Seconds of Summer, which spanned 2018's Youngblood, 2020's Calm and 2022's 5SOS5.

Regarding the former: Watt has cited Youngblood as one of the defining recording experiences of his life.

"I had started working with 5 Seconds of Summer, and a lot of people looked at them as a boy band, but they're not," Watt told Guitar Player. "They're all incredible musicians. They can all play every instrument. They love rock music. They can harmonize like skyrockets in flight. They just were making the wrong kind of music."

So Watt showed 5 Seconds of Summer a number of mainstays of the rock era, like Tears for Fears and the Police. The rest, as they say, is history.

Elton John

A year after Britney Spears was unshackled from her highly controversial conservatorship, it was time for a victory lap with the God of Glitter. What resulted was a curious little bauble, which became a megahit: "Hold Me Closer," a spin on "Tiny Dancer," "The One" and "Don't Go Breaking My Heart" that briefly launched Spears back into the stratosphere.

"Britney came in and she knew what she wanted to do," Watt recalled to The L.A. Times. "We sped up the song a little bit and she sang the verses in her falsetto, which harkens back to 'Toxic.' She was having a blast."

Watt has also worked with pop/punk heroes Blink-182 — but not after Tom DeLonge made his grand return. He produced "I Really Wish I Hated You" from 2019's Nine, back when Matt Skiba was in the band.

Where in the rock world will this tender-aged superproducer strike next? Watt knows.

Songbook: The Rolling Stones' Seven-Decade Journey To Hackney Diamonds

The Recording Academy's 2024 Special Merit Awards honorees, including
(Top Row, L-R): Gladys Knight, the Clark Sisters, Tammy Wynette, Laurie Anderson, Gerald Eaton; (Middle Row, L-R): N.W.A, Tom Scott, Donna Summer, Joel Katz, Steve McEwan; (Bottom Row, L-R): Peter Asher, Tom Kobayashi, DJ Kool Herc, K'naan

Photo Credits: Derek Blanks; Mel Elder, Jr.; Michael Ochs Archives; Stephanie Diani; Kim Virdi; TiVo; photo courtesy of SMPTE; Copyright Brian Leatart; Gittings; Steve McEwan; Henry Diltz; Kobayashi Family; Johnny Nunez/WireImage; Nabil Elderkin

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The Recording Academy Announces 2024 Special Merit Award & Lifetime Achievement Award Honorees: N.W.A, Gladys Knight, Donna Summer, DJ Kool Herc & Many More

The 2024 Special Merit Awards honorees include Lifetime Achievement Award recipients Tammy Wynette, the Clark Sisters, and many others. The Special Merit Awards will return to the Wilshire Ebell Theater on Saturday, Feb.3, during GRAMMY Week 2024.

GRAMMYs/Jan 5, 2024 - 01:55 pm

Ahead of the 2024 GRAMMYs, the Recording Academy has announced the 2024 Special Merit Awards honorees.

Laurie Anderson, the Clark Sisters, Gladys Knight, N.W.A, Donna Summer, and Tammy Wynette are the 2024 Recording Academy Lifetime Achievement Award honorees; Peter Asher, DJ Kool Herc and Joel Katz are the Trustees Award recipients; Tom Kobayashi and Tom Scott are the Technical GRAMMY Award honorees; and “Refugee,” written by K’naan, Steve McEwan, and Gerald Eaton (a.k.a. Jarvis Church), is being honored with the Best Song For Social Change Award

The Recording Academy’s Special Merit Awards Ceremony celebrating the 2023 Special Merit Award recipients will return to the Wilshire Ebell Theatre in Los Angeles on Saturday, Feb. 3. 

“The Academy is honored to pay tribute to this year’s Special Merit Award recipients — a remarkable group of creators and industry professionals whose impact resonates with generations worldwide,” said Harvey Mason jr., CEO of the Recording Academy. “Their contributions to music span genres, backgrounds and crafts, reflecting the rich diversity that fuels our creative community. We look forward to honoring these music industry trailblazers next month as part of our week-long celebration leading up to Music’s Biggest Night.”

Lifetime Achievement Award Honorees

This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording (through 1972, recipients included non-performers).

Laurie Anderson is a writer, director, composer, visual artist, musician, and vocalist who has created groundbreaking works that span the worlds of art, theater, experimental music, and technology. As a performer and musician, she has collaborated with many people including Brian Eno, Jean-Michel Jarre, William S. Burroughs, Peter Gabriel, Robert Wilson, Christian McBride, and Philip Glass. In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance, The End of the Moon. She has been nominated for six GRAMMY Awards throughout her recording career and received a GRAMMY for the release Landfall in collaboration with the Kronos Quartet at the 61st GRAMMYs. 

