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Poll: Let Us Know What You Think About The Best Progressive R&B Album Category Name Change

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Poll: Let Us Know What You Think About The Best Progressive R&B Album Category Name Change

Last week, the Recording Academy announced several category name changes, including for Best Urban Contemporary Album, has been renamed to Best Progressive R&B Album

GRAMMYs/Jun 17, 2020 - 09:58 pm

Last week, on June 10, the Recording Academy announced updates to the GRAMMY Awards guidelines, including name changes and updates for several categories. One of the four name changes, Best Urban Contemporary Album has been renamed to Best Progressive R&B Album, and we want to know what you think about it.

The changes were approved by the board in May and came from ongoing conversations with the Recording Academy's members. The aforementioned category was updated to offer "a more accurate definition to describe the merit or characteristics of music compositions or performances themselves within the genre of R&B. This category is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk and alternative."

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"I'm excited to announce our latest changes, as we're constantly evaluating our Awards process and evolving it to ensure the GRAMMY Awards are inclusive and reflect the current state of the music industry," Harvey Mason Jr., Chair & Interim President/CEO of the Recording Academy, explained. "The Academy accepts proposals for rule changes from members of the music community throughout the year that are carefully reviewed and, if accepted, ultimately ratified at our annual Board meeting, a process that we are proud to have continued in this challenging year."

The removal of the umbrella term "urban" from the category comes several days after Warner Music and Republic Records (both under Universal Music Group) revealed they would no longer use the term. The newly established Black Music Coalition of U.K. music executives, inspired by the emerging #TheShowMustBePaused movement in the U.S., called for the removal of the term "urban" from music industry language in an open letter pushing for "a legacy of lasting change."

"Urban contemporary" was coined by Black New York radio DJ Frankie Crocker in 1974 to encompass the broad mix of music by Black artists he played—R&B, funk, disco, hip-hop and more—and to attract advertising dollars from white businesses.

At the 2020 GRAMMYs earlier this year, Lizzo's Cuz I Love You (Deluxe) won Best Urban Contemporary Album. Two of the album's singles, "Truth Hurts" and "Jerome" also won, for Best Pop Solo Performance and Best Traditional R&B Performance, respectively.

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Meet The First-Time GRAMMY Nominee: Coco Jones On Her Breakthrough Year, Turning Rejection Into Purpose & Learning From Babyface
Coco Jones

Photo: Courtesy Coco Jones

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Meet The First-Time GRAMMY Nominee: Coco Jones On Her Breakthrough Year, Turning Rejection Into Purpose & Learning From Babyface

Coco Jones is nominated across five categories at the 2024 GRAMMYs, including Best New Artist and Best R&B Album for her EP, 'What I Didn't Tell You.' The first-time nominee discussed her hit, "ICU," working with legends and the power of representation.

GRAMMYs/Jan 8, 2024 - 02:23 pm

Coco Jones is feeling more inspired than ever following a year of exciting surprises and breakthroughs. In 2023, the 25-year-old budding star celebrated her first Billboard Hot 100 entry thanks to her platinum-selling "ICU" single, embarked on her first headlining tour, and earned her first GRAMMY nominations.

"Being a GRAMMY-nominated artist changes everything. It's such a different creative mindset when the world says, 'You're good, we like what you do,'" Jones tells GRAMMY.com. "It's like a gold star. It makes you want to work harder, it makes you wanna continue to impress, and it makes you impressed with yourself, too."

Jones is nominated across five categories at the 2024 GRAMMYs: Her 2022 EP What I Didn't Tell You is up for Best R&B Album and its "ICU" will compete for Best R&B Performance and Best R&B Song. Her feature on Babyface's "Simple" has received a nod for Best Traditional R&B Performance. Jones is also up for the coveted golden gramophone for Best New Artist.

In recent years, her vocal prowess has received praise from SZA, Janet Jackson, and Beyoncé, but anyone who's even remotely familiar with Jones' story knows that her newfound success is anything but overnight. Jones first found success at age 14, when she starred in the 2012 Disney movie musical Let It Shine. The Tennessee native faced colorism early on, which she addressed in a 2020 YouTube video that went viral.

