Photo: Scott Dudelson/WireImage
Anthony Gonzalez of M83
M83 Announce New Album 'DSVII,' Follow Up to 2007's 'Digital Shades Vol. I'
The new project out Sept. 20 is "influenced heavily by early video game soundtracks, '80s sci-fi/fantasy films and analog synth pioneers"
GRAMMY-nominated alt-electro Anthony Gonzalez enterprise M83 announced a new album, DSVII, will arrive Sept. 20.
With DSVII, I wanted to come back with something stronger that featured the depth of a proper studio album without the pressure of providing pop music – faraway from Hurry Up, We’re Dreaming and Junk. *A— M83 (@M83) July 11, 2019
Read more & pre-order here: https://t.co/wBSrGDCuoV pic.twitter.com/wj3T0CSoax
According to a statement, the project was “influenced heavily by early video game soundtracks, ‘80s sci-fi/fantasy films and analog synth pioneers,” and was recorded exclusively with analog equipment.
“During the summer of 2017, I spent five months in Cap d’Antibes, France," said Gonzalez. “I mainly spent my time swimming in the Mediterranean Sea, reading, watching films and playing ‘80s video games. The inspiration behind this record is mainly video game music. It felt so refreshing to play all of these old school games again. There is something so naive and touching about them. It’s simple and imperfect. And this is exactly what I tried to achieve with DSVII.”
The 15-track album arrives as the sequel to 2007's Digital Shades Vol. I and the follow up to the 2016 effort, Junk. M83 earned a nomination for Best Alternative Album at the 55th GRAMMY Awards for 2011's Hurry Up, We're Dreaming.
Photo: Evening Standard / Stringer via Getty Images
Remembering Christine McVie Of Fleetwood Mac Through Her GRAMMY Triumphs, From 'Rumours' Onward
Unflashy and undramatic, McVie's contributions to Fleetwood Mac led to some of their greatest contributions to popular song — with two GRAMMY wins to boot.
In an acclaimed career that spanned more than half a century, Christine McVie staked her claim as one of the most potent singer-songwriters of her generation. A beloved original member of the seminal rock group Fleetwood Mac, with whom she sang, wrote and played keyboard, she and her bandmates catapulted to fame in the early '70s, scoring GRAMMY gold and influencing generations of musicians.
"As a GRAMMY Award winner and 2018 Person of the Year honoree, the Recording Academy has been honored to celebrate Christine McVie and her work with Fleetwood Mac throughout her legendary career," Recording Academy CEO Harvey Mason jr. stated. In an announcement of her death, the remaining members of Fleetwood Mac mourned her passing by saying "She was truly one-of-a-kind, special, and talented beyond measure."
McVie, who passed away Nov. 30 at 79 after a brief illness, may have not been as flashy, or as dramatic, as fellow Fleetwood Mac members Lindsay Buckingham and Stevie Nicks. But McVie's contributions to the band led to some of their greatest contributions to popular song, with two GRAMMY wins among seven nominations.
The tour de force that is Rumours is one of the most acclaimed and best-selling albums of all time and an inductee into GRAMMY Hall Of Fame. The masterpiece earned McVie her first GRAMMY (for Album of the Year no less) at the 20th Annual Ceremony in 1978, also earning a nomination for Best Pop Vocal Performance By A Group.
Fleetwood Mac's 11th studio album, Rumours was actually McVie's 7th album with the band after making her name in the English blues scene, rising through the ranks as part of the band Chicken Shack, and even releasing a solo album.
In 1971, McVie joined Fleetwood Mac alongside her then-husband John McVie. The potent combination of the McVies, along with Mick Fleetwood, Buckingham and Nicks, catalyzed and detonated into the stratospheric Rumours.
"It's hard to say (what it was like) because we were looking at it from the inside," McVie said about the iconic album earlier this year. "We were having a blast and it felt incredible to us that we were writing those songs. That's all I can say about it, really."
