Photo: Kevin Winter/Getty Images
Megan Thee Stallion performs at 63rd GRAMMY Awards
Poll: Megan Thee Stallion & Cardi B, Beyoncé, BTS & So Much More—What Was Your Favorite 2021 GRAMMYs Moment?
With stellar performances from BTS, Cardi B and Megan Thee Stallion, Dua Lipa, Harry Styles and many more, we want to know what your favorite moment from the 2021 GRAMMY Awards show was
We're still spinning from all the musical magic and shimmer sent straight to our hearts from all the artists who participated in the 2021 GRAMMY Awards show last night. While we know it's a near-impossible task to pick one favorite moment from the evening (How good was every performance?!), we want to know which one sits at top for you.
With stellar performances from BTS, Cardi B and Megan Thee Stallion, Dua Lipa, Harry Styles and many more, to unforgettable moments from Beyoncé, Billie Eilish and others, we want to know what your favorite moment from the 2021 GRAMMY Awards show was. Vote below in our latest GRAMMY.com poll and scroll through all our coverage here.
Check out all the complete 2021 GRAMMY Awards show winners and nominees list here.
Photo: Lillie Eiger
Harry Styles To Perform At The 2023 GRAMMYs
GRAMMY winner and current nominee Harry Styles has been added to the 2023 GRAMMYs performer lineup. He joins previously announced GRAMMY performers Bad Bunny, Mary J. Blige, Brandi Carlile, Luke Combs, Steve Lacy, Lizzo, Kim Petras, and Sam Smith.
Harry's House is coming to the GRAMMYs! Exactly one week away from the 2023 GRAMMYs, GRAMMY winner and current nominee Harry Styles has been added to the 2023 GRAMMYs performer lineup. He joins previously announced GRAMMY performers Bad Bunny, Mary J. Blige, Brandi Carlile, Luke Combs, Steve Lacy, Lizzo, Kim Petras, and Sam Smith, who will hit the GRAMMY stage on Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT.
The news was just announced in a CBS on-air promo that aired tonight during the AFC Championship game between the Kansas City Chiefs and the Cincinnati Bengals.
Styles' 2023 GRAMMYs performance serves as the cherry on top to what has easily become his international breakout moment. Last May, he released Harry's House, his critically acclaimed third studio album, which is currently nominated for six GRAMMYs: Record of the Year (“As It Was”); Album of the Year (Harry’s House); Song of the Year (“As It Was”); Best Pop Solo Performance (“As It Was”), a category he won at the 2021 GRAMMYs; Best Pop Vocal Album (Harry’s House); and Best Music Video (“As It Was”).
Make sure to catch Harry Styles' unforgettable GRAMMY performance at the 2023 GRAMMYs, airing live Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT from Crypto.com Arena in Los Angeles. The 2023 GRAMMYs will be broadcast live on the CBS Television Network and will be available to stream live and on-demand on Paramount+.
Just hours before Music's Biggest Night kicks off, the Recording Academy will present the 2023 GRAMMY Awards Premiere Ceremony, a beloved annual event where the majority of this year's 91 GRAMMY Awards categories will be awarded. A star-studded celebration of performers, presenters and awards, this year's Premiere Ceremony will feature performances from current GRAMMY nominees Arooj Aftab, Madison Cunningham, Samara Joy, Anoushka Shankar, and Carlos Vives, as well as an opening number performance by Blind Boys of Alabama, La Marisoul from La Santa Cecilia, and additional surprise performers. Taking place Sunday, Feb. 5, at 3:30 p.m. ET/12:30 p.m. PT at Microsoft Theater in Los Angeles, the 2023 GRAMMY Awards Premiere Ceremony will stream live on live.GRAMMY.com and on the Recording Academy's YouTube channel. City National Bank currently serves as the first-ever presenting sponsor of the GRAMMY Awards Premiere Ceremony.