"I always wanted that representation that my dreams were possible growing up," she shares. "I definitely was not based in reality of what the entertainment industry is. It's tough and it's challenging and sometimes it isn't fair and that is not what I was prepared for as a kid."

During the pandemic, Jones secured a spot in "Bel-Air" (Peacock's reimagining of "The Fresh Prince of Bel-Air") as the spoiled yet beloved Hilary Banks, but she never let go of her love of  music. Following her 2014 departure from Hollywood Records, Jones released music independently, including the ominous "Hollyweird" and "Depressed"; when Def Jam approached her in the summer of 2021, she was ready for her close-up.

Fast forward to present, and Jones is gearing up for one of the most pivotal nights of her blossoming career. But perhaps the most precious thing she's collected along the way is self-assurance. "I'm learning that I have to believe in my creative choices and that I shouldn't second guess what I feel because it does well," she says with a laugh.

Of her recent success, Jones says the back-to-back accolades shocked her, but like a true artist, she's already thinking ahead and manifesting an exciting first for 2024: "I want my debut album to hit No. 1 on the Billboard 200 chart."

Ahead of the 2024 GRAMMYs, Jones discusses the power of representation for dark-skinned Black women, why her mother is her biggest inspiration, and how joining forces with Babyface created momentum in her career.

This interview has been condensed and edited for clarity.

After finding out that you received five GRAMMY nominations, you posted an Instagram video showing you and your mother reveling in the excitement of it all. Tell me more about that moment and your mother's role in this journey.

I'm one of four children and my mom owned multiple businesses, but she made us all feel loved and supported while also being a boss. Watching her navigate the entertainment industry — which she had no prior experience with — was very inspiring. She took every challenge head-on and still managed to make time with all of her kids. 

She's always been a visionary, so I think for her, it's like, This is exactly what we worked for. The end goal is to be award-winning, to be show-stopping, to be classic, to be timeless. That's what she saw for me even when I was a little girl on stage singing Aretha Franklin.

There were times when it was hard for me to see what she saw in me, especially when you're dealing with the rejection that is the music industry. But she always knows the right thing to say to keep me going and to keep my faith. So, when it wasn't like how it is now, she was the entire team. She did anything she could to help me progress.

You retweeted a meet-and-greet with a fan, who donned your merch from 2018, which seemed to take you by surprise. It seems like your 2023 breakthrough was a win for not just yourself, but for those early supporters as well.

I would definitely say it's a win for my fans and my supporters, but also for young Black women who look like me and have big dreams and just want to see what they are dreaming about is possible. I know that I inspire so many young Black women — they tell me almost every day that seeing me win helps them believe in themselves winning.

My goal is to continue to break those barriers down for young Black women so that it's not such a surprise when we succeed.

In a 2022 interview, you said you wanted to experience the highs of being an entertainer and being on stage "even if it meant a lot of lows." Many creatives feel that way. Do you have any advice for struggling artists who feel like no one's paying attention?

You can make it this thing where you feel like you're running out of time, or you can make it feel like you're adjusting to time. Time is whatever you decide it is.

There were so many obstacles I didn't understand, but hindsight is 20/20. I needed the lessons that I learned, I needed the self-reliance, I needed the optimism and the faith. So, I think it was all very growing but still tough not knowing what was going to happen, not knowing if I was going to have that life-changing job, that life-changing song. 

I'm just grateful to God for protecting me through all the confusion and for not giving up. I had enough support around me and enough doors to open even though they felt far and few between to keep me sustained and pursuing this dream, even though I was pursuing it without any guarantees.

What I Didn't Tell You isn't the first EP you released, but it's the one that made you a first-time GRAMMY nominee. What was different this time around?

I was very supported; when Def Jam approached me, they seemed so understanding of my vision that I couldn't help but feel like we were already a team. They helped me put the pieces together. Before this, I was just on my own or it was me and my mom, so I felt more supported with this EP release. My label understands me and what I want to be, and there's no pushback against who I am and what I can naturally do. It's all about enhancing. 

As part of R&B's new class, what do you want to bring to the genre?

More uptempo! I want to be able to sing my heart out but make a bop that you wanna dance to. I love how Whitney Houston would do that with some of her songs like "I'm Your Baby Tonight" and "How Will I Know."