McVie's coyness may stem from the fact that prior to its production, Christine and John divorced after eight years of marriage. Meanwhile, Buckingham and Nicks were having a tumultuous relationship themselves.
McVie is credited as sole songwriter on a handful of instant-classic Rumours tracks, all written during a perilous moment. "I thought I was drying up," explained McVie. "I was practically panicking because every time I sat down at a piano, nothing came out. Then, one day, I just sat down and wrote in the studio, and the four-and-a-half songs of mine on the album are a result of that."
That includes "Don't Stop," an ironically peppy ode considering the turmoil McVie and her bandmates were grappling with at the time. With lyrics that staunchly proclaim "Yesterday's gone!," the song was reportedly written as a plea from Christine to John to move on from their relationship.
"I dare say, if I hadn't joined Fleetwood Mac, we might still be together. I just think it's impossible to work in the band with your spouse," McVie later said. John, meanwhile, was oblivious to the song's message during its production and early acclaim. He revealed in 2015: "I've been playing it for years and it wasn't until somebody told me, 'Chris wrote that about you.' Oh really?"
John was also equally ignorant to the source inspiration of "You Make Loving Fun"; McVie told him the joyful song ("Sweet wonderful you/ You make me happy with the things you do") was about her dog. In reality, it was about an affair with the band's lighting designer.
"It was a therapeutic move," McVie later mused of her lyrical penchant for hiding brutal honesty in plain sight. "The only way we could get this stuff out was to say it, and it came out in a way that was difficult. Imagine trying to sing those songs onstage with the people you're singing them about."
When McVie was asked earlier this year what song she written she was most proud of, it was an easy answer: the Rumours track "Songbird."
"For some peculiar reason, I wrote "Songbird" in half an hour; I've never been able to figure out how I did that," she told People. "I woke up in the middle of the night and the song was there in my brain, chords, lyrics, melody, everything. I played it in my bedroom and didn't have anything to tape it on. So I had to stay awake all night so I wouldn't forget it and I came in the next morning to the studio and had (producer) Ken Callait put it on a 2-track. That was how the song ended up being. I don't know where that came from."
McVie's most recent GRAMMY nominations were for her contributions to The Dance, Fleetwood Mac's 1997 live album that featured her stand-outs from Rumours along with the McVie penned-tracks "Say You Love Me" and "Everywhere."
The album earned McVie and the band GRAMMY nominations for Best Rock Performance By A Duo Or Group With Vocal (for the Lindsay Buckingham-written "The Chain") and Best Pop Performance By A Duo Or Group With Vocal (for "Silver Springs," penned by Stevie Nicks). It also landed a nomination for Best Pop Album. It was her final album with the band before a 15-year self-imposed retirement.
In her final years, McVie was a vital member of Fleetwood Mac, including in 2018 when they became the first band honored as MusicCare's Person of the Year.
Speaking to the Recording Academy before the ceremony, Nicks expressed that her initial goal upon joining the group was a humble one: "Christine and I made a pact. We said we will never, ever be treated as a second-class citizen amongst our peers."
Photos (L-R): Joseph Okpako/WireImage; Tim Mosenfelder/FilmMagic; Prince Williams/Wireimage; Vivien Killilea/Getty Images for Justin Combs Events; Tim Mosenfelder/Getty Images
15 Must-Hear New Albums Out This Month: SZA, Neil Young, A Boogie Wit da Hoodie, NCT Dream & More
Rounding out the year, here are the can't-miss releases and massive new albums dropping in December 2022 from Weezer, Metro Boomin, NOFX, Jacquees, Ab-Soul, and many others.
And just like that, 2022 is almost done — but not before we get another round of must-hear albums. December's slate of releases is set to send the year out on a high note, with something for all tastes.
