Photo: Gabe Ginsberg/Getty Images for The Latin Recording Academy
2022 Latin GRAMMYs: Rosalía Wins Latin GRAMMY For Album Of The Year For 'Motomami'
Rosalía won the Latin GRAMMY for Album Of The Year at the 2022 Latin GRAMMYs, for her album 'MOTOMAMI.'
Rosalía became the first woman in Latin GRAMMY history to win Album Of The Year twice, after winning the category in 2019 for El Mal Querer.
This year, she was one of the most nominated artists at the 2022 GRAMMYs alongside Rauw Alejandro and Jorge Drexler. MOTOMAMI won in the Best Alternative Music Album and Best Recording Package categories, and Rosalía was also nominated for Song of the Year, Best Alternative Song, Best Short Form Music Video, and Record of the Year.
Rosalía took audiences on an experimental journey through MOTOMAMI at the ceremony, performing her hits "Hentai," "La Fama," and "Despecha.”
Check out the complete list of winners and nominees at the 2022 Latin GRAMMYs.
Photo: Carlos Alvarez/Getty Images
Rosalía Announces First Solo North American Tour
El Mal Querer Tour, named after the Spanish pop star's latest album, will come to Los Angeles on April 17 in between her Coachella performances
Rosalía is set to perform at some of the most popular music festivals around the globe, including Primavera Sound in Spain, Lollapalooza (Argentina and Chile) and Coachella, but the Spanish pop star isn't stopping there when she gets to the States. Now, she has announced her first solo North American Tour with a string of dates that will bring her to select cities in the U.S. and Canada.
El Mal Querer Tour, named after her latest album, will come to Los Angeles on April 17 in between her Coachella performances. Then she'll play San Francisco on April 22, New York on April 30 and close out in Toronto on May 2.
"I’m so happy to announce my first solo North American tour dates," the singer tweeted.
Rosalía won Best Alternative Song and Best Fusion/ Urban Interpretation at the 19th Latin GRAMMY Awards in November and has been praised for bringing flamenco to the limelight with her hip-hop and pop beats. During her acceptance speech she gave a special shout-out to female artists who came before her, including Lauryn Hill and Bjork.
Rosalía has been getting some love herself lately, most notably from Alicia Keys, who gave the Spanish star a shout-out during an acceptance speech, and Madonna, who featured her on her Spotify International Women's Day Playlist.
Tickets for the tour go on sale March 22. For more tour dates, visit Rosalía's website.
Photo: C Flanigan/Getty Images
Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?
Cast your vote. Who will voters choose for Record Of The Year at the 18th Latin GRAMMY Awards?
Including the likes of Shakira and Carlos Vives to Natalia Lafourcade, Marc Anthony, Jesse & Joy, and Alejandro Sanz, the previous Latin GRAMMY winners for Record Of The Year reads like a who's who of Latin music. This year's nominees are no different.
With Rubén Blades' sensual "La Flor De La Canela," Luis Fonsi featuring Daddy Yankee's song of the summer "Despacito," Residente's impactful "Guerra," Ricky Martin with Maluma's Vente Pa' Ca," and Jorge Drexler's "El Surco," among others, this year's class of 18th Latin GRAMMY Awards nominees for Record Of The Year is loaded.
Which song do you think will take home the Latin GRAMMY for Record Of The Year? Cast your vote below.
A Look At 2022 Nominees For Best Música Urbana Album At The 2023 GRAMMY Awards
The 2022 Best Música Urbana Album Nominees at the 2023 GRAMMYs come from some of the biggest names in Latin music, each of whom have fused a unique sensibility and a variety of influences into their records.
Perhaps because in its current incarnation música urbana tackles such a wide array of influences — from the expected bounce of reggaetón to ominous trap moods, frantic dembow and a cool dash of Latin pop — the genre has become a hub for freshness and creativity.
All five 2022 nominees for Best Música Urbana Album at the 65th GRAMMY Awards are international stars, but none of them allowed fame to lead into stagnation. On the contrary, their albums are defined by cutting edge innovation and challenging new sounds. Read on to learn more about offerings from Bad Bunny, Daddy Yankee, Farruko, Maluma and Rauw Alejandro.
View the complete list of nominees for the 2023 GRAMMY Awards here.
Rauw Alejandro — TRAP CAKE, VOL. 2
Released in 2019, the first volume of Trap Cake served as a laboratory where the Puerto Rican singer experimented with unusual textures. Vol. 2 marches on the same avant-garde principles, serving as a provocative bridge between Rauw’s genre-defining smash Vice Versa and his restless third album Saturno.
The production is slick and airy on this sumptuous mini-album seeped in a hazy cloud of melancholy nostalgia. The music box-like opening strains of "MUSEO" hint at the precious ambient sonics at hand, whereas the distorted electric guitar and aggressive downbeat of "GRACIAS POR TODO" opens up an intriguing window to the quirks of Rauw as potential rock’n’roller. Co-produced by Jamaican helmer Rvssian, the darkly hued "Caprichoso" features contributions by the singer’s romantic partner — the one and only Rosalía.
