Photo: Theo Wargo/Getty Images The Recording Academy
Revisiting One Night Only: Producers & Engineers Wing 20th Anniversary Celebration 2021 Recap
The milestone event saw new and past moments from marquee names across two decades—from Neil Young to Alicia Keys to Dr. Dre—praise and celebrate the P&E Wing’s numerous skills and accomplishments
The Producers & Engineers Wing 20th Anniversary Celebration included tears (of joy), lots of laughter plus, as always at P&E Wing Celebrations, great music. The GRAMMY Week fete was jam-packed with the P&E Wing’s highlights and accomplishments from the last two decades, not to mention excitement for the future of the more than 4,400-member-and-growing group of dedicated professionals.
The hour-long event, which featured clips from previous A-list honoree speeches, including Jack White, Alicia Keys, Swizz Beatz, and Quincy Jones, among others, kicked off with a surprise for Maureen Droney (Senior Managing Director, P&E Wing), who was honored for her 15-year stewardship.
Chair & Interim President/CEO of the Recording Academy Harvey Mason Jr. presented the certificate of appreciation and thanked Droney for her "tireless dedication to bettering the lives of music creators." He continued: "Maureen really, really loves producers and engineers, and tonight we reflect that love back to her."
Through happy tears, Droney proclaimed, "Should we get the party started?!"
A variety of laughs, gravitas, information, and education was on tap, kicked off with a little history. Jeff Greenberg from the storied Village Studios in West Los Angeles joined Droney to set the stage for some colorful P&E history, courtesy of Al Schmitt and the late Ed Cherney. The pair told the tale of the Wing as a group that began as the Music Producer’s Guild of the Americas.
Or, as they prefer to be known, Cherney said, "The people in the studio who actually do the work."
Congratulations were also on tap for George Augspurger, the 2020 Technical GRAMMY recipient. He shared some words of advice for technical hopefuls: "If you like music but are curious about how things work and why things sound the way they do, recording technology can be an awful lot of fun. It certainly is for me," he said.
The 20th Anniversary Celebration created a space to discuss the joys of an audio career as well as the challenges. As made clear, the P&E Wing faces issues with crediting, metadata, creating technical guidelines, archiving and preservation, and of course, the digital transition. Among the sentiments of the night was that P&E Wing professionals are not an island. Their work is very much a collaboration, in a manner that sets important precedents for future generations.
As Cherney noted, if you ask, "What’s in it for me?" that’s not the right question. "It’s about supporting your profession, being a keeper of the faith, it’s about thinking of ourselves as part of a group with common goals and ideas," Cherney stated. "That’s who we are."
Harvey Mason Jr. Photo: Theo Wargo/Getty Images The Recording Academy
P&E Wing’s members concur, especially following the difficult year of 2020, where community building, support and shared goals became even more crucial.
As Mason told the party-goers, in 2020, the world turned to music for comfort, requiring creators, producers and engineers to help provide and deliver that saving grace.
"Producers and engineers are not people who give up," Mason noted. "We are by nature, problem solvers. We deal with those challenges, and strive to stay ahead of the curve."
Last year also saw an increased flow of online content, including the second round of the Recording Academy’s "Behind the Record" campaign, bringing the names of many deserving behind-the-scenes players to the forefront.
The event also took guests to previous annual galas: Jack White spoke of his humble teenaged beginnings on a 4-track reel-to-reel Tascam mixer, as he remembered back to the times when erasing a tape meant, "it was gone forever."
In another moment, Nile Rodgers, playing the P&E-appropriate Sister Sledge hit "We Are Family" with Red Hot Chili Peppers bassist Flea and Kathy Sledge, took the moment to share: “I’m honored to be standing here because dance music changed my life."
A clip of Quincy Jones at the 6th annual celebration cut to the chase: "Music and water will be the last things to leave this planet. You can’t live without it, man."
He captured the joy felt by so many who work with music. The event was powered by L-Acoustics, Audio-Technica, Fraunhofer, Lurssen Mastering, and the P&E Wing’s sustaining partner Iron Mountain Entertainment Services (IMES).
