Photo: Quantrell D. Colbert © 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved
Jennifer Hudson stars as Aretha Franklin in the film, Respect
Poll: From Jennifer Hudson As Aretha Franklin To Jennifer Lopez As Selena, What's Your Favorite Music Biopic?
Vote now for your favorite music biopic in the latest GRAMMY.com poll!
In celebration of the recent release of RESPECT (Aug. 13), in which Jennifer Hudson embodies the one and only Queen of Soul Aretha Franklin, GRAMMY.com wants to know: What is your favorite music biopic?
A popular and compelling way to explore the lives of the artists and musicians we love, music biopics have experienced a major spike recently, with at least one major film seemingly released every year. Lady Sings The Blues (1972) saw disco queen Diana Ross embody Billie Holiday, while Andra Day tackled the heartbreaking role in this year's The United States vs. Billie Holiday. 1997 gave us a young Jennifer Lopez as Selena in Selena, 2005 turned Joaquin Phoenix into Johnny Cash in Walk the Line, and 2019 catapulted Taron Egerton into superstardom via his starring role as Elton John in Rocketman.
Vote now for your favorite music biopic in the below poll; it will remain open until Tuesday, Sept. 7, after which you can come back to see the final voting results.
Photo: Kevin Mazur/WireImage.com
GRAMMY Hall Of Fame Inspirations: Jennifer Hudson
From timeless classics to infectious pop gems, GRAMMY winner Jennifer Hudson goes deep on six influential GRAMMY Hall Of Fame recordings
(To commemorate the GRAMMY Hall Of Fame's 40th Anniversary in 2013, GRAMMY.com has launched GRAMMY Hall Of Fame Inspirations. The ongoing series will feature conversations with various individuals who will identify GRAMMY Hall Of Fame recordings that have influenced them and helped shape their careers.)
Vocal powerhouse Jennifer Hudson grew up in Chicago in the '80s and '90s, but it was a piece of classic '70s disco that first made her want to put her talents to use as a professional performer.
"When I heard 'Got To Be Real' [by Cheryl Lynn] it just grabbed me," says Hudson. "That was the song that made me think, 'Oh God — that's what I want to do.' I'd mark off a little stage on the floor and hold my hairbrush microphone and jump up and down. I'd lose it."
A solid disco beat can still move her, but Hudson also cites gospel music as a major influence, having sung often in the church in her childhood with an extended family of talented vocalists.
Hudson got the chance to make her own music career real in 2004 when she delivered several knockout performances as a contestant on "American Idol." Her breakout role in the film adaptation of Dreamgirls followed in 2006, and two years later she took home Best R&B Album honors for her self-titled debut at the 51st GRAMMY Awards [link to show page].
With plans underway for her third studio album, Hudson reigns as one of the most gifted and affecting performers of her generation. Here are six recordings from the GRAMMY Hall Of Fame that continue to make her want to reach for the microphone — hairbrush or otherwise.
"I have a hard time remembering what I was doing the first time I heard a lot of the Whitney songs because I went crazy for everything she did. That first album really had an effect on me. 'Saving All My Love For You,' 'How Will I Know,' 'Greatest Love Of All' — just saying the names of the songs makes me want to cry all over again. I do remember that 'Greatest Love Of All' was a total game changer for me. It was a song that had a very different kind of power. It didn't make you want to dance like my other favorites had done — this one captivated you. It put you into a trance. You started listening to that song and the world around you went silent.
"Whitney had that effect right from the start. There's a time to dance, and there's a time to listen, and Whitney had a voice that you had to listen to. The thing that has always amazed me is that her music is so powerful, and yet it's so soothing. In some ways it's perfect ear candy, but it can also move you to tears."
"When it is time to dance, this is the [song]. I think everybody has the experience with music that certain songs are powerful enough to take you right back to a certain time and place. There are songs you appreciate for the music, but there are songs you just feel are like old friends — you've got some history with them. For me, hearing Patti LaBelle and the group singing 'Lady Marmalade' takes me right back to the times when I was first getting so excited about music. This is the kind of song that just made me jump up and want to be a part of what was going on.
"I also remember being impressed by the look and the image of LaBelle too, which I didn't really know about until I'd already been familiar with the song. [They were] so much fun, and so expressive. I wish things were a little more like that now. Sometimes it feels like everything's been done. You think somebody has a new look and it turns out LaBelle [were] already there.
"Oh Happy Day"
Edwin Hawkins Singers
"I started out singing in church choruses, and even before I was singing I was sitting [on] my grandmother's lap while she was singing the chorus on Sunday or at choir rehearsal. My whole family sang — my grandmother was the youngest of 11 siblings and they all sang together as a group. I remember they'd do these warm-ups where they'd go around and everybody in the family had to sing their name: 'My name is Jennifer Hudson, how do you do?'