The Clark Sisters, an American gospel vocal group initially consisting of five sisters: Jacky, Denise, Elbernita, Dorinda, and Karen – have been taking the world by storm since the early 1980s. Credited for helping to bring gospel music to the mainstream, the Clark Sisters are considered pioneers of contemporary gospel. Their biggest crossover hits include: “Is My Living in Vain?,” “Hallelujah,” “He Gave Me Nothing to Lose,” “Endow Me,” their hit song “Jesus Is A Love Song,” “Pure Gold,” “Miracle,” and their largest, mainstream crossover gold-certified, “You Brought The Sunshine.” The Clark Sisters (Jacky, Elbernita, Dorinda, and Karen) have won three GRAMMYs (two awarded to the group, and one to Karen as a songwriter for “Blessed and Highly Favored”), and with 16 albums to their credit and millions in sales, they are the highest-selling female gospel group in history.

Gladys Knight is a seven-time GRAMMY Award winner who has enjoyed No. 1 hits in pop, gospel, R&B, and adult contemporary, and has triumphed in film, television and live performance. Knight has recorded more than 38 albums over the years including four solo albums. She appeared on ABC’s 14th season of “Dancing With The Stars” in 2012, and in 2019, she competed on the inaugural season of “The Masked Singer.” Knight has sung the National Anthem at several major sporting events, including at Super Bowl LIII in Atlanta in 2019, and at the 2021 NBA All-Star Game. She was a National Endowment for the Arts 2021 National Medal of Arts Recipient and received a Kennedy Center Honor for Lifetime Artistic Achievements in 2022.

N.W.A was a rap group from the Compton district in Los Angeles who are credited by many with inventing gangsta rap. The group, consisting of Eazy-E^, Dr. Dre, Ice Cube, DJ Yella, and MC-Ren, developed a new sound, which brought in many of the loud, extreme sonic innovations of Public Enemy while adopting a self-consciously violent and dangerous lyrical stance. In 1988, N.W.A released their album, Straight Outta Compton, a brutally intense record that became an underground hit without any support from radio or MTV. This negative attention worked in their favor as it brought the album to multiplatinum status. Although the group was short-lived, gangsta rap established itself as the most popular form of hip-hop during the mid-1990s.

Donna Summer^ rocketed to international superstardom with her groundbreaking merger of R&B, soul, pop, funk, rock, disco, and avant-garde electronica, catapulting underground dance music out of the clubs of Europe and bringing it to the world. Summer holds the record with three consecutive double albums to hit No. 1 on the Billboard charts (the only solo artist to ever accomplish this), and first female artist to have four No. 1 singles in a 12-month period on Billboard’s Hot 100 chart. A five-time GRAMMY winner and 18-time GRAMMY nominee, Summer was the first artist to win the GRAMMY for Best Rock Vocal Performance, Female (1979, “Hot Stuff”) as well as the first-ever recipient of the new GRAMMY Category for Best Dance Recording (1997, “Carry On”). Summer was the first female artist to win GRAMMY Awards in four different genres: dance, gospel, rock, and R&B.

Tammy Wynette^ first hit the musical scene in 1966 with “Apartment #9” after moving to Nashville and teaming up with record producer Billy Sherrill. Together, the duo wrote songs that reflected the yearnings and the things Wynette felt were important in her life. In 1968, Wynette released “Stand By Your Man,” which sold more than five million singles and became the largest-selling single ever recorded by a female artist. By 1970, she racked up five No. 1 country hits, was named the Country Music Association’s Female Vocalist of the Year three times, and won two GRAMMYs. Wynette was the first female country music singer to sell over one million albums and has sold more than 30 million records grossing more than $100 million, earning her the title “The First Lady of Country Music.”

Read More: GRAMMY Lifetime Achievement Awards | The Complete List

Trustees Award Honorees

This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording (through 1983, recipients included performers).

Peter Asher’s career began in 1964 as one-half of Peter & Gordon, whose “A World Without Love” topped the charts worldwide. Nine more Top 20 hits followed before Asher became head of A&R for the Beatles’ Apple Records in 1968, and discovered, produced and managed James Taylor; later adding Linda Ronstadt, Neil Diamond, 10,000 Maniacs, Cher, Diana Ross, Kenny Loggins, Bonnie Raitt, Robin Williams, Stevie Nicks, Lyle Lovett, Morrissey, Steve Martin & Edie Brickell, Ed Sheeran, and more to his roster. Asher won the GRAMMY for Producer Of The Year in both 1977 and 1989. He hosts a hit radio show “From Me To You” on Sirius XM and is much in demand not only in the studio but as a performer, speaker and author.