Jeff Greenberg and Maureen Droney. Photo: Theo Wargo/Getty Images The Recording Academy
Stellar newly found and restored Dylan footage of the troubadour backstage and performing while facing down initially hostile fans during his legendary 1966 electrified tour—courtesy of the Bob Dylan Archives and IMES—thrilled the virtual attendees. Fellow icon Neil Young quipped, "We create great stuff in the studio and then we just kiss its ass goodbye. The time has come for us to recover, and to bring music back to the people in a way that they can recognize it in their souls through the window of their soul, their ears."
Young was feted at that event via a surprise perf by a nervous Dave Matthews, who turned in a homespun version of Young’s "Needle and the Damage Done."
But it might have been past honoree Willie Nelson who had the best, and shortest, thank you speech, bringing the laughs in 2019. The beloved legend said, "I want to thank the producers and engineers over the years for really making me sound as good as I could. And I’m glad they liked me, ‘cause they really coulda screwed me up!"
All attendees and honorees over the years—as was made clear in this One Night Only: Producers & Engineers Wing 20th Anniversary Celebration—share a powerful camaraderie and pride in their work.
The festivities also emphasized the tremendous strides—made with humor, hard work, and turned up to 11—that the P&E Wing has achieved, and will continue to work on, via
hands-on technical workshops that engage and educate, advocacy, and being an integral part of one of humanity’s most beloved: music.
As Keys so inspiringly said, "I believe in the art of making a record… I believe in the music community and just the power of music, period. It’s medicinal." She quoted her own song, the perfect words for the P&E Wing: "We are the authors of forever."
Graphic: The Recording Academy
Dr. Dre, Missy Elliott, Lil Wayne, And Sylvia Rhone To Be Honored At The Recording Academy Honors Presented By The Black Music Collective Event During GRAMMY Week 2023
Recording Academy Honors will celebrate honorees during the GRAMMY Week event presented by the Black Music Collective at the Hollywood Palladium on Feb. 2, 2023.
Just days before the 2023 GRAMMYs, revered GRAMMY Award-winning artists Dr. Dre, Missy Elliott, and Lil Wayne and music executive Sylvia Rhone will be honored at the Recording Academy Honors Presented By The Black Music Collective event during GRAMMY Week 2023. All four honorees will receive the Recording Academy Global Impact Award for their personal and professional achievements in the music industry.
The second annual Black Music Collective event and official GRAMMY Week event, which takes place Thursday, Feb. 2, at the Hollywood Palladium in Los Angeles and is sponsored by Amazon Music and Google Pixel Phone, will once again feature first-time GRAMMY nominee Adam Blackstone as the musical director of the evening; Recording Academy Board of Trustees Vice Chair Rico Love will also return to Chair the event.
"I am so thrilled to honor and celebrate these four giants in the music industry," Recording Academy CEO Harvey Mason jr. said. "Last year’s inaugural event was such a highlight during GRAMMY Week and now with Dre, Missy, Wayne and Sylvia there to pay tribute to this year, it's definitely going to be another night to remember. I continue to be proud of the work of our Black Music Collective as it's a vital part of what we do here at the Academy."
Dr. Dre is a seven-time GRAMMY Award-winning artist, producer, founder, entrepreneur, philanthropist, and CEO of Aftermath Entertainment and Beats Electronics. Dr. Dre began his career as a member of the World Class Wreckin’ Cru. Shortly after, he co-founded the revolutionary group N.W.A. The Compton, California, native embarked on his solo career in 1992 when he released his solo debut album The Chronic, which has been certified triple platinum by the RIAA, reached the top 10 on the Billboard 200 and won a GRAMMY for Best Rap Solo Performance ("Let Me Ride"). Dre launched Aftermath Entertainment in 1996, where over the years, he discovered hip-hop superstars such as 50 Cent, The Game, Kendrick Lamar, Anderson Paak, and Eminem. Jimmy Iovine and Dre established Beats Electronics in 2008 and later launched Beats Music, which were both acquired by Apple in 2014. Among many other accolades, Dre won a GRAMMY and an Emmy for the HBO docuseries The Defiant Ones, and the Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent took home three Emmys. In 2013, the USC Jimmy Iovine and Andre Young Academy for Arts, Technology and the Business of Innovation was funded and established. In 2022, they expanded their efforts to the Los Angeles Unified School District by opening the Iovine and Young Center (IYC) Integrated Design, Technology, and Entrepreneurship (IDTE) Magnet, a new high school that will offer students grounding in the same cutting-edge curriculum.
