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There’s never been a better time to be a music-loving college student. 

Beginning in the mid to late aughts, an increasing number of academic institutions have begun offering courses dedicated to major music acts. In the late aughts, rap maverick Jay-Z made headlines after becoming the subject of a Georgetown University course taught by Michael Eric Dyson, a sociologist and best-selling author of Jay-Z: Made in America. In the Sociology of Hip Hop: Jay-Z, students analyzed Hova's life, socio-cultural significance and body of work. 

It's easy to see why students would be attracted to these courses — which fill up quickly and are often one-time-only offerings.  The intertwining of celebrity and sociology present such fertile grounds to explore, and often make for buzzy social media posts that can be a boon to enrollment numbers. For instance, Beyhivers attending the University of Texas at San Antonio were offered the opportunity to study the Black feminism foundations of Beyoncé's Lemonade in 2016. Meanwhile, Rutgers offered a course dedicated to dissecting the spiritual themes and imagery in Bruce Springsteen's catalog. 

Luckily for students clamoring to get a seat in these highly sought-after courses, institutions across the country are constantly launching new seminars and classes about famous pop stars and beloved musical genres. From Bad Bunny to Harry Styles, the following list of popular music courses features a little something for every college-going music fan. 

Bad Bunny's Impact On Media

From his chart-topping hits to his advocacy work, Bad Bunny has made waves on and off stage since rising to fame in 2016. Now graduate students at San Diego State University can explore the global superstar's cultural impact in an upcoming 2023 course.    

"He speaks out about Puerto Rico; he speaks out about the Uvalde shooting victims and uses his platform to raise money and help them," said Dr. Nate Rodriguez, SDSU Associate Professor of Digital Media Studies. "How does he speak out against transphobia? Support the LGBTQ community? How does all of that happen? So yes, it’s very much relevant to journalism and media studies and cultural studies. It’s all of that mixed into one." 

A Deep Dive Into Taylor Swift's Lyrics 

Analyzing Taylor Swift's lyrics is a favorite pastime among Swifties, so it's fitting that her work and its feminist themes have been the focus of a string of university courses over the years. 

In spring 2022, the Clive Davis Institute of Recorded Music at New York University launched an offering focused on the "Anti-Hero" singer's evolution as an entrepreneur, race and female adolescence. The waitlisted course — the first-ever for the institution — drew loads of media attention and Swift received an honorary degree from NYU in 2022. 

In spring 2023, honors students at Sam Houston State University in Huntsville, Texas can analyze the 12-time GRAMMY winner's music and career in a seminar titled Culture and Society- Taylor Swift.

Kendrick Lamar's Storytelling & The Power Of Hip-Hop

Since dropping good kid, m.A.A.d. City in 2012, Kendrick Lamar has inspired a slew of academics to develop classes and seminars around his lyrical content and storytelling, including an English class that juxtaposed his work with that of James Baldwin and James Joyce. 

More recently, Concordia University announced that the 16-time GRAMMY winner will be the focus of The Power of Hip Hop, It’s Bigger Than Us, a course examining the lyrical themes of Lamar’s works, such as loyalty, fatherhood, class and racial injustice.

"No artist speaks to this ethos louder and more intricately than King Kunta, the prince of Compton, Kendrick Lamar, 10 years after good kid, m.A.A.d. City dropped," said Yassin "Narcy" Alsalman, the Montreal hip-hop artist and Concordia Professor who developed the class which launches in winter 2023. “He showed us it was okay to work on yourself in front of the world and find yourself internally, that family always comes first, that community and collective missions are central to growth and that sometimes, you have to break free."

EDM Production, Techniques, and Applications

If you dream of hearing your own EDM tracks played at a massive music festival à la Marshmello, Steve Aoki and Skrillex, this all-in-one course at Boston's Berklee College of Music has you covered. Learn about the cultural origins of the various EDM styles — like techno, trance, drum and bass and more — and the techniques that artists use to achieve these sounds. 