Your breakthrough single, "ICU," is up for Best R&B Song, but what lesser-known song off What I Didn't Tell You (Deluxe) would you nominate in the same category if you could?

"Fallin'" because it's a sensual song, and I feel like it sits in a really cool, pretty place in my voice. It also tells a good story of the chaos that my life is while also starting to fall for somebody.

In 2022, you joined forces with R&B legend Babyface for his collaborative Girls Night Out project. Your "Simple" duet with him is nominated for Best Traditional R&B Performance. Do you think collaborating with Babyface acted as a precursor for the incredible year you had?

When I learned Babyface wanted me on his album, I was beside myself. He was really one of the first legends to give me that stamp of approval. I definitely think the recognition I got from him was like a turning point in what was next for my life. The world started to notice around that time. 

When I interviewed Babyface soon after the release of Girls Night Out, he talked about doing his homework to better understand the differences in today's R&B. That was surprising to hear, because he's clearly an expert at writing hit songs but not above learning from others. What did you learn from his mentorship?

I just learned that you can be a legend and you can still be open to ideas, open to new talents, and open to suggestions. Just stay open to what’s new, who's new, and why they're doing well, and that's what will keep you legendary. 

I'm a big fan of studying music, so I will continue to be a student. Creating music and studying music are two different things to me. I study it and then I feel creative, so I think it's about separating them because sometimes if you're creating while studying, you just end up repeating exactly what somebody's doing and that doesn't feel authentic. It's more about getting inspired and then creating.

My love for music and being a creative is what keeps me going because it's not always fun, it's not always easy. Sometimes it's about business, sometimes it's about pushing past your exhaustion. I don't think I would do that, not for this long, if I didn't love the payoff of being a creative. 

How will you celebrate if you win a GRAMMY?

I haven't thought about how I'm gonna celebrate. I think my favorite type of celebrations are intimate. They're with people who are in the mud with me — my family, my team. I would probably just want to have a great dinner and think about how far we've come and what's next.

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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GRAMMY Rewind: Adele Urges That Beyoncé's "Monumental" 'Lemonade' Should've Won Album Of The Year In 2017
Adele at the 2017 GRAMMYs.

Photo: Phil McCarten/CBS via Getty Images

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GRAMMY Rewind: Adele Urges That Beyoncé's "Monumental" 'Lemonade' Should've Won Album Of The Year In 2017

Before Adele and Beyoncé find out who will win Album Of The Year at the 2023 GRAMMYs, revisit the emotional moment when Adele pleaded for Beyoncé's album 'Lemonade' to take home the golden gramophone instead of her own '25' in 2017.

GRAMMYs/Feb 3, 2023 - 06:00 pm

The 2017 GRAMMYs were a massive night for Adele, who swept all five categories for which she was nominated. But when she was crowned the Album Of The Year winner, the "Hello" singer couldn't help but argue that Beyoncé deserved it.

In this episode of GRAMMY Rewind, revisit the emotional moment between Adele and Beyoncé as the British star claimed her Album Of The Year GRAMMY for 25. After thanking her collaborators for their encouragement to release 25 and calling the win "full-circle," Adele choked up as she acknowledged Beyoncé's Lemonade that was also nominated in the category.

"I can't possibly accept this award. And I'm very humbled, and I'm very grateful and gracious, but my artist of my life is Beyoncé," Adele said as she held back tears. "This album was so monumental, and so well-thought-out and so beautiful and soul-bearing…and all us artists here, we f—ing adore you."

The heartfelt acknowledgement had the crowd roaring, but most poignantly brought Beyoncé to tears as she mouthed "I love you" to Adele. (Lemonade did get some GRAMMY love that night, winning Best Urban Contemporary Album and lead single "Formation" won Best Music Video.)

There could be another powerful Adele/Beyoncé moment at the 2023 GRAMMYs, as the two are once again nominated for Album Of The Year, as well as Song Of The Year and Record Of The Year.

Press play on the video above to watch Adele's tearful acceptance speech. Keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind, and make sure to tune into CBS on Feb. 5 to watch the 2023 GRAMMYs.