Missy 'Misdemeanor' Elliott has remained relevant as a true visionary and pioneer for women in hip-hop for over 25 years. Her experimental sound and groundbreaking music videos changed the music landscape and challenged artists not to conform to the norm. The multi-GRAMMY-Award-winning rapper, singer, songwriter, and producer made an immediate impact on the music industry with her critically acclaimed debut album Supa Dupa Fly – produced by her longtime production partner Timbaland – which debuted at No. 3 on the Billboard 200 and went on to achieve platinum certification by the RIAA. The Virginia native has produced for and collaborated with artists such as Aaliyah, Beyoncé, Janet Jackson, Mariah Carey, Ciara, Lil' Kim, J. Cole, Busta Rhymes, Ludacris, Chris Brown, and Lil Wayne. Among other awards and accolades, Elliott became the first woman rapper inducted into the Songwriters Hall of Fame and has received honorary doctorates from Berklee College of Music and, most recently, Norfolk State University. In 2022, Elliott was honored in her hometown of Portsmouth with her own street name “Missy Elliott Blvd,” furthermore declaring October 17 to be Missy Elliott Day by the Commonwealth of Virginia. Missy is now the latest addition to the Madame Tussauds Wax Museum, where her figure is a recreation of her 2019 MTV Video Music Awards appearance. In 2021, Elliott received a star on the Hollywood Walk of Fame.
Lil Wayne has left a lasting impact on the culture as a five-time GRAMMY Award-winning, multiplatinum rap icon, Young Money Entertainment founder and CEO, Young Money APAA Sports founder, acclaimed author, pro skater, and philanthropist. By 2020, he cemented his legacy forever as "one of the best-selling artists of all time," tallying sales in excess of 100 million records worldwide with 25 million albums and 90 million digital tracks sold in the United States alone. In 2022, Wayne earned his first diamond certification from the RIAA with his generational smash hit “Lollipop” featuring Static Major. Among many milestones, he emerged as "the first male artist to surpass Elvis Presley with the most entries on the Billboard Hot 100," logging a staggering 183 entries – the third most of all time. Simultaneously, Wayne owns and operates Young Money Entertainment, the company that ignited the careers of Drake, Nicki Minaj, Tyga, and many more. The committed philanthropist founded the One Family Foundation, with the mission of giving power to the youth by providing them with opportunities to practice their talents and skills and inspiring them to dream beyond their circumstances.
Sylvia Rhone has set the pace for the music industry as one of the most impactful, influential, and important executives in history. She has devoted her professional life to music, she broke a glass ceiling for the first time, and changed the landscape forever as the “only African American and first woman ever” to be named Chairwoman and CEO of Elektra Entertainment Group in 1994. She made history once more in 2019 when Sony Music Entertainment selected her as Chairwoman and C.E.O of Epic Records, enshrining her as "the first woman CEO of a major record label owned by a Fortune 500 company and the first Black woman to attain such a title." Along the way, Rhone has impressively left an indelible imprint on pop, hip-hop, rock, heavy metal, R&B, soul, and electronic music with an impeccable track record. She has shepherded the success of everyone from Missy Elliott, Anita Baker, the late Ol’ Dirty Bastard, Jason Mraz, Busta Rhymes, Pantera, and Metallica to Lil Wayne, Kelly Rowland, Akon, Kid Cudi, Nicki Minaj, A Tribe Called Quest, Fabolous, Tamia, and Gerald Levert, just to name a few. Currently, she is at the helm of Epic Records where she has overseen historic releases from Future, Travis Scott, 21 Savage, DJ Khaled, Camila Cabello, and many more. A music industry trailblazer for four decades, Rhone has catalyzed the careers of artists who have changed music and the world at large — and she will continue to do so.
Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.