Read More: The 2023 GRAMMY Awards Premiere Ceremony To Feature Performances From Carlos Vives, Samara Joy, Madison Cunningham, Arooj Aftab & More; Presenters Include Babyface, Jimmy Jam, Malcolm-Jamal Warner & Others
Throughout GRAMMY Sunday, make sure to visit live.GRAMMY.com, an expansive, immersive digital experience giving fans an all-access pass to exclusive, never-before-seen GRAMMYs content, including GRAMMY performances, acceptance speeches, interviews from the GRAMMY Live From The Red Carpet special, and more. Keep visiting live.GRAMMY.com before, during and after the 2023 GRAMMYs for more behind-the-scenes GRAMMYs content you won't see on the GRAMMYs telecast or anywhere else.
Photos: (L-R) Kevin Winter/Getty Images for The Recording Academy, Kevin Mazur/Getty Images for The Recording Academy, Lyle A. Waisman/FilmMagic, Mat Hayward/Getty Images
The Rise Of Brandi Carlile: How Her Emotive Songwriting & Delivery Made Her One Of Americana's Most Versatile Stars
Brandi Carlile's seven nominations at the 2023 GRAMMYs epitomize the superstardom she has achieved in recent years — the kind of success she's been destined for since her 2005 debut.
Brandi Carlile's soaring performance of her song "The Joke" at the 2019 GRAMMY Awards didn't necessarily make her a superstar, but it showed the world that she is one. And judging by her own reaction, she knew it, too: Carlile ended the performance with a flourish, throwing her head back to drive the final notes even higher, grinning and jumping up and down as she finished.
Already, she had six albums and plenty of critical acclaim to her name, but that night Carlile won her first GRAMMYs — three, to be exact — including two for "The Joke." Since then, she's added three more golden gramophones to her collection, and now boasts a total of 24 nominations — including seven at the 2023 GRAMMYs.
Her 2021 album, In These Silent Days, is nominated for Album Of The Year and Best Americana Album; "You and Me on the Rock" is up for Record Of The Year, Best Americana Performance and Best American Roots Song; and "Broken Horses" earned nods for Best Rock Song and Best Rock Performance — Carlile's first in the Rock Field. (The album's lead single, "Right on Time," also earned her three GRAMMY nominations in 2022: Record Of The Year, Song Of The Year and Best Pop Solo Performance, the latter of which was another first for Carlile.)
Over her nearly 20-year career, Carlile has built a diverse fan base. Although she considers Americana to be her "home base," Carlile's music often doesn't fit neatly into any one genre, which is abundantly clear in her wide array of nominations for In These Silent Days. In fact, since her first GRAMMY nomination in 2016, Carlile has been nominated across six different Fields: American Roots Music, Country, General Field, Rock, Pop, and Music for Visual Media.
While Carlile's genre-bending prowess is essential to her musical vision, it's her powerful voice and range that captivates listeners. Beyond those, Carlile's canny ability to convey universally-relatable sentiments through songs, often based on her own experiences, solidified her standing as one of the most beloved stars in Americana and beyond.
From the get-go, Carlile established her broad appeal with her debut self-titled album in 2005, laying the foundation for her breakout album, The Story, released in 2007. The title track, a lilting love song — which spoke to millions with honest, relatable lyrics about how our personal histories make us who we are today — remains her biggest hit to date. (Though she didn't write it herself, the track was penned by Phil Hanseroth, one half of the Hanseroth twins, with whom Carlile has performed and written for most of her career.)
After The Story's resounding success, the singer continued honing her voice and performance on her 2009 and 2012 LPs, Give Up The Ghost and Bear Creek. Then in 2015, Carlile foreshadowed the precision and strength of 2018's By The Way, I Forgive You, with The Firewatchers's Daughter — which earned her her first GRAMMY nomination, for Best Americana Album. The album shifts from the powerful and personal "Wherever is Your Heart," to the rowdy, cathartic jam "Mainstream Kid" and the haunting "The Stranger at My Door," whose central character lends the album its name.