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(L-R): Beyoncé in 2004, 2008, 2013, 2017, 2021

Photos {L-R): Frederick M. Brown/Getty Images, Kevin Mazur/WireImage, Jason Merritt/Getty Images, Jeff Kravitz/FilmMagic, Kevin Winter/Getty Images for The Recording Academy

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A Timeline Of Beyoncé's GRAMMY Moments, From Her First Win With Destiny's Child to Making History With 'Renaissance'

With four wins at the 2023 GRAMMYs, Beyoncé officially became the artist with the most GRAMMYs ever. To celebrate her feat, take a look at her record-breaking 22-year history at the GRAMMY Awards.

GRAMMYs/Jan 31, 2023 - 04:00 pm

Two years after making GRAMMY history, Beyoncé did it again at the 2023 GRAMMYs. Going into the night, she was tied with her husband, Jay-Z, for having the most nominations ever — 88 in total — but after adding four more GRAMMYs to her collection at the 65th GRAMMY Awards, she became the artist with the most GRAMMYs of all time with 32.

While the 2023 GRAMMYs may be her most historic, Beyoncé has created an extensive array of GRAMMY moments. She has delivered epic live performances on her own and alongside icons like Prince and Tina Turner, and she's taken home six GRAMMYs in one night.

Starting from her first nominations with Destiny's Child in 2000, take a trip through Beyoncé's most memorable and impactful moments at Music's Biggest Night.

2000 — 42nd GRAMMY Awards

Nominations: Best R&B Performance By A Duo Or Group With Vocal and Best Rhythm & Blues Song ("Bills, Bills, Bills") with Destiny's Child

Beyoncé's first red carpet appearance at the GRAMMYs was with fellow Destiny's Child members Kelly Rowland, Michelle Williams and Farrah Franklin (who was only part of the group for six months). The iteration of the group that was there that day was not the same group that received two nominations for "Bills, Bills, Bills" — that distinction goes to Beyoncé, Rowland, LeToya Luckett and LaTavia Roberson

Beyoncé, Luckett and Rowland co-wrote the track with producer Kevin "She'kspeare" Briggs and Xscape singer Kandi Burruss, the latter of whom coincidentally won the GRAMMY for Best Rhythm & Blues Song that year for co-writing TLC's "No Scrubs" with Tameka "Tiny" Cottle.

2001 — 43rd GRAMMY Awards

Destiny's Child

Photo: [Steve Granitz](https://www.gettyimages.com/search/photographer?photographer=Steve%20Granitz) / Contributor / Getty Images

Wins: Best R&B Song ("Say My Name"), Best R&B Performance By A Duo or Group With Vocal ("Say My Name")

Nominations: Record Of The Year and Song Of The Year ("Say My Name"), Best Song Written For A Motion Picture, Television Or Other Visual Media ("Independent Women Part I" From Charlie's Angels)

The first GRAMMY red carpet as a trio with Roland and Williams, the group wore matching silky gowns on the red carpet and "Survivor"-era green outfits backstage, all designed by Beyoncé's mother, Tina Knowles. 

Destiny's Child took home their first GRAMMYs that night, for Best R&B Performance By A Duo or Group With Vocal and Best R&B Song for "Say My Name," which was also nominated for Record Of The Year and Song Of The Year. 

Beyoncé also earned a Best Song Written For A Motion Picture, Television Or Other Visual Media nomination for Destiny's Child's contribution to the 2000 film Charlie's Angels, "Independent Women Part I," which she co-wrote.

2002 — 44th GRAMMY Awards

Wins: Best R&B Performance By A Duo Or Group With Vocal ("Survivor")

Nominations: Best R&B Album (Survivor)

Performance: "Quisiera Ser" with Alejandro Sanz

Destiny's Child's first performance at the GRAMMYs was to duet with Latin star Alejandro Sanz on "Quisiera Ser." They provided supporting vocals and Beyoncé added some English lyrics to his Spanish song. 

The group's own international hit "Survivor," an anthem about thriving as the trio, won a GRAMMY for Best R&B Performance By A Duo Or Group With Vocal, and the Survivor album was nominated for Best R&B Album.