Photos: Emma McIntyre/BBMA2019/Getty Images for dcp; Doug Peters/PA Images via Getty Images; Kevin C. Cox/Getty Images; Paras Griffin/Getty Images for BET; Samir Hussein/WireImage
2022 In Review: 6 Trends That Defined Rap
This year has been one of transition, where old school came back as the genre's freshmen stood poised to take over. GRAMMY.com revisits six rap trends from 2022 that spawned from multiple generations of artists.
In 2022, rap seemed to be slowly evolving into something new. It was a year when long-gestating regional and cultural trends reached a new fever pitch. Savvy listeners seemed more focused on the emerging voices who were breathing fresh life into the form, even though established stars continued to earn critical and commercial acclaim.
This trajectory resulted in the sense that the past year has been one of transition, and that 2023 will be an even better season where the genre's freshmen are poised to take over. Only time will tell, but while you wait for the first fire releases of the next year, revisit six rap trends from 2022 that spawned from multiple generations of artists.
Jersey Club Goes Beyond The Garden State
Every few years, the rap community rediscovers the pleasures of flowing over electronic beats. In 2022, the sound of the moment was Jersey club, a hybrid of house and bass music that fueled scene leaders such as Bandmanrill (who released his debut album Club Godfather), DJ/producer Uniiqu3, and Unicorn 151 aka Killa Kherk Cobain. Meanwhile, a parallel wave developed in Philadelphia with tracks like 2Rare’s "Cupid" and Zahsosaa, D Sturdy and DJ Crazy’s "Shake Dhat."
Jersey club inspired mainstream artists as well. Drake pulled from the sound on his dance-music opus Honestly, Nevermind, and collaborated with 2Rare on the hit single "Sticky." It also fueled club-ready remixes like Coi Leray’s "Players (DJ Smallz 732’s Jersey Club Remix)."
Women Unite For Posse Raps
Anyone who fondly remembers women-only ciphers such as Brandy’s "I Wanna Be Down (Remix)" and Bahamadia’s "Three the Hard Way" will delight at how the format is making a comeback.
For "Super Freaky Girl (Queen Mix)", Nicki Minaj gathered an all-roster that included JT from City Girls, BIA, Katie Got Bandz, Maliibu Miitch, and Akbar V. On "Shabooya," producer Hitkidd gave mic time to Memphis rappers Gloss Up, K-Carbon, Slimeroni, and Aleza. Meanwhile, ShantiiP collaborated with Kash Doll, Rubi Rose, and Dream Doll on her "Abow (Remix)." The nascent trend demonstrates how women have begun working collectively again — with or without the boys’ help.
Rap's Nepo Babies Come Of Age
It’s not unusual for children of famous rappers to follow their parents into the business. Past years have seen the emergence of scions such as Droop-E (son of E-40), Lil Tracy (son of Ishmael Butler of Digable Planets), Cory Gunz (son of Peter Gunz), and Jaden Smith (son of Will Smith). But 2022 may be the first year where a second-generation rapper arguably exceeded her father’s mainstream appeal.
Coi Leray scored a Billboard top 40 hit ("Blick Blick" with Nicki Minaj) — a feat her estranged father Benzino never managed — while releasing her debut album, Trendsetter. King Combs hit number one on Billboard’s Mainstream R&B Hip-Hop Airplay chart, surpassing famed father Sean "Diddy" Combs' latest single "Gotta Move On" in the process.
Back To The Old School
When Mount Westmore’s Snoop, Cube, 40, $hort hit the Billboard top 200 albums chart in early December, it was yet another sign that golden-era artists are issuing quality albums, albeit on a smaller scale than their career peaks.
Still, in an era when rap fans are all too aware of how middle-aged hip-hoppers seem especially prone to the ravages of time — rest in peace to DJ Kayslay, Coolio, and Don Newkirk — it was heartening to see musicians in their 50s continue to hone their craft. Examples include Chill Rob G of "The Power" fame, who dropped Empires Crumble on Chuck D’s SpitSLAM label; KRS-One’s IMAMCRU12, Diamond D’s The Rearview, Daddy-O of Stetsasonic’s First Team, Frukwan of Stetsasonic and Gravediggaz’s Nightmare in B-Minor, and Tragedy Khadafi’s Immortal Titans Vol. 2. Meanwhile, Dr. Dre prefaced his triumphant showcase at Super Bowl LVI with his EP-length soundtrack for "Grand Theft Auto: The Contract."