With By the Way I Forgive You, Carlile sharpened her songwriting chops, zeroing in on the same blend of candor and levity that makes her live performances so riveting. "The Joke," a profound love letter to kids who don't fit in, is arguably one of the strongest displays of Carlile's ability to distill emotion into lyrics. But "The Mother" is the album's lyrical standout, wherein Carlile neatly packages her profound and funny experience of becoming a mother.
As her own star continued to rise, Carlile made a point of speaking up for other artists, and even produced and co-wrote Tanya Tucker's powerful comeback album, While I'm Livin', in 2019. The album, the country icon's first in 10 years, earned Tucker her first two GRAMMYs, which she shared with Carlile (Best Country Album and Best Country Song for "Bring My Flowers Now").
Largely written by Carlile and the Hanseroth twins, While I'm Livin' showcases some of Carlile's best writing to date. Demonstrating her deep knowledge of the country music history, she penned tracks that fall within the country music canon but adeptly reject the roles the genre often outlines for women.
Keeping her outlaw evolution going, just two weeks after While I'm Livin', Carlile released the eponymous debut album with her country supergroup, The Highwomen, comprised of Carlile, Maren Morris, Natalie Hemby and Amanda Shires. Together, they turned the male-dominated outlaw country genre on its head with a series of smart, hard-driving tracks, including "Redesigning Women," "My Name Can't be Mama," and "Crowded Table," the latter of which won Best Country Song at the 2021 GRAMMYs.
Carlile's most recent release, In These Silent Days, opens with "Right On Time," which, according to Carlile herself, picked up where "The Joke" left off. By mining her own past and experience for inspiration, Carlile produced her most poignant album yet. Written in the early days of the COVID-19 pandemic, its 10 tracks delve into how isolation liberates and confines us, love's many forms, and the pain and catharsis of exploring the past. A clarity of emotion permeates the album, making each track feel like a window into Carlile's life.
She follows up "Right On Time" with the sweet and catchy "You and Me on the Rock," a love song that delights in the small pleasures in the life she's built with her wife, Catherine. With backing vocals by Lucius, it shows off Carlile's dynamic ability to layer meaning into a seemingly simple song.
The slow burn of Carlile's career served her well, allowing her to perfect her writing and performance without the pressures of instant success. Reaching superstar status in her late 30s enabled her to realize its full potential, Carlile, who's now 41, says.
"You only have so many shots anymore," she told NPR last year. "And if you're not ready for that — like, musically ready, emotionally ready, physically ready and just mentally ready to, like, seize that moment, really take the bull by the horns, and go, 'This is my shot, I'm going to do this' — I don't think you can do that in your 20s on purpose."
In addition to scoring her most GRAMMY nominations in one year, Carlile had several other superstar moments in 2022. She was the cover star of Billboard's Pride Month issue in June; in July, she surprised the world by bringing Joni Mitchell on stage with her at the Newport Folk Festival (Mitchell's first full performance in 20 years), and became the first woman to headline Tennessee's Pilgrimage Music & Cultural Festival in September.
Carlile closed out the year with a return to "Saturday Night Live," her second appearance on the late-night sketch show in the last 14 months. Neatly linking her early breakout with her current hit, she performed "The Story" and "You and Me on the Rock" back to back.
As her most recent "SNL" performance hinted, Carlile delicately balances her roots with her present success. Wherever Carlile's star power takes her next, she's poised and ready for a bright and captivating future.
Graphic: The Recording Academy
A GRAMMY Salute To The Beach Boys Tribute Concert To Feature Performances By John Legend, Brandi Carlile, St. Vincent, Beck, Fall Out Boy, Mumford & Sons, Weezer & More; Tickets On Sale Now
Taking place Wednesday, Feb. 8, at the Dolby Theatre in Hollywood, California, the live concert special will feature a star-studded lineup that also includes Charlie Puth, LeAnn Rimes, My Morning Jacket, Norah Jones, Pentatonix, Lady A, and many others.