In between thought-provoking cultural seminars, students will receive lessons on how to operate the technologies necessary to create their own EDM masterpieces, including synths, digital audio workstations (DAW) and samplers.  

Harry Styles And The Cult Of Celebrity  

While many celebrity-focused courses center around sociology, the Harry’s House singer/songwriter has inspired his own digital history course at Texas State University in San Marcos: Harry Styles and the Cult of Celebrity: Identity, the Internet and European Pop Culture. 

Developed by Dr. Louie Dean Valencia during lockdown, the class will cover Styles’ music along with topics like gender, sexual identity and class — but the singer-songwriter’s personal life is off limits. Stylers who are lucky enough to grab a spot in this first-ever university course dedicated to their fave can expect to revisit One Direction’s catalog for homework. 

"I’ve always wanted to teach a history class that is both fun, but also covers a period that students have lived through and relate to," Dr. Valencia wrote in a Twitter post. "By studying the art, activism, consumerism and fandom around Harry Styles, I think we’ll be able to get to some very relevant contemporary issues. I think it’s so important for young people to see what is important to them reflected in their curriculum." 

Global Hip Hop Culture(s): Hip Hop, Race, and Social Justice from South Central to South Africa

Since its inception, hip-hop has left a lasting mark on the world, influencing language, fashion, storytelling and beyond. At the University of California Los Angeles, students can learn about how the art form has shaped young minds as they analyze the various hip-hop scenes worldwide. 

As part of a mission to establish the university as a leading center for hip-hop studies, UCLA’s Ralph J. Bunche Center for African American Studies launched a hip-hop initiative featuring an artist-in-residence program, digital archives, and a series of postdoctoral fellowships. Chuck D, the founder of the barrier-breaking hip-hop group Public Enemy, was selected as the first artist-in-residence. 

"As we celebrate 50 years of hip-hop music and cultural history, the rigorous study of the culture offers us a wealth of intellectual insight into the massive social and political impact of Black music, Black history and Black people on global culture — from language, dance, visual art and fashion to electoral politics, political activism and more," said associate director H. Samy Alim, who is leading the initiative.

The Music Of The Beatles

With their catchy two-minute pop hits, artsy record covers, headline-making fashions and groundbreaking use of studio tech, the Fab Five are among the most influential acts in music history. It’s no surprise, then, that they are the subjects of courses in a number of colleges and universities. 

Boston’s Berklee College of Music offers The Music of Beatles, which digs into the group’s body of work as well as the music they penned for other acts. Alternatively, if you’re more interested in their post-breakup works, The Solo Careers of the Beatles dives into those efforts. Meanwhile, the University of Southern California takes a look at their music, careers and impact in The Beatles: Their Music and Their Times.

Symbolic Sisters: Amy Winehouse and Erykah Badu

Whether you want to learn about craft, management, building a career, or marketing your work, the Clive Davis Institute at NYU offers an impressive curriculum for musicians and artists. With seminars focusing on the works of Prince, Joni Mitchell, Stevie Wonder, Paul McCartney, and J. Dilla, a unique duo stands out: Erykah Badu and Amy Winehouse. 

Framing the pair as "symbolic sisters," this two-credit seminar explores and compares how each songstress fused different genres and styles to forge a magnetic sound of their own. Winehouse rose to prominence for her retro spin on the sounds of Motown and Phil Spector and rebellious styling. A decade before "Back to Black" singer hit the mainstream, Badu — who is recognized as one of Winehouse's influences — rose to stardom thanks to her seamless blend of jazz, R&B, and hip-hop and captivating urban-bohemian style, creating a template for singers like SZA and Ari Lennox.

Selena: Music, Media and the Mexican American Experience

From ascending to the top of the male-dominated Tejano genre to helping introduce Latin music to the mainstream, Selena Quintanilla's impact continues to be felt decades after her untimely death. Artists including Selena Gomez, Demi Lovato, Victoria "La Mala" Ortiz, Becky G and Beyoncé cite the GRAMMY-winning "Queen of Tejano" as an influence. 

