Emotional catharsis has been a favorite piece of Luke Sital-Singh's musical toolkit since the start of his career. Ever since his 2014 full-length studio debut, The Fire Inside, the London-born balladeer has gained a name for himself as a chilling performer, bolstered by his high vocal range and intimate lyrics.

Nowhere are those skills more exemplified than in "Call Me When You Land," a meditation on love and loneliness from Sital-Singh's 2020 EP All the Ways You Sing in the Dark, a collaborative effort with Old Sea Brigade. In this episode of Press Play at Home, Sital-Singh offers a stripped-down, solo performance of the fan-favorite track, putting a spotlight on his vocals and the song's longing message. 

Sital-Singh sits in the studio for his performance of the ballad, surrounded by his gear and strumming his electric guitar. From the warm, subtle vibrato of the song's early verses to the effortless falsetto of the chorus, "Call Me When You Land" emanates the loneliness of missing someone — and counting down the minutes until you can hear their voice again, even if it's only on the other end of a phone line.

While his performance of the song feels deeply introspective and self-contained, Sital-Singh has actually unlocked potent new musical directions by working with other artists. In "Call Me When You Land" and the rest of his All the Ways You Sing in the Dark EP, Sital-Singh found collaboration to be a deeply gratifying, productive format.

So much so, in fact, that he's continued to work with musical partners on subsequent projects. Sital-Singh's latest album, 2022's Dressing Like a Stranger, finds him working with a new collaborator, Dan Croll. 

Old Sea Brigade's Ben Cramer remains in the picture, too: The pair teamed up for album track "Can't Get High," and they're on tour together this fall.

Press play on the video above to watch Sital-Singh's intimate performance of "Call Me When You Land," and keep checking back to GRAMMY.com for more episodes of Press Play at Home.

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With his single "MOONLIGHT," Henry Lau refuses to be burdened by his past relationships. Now, he's turning a new leaf, dancing carefree under the night sky, regardless of the negative emotions he might feel.

"I'm waking up in a daze, get it out of my face/ The sun is shining on every move that I make," the singer reveals in the second verse. "So, let's get to forgetting everything that went wrong/ Everybody here, we been crying too long/ We can dance about it to our favorite song."

In this episode of Press Play, Lau performs "MOONLIGHT" from a mansion rooftop during sunset. He constructs the entire song using a loop station, playing a violin, cello and electric and acoustic guitars — one of his signature performance techniques that  prompted his nickname, "one-man band."

Lau released "MOONLIGHT" in January — marking his first single in two years — via Monster Entertainment, the label he founded alongside his brother Clinton. He released another single, "Real Love Still Exists," two months later; the track features Malaysian R&B singer Yuna.

Watch the video above to watch Henry Lau's impressive loop station performance of "MOONLIGHT," and check back to GRAMMY.com for more new episodes of Press Play.

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With "girls like me don't cry," Vietnamese singer/songwriter thuy searches for a personal sanctuary. Broken and battered from heartbreak, she's taught herself to hide from her true feelings.

"Tell me that you keep me safe and/ Never let this fade away/ Girls like me don't cry/ Girls like me pretend that we don't cry," thuy sings in the song's chorus. By the end of the track, she realizes that the stoic life isn't how she wants to live, revealing, "All I want to do is hide/ Gotta let it go/ Don't wanna keep this all inside."

In this episode of Press Play, thuy delivers a monochromatic performance of "girls like me don't cry." Compared to the track's original arrangement, thuy offers a slow, stripped-down performance, creating a more emotional sonic experience as a piano accompanies her.

"girls like me don't cry" is the lead single from thuy's latest project of the same name. The emerging R&B songstress is currently supporting Ella Mai on The Heart on My Sleeve Tour, and she will embark on a headlining tour through Europe in October.

Click on the video above to watch thuy's performance of "girls like me don't cry," and check back to GRAMMY.com for more new episodes of Press Play.

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Growing up with severe eczema, Hong Kong native XTIE has struggled with body image issues her entire life. But on her single "Skin," she's ready to embrace what she once believed were flaws.

"I just want to heal on my own/ To take care of my skin," she declares in the chorus, later revealing, "Fighting all of my insecurities/ Stop judging by looking at my skin/ I just want to lift up my chin/ Telling me there's a world to win."

In this episode of Press Play, XTIE delivers a live performance of "Skin," constructing the song with a MIDI controller and keyboard. She wears a vest that exposes her neck and arms, emphasizing her growing comfort in her body.

Chatting with EnVi Media, the singer/songwriter called "Skin" the "most important song" in her catalog. Before her debut, she considered staying behind the scenes as a producer due to her eczema battle. 

"I felt like no one wanted to hear me sing," she explained. "When people consume music, they also consume your singing and your appearance."

Click on the video to see XTIE promote body positivity with her performance of "Skin," and be sure to check back to GRAMMY.com every week for more new episodes of Press Play.

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With "CAKE DIET," DABOYWAY promises to celebrate every day like it's his birthday. As he put it himself, "The fundamental idea behind the song is basically just to have fun. The party doesn't stop, so we ought to live life to the fullest and not take the good moments for granted." 

And the songs lyrics illustrate exactly that: "24-hour cake diet, you should try it/ All the girls and guys like it/ Money making, break it to a science/ Whatever we want we tryin' to buy it/ It's not my birthday, but, for sure, we getting this cake," he proclaims in the second verse.

In this episode of Press Play, DABOYWAY continues the festivities with a cheerful performance of the single. Clad in hot pink outfits, the Thai rapper dances alongside five dancers under flashing neon lights before finally throwing a cake at a mirror with a closing declaration: "You know we're never stopping!"

"CAKE DIET" was released in 2022, and marked DABOYWAY's first solo track since his 2020 self-titled album. On April 5, he released his second party-focused single, "BAKA," featuring Japanese EDM collective Repezen Foxx.

Press play on the video above to watch DABOYWAY's delectable performance of "CAKE DIET," and check back to GRAMMY.com for more new episodes of Press Play.

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