A few days after the 2023 GRAMMYs, the Recording Academy, along with Tenth Planet Productions and CBS, will present A GRAMMY Salute to the Beach Boys, a special tribute concert honoring the legendary, GRAMMY-nominated music icons, the Beach Boys. Taking place Wednesday, Feb. 8, at the Dolby Theatre in Hollywood, California, the live concert special will feature a star-studded performer lineup that includes GRAMMY-winning artists and past and current GRAMMY nominees including Beck, Brandi Carlile, Fall Out Boy, Hanson, Norah Jones, Lady A, John Legend, Little Big Town, Michael McDonald, Mumford & Sons, My Morning Jacket, Pentatonix, Charlie Puth, LeAnn Rimes, St. Vincent, Take 6, and Weezer, who will all celebrate and honor the Beach Boys’ everlasting music and impactful career.
A GRAMMY Salute to the Beach Boys will air on the CBS Television Network and will be available live and on demand on Paramount+ at a later date. More info on the event is below.
Wednesday, Feb. 8
Doors: 5:30 p.m. PT
Concert: 6:30 p.m. PT
6801 Hollywood Blvd
Los Angeles, CA 90028
PHOTOS (CLOCKWISE, L-R): KEVIN MAZUR/GETTY IMAGES FOR THE RECORDING ACADEMY, JEFF KRAVITZ/FILMMAGIC, MICHAEL CAULFIELD/GETTY IMAGES, CLIFF LIPSON/CBS VIA GETTY IMAGES, KEVIN MAZUR/WIREIMAGE
The Taylor Swift Essentials: 13 Songs That Display Her Storytelling Prowess And Genre-Bouncing Genius
Ahead of the 2023 GRAMMYs on Feb. 5 and Taylor Swift's "The Eras Tour" kicking off in March, revisit these 13 hits and beloved classics by the 11-time GRAMMY winner.
We're all under Taylor Swift's spell. From her poppy radio hits to her crying-on-the-floor anthems, her discography is as enthralling as it is extensive. She enchants with stories about not just heartbreak and lost loves, but also about wider reflections on life — self-worth, fame, politics, family, moving on, change.
Though Swift emerged as a country icon in high school, she has leapt across genres with ease in the years since, mastering them as well as shaping them. Whether she's busy conquering synth pop or molding indie folk, her songwriting cultivates a divine magic, one that merges reality and fiction with profound intimacy.
After expanding her sonic universe further with Midnights last year, Swift will kick off her "Eras Tour" in March. Simply the name of her tour indicates the expanse and power of her musical career thus far: as she bridges her eras, she builds her legacy.
Her legacy receives a unique nod through her four nominations for the 2023 GRAMMYs: while Swift is nominated for her Where The Crawdads Sing track, "Carolina," she's also nominated for songs that she wrote years ago, around the time of her original Red release. And just this month, Midnights' "Anti-Hero" broke Swift's personal record for her longest-running No. 1 single on the Billboard Hot 100, further proving that she hasn't lost her touch.
By cherishing her past while continuing to mold her musical future, Swift strikingly dominates with staying power. Ahead of the 2023 GRAMMYs and Swift's upcoming "The Eras Tour," here are 13 tracks that highlight Swift's evolution up to Midnights, honoring her trailblazing creativity and versatility.
"Our Song," Taylor Swift (2006)
A song about a song, how meta of Swift. One of her earliest meta songwriting moves, "Our Song" encapsulates a relationship's everlasting beauty with the warm breeziness of riding shotgun. Its lighthearted conversational lyricism emits an infectious joy that helped introduce Swift as a songwriter who is both relatable and captivating.
The banjo-led tune establishes the singer's country roots with a casual, but vivid image: Swift grinning with her elbow on the car door, hair windswept with the windows down. She may have written "Our Song" for a talent show back in high school, but Swift clearly had the songwriting prowess of a superstar — one that grew well beyond freshman year.
"White Horse," Fearless (2008)
Just two tracks after the whirlwind romance of "Love Story," Swift finds herself closing her fairytale storybook to disappointment. While "White Horse" sees the singer question her self-worth and cradle her crushed dreams, the heartbreaking track ended up earning Swift two GRAMMY Awards for Best Country Song and Best Female Country Vocal Performance in 2010. (The singer scored her first GRAMMY wins that year, taking home four GRAMMYs total. To date, Taylor Swift has won 11 GRAMMYs and received 42 nominations overall.)