This month heralds much-anticipated returns from R&B innovator SZA, with S.O.S., and rap super-producer Metro Boomin, with the mysterious HEROES & VILLAINS. December's riches also include Bad MFs from West Coast hip-hop supergroup Mount Westmore, indie-rock lifers Weezer dropping SZNZ: Winter and a loaded, possibly final album from punk-rock misfits NOFX. There's also new-generation R&B (RINI’s Ultraviolet EP and Jacquees' Sincerely For You), dark techno (Terence Fixmer's Shifting Signals), soul-baring indie (Sophie Jamieson's Choosing), and much more.
Below, check out a guide to the 15 essential albums dropping just in time for the festive season. — Jack Tregoning
Contributed reporting by Ashlee Mitchell
SZA - S.O.S.
Release date: TBD
Five years after her GRAMMY-nominated debut album, Ctrl, it's about to be SZA season all over again. While details are still pending, the alternative R&B star is expected to drop her second album, S.O.S., this month, following the single "Shirt" and its teaser follow-up, "PSA."
In a revealing Billboard cover story, SZA spoke frankly about the pressure she feels to release the album while navigating the music industry and her fans' expectations. As always with SZA, the music itself speaks volumes, and the darkly seductive "Shirt" (accompanied by a music video co-starring SZA and Academy Award nominee LaKeith Stanfield in a riff on Bonnie and Clyde) suggests S.O.S. will be something to savor. — J.T.
Metro Boomin - HEROES & VILLAINS
Release date: December 2
To prepare fans for his new album, HEROES & VILLAINS, sought-after rap producer Metro Boomin went all-out on a short film starring his collaborators Young Thug and Gunna alongside celebrated actors Morgan Freeman and LaKeith Stanfield. Following that flex, the artist's first solo LP in four years is set to feature a who's who of rap, with an exact tracklist still to be announced.
Metro Boomin's previous album, 2018's Not All Heroes Wear Capes, featured the likes of Travis Scott, 21 Savage and Gucci Mane rapping over the producer's dark, trap-centric beats. This time around, he's keeping his cards close to his chest, slyly sharing a video of the studio sessions on his Instagram with the caption, "When the sequel is even better than the first." All will be revealed on Dec. 2. — J.T.
Neil Young - Harvest (50th Anniversary Edition)
Release date: December 2
This year marks the 50th anniversary of Neil Young's seminal folk-rock album Harvest, released to great acclaim in 1972. Featuring indelible songs like "Heart of Gold," "Old Man" and "The Needle and The Damage Done," Harvest was the best-selling album of that year in the US.
To celebrate the milestone, Young is releasing a special anniversary edition, available in either CD or vinyl box-set. Extras include a new two-hour documentary called Harvest Time, an official release of Young's BBC In Concert performance, and a hardcover book featuring never-before-seen photos and notes by legendary rock photographer Joel Bernstein. Consider this the festive gift for the Neil Young completist in your life. — J.T.
RINI - UltraViolet
Release date: December 2
After breaking out with his 2021 debut album, Constellations, RINI returns this month with the seven-track EP, Ultraviolet. The Filipino-Australian R&B talent, who now calls Los Angeles home, pairs his indelible voice with slinky, late-night production that pulls the listener close.
Ahead of Ultraviolet, RINI has released the singles "Haunt Me" and "Selfish," featuring GRAMMY-winning rapper BEAM, which pair his themes of love and longing with gauzy, head-nodding beats. "I want to be able to show the world and myself that I'm growing, not just in music, but as a person," RINI told Uproxx in May. On Ultraviolet, which also features the slick bedroom jams "Something to Feel" and "Your Eyes," that evolution is evident. — J.T.
NOFX - Double Album
Release date: December 2
SoCal punk veterans NOFX have always kept up a prolific output, and this month the band returns with their 15th LP, Double Album. Following last year's Single Album, the conveniently titled Double Album features 10 new songs with perfectly NOFX titles like "Punk Rock Cliché" and "Is It Too Soon if Time Is Relative?" Lead single "Darby Crashing Your Party" showcases the band at their hard-riffing, rowdy best, with frontman Fat Mike clearly relishing lyrical volleys like, "A middle-class clown waging lower class war/A Beverly Hillbilly peeled off the floor."