"I always loved that feeling of being surrounded by music and family, and that's a feeling I get from 'Oh Happy Day,' which is kind of funny because for all the singing we did in church, I don't think we sang that song. Once I heard it though, I couldn't get enough of it. It's one of those great pieces of music that's a real church song, but it gets you there just like any great up-tempo pop song. It gives you that great feeling of energy and makes you smile. It does what the title tells you it does — makes your day a happier one."
"Bridge Over Troubled Water"
Simon & Garfunkel
"I just absolutely love this song, and have from the first time I heard it. But for a long time what I was familiar with was the Aretha Franklin version. A friend finally introduced me to the Simon & Garfunkel original. Their recording is so perfect and so heavenly — every time I hear it I either want to sing along with the whole thing, or just say, 'Hallelujah.' The sound is so pure and the arrangement is so beautiful, it just sends you away. Then, when you really listen to the words, it's beautiful on a whole different level. What does everyone want in life but a bridge over troubled water?
"This is the kind of song that makes me wonder: When it was being written and recorded, did they have a sense of how amazing and timeless this was? Did they know from the start it was a masterpiece? I think we musicians know when we've done the best we can do, and that's a great feeling. But I wonder if there's an extra awareness when you create something that's just going to last forever. This song is definitely in that category."
"The Way We Were"
"I don't remember my first time hearing Barbra Streisand. I just think I was always aware that she was the top — that she's as good as you can get as a singer and a performer.
"The first time I really became aware of just how special a talent she had was when I actually had to get it together to sing a couple of her songs at one of Clive Davis' Pre-GRAMMY [Galas]. It was a tribute for her, and two days before the show Clive asked me to sing 'People' and 'The Way We Were.' I had to take on these two gigantic signature songs — songs that aren't easy to deliver — and sing them with her sitting right in front of me. Are you kidding me? I almost lost my mind.
"She makes the first few lines of 'People' sound so easy, but melodically it's very difficult to get it just right. To this day I want to sing that over again and get it right — a little more right. I think I must have spoken to her after I sang, but I was so terrified I don't remember a thing. I think she was smiling, but I don't know. I love her. I'd sing for her again if I could — but maybe not one of her songs."
(Jennifer Hudson won her first career GRAMMY in 2008 for Best R&B Album for Jennifer Hudson. As an actress, her role in the 2006 film Dreamgirls earned her numerous awards, including the Academy Award for Best Supporting Actress. A day after the death of Whitney Houston on Feb. 11, 2012, Hudson performed "I Will Always Love You" as a special tribute on the 54th GRAMMY Awards telecast.)
(Chuck Crisafulli is an L.A.-based journalist and author whose most recent works include Go To Hell: A Heated History Of The Underworld, Me And A Guy Named Elvis and Elvis: My Best Man.)
Photo: C Flanigan/Getty Images
Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?
Cast your vote. Who will voters choose for Record Of The Year at the 18th Latin GRAMMY Awards?
Including the likes of Shakira and Carlos Vives to Natalia Lafourcade, Marc Anthony, Jesse & Joy, and Alejandro Sanz, the previous Latin GRAMMY winners for Record Of The Year reads like a who's who of Latin music. This year's nominees are no different.
With Rubén Blades' sensual "La Flor De La Canela," Luis Fonsi featuring Daddy Yankee's song of the summer "Despacito," Residente's impactful "Guerra," Ricky Martin with Maluma's Vente Pa' Ca," and Jorge Drexler's "El Surco," among others, this year's class of 18th Latin GRAMMY Awards nominees for Record Of The Year is loaded.
Which song do you think will take home the Latin GRAMMY for Record Of The Year? Cast your vote below.
Special GRAMMY Tribute To Honor Whitney Houston
Jennifer Hudson to pay tribute to late GRAMMY-winning artist on the 54th Annual GRAMMY Awards
A special musical tribute to six-time GRAMMY winner Whitney Houston featuring GRAMMY-winning artist Jennifer Hudson has been added to the lineup for the 54th Annual GRAMMY Awards.
Houston died Feb. 11 at age 48. A cause of death was not disclosed.
"A light has been dimmed in our music community today, and we extend our deepest condolences to her family, friends, fans and all who have been touched by her beautiful voice," said Neil Portnow, President/CEO of The Recording Academy.
Houston won her first GRAMMY Award in 1985 for Best Pop Vocal Performance, Female for "Saving All My Love For You." She won the same award in 1987 for "I Wanna Dance With Somebody (Who Loves Me)." In 1993 Houston won three GRAMMYs: Best Pop Vocal Performance, Female and Record Of The Year for "I Will Always Love You"; and Album Of The Year for The Bodyguard — Original Soundtrack. Houston's most recent GRAMMY win came in 1999 for Best Female R&B Vocal Performance for "It's Not Right But It's Okay."
Hudson won her first career GRAMMY in 2008 for Best R&B Album for Jennifer Hudson.
The show is produced by John Cossette Productions and AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, Louis J. Horvitz is director, and David Wild and Ken Ehrlich are the writers.