Throughout the years, her legacy and cultural impact have been the focus of dozens of college courses. In 2023, Duke University continues this tradition with Selena: Music, Media and the Mexican American Experience. The course will explore the life, career and cultural impact of the beloved Tejano singer.

The Art of Punk: Sound, Aesthetics and Performance

Since emerging in the 1970s, punk rock has been viewed as a divisive, politically charged music genre. Its unique visual style — which can include leather jackets, tattoos, chunky boots and colorful hair — was absorbed into the mainstream in the '90s, where it continues to thrive (to the chagrin of hardcore punks everywhere). Over the decades, dozens of subgenres have cropped up and taken the spotlight  — including riot grrrl and pop-punk — but very few have left the impact of the classic punk sound from the '70s and its anti-establishment themes.

If you're interested in learning more about the genre that inspired bands like Nirvana, check out Stanford University's The Art of Punk seminar, which explores the genre's visual and sonic origins, as well as its evolution and connections to race, class, and gender. 

Meet Me @ The Altar Reveal The 4 "Badass" Female Artists Who Inspired Their Debut Album, 'Past // Present // Future'

Nicki Minaj is making some serious moves right now. Within the same week, the 10-time GRAMMY nominee released her first single of the year, "Red Ruby Da Sleeze," and announced that she has started her own record label — which has already signed several artists, including Rico Danna, a rapper from her hometown neighborhood of South Jamaica in Queens.

This multi-hyphenate star is clearly stepping on the gas for 2023. But as her Barbz know, Minaj has been hustling for more than 15 years, and it's still paying off: Just last year, the rapper landed her third No. 1 on the Billboard Hot 100 with "Super Freaky Girl" — her first unaccompanied chart-topper. 

As the latest Nicki chapter begins, get familiar with the essential songs in her discography that brought her to this point. Starting with the standout track from her very first mixtape, GRAMMY.com presents a roadmap to understanding the music of Nicki Minaj.

"Can't Stop, Won't Stop" (2007)

Minaj collaborated with Lil Wayne — an early mentor — on her first mixtape, Playtime Is Over. It's the first hint of the musical chemistry between the two, as they trade rhymes over the instrumental of "Can't Stop, Won't Stop" by Young Gunz.

"Now, it's not hard to find me/ Top behind me/ You be Harry Potter, and I'll be Hermione," Minaj rapped to Tunechi on the track, foreshadowing how big they'd become together in the years to come.

"Itty Bitty Piggy" (2009)

The breakout song from her third mixtape Beam Me Up Scotty, Minaj declares that she's "the baddest in the game" on "Itty Bitty Piggy."

"It's me — I win, you lose!" she taunts on the track. Elsewhere, Minaj also shows off her confidence by offering to sign her fans' boobs and inviting other female rappers to pick her fruit out and to be her personal shoppers.

"Up Out My Face (Remix)" (2010)

Mariah Carey recruited Minaj for this sassy duet that serves as an early warning shot that she was ready for her pop music close-up. She distinguishes herself by rapping about cheaters and scrubs in American and English accents.

"My Chick Bad" (2010)

Minaj's sports and horror icon-laden verse on Ludacris' "My Chick Bad" shows how she was morphing into an outsized pop culture character of her own.

"Running down the court, I'm dunkin' on 'em, Lisa Leslie," she rapped, namechecking a WNBA star. On the track, she also compares herself to Friday the 13th movie killer Jason Vorhees and Freddy Kreuger from Nightmare on Elm Street.

"Moment 4 Life" (2010)

"Moment 4 Life," which features a guest verse from Drake, is the song that catapulted her from the early fame of appearing on songs from other artists to becoming recognized as a solo artist in her own right. The sixth collaboration between the two friends is also the most acclaimed of their work together, as the song was nominated for Best Rap Performance at the 54th GRAMMYs.

"In this very moment, I'm king," she proclaimed on the song.