The legendary Rock & Roll Hall of Fame inductee DJ Kool Herc is consistently credited as the founder of hip-hop. His mastery at the turntables is known worldwide, as are his positive contributions to the evolution of hip-hop culture. Herc’s popularity rose by playing long sets of assorted rhythm breaks strung together. Unlike any of his DJ counterparts, Herc is not a rapid rapper who keeps your head spinning with a patter, but he is a musical innovator to the turntables. He first introduced using two turntables to make the beats last longer, creating the illusion of one long break for the B-Boys to show off their skills. Herc has received a great deal of recognition during his lifetime, including his induction into the 2023 Rock & Roll Hall of Fame, and recognition from the New York Landmarks Conservancy as a 2023 Living Landmark. 

Joel Katz has played a profound role in shaping the entertainment industry through his work in facilitating entertainment-related corporate acquisitions and mergers and consulting multi-national and multi-media entertainment companies. Katz was ranked Billboard magazine’s No. 1 entertainment attorney in its “Power 100” list of most powerful executives in the music business and has been called “the dealmaker who thinks outside the box.” At Kennesaw State University, Katz endowed and began a commercial music program – one of the largest music education programs in America with over 500 students. He has authored and co-authored many articles and commentary on topics concerning entertainment law. In honor of his work, the University of Tennessee College of Law dedicated its library in his name, the Joel A. Katz Law Library.

Read More: GRAMMY Trustees Awards | The Complete List

Technical GRAMMY Award Honorees

This Special Merit Award is presented by vote of the Producers & Engineers Wing Advisory Council and Chapter Committees and ratification by the Recording Academy's National Trustees to individuals and/or companies/organizations/institutions who have made contributions of outstanding technical significance to the recording field. 

Tom Kobayashi^ and Tom Scott met at Lucasfilm’s Skywalker Sound in 1985, when the duo joined the company and completed the building of the Skywalker post-production facilities in both Northern and Southern California. Together, Kobayashi and Scott launched the Entertainment Digital Network, also known as “EDnet,” which employed fiber-optic networks to send high-quality video and audio great distances. Its then-revolutionary technology enabled the industry to link together talent, executives and production facilities at great cost savings. For 25 years, that company connected hundreds of recording studios worldwide in the days before the Internet could handle high-quality audio. EDnet became a part of Onstream Media, and over the decades, tens of thousands of long-distance collaboration sessions were facilitated for the music, advertising, TV, and cinema businesses. 

Best Song For Social Change Award Honorees

This Special Merit Award honors songwriter(s) of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact. The finalists and recipient(s) are selected annually by a Blue-Ribbon Committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to effect social change. See past recipients here.

In June 2023, singer-songwriter K’naan released the inspiring single and accompanying video “Refugee,” co-written by GRAMMY Award-winning songwriter Steve McEwan and GRAMMY-nominated producer Gerald Eaton (also known by his stage name, Jarvis Church). “Refugee” stands out as a distinctive musical endeavor, skillfully interweaving personal and political narratives, and serving as a tribute to refugees around the world. With the single, K’naan drew inspiration from his personal experiences, aiming to redefine the traditional perception of the term “refugee” into a symbol of resilience and strength. The song was written with the hopes of encouraging individuals to embrace the word “refugee” proudly and to give those made homeless by conflict a song that felt like home.

Read More: GRAMMY Technical Awards | The Complete List

^Denotes posthumous honoree.

2024 GRAMMY Nominations: See The Full Nominees List

Holly Humberstone performs during Lollapalooza 2023

Photo: Jim Mosenfelder/Getty Images

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New Music Friday: Listen To New Music From TXT, Margo Price, REZZMAU5 & More

Listen to these fresh tracks and collaborations from Tomorrow x Together, the Menzingers, the Libertines and others.

GRAMMYs/Oct 13, 2023 - 06:12 pm

As October unfolds, influential artists from across the globe continue to share new, dynamic sounds.

Friday, Oct. 13 is turning out to be anything but scary, with highly anticipated releases from megastars, newcomers and fan favorites. Among the day's biggest releases are Bad Bunny’s Nadie Sabe Lo Que Va A Pasar Mañana, Offset's Set It Off,  a new EP from Ringo Starr, Troye Sivan's first album in five years, and a new EP rising K-pop stars IVE.