In a statement announcing the new album, Fat Mike revealed the songs were recorded at the same time as Single Album, then finished off later. "I think it's a very enjoyable album, and maybe our funniest," he added. It could also be NOFX's parting gift — responding to a fan’s Instagram comment, Fat Mike announced that 2023 will be the band's "last year" after an "amazing run." — J.T.
Terence Fixmer - Shifting Signals
Release date: December 2
French producer Terence Fixmer has been one of the most intriguing figures in the electronic music scene for well over a decade. Over six past solo albums, numerous EPs and standalone releases, Fixmer has perfected a dark, gritty sound that melds techno with the looser industrial spirit of electronic body music (EBM).
Fixmer's seventh album, Shifting Signals, continues in that vein while allowing for new textures to creep in. "On each album I aim for something different but I retain the core sound, which is always there and often dark and melancholic," the producer wrote in a statement. "Sometimes the balance tips slightly and on this album, I'm striving to be freer and open myself up more to melody."
That openness to different modes is showcased on the atmospheric, piano-led "Synthetic Minds," which evokes a John Carpenter film score, while fellow singles "Corne de Brume" and "No Latitude for Errors" are built for heady techno dance floors. — J.T.
Sophie Jamieson - Choosing
Release date: December 2
On her debut album, Choosing, London-based singer-songwriter Sophie Jamieson doesn't shy from difficult or uncomfortable emotions. Lead single, "Sink" lays bare her push-pull relationship with alcohol over a lulling bed of piano and drums. That theme of emotional vulnerability carries through the LP's 11 songs, which foreground Jamieson's enchanting voice and plain-spoken lyrics.
"The title of this album is so important," Jamieson wrote in a statement. "Without it, this might sound like another record about self-destruction and pain, but at heart, it's about hope, and finding strength. It's about finding the light at the end of the tunnel and crawling towards it." Choosing arrives via Bella Union, the tastemaking label led by Simon Raymonde, formerly of Scottish dream pop band Cocteau Twins. — J.T.
White Lung - Premonition
Release date: December 2
Canadian punk rockers White Lung weren't expecting to take six years to follow up 2016's celebrated Paradise. As the story goes, the band got together in their hometown of Vancouver in 2017, expecting to rip out their final album before parting ways. In the studio, frontwoman Mish Barber-Way discovered she was pregnant with her first child — which, along with a global pandemic and another child, put the album plans on ice.
Fast forward to 2022, and White Lung's fifth and final album, Premonition, is finally here. With all that extra time to marinate, Premonition is a thrilling return from the trio, mining deeper themes with the same raucous, kick-down-the-door energy that fans expect. The album opens furiously with "Hysteric", and also features the singles "Date Night" and "Tomorrow," which match Barber-Way's impassioned vocals with muscular punk-rock riffing.
"We felt like this record was the right endpoint and we are happy the songs will finally be released," the band wrote in a statement. — J.T.
A Boogie Wit da Hoodie - Me vs. Myself
Release date: December 9
New York's A Boogie wit da Hoodie has been steadily hyping the release of his fourth album, Me Vs Myself, throughout 2022. Originally scheduled for November, the album will drop this month, right in time for A Boogie's hometown album launch at the iconic Apollo Theater in Harlem.
Me Vs Myself was preceded by a pair of singles, "Take Shots," featuring Tory Lanez, and "Ballin," which both showcase the rapper's supremely confident flow and wavy beats. While the full tracklist is not yet confirmed, A Boogie's previous album, ARTIST 2.0, covered the R&B and rap spectrum with guests like Summer Walker, Khalid, Young Thug and Lil Uzi Vert, without pulling focus from the main star. The rapper has already lined up dates for the Me Vs Myself tour stretching into 2023, so it's a great time to bet on A Boogie. — J.T.