"Roman's Revenge" (2010)

A week after dropping jaws with her guest verse as her alter ego "Roman Zolanski" on Kanye West's "Monster" (which also features Jay-Z, Rick Ross and Bon Iver), Minaj released her own full-length song called "Roman's Revenge." It's an electric duet featuring Eminem that finds her spitting lyrical fire like "a dungeon dragon."

"Super Bass" (2011)

Minaj's first solo top five hit — landing at No. 3 on the Billboard Hot 100 — solidified her pop star status with its catchy, sung chorus. The endearingly bouncy love song has earned a rare Diamond certification for sales of more than 10 million in the U.S. — her only single to achieve the feat to date.

"Starships" (2012)

Though Minaj had flirted with EDM-style tracks alongside David Guetta in 2011, her own club track "Starships" has the most soaring energy. Produced by RedOne, the song showcases Minaj's versatility with singing and rapping for an international audience.

"Anaconda" (2014)

A playful interpolation of Sir Mix-A-Lot's 1992 booty-popping hit "Baby Got Back," "Anaconda" is one of many examples of Minaj's sampling prowess. On the fun, uptempo track, she celebrates the pleasures of "missing no meals" and shouts out bodies that have extra to grab. The cheeky tune nabbed Minaj her first GRAMMY nomination for Best Rap Song in 2015.

"Bang Bang" (2014)

An infectious hit that earned Minaj her sole nomination for Best Pop Duo/Group Performance, "Bang Bang" positioned Minaj as a pop star alongside Jessie J and Ariana Grande. As she raps on the song, she brings "Nicki full throttle" with her verse, with dextrous rhyming as well as vocals that keep up with the powerful pipes of her collaborators.

"Truffle Butter" (2015)

Arguably the highlight of Minaj's collaborations with Drake and Lil Wayne, "Truffle Butter" finds the three rappers flowing over a slowed-down and pleasingly off-kilter dance beat, which was sampled from Maya Jane Coles' 2011 house music stunner, "What They Say." "Truffle Butter" earned Minaj one of her three GRAMMY nominations in 2016, and her second for Best Rap Performance.

"Chun-Li" (2018)

In this boom-bap-style track, Minaj takes on the role of Chun-Li, the woman in the Street Fighter video game series, spitting her verses over a horn riff that propels the listener into an action adventure. Though the character is not an antagonistic player in the game, Minaj crafts Chun-Li as a villain, spitting, "They need rappers like me/ So they can get on their f—ing keyboards and make me/ The bad guy, Chun-Li."

"Tusa" (2019)

Recognizing Minaj's global appeal, Colombian reggaeton artist Karol G reached out to collaborate on "Tusa." The bilingual song brought some significant firsts for Minaj: it was No. 1 on the Hot Latin Songs chart in the United States, topped pop charts all over South America and was nominated for both Record Of The Year and Song Of The Year at the Latin GRAMMYs in 2020.

"In her verse, she says: 'It's me and Karol G, and we let the rats talk.' I died, I revived, I died and revived again until I understood Nicki Minaj had said my name in her verse," Karol G excitedly told Billboard.

"Do We Have a Problem" (2022)

Minaj's versatility as an MC shines on her recent collaboration with Lil Baby, which is accompanied by a mini movie where she plays a sexy and fearsome double agent. Her lyrical fierceness is distinct from her pop songs, and is a welcome return to her earliest approach to rapping — with her voice taking multiple tempo twists and turns along the way.

"Red Ruby Da Sleeze" (2023)

Minaj's Trinidadian roots shine through as she weaves patois into her rhymes on "Red Ruby Da Sleeze." The beat and vocals are sampled from Lumidee's song "Never Leave You (Uh Oh)," As her first release of 2023, "Red Ruby Da Sleeze" helps Minaj make a strong statement that she's still at the top of her game — and has the staying power of a true queen.

15 Must-Hear New Albums Out This Month: Boygenius, Kali Uchis, Lana Del Rey, Miley Cyrus & More

The 2023 GRAMMYs weren't just historic, they were iconic — and the numbers show it.