As the genre moves into its fifth decade and beyond, here’s hoping its pioneers continue to evolve along with it — without dying before they grow old.
Here Come The Big Steppers
"Big steppers" is an old-school phrase that means exactly what it says: someone whose sheer presence leaves an impact. In recent years, the phrase has percolated through rap songs by Youngboy Never Broke Again, Young M.A ("Big Steppa"), Roddy Ricch ("Big Stepper"), and Stunnaman02 & Quakebeatz ("Big Steppin’").
The term seemed to peak in usage in 2022, thanks to Kendrick Lamar, who used the phrase multiple times — including on "Worldwide Steppers." The track is both literal through the sound of tap dancers, and metaphorical in the sense of Lamar navigating the earth through the prism of his career. Meanwhile, deep album cuts like Rome Streetz’ "Big Steppa" and Yo Gotti’s CMG Crew ("Steppers") put a vintage spin on boasts of being the big men on rap’s campus.
DJ Drama Connects With Everybody…Again
In 2022, DJ Drama was a one-man wave, reconnecting rap with its dirty South roots. The Philadelphia-raised, Atlanta-based DJ was one of the biggest names during the height of the mixtape boom in the mid-to-late aughts, hosting dozens of projects a year with soon-to-be famous acts like Young Jeezy (2004’s Trap or Die) as well as established stars such as Lil Wayne (the Dedication series) and Pharrell Williams (2006’s In My Mind: The Prequel) through his Gangsta Grillz and Aphilliates imprints.
While DJ Drama hasn’t disappeared in the years since, 2022 may be the first to find Drama approaching the productivity of his most successful era. He helmed a critically acclaimed mixtape with Baton Rouge’s Youngboy Never Broke Again (Ma’ I Got a Family), helped promote rising stars like Oakland’s Symba (Results Take Time) and Detroit’s Icewear Vezzo (Paint the City), worked with New York rap star Dave East (Book of David), and scored a chart-topper with the Dreamville crew’s D-Day: A Gangsta Grillz Mixtape. He even reunited with Jeezy for Snofall, a throwback to the latter’s trap glory years. Working with artists from different regions and generations, Drama proved he still has plenty of genre-wide impact.
Photo: Ralph Bavaro/NBC via Getty Images
Listen: Get Jolly With New Holiday Music From Dolly Parton, Phoebe Bridgers, Pentatonix, Alicia Keys & More
This year saw several new holiday albums and singles from artists of all genres, from Backstreet Boys to Gloria Estefan. Get in the spirit with this festive 30-song playlist.
As we're all stringing up colorful lights and scrambling to buy last-minute gifts, music shines as the one constant in our lives amid the rush of the holiday season.
Some playlists have been bursting with holiday music since early autumn, with releases such as Dolly Parton's "A Smoky Mountain Christmas" dropping back in August and Joss Stone's Merry Christmas, Love releasing in September. Since then, several more holiday albums arrived, whether they were new projects from artists such as Alicia Keys and Thomas Rhett or polished deluxe editions from the likes of Reba McEntire and Norah Jones.
Beyond releasing albums, many artists have also found their holiday spirit by releasing festive singles. Remi Wolf brings her bubbly personality to warm covers of "Last Christmas" and "Winter Wonderland," Dan + Shay remind us to throw a "Holiday Party" with loved ones, and Phoebe Bridgers shares her annual holiday cover, this year a rendition of the Handsome Family's "So Much Wine." And even stars such as RuPaul, Jimmy Fallon and Ryan Reynolds surprised with holiday singles this season.
Groups such as Pentatonix and Backstreet Boys joined in on the fun with their own cheery holiday albums, and Gloria Estefan and her family capture the joys of love in a snowglobe on Estefan Family Christmas. Collaborations sparkle with holiday magic as well; Ingrid Michaelson and A Great Big World team up for "It's Almost Christmas," and Kelly Clarkson and Ariana Grande perform "Santa, Can't You Hear Me" in a thrilling live version.