Mount Westmore - Snoop, Cube, 40, $hort
Release date: December 9
When living legends Snoop Dogg, E-40, Too Short and Ice Cube formed the supergroup Mount Westmore, West Coast rap heads took notice. After several hints that a collaborative album was coming, Mount Westmore made the surprise decision to release their debut, Bad MFs, exclusively as an NFT via the blockchain-based platform Gala Music.
The album arrives on streaming services this month under a new title, Snoop, Cube, 40, $hort, featuring additional songs not included on the NFT version. A spirit of loose fun and ride-or-die friendship carries through all the singles released so far, including the swaggering "Bad MFs" and the bass-heavy, light-hearted "Big Subwoofer." As Snoop put it to HotNewHipHop, "You bring the legends of the West Coast together, something great will always happen." — J.T.
Leland Whitty - Anyhow
Release date: December 9
Best known as a member of Toronto-based jazz ensemble BADBADNOTGOOD, Leland Whitty is a true multi-instrumentalist. On his seven-track solo release, Anyhow, Whitty oversaw all production and composition, moving deftly between guitar, synthesizer, woodwinds and strings.
Following his scores for indie films Disappearance at Clifton Hill and Learn to Swim, Whitty was inspired to combine cinematic composition with rock and jazz instrumentation in his own project. Lead single "Awake" perfectly strikes that balance with twinkling keys, mournful strings and an insistent drum beat, while follow-up "Glass Moon" conjures a similarly beguiling mood. Members of BADBADNOTGOOD and Whitty's musician brother also joined the studio sessions, making Anyhow a family affair. — J.T.
Jacquees - Sincerely For You
Release date: December 16
On "Say Yea", the sultry bedroom anthem he dropped back in May, Jacquees croons, "Girl, you overdue for some romantic s—." That simple line is something of a mission statement for the R&B casanova, whose third album, Sincerely For You, drops this month.
The LP features "Say Yea" alongside 16 more R&B jams, including singles "Tipsy," which captures the singer's blurry plea to a lover, and the smoothly boastful "Still That." Elsewhere, Sincerely For You offers up guest turns from Future (who also executive produced the album), 21 Savage and Tory Lanez, plus the R&B dream team of 6lack and Summer Walker on "Tell Me It's Over." On his socials, Jacquees dedicated the album to "everybody who been there for me along the way" and promised to deliver only "real R&B." — J.T.
Ab-Soul - Herbert
Release date: December 16
Six hard-won years after his last album, the divisive, conspiracy theory-heavy Do What Thou Wilt., Ab-Soul has found his drive again. The rapper from Carson, California returns this month with a deeply personal album that shares his birth name, Herbert.
Ab-Soul's new outlook was previewed in lead single "Do Better," which reckons with the scars of his past and looks to the future with powerful clarity. The next single, "Gang'Nem," featuring Houston rapper FRE$H and produced by fellow Top Dawg Entertainment mainstay Sounwave, also revisits his upbringing and pays respect to L.A. street culture over a woozy, hard-hitting beat.
For fans of Ab-Soul's dense lyrical style and gravelly flow, Herbert is an eagerly-anticipated return to the rap limelight. — J.T.
NCT DREAM - Candy
Release date: December 19
NCT Dream, the youngest sub-group of Neo Culture Technology (NCT), has seen exponential growth since they rebranded as a fixed unit in 2020. The septet is set to release a winter special EP called Candy on Dec. 19. The mini-album's six tracks, include lead single "Candy," which was originally performed by H.O.T. in 1996. The album will be the first holiday release for any NCT sub-group, following a slew of successful releases from NCT Dream this year.
The group released their second studio album, Glitch, in March 2022, followed by their repackaged Beatbox in May. Their first feature film, NCT Dream The Movie: In a Dream, released worldwide on Nov. 30 and Dec. 3 and documents the opening days of their tour in Seoul. The group will finish their tour in Japan by February 2023. — Ashlee Mitchell
Weezer - SZNZ: Winter
Release date: December 21
This has been a remarkably good year to be a Weezer fan. Always pleasingly prolific, in 2022 the band decided to release a four-EP series under the name SZNZ, each timed to coincide with a new season.