The 54th Annual GRAMMY Awards will take place live on Sunday, Feb. 12 at Staples Center in Los Angeles and will be broadcast in high definition and 5.1 surround sound on the CBS Television Network from 8–11:30 p.m. (ET/PT). The show also will be supported on radio worldwide via Westwood One/Dial Global, and covered online at GRAMMY.com and CBS.com, and on YouTube.
Follow GRAMMY.com for our inside look at GRAMMY news, blogs, photos, videos, and of course nominees. Stay up to the minute with GRAMMY Live. Check out the GRAMMY legacy with GRAMMY Rewind. Keep track of this year's GRAMMY Week events, and explore this year's GRAMMY Fields. Or check out the collaborations at Re:Generation, presented by Hyundai Veloster. And join the conversation at Facebook, Twitter, and YouTube.
Ladies Antebellum And Gaga, Jeff Beck, David Frost, John Legend Win Three GRAMMYs Each
Arcade Fire wins Album Of The Year; Esperanza Spalding wins Best New Artist
(To view a list of 53rd Annual GRAMMY Awards winners, click here.)
The evening began with a tribute to the Queen of Soul, Aretha Franklin, but by the time the last of the 53rd Annual GRAMMY Awards was handed out on Feb. 13, several other singers and bands looked something like royalty. Foremost among them was Lady Antebellum, who walked away with three trophies while the group members earned two more each for songwriting categories.
Lady Antebellum at the GRAMMYs
During a show memorable for its range of fully fueled performances, the country superstars sang a pitch-perfect medley of tunes that ended with a quiet rendition of the song that launched them, "Need You Now," and shortly afterward collected the Song Of The Year GRAMMY for it (along with co-writer Josh Kear, with whom they also took Best Country Song). But there was plenty more to come for the trio. They also took home the GRAMMY for Best Country Album for Need You Now. Accepting that award, lead singer Charles Kelley said, "This song has completely flipped our world upside down." By the time Lady Antebellum stood up to collect a trophy for Record Of The Year for "Need You Now," they were in disbelief, and possibly discombobulated: "Oh my gosh, we're so stunned we started walking the wrong direction," said singer Hillary Scott breathlessly.
Also racking up awards was Lady Gaga, who claimed three: Best Pop Vocal Album for The Fame Monster, and Best Female Pop Vocal Performance and Best Short Form Music Video for "Bad Romance." Never one to miss the chance to make an entrance, she hatched herself onstage from a giant opaque egg. That was a riff on her new single, "Born This Way," and perhaps her bared shoulders, which sprouted a pair of pointy elbows, were too. Her dancers and outfit gave off a Cleopatra vibe, but Gaga can't be stopped from seeming ultra-modern, and her performance of "Born This Way" reflected that; it was a warp-speed whirlwind.
Lady Gaga at the GRAMMYs
In keeping with that same modernist — or maybe futurist — spirit, she accepted her award for Best Pop Vocal Album in black body armor. But Gaga also proved she can be an old-fashioned girl with a soft side. In an emotional acceptance speech for that award, she surprised the audience by thanking Whitney Houston: "I imagined she was singing…because I wasn't secure enough in myself to imagine I was a superstar. Whitney, I imagined you."
Leading the nominees with 10 nods revolving around Recovery, an album that detailed his struggles with addiction but also reestablished him as a rap force to be reckoned with, Eminem took home trophies for Best Rap Album — a triumph over rivals including Jay-Z, Drake and B.o.B — and Best Rap Solo Performance for "Not Afraid." Onstage, his swagger proved undiminished.
A flame-haired Rihanna opened Eminem's performance with a searching rendition of their duet "Love The Way You Lie," but it was Slim Shady who came out blazing, spitting the lyrics to that song before raging into "I Need A Doctor" with Dr. Dre and singer Skylar Grey; Adam Levine from Maroon 5 handled piano duty.
Closing the show and likely lifting the Sunday-night spirits of indie kids everywhere was the Canadian collective Arcade Fire, who won the Album Of The Year GRAMMY for The Suburbs and, before the night's final performance, turned in a frothy and fierce rendition of the rocking "Month Of May."
Arcade Fire at the GRAMMYs
Other multiple winners for the evening included classical music producer David Frost, legendary rock guitarist Jeff Beck and R&B artist John Legend, who each earned three awards. Among those who won two each were alternative rock band the Black Keys, jazz giant Herbie Hancock, Jay-Z, Alicia Keys, urban/alternative group the Roots, Keith Urban, and gospel singer BeBe Winans.
And in a bit of surprise, jazz bassist Esperanza Spalding won Best New Artist over teen phenom Justin Bieber, as well Canadian rapper Drake, and adventurist rock outfits Florence & The Machine and Mumford & Sons.
Esperanza Spalding at the GRAMMYs
The show also featured a few firsts, including a first-time ever GRAMMY performance by Rolling Stone frontman Mick Jagger, who helped pay tribute to fallen R&B singer Solomon Burke.
But if there was also a constant, it was the annual, high-profile celebration of music that the GRAMMYs represent, and the 53rd GRAMMYs fit the bill once again, with performances, pairings and awards presentations that were full of pleasant musical surprises.