Bad Bunny — Un Verano Sin Ti
How do you celebrate the confirmation of your status as a young global pop star? In the case of Bad Bunny, he released the ultimate summer album — an imaginary mixtape, meant to be booming in the background as the poolside party rages on.
The Puerto Rican phenomenon focuses on his usual preoccupations — erotic foreplay, desire as transcendent lifeforce, the stinging aftertaste of romantic separation — but the beats and layers of atmospherics are more abstract and psychedelic than on previous releases. Even though Un Verano Sin Ti boasts stellar collaborations with the likes of Tainy, Rauw Alejandro and Chencho Corleone, the album finds some of its most compelling passages in the stylistic detours of "Ojitos Lindos" — with Colombia’s Bomba Estéreo — and the alternative tropi-rock of "Otro Atardecer," with the Marias.
Daddy Yankee — LEGENDADDY
2022 was the year when the "Gasolina" pioneer shocked the Latin music establishment by announcing his retirement at age 46. Fortunately, Daddy Yankee’s farewell came in the shape of a sprawling party record. LEGENDADDY feels like a passionate, and occasionally wistful, love letter to the limitless variety that has always defined Afro-Caribbean music.
Yankee’s rapid-fire delivery and reggaetón riddims are ever-present, of course, but the menu also includes some wacky dembow ("BOMBÓN," with Lil Jon and Dominican hitmaker El Alfa), and the truly wondrous fusion of salsa, reggaetón and spidery bachata lines on the kinetic "RUMBATÓN." On "AGUA," Yankee is joined by Rauw Alejandro and guitar god Nile Rodgers for a jam infused with post-disco zest. Yankee’s electrifying live performances will be missed, but this emotional swan song delivers an fitting epic finale to a remarkable career.
Farruko — La 167
A seasoned veteran of the urbano landscape, Farruko has always been progressive in his mission to expand stylistic boundaries. The title of his seventh studio album is a reference to the singer/songwriter’s childhood memories: the 167 highway in the Bayamón area of Puerto Rico where he grew up.
At the same time, the album also reflects Farruko’s extensive travels across Latin America. "Pepas," the collection’s bonafide hit, is an anthemic electro-guaracha that stays close to the genre’s roots in Colombia. "Baja Cali" mixes Latin rap with the young generation of corridos that defines the present of música mexicana, and the breezy "W.F.M." (featuring Jamaican vocalist Mavado) delves into sweet dancehall vibes. On "Jíbaro," Farruko cherishes his boricua origins alongside bolero revivalist Pedro Capó. A man of the world, he sounds the happiest when he returns home.
Maluma — The Love & Sex Tape
In 2021, Maluma surprised fans by releasing #7DJ (7 Días En Jamaica), a refreshing EP of reggae infused tracks. A silky mini-album made up of eight new songs, The Love & Sex Tape finds the Medellín native delving back into the sensuous reggaetón narratives that made him famous.
A duet with fellow Colombian Feid, "Mojando Asientos" is appropriately frisky, and the self-explanatory "Nos Comemos Vivos" gains in intensity thanks to the streetwise attitude of the ubiquitous Chencho Corleone. Maluma surrenders to hedonism with abandon, reaching the natural conclusion that life is, indeed, quite beautiful ("La Vida Es Bella.") A classy ending, "Happy Birthday" incorporates the soulful groove of Afrobeats, hinting that Maluma’s brilliant creative detours will surface again in subsequent works.
Enrique Iglesias Among Big Winners At 15th Latin GRAMMYs
Iglesias, Descemer Bueno and Gente De Zona win three Latin GRAMMYs each for smash collaboration "Bailando" at milestone 15th Latin GRAMMY Awards telecast
It was a milestone evening for The Latin Recording Academy as the organization celebrated 15 years of The Biggest Night in Latin Music. It also proved to be a milestone evening for Spanish singer/songwriter Enrique Iglesias, Cuban singer/songwriter Descemer Bueno and Cuban reggaeton group Gente De Zona, who each earned three statues at the 15th Latin GRAMMY Awards on Nov. 20 at MGM Grand Garden Arena. The artists' smash collaboration "Bailando" netted them each Latin GRAMMYs for Best Urban Performance, Best Urban Song and Song Of The Year. The trio performed the song live via satellite to conclude the telecast.
Winning two GRAMMYs each were the late flamenco guitarist Paco de Lucía, who won Album Of The Year and Best Flamenco Album for Canción Andaluza; Puerto Rican duo Calle 13; Uruguayan singer/songwriter Jorge Drexler; and Colombian singer/songwriter Carlos Vives. Venezuelan singer/songwriter Mariana Vega was among the first-time Latin GRAMMY winners, taking home Best New Artist honors.
For more on the 15th Latin GRAMMY Awards, visit www.latingrammy.com.