The telecast itself saw a 30% increase in viewership, with more than 12.4 million viewers tuning into the Feb. 5 ceremony, the best ratings since 2020 per Nielsen data. In turn, several of the night's winners and performers saw major spikes in sales and streams.

Album Of The Year winner Harry Styles returned to the top 10 of the all-genre Billboard 200 albums chart, as Harry's House — which also took home the GRAMMY for Best Pop Vocal Album — earned 38,000 equivalent album units in the U.S., a 51% gain. His previous two albums, 2019's Fine Line and his 2017 self-titled debut also made gains, the former up 15% and the latter up 11%.

Kendrick Lamar and Adele also enjoyed increases in sales and streams on several albums. Lamar — who won three GRAMMYs this year, including Best Rap Album for Mr. Morale & The Big Steppers — had a 20% gain for his fifth LP, as well as a 26% gain for 2015's To Pimp a Butterfly, 11% for 2017's DAMN., and 6% for 2012's good kid, m.A.A.d city. 

Adele's 30 had a 25% increase in equivalent album units, while her 2015 album 25 went up 14% and 2011 release 21 went up 10%. (30's lead single, "Easy On Me," earned Adele her fifth GRAMMY for Best Pop Solo Performance — a record in the category.)

After Beyoncé made GRAMMY history at the 2023 ceremony with her 32nd win, her Best Dance/Electronic Music Album-winning RENAISSANCE made a huge jump. The album earned 37,000 equivalent album units, up 109%, helping Bey move from No. 24 to No. 11 on the Billboard 200.

Rising jazz star Samara Joy also had a monumental night, scoring the coveted GRAMMY for Best New Artist. As a result, her 2022 album, Linger Awhile, made its debut on the Billboard 200, with an equivalent album units gain of 319% and a 5,800% increase in Spotify streams in the U.S. The project also hit No. 1 on the Jazz Albums, Traditional Jazz Albums and Heatseekers Albums charts for the first time, as well as the top 10 of the Top Album Sales and Top Current Album Sales charts.

Blues great Bonnie Raitt's win for Song Of The Year (for her 2022 track "Just Like That") served as one of the night's biggest surprises, but also served as a catalyst for some serious streams and sales success. The song spiked from about 10,000 daily on-demand streams in the U.S. on Feb. 3 to 697,000 the day after the GRAMMYs (Feb. 6) — a gain of around 6,700% — according to Luminate. The song's sales were even better, gaining more than 10,000% on Feb. 6; the rest of Raitt's discography also climbed 161%, from 333,000 on-demand U.S. streams on Feb. 3 to 869,000 on Feb. 6. 

Most of the 2023 GRAMMYs performers also celebrated sales and streams increases post-telecast. Show opener Bad Bunny saw gains on his GRAMMY-winning albumUn Verano Sin Ti (up 16%), as well as his 2020 albums YHLQMDLG (up 11%) and El Ultimo Tour del Mundo (up 8%). One of the songs Bad Bunny performed, Un Verano Sin Ti single "Despues de la Playa," also saw a 100% increase in Spotify streams in the U.S. in the hour following the telecast.

Lizzo delivered a soaring medley of her Record Of The Year-winning smash "About Damn Time" and the title track from her AOTY-nominated LP Special, the latter of which saw a 260% increase in Spotify streams in the U.S. after the show. Special also moved 11,000 equivalent album units, up 52%.

Steve Lacy won his first GRAMMY in the Premiere Ceremony, Best Progressive R&B Album for his album Gemini Rights. He also took the GRAMMYs stage for a sultry rendition of his hit "Bad Habit," all helping Lacy see a 16% increase in equivalent album units for Gemini Rights.

Sam Smith and Kim Petras also celebrated a historic win at the 2023 GRAMMYs, taking home Best Pop Duo/Group performance for their viral hit "Unholy" — marking the first win in the category by a trans woman. That moment, combined with the pair's risqué performance, helped the song see an almost 80% increase in Spotify streams in the U.S.