2004 — 46th GRAMMY Awards

Wins: Best Female R&B Vocal Performance ("Dangerously In Love 2"), Best R&B Performance By A Duo Or Group With Vocals ("The Closer I Get To You") with Luther Vandross, Best R&B Song and Best Rap/Sung Collaboration ("Crazy In Love"), Best Contemporary R&B Album (Dangerously In Love)

Nominations: Record Of The Year ("Crazy In Love")

Performance: "Purple Rain," "Baby I'm a Star," "Let's Go Crazy" and "Crazy In Love" with Prince

After dazzling in a gold Tina Knowles dress on the red carpet, Beyoncé opened the show alongside Prince with a medley of his hits "Purple Rain," "Let's Go Crazy" and "Baby I'm a Star," with a dash of her own "Crazy In Love." 

She accepted her first five GRAMMYs as a solo artist, including Best Female R&B Vocal Performance for "Dangerously In Love 2" — which she also performed — Best R&B Performance By A Duo Or Group With Vocals for "The Closer I Get To You" with Luther Vandross, Best Contemporary R&B Album for Dangerously In Love and two wins for "Crazy In Love" (Best R&B Song and Best Rap/Sung Collaboration). 

2005 — 47th GRAMMY Awards

Nomination: Best R&B Performance by a Duo or Group With Vocals ("Lose My Breath")

Destiny's Child celebrated another global smash earning a GRAMMY nomination with "Lose My Breath." The lead single from Destiny Fulfilled — their final studio album — received a nomination for Best R&B Performance by a Duo or Group With Vocals. 

Beyoncé and Rowland co-produced "Lose My Breath" with hitmakers Rodney Jerkins (who also helmed "Say My Name" and "Cater 2 U" from Destiny Fulfilled), and Sean Garrett, who later co-produced Bey solo singles including "Check On It," "Get Me Bodied," "Ring The Alarm" and "Upgrade U" with Swizz Beatz.

2006 — 48th GRAMMY Awards

Win: Best R&B Performance by a Duo or Group With Vocals ("So Amazing") with Stevie Wonder

Nominations: Best Contemporary R&B Album (Destiny Fulfilled), Best Female R&B Vocal Performance ("Wishing On A Star"), Best R&B Performance By A Duo Or Group With Vocals ("Cater 2 U"), Best R&B Song ("Cater 2 U"), Best Rap/Sung Collaboration ("Soldier")

Beyoncé and Stevie Wonder won a GRAMMY for Best R&B Performance by a Duo or Group With Vocals for "So Amazing," a cover of the song Luther Vandross wrote for Dionne Warwick in 1983 and recorded himself three years later. Bey also received a solo nomination for her cover of Rose Royce's "Wishing On A Star" on her Live at Wembley album. 

Meanwhile, Destiny's Child closed out their time as a group with four more nominations, bringing their career total to 14. Although the group had announced in June 2005 that they would be disbanding to pursue solo ventures, they assembled on the GRAMMY stage one last time — igniting eruptive applause — to present the golden gramophone for Song Of The Year, which went to U2 for "Sometimes You Can't Make It on Your Own."

2007 — 49th GRAMMY Awards

Win: Best Contemporary R&B Album (B'Day)

Nominations: Best Female R&B Vocal Performance ("Ring The Alarm"), Best R&B Song and Best Rap/Sung Collaboration ("Deja Vu")

Performance: "Listen" 

Beyoncé performed "Listen," her original song that she also sang as the lead role of Deena Jones in the film adaptation of the Broadway musical Dreamgirls.

She went home a GRAMMY winner again that night, as her second album, B'Day, was victorious as Best Contemporary R&B Album. Two of the album's singles earned nominations as well: "Ring The Alarm" for Best Female R&B Vocal Performance and "Deja Vu" for Best Rap/Sung Collaboration.

2008 — 50th GRAMMY Awards

Wins: Best Compilation Soundtrack (Dreamgirls

Nominations: Record Of The Year ("Irreplaceable"), Best Pop Collaboration ("Beautiful Liar") with Shakira

Performance: "Proud Mary" with Tina Turner

Continuing her streak of performing live with legends at the GRAMMYs, Beyoncé joined Tina Turner onstage to sing a fierce rendition of "Proud Mary" and achieve one of her personal bucket-list moments. 

"She's my hero and my icon," she said of Turner at an after party. "It was crazy. I went in the room [after] and I just bawled because I couldn't believe it.”

Dreamgirls won Best Compilation Soundtrack that night, while "Irreplaceable" was nominated for Record Of The Year and "Beautiful Liar," her collaboration with Colombian star Shakira from B'Day, received a nomination for Best Pop Collaboration.