Although the acoustic ballad wallows in sorrow, gloom eventually blooms into a necessary epiphany: "I'm gonna find someone someday who might actually treat me well," Swift realizes in the final chorus. In this way, "White Horse" prevails as one of the singer's most powerful ballads to date — and judging by what Swift has said about Midnights track "Lavender Haze," that realization has come true.
"Forever & Always," Fearless (2008)
"Forever & Always" is arguably one of Fearless' staple tracks, but what many fans may not know is that the timeless track almost didn't make the album. The pop-rock anthem track sees Swift denounce a hypocritical ex who misled her, and she criticizes them with a slew of questions she already knows the answers to: "Were you just kidding?" "Was I out of line?" "Did you forget everything?" From distress to confusion to anger, the song bursts with warranted rage at a betrayal, cementing Swift as a master of channeling heartbreak.
"Enchanted," Speak Now (2010)
Long before "Enchanted" spiraled into one of Swift's many viral TikTok moments, the Speak Now deep cut bewitched listeners from the second it arrived more than a decade ago. The song hums with anticipation, with early acoustic guitar later giving way to overwhelming yearning and anthemic production.
The way the song progresses is almost like a fairytale, starting with a longing stare and playful conversation before ending with a rosy-cheeked walk home. It's a near-perfect display of Swift's ability to capture an incisive, fleeting romance in song, from the smitten lyrics to cinematic production. And though the love song serves more of a captivating cliffhanger than a finished chapter, its story still leaves listeners blushing all the way home.
"Back To December," Speak Now (2010)
On Speak Now's "Back to December," Swift sifts through wilting roses and missed birthdays to unearth a sorrowful confession. As she comes to terms with her regret over ending a healthy relationship, the track swells with guilt and sincerity. While many of Swift's preceding romantic songs were characterized by longing or criticism, "Back to December" takes the rare form of a bittersweet, candid apology that exhibits maturity and grace.
"Mean," Speak Now (2010)
Complete with banjo and fiddle, "Mean" isn't just the only country-driven track on Speak Now, but it's also one of the last truly classic country songs of her catalog. The album's spunky sixth track goes down as one of Swift's most beautifully berating to date — even alongside "Look What You Made Me Do," "Bad Blood," and "Picture to Burn" — as she lambastes a cruel critic and realizes her self-worth.
Ironically, the Swift track that most put haters on blast is one of her most critically acclaimed, as the song won Swift two GRAMMY Awards for Best Country Solo Performance and Best Country Song in 2012. "Mean" also thrives as a manifestation — she has certainly become big enough that they can't hit her.
"Blank Space," 1989 (2014)
Nice to meet you, where you been? Swift's 1989 era submerged the singer in heavy synth and kaleidoscopic pop, and the record's exuberant second single "Blank Space" best flaunts Swift's multifaceted artist persona. The illustrious pop song satirizes the media's image of Swift as a serial dater, coasting with a sultry liveliness before escalating into ferocity.
Swift is scathingly and brilliantly self-aware as she acknowledges the world's view of her reputation: "Got a long list of ex-lovers/ They'll tell you I'm insane/ 'Cause you know I love the players/ And you love the game."
She continued poking fun at the "crazy ex-girlfriend" trope in the music video, from wrecking her former lover's car to setting his clothes on fire. The cleverly self-deprecating narrative (and genius visual) helped "Blank Space" become Swift's biggest streaming song to date, garnering a whopping 3 billion views on YouTube alone.
Accolades aside, "Blank Space" marked an important turning point for Swift. It was the first time she used her autobiographical songwriting style to take the power back — and most importantly, prove that no matter what is said about her, she'll keep cranking out the hits.