Following Spring, Summer and Autumn editions, SZNZ: Winter arrives just in time for peak coziness. While the complete tracklist is not yet known, Weezer performed the EP in full for an intimate crowd at the Troubadour in Los Angeles (using their favored alias Goat Punishment), with new highlights including "I Want A Dog" and "The One That Got Away."
While frontman Rivers Cuomo has described SZNZ: Winter as having a sad vibe that suits snowed-in days, you can always count on Weezer to cut the melancholy with some power-pop verve. — J.T.
Photo: Kevin Winter/Getty Images
GRAMMY Rewind: Dua Lipa Champions Happiness As She Accepts Her GRAMMY For Best Pop Vocal Album In 2021
As Dua Lipa held her new GRAMMY, she reflected on how "jaded" she felt before putting out 'Future Nostalgia' — and how the album taught her the importance of happiness.
Three-time GRAMMY-winner Dua Lipa already had two golden gramophones to her name going into the 2021 GRAMMYs. But her third win — and her first for Best Pop Vocal Album — may have been the happiest of them all.
In this episode of GRAMMY Rewind, revisit the special moment when Dua Lipa took the stage to claim her trophy for her album, Future Nostalgia. The second studio album of the singer's career, Future Nostalgia earned her six nominations, including the coveted Album Of The Year as well as Record Of The Year and Song Of The Year for lead single "Don't Start Now."
As she held her new trophy, Lipa reflected on what she's learned through the process of making Future Nostalgia, making special mention of the power of happiness, and putting out happy music.
"I felt really jaded at the end of my last album, where I felt like I only had to make sad music to feel like it mattered," she explained. "And I'm just so grateful and so honored, because happiness is something that we all deserve, and it's something that we all need in our lives."
The singer also threw a spotlight on her fans, team and co-writers during her time onstage. "This means so much," she concluded, adding a shout-out to her family and friends who were watching from home. "I love you, thank you."
Press play on the video above to watch Dua Lipa's complete acceptance speech at the 63rd GRAMMY Awards, and keep checking back to GRAMMY.com every Friday for more new episodes of GRAMMY Rewind.
Photo: Beth Gwinn/Getty Images
Listen To GRAMMY.com's Outlaw Country Playlist: 32 Songs From Honky Tonk Heroes Willie Nelson, Waylon Jennings, Merle Haggard & More
Ahead of the GRAMMY Museum's Dec. 5 event previewing the new documentary 'They Called Us Outlaws,' listen to a 32-song playlist of outlaw country greats.
Outlaw: a noun meaning someone unconventional, rebellious, or active outside the law.
In the mid-1970s, journalist Hazel Smith, country’s self-described "mother hen," coined the term "outlaw music" to describe artists like Willie Nelson and Waylon Jennings that did not fit the Music Row mold. These renegades rejected the norms — replacing saccharine sounds with storied songs.
Long before this country subgenre had a name, Hank Williams ("I’m So Lonesome I Could Cry"), Johnny Cash ("Folsom Prison Blues'') and Merle Haggard ("Mama Tried") were the original outlaws. In the early 1970s, Nelson's Shotgun Willie further forged the style of outlaw country.
Nashville initially ignored them. But, in 1976, after the compilation Wanted! The Outlaws became the first country album certified platinum, these outsiders earned industry respect. Today, the music endures. SiriusXM has a station devoted to these misfits. And a new six-part docuseries — They Called Us Outlaws: Cosmic Cowboys, Honky Tonk Heroes and the Rise of Renegade Troubadours (narrated by Jack Ingram) — will debut in 2023.
The GRAMMY Museum will hold an event on Dec. 5 to preview part of this new 12-hour documentary. Foo Fighters guitarist Chris Shiflett will lead a discussion with the filmmakers, and the evening will feature performances from Tyler Childers, John R. Miller and Abby Hamilton, Shooter Jennings and Jesse Daniel.