2009 — 51st GRAMMY Awards

Nomination: Best Female R&B Vocal Performance ("Me, Myself & I")

A top 10 hit that was co-produced by Beyoncé and Scott Storch, "Me, Myself & I" touts the benefits of self-care, of being one's "own best friend" and not taking the blame in the face of a partner's infidelity. The relatable song was nominated for Best Female R&B Vocal Performance.

2010 — 52nd GRAMMY Awards

Wins: Song Of The Year, Best R&B Song and Best Female R&B Vocal Performance ("Single Ladies (Put A Ring On It)"), Best Female Pop Vocal Performance ("Halo"), Best Contemporary R&B Album (I Am… Sasha Fierce), Best Traditional R&B Vocal Performance ("At Last" from Cadillac Records: Music From The Motion Picture)

Nominations: Record Of The Year ("Halo"), Album Of The Year (I Am... Sasha Fierce), Best Rap/Sung Collaboration ("Ego"), Best Song Written For Motion Picture, Television Or Other Visual Media ("Once In A Lifetime" from Cadillac Records: Music From The Motion Picture)

Performance: "If I Were a Boy" 

Backed by an army of male dancers, Beyoncé's live performance of "If I Were a Boy" included an even more unexpected moment. At the song's climax, she switched to the chorus from "You Oughta Know" by Alanis Morrissette, the 1996 GRAMMY winner for Best Rock Song and Best Female Rock Vocal Performance.

Bey won an impressive six GRAMMYs in 2010, including three for "Single Ladies (Put A Ring On It)." She also earned a nomination for her portrayal of Etta James in the 2008 film Cadillac Records, as Beyoncé's version of "At Last" won Best Traditional R&B Vocal Performance.

2011 — 53rd GRAMMY Awards

Nominations: Best Female Pop Vocal Performance ("Halo (Live)"), Album Of The Year (The Fame Monster), Best Pop Collaboration With Vocals ("Telephone") with Lady Gaga

Several of Beyoncé's GRAMMY nominations have been for live songs as well as songs with other artists. At the 2011 GRAMMYs, she celebrated nominations for both: "Halo (Live)," which appears on the live album I Am… Yours: An Intimate Performance at Wynn Las Vegas, was nominated for Best Female Pop Vocal Performance, and her collaboration with Lady Gaga, "Telephone," earned Beyoncé two nominations. 

2012 — 54th GRAMMY Awards

Nominations: Best Rap/Sung Collaboration ("Party") and Best Longform Music Video (I Am… World Tour)

"Party," a duet with André 3000 from OutKast, is a highlight from Beyoncé's 4 album for its infectious chorus and the sheer rarity of scoring a verse from Three Stacks. The GRAMMYs recognized this dream team with a nomination for Best Rap/Sung Collaboration. Bey also received her first-ever nomination in the Best Longform Music Video category for I Am…World Tour. The film includes her singing "If I Were a Boy" with a few measures of "You Oughta Know," just like she did in her 2010 GRAMMYs performance.

2013 — 55th GRAMMY Awards

Win: Best Traditional R&B Performance ("Love On Top")

Beyoncé's 17th GRAMMY win occurred in the Premiere Ceremony for the 2013 GRAMMYs, which she and husband Jay-Z did not attend. So when Jimmy Jam announced that Beyoncé had won Best Traditional R&B Performance for "Love On Top," he jokingly offered to drop off the GRAMMY along with the awards Jay-Z won at the ceremony.

"They live in the same place, it's all good," Jam smiled. "Economical!"

2014 — 56th GRAMMY Awards

Beyoncé and Jay-Z

Photo: Frederic J. Brown / Getty Images


Nomination:
Best Rap/Sung Collaboration ("Part II (On The Run)") with Jay-Z

Performance: "Drunk In Love" with Jay-Z

Smoke billowed across the stage as Beyoncé opened the 2014 GRAMMYs with an intimate live performance of "Drunk In Love," joined by her husband Jay-Z for what may just be the sexiest performance of their careers.