"Don't Blame Me," reputation (2017)
Defiance defines "Don't Blame Me," the fourth track from Swift's intrepid — and perhaps most unexpected — album reputation. The track personifies catharsis, uplifted by heavy bass and hard-hitting synth. Although the song is loosely about an intoxicating love, its ambition also represents Swift reclaiming her narrative once again.
Drawing comparisons to Madonna's "Like a Prayer" and Hozier's "Take Me to Church," the song marks more than moody melodrama, but shamelessly moving forward. Amid public quarrels with other celebrities — as well as the tabloids' obsession with her personal life — she makes a very definitive statement: don't blame her.
"Cruel Summer," Lover (2019)
"Cruel Summer" strikes Swift's discography in a zealous way, recalling the dreamy worlds of 1989's "Style" or reputation's "Getaway Car." The song sees Swift reminisce about a whirlwind summer romance with bittersweet intensity.
The track's assertive, immaculate electropop writhes irresistibly as Swift navigates the stark pain of secrets and love. Everything about "Cruel Summer" is sharp and exquisite, and the way its bridge bursts with melodramatic vigor is enough alone to make this a vital Swift track, even if it wasn't a single.
"the last great american dynasty," folklore (2020)
"the last great american dynasty" flourishes as one of Swift's most lucid, exquisite storytelling ventures — and as any Swiftie knows, that's saying something.
Reading like a short story, the crisp indie track recounts the life of American socialite Rebekah Harkness, one of the former owners of Swift's Rhode Island mansion. Swift weaves the past and present together seamlessly, drawing parallels between herself and Harkness with vivid detail and keen clarity. On this folklore track, Swift presents a refreshing creative vision by flaunting a new, innovative facet of her songwriting prowess.
"betty," folklore (2020)
Swift's first indie-folk foray, folklore, spins a tantalizing fictional love triangle across three tracks: "cardigan," "august," and "betty." The latter shimmers with reflective hope and heartache from the perspective of a character named James.
The apologetic, harmonica-driven folk rock track is reminiscent of Swift's earlier, country-rooted music — yet, the way its intricate narration uniquely interlocks with other album tracks is more characteristic of Swift's modern storytelling craft. Swinging between lighthearted and forlorn, "betty" cements Swift as a mystical mastermind.
"All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)," Red (Taylor's Version) (2021)
Swift's "All Too Well (10 Minute Version)" might very well be her magnum opus. Although the original beloved song from Red was never released as a single, it emerged as a fan favorite for its tragic retelling of visceral heartbreak. And once Swift released a new — and much longer — 10-minute edition of the gut-wrenching track on Red (Taylor's Version) nearly a decade later, it almost instantly became the fan favorite.
The song broke the Guinness World Record for being the longest song to reach No. 1 on Billboard Hot 100 (beating out Don McLean's "American Pie"!), and its cinematic music video "All Too Well: The Short Film" continued to stretch the Swift multiverse. With lucid lyricism, cathartic storytelling, and riveting melodies, "All Too Well (10 Minute Version)" triumphs as the pinnacle example of everything that makes Swift a revered songwriter and certified star — one who continues to shine like an ever-lovely jewel.
"Anti-Hero," Midnights (2022)
"It's me, hi, I'm the problem, it's me," Swift sighs on "Anti-Hero." Self-hatred takes center stage on the lead single from Midnights, inspired by the singer's insecurities, nightmares and fear of depersonalization.
Over a swirl of steady upbeat production, the pop song draws comparisons to the heartbreaking honesty of Lover's "The Archer." Her poetic candor takes on a self-destructive quality ("I'll stare directly at the sun but never in the mirror," she admits) that conveys an all-consuming loneliness — and at the same time, stark self-awareness.
Yet, Swift isn't an anti-hero, she's a mastermind. Serving as a "guided tour" of the things she tends to hate about herself, "Anti-Hero" spotlights not only the weight of Swift's vulnerability, but also its power. This capability transcends beyond Midnights; her sweeping creative force stretches across her past records and conquered genres. And even despite any insecurities, her influence has only continued to grow — showing that Taylor Swift will never go out of style.