Photo: Warner Music Latina
Pablo Alborán Celebrates Joy & Freedom On 'La Cuarta Hoja': "I Didn't Have Any Shame In Daring To Do What I Wanted"
Spanish star Pablo Alborán released his most playful album yet with 'La Cuarta Hoja.' The singer/songwriter breaks down the genre-spanning collaborations on his LP, which resulted in the "most fun" he’s ever had in the studio.
Pablo Alborán is turning over a new leaf in his music career — or, rather, a clover. After a decade of releasing love songs, the Spanish singer/songwriter explores new sounds from regional Mexican music to Latin urban on his new album, La Cuarta Hoja. Translating loosely to "four-leaf clover," the title highlights the positivity, joy and newfound freedom behind Alborán's latest LP.
"This is an album that I had the most fun making," Alborán — a 24-time Latin GRAMMY nominee and three-time GRAMMY nominee — tells GRAMMY.com. "I feel like it won't only be the soundtrack for people's romantic moments, but their moments of celebration as well."
As he hints, Alborán turns up the tempo on La Cuarta Hoja — starting with the funky "Carretera y Manta," on which he blends dance beats with symphonic strings. He plays with several new genres across the 11 tracks, with half of those accompanied by his fellow Latin stars.
In the feel-good "Amigos," Alborán seamlessly blends a flamenco kick with the reggaeton flow of Argentine singer María Becerra; flamenco also collides with regional Mexican music in the kiss-off track "Viaje A Ningún Lado" featuring Carin León. Later, he embraces an alternative edge with Spanish artist Leo Rizzi in the rock-infused "4U."
But throughout his exploration, Alborán doesn't forget his roots. Since his debut in 2010 with the soulful "Solamente Tú," he has solidified his legacy in Latin music with his beloved love songs — and he continues that on La Cuarta Hoja, with heartfelt tracks like the cinematic "Castillos De Arena" and the empowering "Voraces."
Whether Alborán is trying something new or doing what he does best, La Cuarta Hoja makes it clear that he is happier than ever. His previous album, 2020's Vértigo, showed a more vulnerable side after the singer came out as gay, and now, he's simply having fun. "I didn't have any shame in daring to do what I wanted to do," he adds.
Before La Cuarta Hoja arrived, Alborán spoke with GRAMMY.com about the new direction of his latest album, his timeless love songs, and what to expect next.
What felt different about making La Cuarta Hoja than your last album, 2020's Vértigo?
My last album I made during the pandemic, working from a distance, far away from the producers. There was a strange feeling of making music when the world was in a bad moment. The difference is what's happening now at this moment. What's happening around you is very important when you're making an album.
[La Cuarta Hoja] is an album where I wanted to try new things. I didn't have a filter or obstacle in working with who I wanted to work with, in the collaborations I wanted to do. I had freedom with this album. I didn't have any shame in daring to do what I wanted to do.
La Cuarta Hoja feels lighter and more upbeat with songs like "Carretera y Manta" and "Voraces." How were you feeling when you were putting this album together?
It's an album that was written after the pandemic at the same time that I started touring again around the world. It was a theater tour where I was closer to my fans. That gave me the drive to write again. It motivated me. All the songs are from a happier place — from a more stable place, we'll say. It's an album that constantly celebrates love, friendship, life, to be alive, and to enjoy what we have.
You experimented with several new sounds and genres on this album, including regional Mexican music on "Viaje A Ningún Lado." How did you feel about trying out that genre, and what was it like working with Carin León?
It was a dream. For a long time, I wanted to work with Carin. I've been passionate about regional Mexican music for a long time. I always wanted to do something with the genre. When I wrote that song, I thought that style, rhythm, and instruments in regional Mexican fit perfectly with it.
I called Carin and asked him if he would like to produce the song with me. He was very generous and easy to work with. I admire Carin so much and I love Mexico. To be able to give this song to Mexico that was made with so much love is special to me.