The heartfelt In Memoriam segment catalyzed stream increases, the biggest coming from Quavo's "Without U," which he sang in tribute to his late Migos bandmate and nephew Takeoff; the song jumped 890% in U.S. streams following the show. Fleetwood Mac's "Songbird," which Mick Fleetwood, Bonnie Raitt, and Sheryl Crow sang in honor of late Fleetwood Mac member Christine McVie, experienced an almost 100% increase in U.S. streams. 

In other U.S. Spotify stream gains for performers, Harry Styles' "As It Was," saw a more than 75% increase; Brandi Carlile's "Broken Horses" saw a more than 2,700% increase; DJ Khaled's star-studded "God Did" (featuring Jay-Z, Rick Ross, Lil Wayne, and John Legend) saw a more than 650% increase; Mary J. Blige's "Good Morning Gorgeous" saw a more than 390% increase.

Streaming numbers are from DKC News, a PR representative of Spotify.

12 Classic Moments From The 2023 GRAMMYs, From The Heartwarming To The Surreal

When Kendrick Lamar stepped on stage at the 2023 GRAMMYs to receive his golden gramophone for Best Rap Album, he didn't strike a note of bravado or bluster — but of humility.

"First and foremost, I want to thank my family for giving me the courage and vulnerability to share these stories and share my truth with this album," Lamar told the audience at Crypto.com Arena in Los Angeles, referring to Mr. Morale & the Big Steppers' plethora of raw-nerve confessionals.

"As artists, we're all entertainers — stupid, you know — and we say things to provoke thoughts and feelings and emotions," he continued. "This was one of my toughest records to make, and it allowed me to do that — and to share other people's experiences."

That Lamar could hit both artistic goalposts — bare his deepest vulnerabilities, fears and insecurities and channel them into daring and forward-thinking music — speaks to his utter magnitude as an artist. But there's a third component; for his trouble, Lamar was honored by the world's leading society of music professionals — for a staggering 17th time.

Since Lamar won his first golden gramophones for Best Rap Performance and Best Rap Song for To Pimp a Butterfly's "I" at the 2015 GRAMMYs, he's steadily built a GRAMMYs legacy in parallel with his unstoppable creative evolution.

Naturally, Lamar is a steady presence in the rap categories — with his win for Best Rap Performance at the 2023 GRAMMYs for non-album single "The Heart Part 5," he extended his lead as the most awarded artist in that category with six.

But as nominations go, he's consistently burst past the rap categories and into the General Field. This put him in a league of rappers as bona fide superstars, alongside the likes of Jay-Z, who's been nominated for General Field categories for decades, and Drake, who received an Album Of The Year nomination in 2014 for his feature on Lamar's good kid, m.A.A.d city.

Another component of Lamar's GRAMMY legacy is his malleability; he hasn't only been nominated for GRAMMYs for his universally acclaimed releases, but those in collaboration with other artists, and on soundtracks. At the 2019 GRAMMYs, Lamar was nominated for Album Of The Year for the Black Panther soundtrack — which he curated and executive produced — as well as Record Of The Year and Song Of The Year for the SZA-featuring lead single, "All the Stars."

Finally — and most eye-grabbingly — Lamar has delivered at least a couple of the most unforgettable GRAMMY performances of all time, At the 2016 GRAMMYs, his literally fiery one-two salvo of "The Blacker the Berry" and "Alright" got the whole world talking. Two years later, Lamar performed a politically charged medley of "XXX," "DNA," and Jay Rock's "King's Dead," studded with military imagery and blazes of gunfire.

Lamar's latest golden gramophones have only added fuel to the rapper's boundless ascent. And with material as uncompromising and vulnerable as "The Heart Part 5" and Mr. Morale & the Big Steppers, these GRAMMY wins show that courage can truly pay off.

How Hip-Hop Took Over The 2023 GRAMMYs, From The Golden Anniversary To God Did