Elsewhere, K-pop group TXT explore the melodramatic moments of teenagehood on their new album, while pop singer/songwriter Holly Humberstone does some self-exploration on her debut album. 

This Friday, dive into seven new releases and consider adding these tracks into your monthly musical rotation.

TXT - The Name Chapter: FreeFall

K-pop group TOMORROW X TOGETHER, explore the depths of teen angst in their latest chapter LP, The Name Chapter: FreeFall. Following collaborations with Anitta and the Jonas Brothers, TXT have returned with a nine track album that navigates away from youthful optimism and dives into the harsh reality of adolescence.

One of TXT's Chapter series of releases, this latest release follows January's The Name Chapter: Temptation. "Our music contains this one story of growth and so we basically talk about the process of growth," member TAEHYUN told GRAMMY.com earlier this year. 

Tracks like "Growing Pain" and "Chasing That Feeling," guide listeners through the journey of growth, through melodic lyrics and punk-rock percussion. TXT member BEOMGYU showcases his own producing skills in the R&B, pop song, "Blue Spring." Through creative storytelling and embracing emotional vulnerability, this album isn’t one to miss. 

The Menzingers - Some Of It Was True

Four years after their last release, Pennsylvania punk outfit the Menzingers dropped their latest Some Of It Was True. The group's seventh album is a nostalgic journey about growing up and longing for a certain someone.

"I'm all alone in Dublin, searching for something / Wishing you were here with me," they sing in "Along in Dublin."

While tracks like "I Didn’t Miss You (Until You Were Gone)" stay true to the group's traditional indie punk feel, songs like "Ultraviolet" explore the Mezingers' calmer, Springsteen-esque sensibility. Some Of It Was True shows the band’s evolution and versatility, as they transition from self-reflective songs to addressing maturer, universal issues.

Holly Humberstone - Paint My Bedroom Black

After opening for Olivia Rodrigo’s Sour tour and being awarded BRIT’s 2022 Rising Star, Holly Humberstone offers her debut record, Paint My Bedroom Black. The highly personal album explores themes of uncertainty and confusion, unpacking the array of emotions she experienced while on the road.

Each track is an odyssey of relatable Gen-Z experiences; songs like "Antichrist" and "Lauren" that talk about  experiencing conflicts in relationships, but with total honesty. Tracks such as "Room Service" employ folksy instrumentals and a mellow beats that pay homage to her family and friends. 

Humberstone's authenticity in lyrically discussing themes like love, friendship and identity make her debut  a relatable self-reflective anthem. 

REZZMAU5 - "Infraliminal" 

Spend your Friday night head-bopping to another powerful electronic collaboration from REZZ and deadmau5. Their latest song, "Infraliminal,"remixes deadmau5’s "Superliminal" by adding a deeper bass and creating new energetic arrangements.

"A lil fact - the original "superliminal" by deadmau5 is one of the songs which inspired me to create music. Fast forward to now, we have a project together & are releasing a version (technically two versions, you’ll see) of what I consider one of my favorite tracks by Joel ever," REZZ shared in an X post. 

The Libertines - "Run, Run, Run"

UK rock band the Libertines are back with their latest single, "Run, Run, Run," an energetic tale about running from the past and enjoying the present.

The quartet recently announced their new album All Quiet On The Eastern Esplanade, which will drop in March 2024. The album will feature 11 songs, produced by GRAMMY-nominated Dimitri Tikovoï. "Run, Run, Run" and the forthcoming album are the Libertines' first projects since their 2015 album Anthems for Doomed Youth. The group celebrated their 20th anniversary in 2022.

Margo Price - Strays II

Nashville singer/songwriter Margo Price continues unveiling authentic tracks in Strays II, which takes listeners through her tales of trauma, loss and self journeys in three acts: "Topanga Canyon," "Mind Travel" and "Burn Whatever’s Left." Strays II focuses on life’s everchanging tapestry, marking her a true artist in storytelling.

The album features "Malibu," a collaboration with GRAMMY-nominated artists Big Thief's Buck Meek and Jonathan Wilson. The song brings listeners to the scenic West Coast, as Price serenely sings about chasing a dream all to end up stranded in the titular. 

On the other hand, the title track has more of an upbeat tempo with catchy guitar riffs that seem to echo the sounds of the '90s. This song paints a story on her early moments with husband Jeremy Ivey. 

How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations Announcement, Air Date, Red Carpet, Streaming Channel & More

Kendrick Lamar GRAMMY Rewind Hero
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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