Although "Drunk In Love" wasn't nominated until the following year, the couple did celebrate a nomination in 2014 for "Part II (On The Run)," from Jay's album Magna Carta Holy Grail. Backstage, Bey's long white Michael Costello gown got cameras clicking and slayed style watchers, a standout among all of her GRAMMY fits.

2015 — 57th GRAMMY Awards

Wins: Best R&B Performance ("Drunk In Love"), Best R&B Song ("Drunk In Love"), Best Surround Sound Album (Beyoncé)

Nominations: Album Of The Year (Beyoncé), Best Contemporary Album (Beyoncé), Best Music Film (Beyoncé and Jay-Z: On The Run Tour)

Performance: "Take My Hand, Precious Lord"

After the previous year's racy performance of "Drunk In Love" that opened the show, Beyoncé took a markedly more pious approach with her musical number in 2015. Backed by an all-male choir, she sang "Take My Hand, Precious Lord," a gospel classic written by Thomas A. Dorsey in 1932. In a now-deleted behind-the-scenes video posted on her website, she explained that the performance was meant as a statement around police brutality and civil unrest in the wake of the murders of Eric Garner and Michael Brown, among others.

"My grandparents marched with Dr. King, and my father was part of the first generation of Black men that attended an all-white school," Beyoncé said. "My father has grown up with a lot of trauma from those experiences. I feel like now I can sing for his pain, I can sing for my grandparents' pain. I can sing for some of the families that have lost their sons."

During her three wins, fans saw her show some rare PDA with Jay-Z. The pair shared a kiss when they won Best R&B Performance for "Drunk In Love."

Two days after the 2015 GRAMMYs, Beyoncé also took part in a star-studded salute to Stevie Wonder for the CBS special "Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute," which aired on Feb. 15, 2015. She sang a medley of "Fingertips," "Master Blaster" and "Higher Ground" alongside Ed Sheeran and Gary Clark Jr.

2016 — 58th GRAMMY Awards

In a year when she didn't have eligible work in the running, Beyoncé still made international waves when she appeared at the GRAMMYs in a white wedding-like gown. She wasn't there to get married, though — she presented the award for Record Of The Year to Bruno Mars for his hit song "Uptown Funk."

"Let's go, Beyoncé, let's do it!" Mars playfully yelled from the audience, just before she said his name.

2017 — 59th GRAMMY Awards

Wins: Best Contemporary Urban Album (Lemonade), Best Music Video ("Formation")

Nominations: Album Of The Year (Lemonade), Best Music Film (Lemonade), Record Of The Year ("Formation"), Song Of The Year ("Formation"), Best Pop Solo Performance ("Hold Up"), Best Rock Performance ("Don't Hurt Yourself"), Best Rap/Sung Performance ("Freedom") 

Performance: "Love Drought" and "Sandcastles"

Beyoncé dressed like a goddess while pregnant with twins Rumi and Sir Carter to perform "Love Drought" and "Sandcastles," songs from her multi-nominated (and GRAMMY-winning) album and music film Lemonade. Her kids were at the forefront of her mind during her acceptance speech for Best Contemporary Urban Album.

"It's important to me to show images to my children that reflect their beauty so they can grow up in a world where they look in the mirror — first through their own families, as well as the news, the Super Bowl, the Olympics, the White House and the GRAMMYs — and see themselves," she said.

Later, in an unexpected — and instantly viral — moment, Adele dedicated her acceptance speech for Album Of The Year to effusively praising Beyoncé and the Lemonade album, which was also nominated in the category.

"You are our light!" Adele exclaimed, calling Lemonade her album of the year.

2018 — 60th GRAMMY Awards

Nomination: Best Rap/Sung Performance ("Family Feud")

It was all in the family when Beyoncé, Jay-Z and their then 6-year-old daughter Blue Ivy Carter sat together at the GRAMMYs in 2018 — though Blue's parents were ironically nominated for a song called "Family Feud" from Jay's 4:44 album. In a clip that went viral, a camera caught Blue seemingly motioning for them to stop clapping. The world fell in love with her commanding presence at that very moment.