You're also exploring the Latin urban genre for the first time with the song "Amigos," with Maria Becerra. How was your experience with her?
She's so much fun! It was marvelous. It was 15 hours of filming the music video and it was a very beautiful experience. We were in a historic barrio in Buenos Aires. We had a great time working together. It was very casual. I got to know Argentina and I took advantage of the fact that we were in Argentina filming the music video.
María was in Argentina as well, so it was like all the stars aligned. She's very hard-working. She's very spontaneous. I love how she sings and the way she moves.
Leo Rizzo was another collaborator on this album on "4U" — what was it like venturing into alternative?
It was a very great experience! I learned a lot. I learned a lot from the collaborations in general. Above all, I had a lot of fun. This is an album that I had the most fun making. I feel like it won't only be the soundtrack for people's romantic moments, but their moments of celebration as well.
"4U" is a song where we went to the studio together. We wrote music only to a beat and an acoustic guitar. When you go into a studio and the song surprises you, and the collaboration has spontaneous results that no one expected, and it comes out different than how you planned, I love that. It's a song that will have everyone dancing.
Where did the idea come from to create these interesting fusions on your album?
They came from me. I'm a little bit crazy. [Laughs] I like to try new things. I like to mix flamenco with Latin urban sounds. I like to mix ethnic music with flamenco and ethnic music with pop music. I like to feel what I'm doing and make sure it's something I can identify with. I want the music to be genuine.
The collaborations helped a lot with that, because you always find a bit of yourself in other artists no matter how different they are. When you find those collaborations that you're bringing together, you learn more about yourself and you have so much fun. Just having fun and learning something from the other artist is what every artist is looking for when they create collaborations.
You have written many love songs in your career, including "Castillos De Arena" on this album. Where does the inspiration come from when you're writing those songs?
They come from things that happened to me and people who are close to me, or from movies, or books. They're situations that happen every day. Everything that I write about is what any person can identify with and relate to. I write about things that really happen every day in life. It's not anything that can't be lived by another person.
How do you feel to have some of the most beloved love songs in Latin music?
I'm very thankful and happy. I'm very happy because it's beautiful. I performed in Los Angeles [recently], and to see that the people were singing the songs with me, to see people singing songs that are important to them as much as they are important to me, it's very beautiful.
It's very special that people have these songs as the soundtracks of their lives. It's amazing. It's something that I value so much and that I'm grateful for. It's a dream.
It's been two years since you came out as gay. How do you feel to have inspired your fans in the LGBTQIA+ community to embrace who they are?
I feel very good and I'm very happy — with the hope that the world can continue to become a better place for everyone. Long live love in all its forms.
It's been 12 years since you released your debut single "Solamente Tú." What have you learned about yourself in those 12 years?
I've learned to be more patient. To try to enjoy everything because time goes by so fast. I'm trying to enjoy every moment. To enjoy the present.
I also want to value all the effort that my team and I have put into this, and to enjoy things as they happen. Sometimes you can be constantly thinking about the future — the next song, the next goal — and you don't get to enjoy what you have achieved. Life goes by fast. That's what I'm still trying to learn. Every day it's an exercise for me.
What do you want to accomplish next in your career?
I would like to keep working. To keep making music with the rest of the world. I would love to do something in English. I would love to do something in French. I would love to keep making collaborations that inspire me. I would love to act in movies. I would love to make music for the movies. I would love to keep having concerts in places that I've never been to before.
One of my dreams is to be able to win a GRAMMY. I have never won. To be nominated each time, I'm always grateful to the Recording Academy. I always have love for both the Recording Academy and the Latin Recording Academy. To see that they always have my music in consideration after 12 years is beautiful.
There's still so much I want to do. Above all, I don't want to stop enjoying what I'm doing.
What can we expect from you next?
In the coming year, I'm going to tour again in Spain, Latin America, and the U.S. We're preparing for that tour. We're not going to stop. The idea is not to stop — and take this album to every corner of the world.