2019 — 61st GRAMMY Awards

Win: Best Urban Contemporary Album (Everything Is Love)

Nominations: Best R&B Performance ("Summer"), Best Music Video ("Apes***")

Beyoncé's 2019 win and nominations were given for her collaborations with Jay-Z in their Everything Is Love album. The Carters won Best Urban Contemporary Album with the nine-song album, which they co-produced with Leon Michels and Cool & Dre. They also were nominated for Best R&B Performance for "Summer" as well as Best Music Video for "Apes***," a bold piece which they filmed in front of the Mona Lisa, Venus de Milo, Great Sphinx of Tanis and other seminal works displayed in Paris' Louvre.

2020 — 62nd GRAMMY Awards

Win: Best Music Film (Homecoming)

Nominations: Best Pop Solo Performance ("Spirit"), Best Song Written for Visual Media ("Spirit"), Best Pop Vocal Album (The Lion King: The Gift

Homecoming offers an intimate look at the best onstage and behind-the-scenes moments from Beyoncé's massive headline sets at Coachella in 2018. Performed over two consecutive weekends, her show at the Southern California desert festival pays homage to the great Southern bands from HBCUs (Historically Black Colleges and Universities). There's also a brief but thrilling Destiny's Child reunion, as well as plenty of Easter eggs for Southern rap fans in the form of instrumental and lyrical riffs and snippets weaved into her hits. 

Two additional nominations recognized her work for The Lion King: The Gift. She voiced Nala in the film.

2021 — 63rd GRAMMY Awards

Wins: Best R&B Performance ("Black Parade"), Best Music Video ("Brown Skin Girl"), Best Rap Performance ("Savage") and Best Rap Song ("Savage") with Megan Thee Stallion

Nominations: Record Of The Year ("Savage") and Record Of The Year ("Savage") with Megan Thee Stallion, Best R&B Song and Song Of The Year ("Black Parade"), Best Music Film (Black Is King)

Beyoncé's Best R&B Performance win made her the performing artist with the most career GRAMMY wins in history. (She's tied with producer Quincy Jones, and Georg Solti, who has more wins, was a conductor and not a performer.) She also became the woman with the most GRAMMY wins that night.

During her acceptance speech, she shared that she's worked hard since she was 9 years old and congratulated her daughter — also 9 at the time — for scoring her first GRAMMY. Blue stars in the video for "Brown Skin Girl," the Best Music Video winner.

"It has been such a difficult time so I wanted to uplift, encourage, and celebrate all of the beautiful Black queens and kings that continue to inspire me and inspire the whole world," Beyoncé added about her Black Is King project. 

Bey also appeared onstage with fellow Houstonian Megan Thee Stallion, who couldn't contain her excitement about sharing the stage — and two GRAMMYs — with her hometown hero. "I love her work ethic, I love the way she is, I love the way she carry herself," Megan said. "My momma will always be like, 'Megan, what would Beyoncé do?' And I'm always like, 'You know what? What would Beyoncé do, but let me make it a little ratchet.'"

2023 — 65th GRAMMY Awards

Wins: Best Dance/Electronic Music Album (RENAISSANCE), Best R&B Song ("CUFF IT"), Best Traditional R&B Performance ("PLASTIC OFF THE SOFA"), Best Dance/Electronic Music Recording ("BREAK MY SOUL")

Nominations: Album Of The Year (RENAISSANCE), Record Of The Year ("BREAK MY SOUL"), Song Of The Year ("BREAK MY SOUL"), Best Song Written For Visual Media ("Be Alive" from King Richard), Best R&B Performance ("VIRGO’S GROOVE")

Beyoncé made even more GRAMMY history in 2023 — and it was her biggest record yet.

She needed four wins out of her nine nominations to become the artist with the most GRAMMYs of all time with 32. Going into the ceremony, she had two wins down (Best Traditional R&B Performance and Best Dance/Electronic Music Recording), and she was, according to host Trevor Noah, "stuck in traffic" upon winning her third golden gramophone for Best R&B Song. But she made it just in time for her history-making moment, taking deep breaths as she took the stage and noting that she was "trying to just receive this night."

Throughout her speech, Beyoncé first thanked God and her late Uncle Jonny — her main inspiration for RENAISSANCE — then went on to thank her parents as well as Jay-Z and their three kids. She poignantly ended with a tribute to the trailblazers who opened the door for her record-breaking album.

"I’d like to thank the queer community for your love and for inventing this genre," she said. "God bless you, thank you so much to the GRAMMYs."

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