Photo: Timothy Norris/Getty Images for Recording Academy
Social House at the L.A. Chapter Celebration
Lucky Daye, Social House, Julian Marley & More 2020 GRAMMY Nominees Attend The Recording Academy's L.A. Chapter Celebration
"These are your advocates," Evan Bogart, President of The Recording Academy L.A. Chapter, said of his colleagues
This past Saturday, hundreds of the Recording Academy Los Angeles Chapter's members filled Crustacean, a Beverly Hills fine-dining staple, with laughter, smiles, swag and all-around fresh looks. The official order of business was to celebrate the 200-plus 2020 GRAMMY nominees within the L.A. Chapter's membership on the eve of GRAMMY Week.
Some of these nominees in attendance were Lucky Daye, Social House, Julian Marley and Scott Holiday of Rival Sons, all of whom chatted with us behind the scenes at the event and you can hear from in our exclusive video below.
"Seeing the look on our parents face was kinda wild," Charles Anderson of Social House told us about his their first-time GRAMMY nominations.
Fellow current GRAMMY nominees Sara Gazarek, Ray Brinker of the Tierney Sutton Band, Eric Alexandrakis, Benjamin Rice, Laura Sisk (a GRAMMY-winning sound engineer who worked on Lana Del Rey's NFR!), Dernst "D'Mile" Emile (he's produced for Lucky Daye and other major acts) and BJ The Chicago Kid also joined the fun at the star-studded industry event.
In addition to the fabulous company, the event featured a delicious brunch from Crustacean's kitchen, including their signature crab bites, endless garlic noodles, a variety of marinated skewers, black truffle & bacon eggs and more. A hosted bar plus welcome cocktails from local classy canned beverage upstart Vervet kept the conversations upbeat and flowing.
Once the dining room was packed and the vibes were at a high, several of the Chapter's leaders briefly paused the chatter to share a few words and their deep gratitude. "These are your advocates," Evan Bogart, President of the L.A. Chapter, said of his colleagues that represent the Academy's largest chapter. Qiana Conley, Executive Director of the L.A. Chapter, thanked all of the event's partners, her amazing staff and congratulated the chapter's many nominees.
Conley then passed it over to the celebration's DJ, "future funk" artist Yung Bae. He raised the vibe even higher, setting the mood with an upbeat mix of smooth R&B bops and funky disco jams and remixes. Several photo ops provided partygoers with multiple spaces to work the camera, with a Triller video pop-up experience, HYPNO's mobile selfie ball, the Getty Images-assisted sun-soaked rose-and-GRAMMY wall and a custom Birch and Bone-designed floral backdrop.
The 2020 GRAMMYs is now just six days away—stay right here on GRAMMY.com for all the latest GRAMMY Award news, event coverage and, of course, winner announcements and speeches. For more details on how to tune live the day of, click here.
Source Photo: Nadav Kander; Graphic Courtesy of the Recording Academy
Sony Music Publishing Chairman & CEO Jon Platt To Receive GRAMMY Salute To Industry Icons Honor At The Pre-GRAMMY Gala During GRAMMY Week 2024
Ahead of the 2024 GRAMMYs, the renowned Pre-GRAMMY gala, hosted by the Recording Academy and Clive Davis, returns Saturday, Feb. 3, where Sony Music Publishing Chairman and CEO Jon Platt will be honored as the 2024 GRAMMY Salute To Industry Icons honoree.
The Recording Academy’s GRAMMY Salute To Industry Icons honor celebrates the music industry's leading lights and biggest supporters. Ahead of the 2024 GRAMMYs, Sony Music Publishing Chairman and CEO Jon Platt will become the latest honoree.
The GRAMMY Salute To Industry Icons honor is awarded during the invitation-only Pre-GRAMMY Gala, an annual celebration hosted by the Recording Academy and music industry icon Clive Davis that takes place the night before the annual GRAMMY Awards. Held on Saturday, Feb. 3, 2024, and sponsored by Hilton, IBM and Mastercard, the Pre-GRAMMY Gala has become one of the music industry's most distinguished events for the innovative and influential creators and professionals it draws. Jon Platt is certainly among them.
"One of the most influential figures in the industry, Jon has consistently set the bar for leadership in music," Recording Academy CEO Harvey Mason jr. said in a statement. “His ongoing commitment to equity, his dedication to quality, and his advocacy for artists across all crafts and genres have been an inspiration to music leaders everywhere. We look forward to an incredible evening dedicated to honoring his incredible impact.”
“Jon Platt is one of the music industry’s most illustrious leaders and I am thrilled that he will be this year’s Salute to Industry Icons honoree,” Clive Davis said in a statement. “Jon’s longtime trailblazing commitment to supporting songwriters across the music spectrum as well as his staunch dedication to advocacy, diversity and equality in the music business are exemplary. Artists and the industry at large are fortunate to have his insight and passion at the helm.”
Since his appointment as Chairman and CEO of leading global music publisher Sony Music Publishing (“SMP”) in 2019, Platt has worked to revitalize the company’s Songwriters First mission. His efforts have focused on emphasizing service and transparency at every level, prioritizing equity, and reshaping the company’s administration services.
During Platt's tenure, Sony Music Publishing has strengthened both its legacy and its future, creating historic partnerships with songwriting legends like Bruce Springsteen, Paul Simon and Ashley Gorley; signing the next generation of superstars like Olivia Rodrigo, Jack Harlow, Latto, Anitta, Central Cee, Kane Brown, and the Kid LAROI; and delivering opportunities for DIY creators through a landmark deal with BeatStars.
Throughout his career, Platt advocated for fair compensation for songwriters. Under his direction, Sony Music Publishing has focused on improving the lives of songwriters by putting more money in songwriters’ pockets, and getting that money in their pockets sooner. In an increasingly global music business, the company has also expanded its leading presence internationally into India, Indonesia and Nigeria.
Reflecting Platt’s commitment to artist development and his long-held belief that it’s better to grow hits than to chase them, SMP has built out its services for songwriters and composers at every stage of their careers. Songwriters Forward — a global initiative — has seen SMP providing mental health and wellness support to its roster through the Songwriter Assistance Program. SMP’s Legacy Unrecouped Balance Program has offered new financial opportunities to legacy songwriters. And SMP has provided over $1 million in grants to working songwriters in collaboration with organizations such as the 100 Percenters, Songwriters of North America (SONA) and Nashville Songwriters Association International (NSAI).
Jon Platt’s career in the music business began in the mid-‘80s, when, as a DJ in his hometown of Denver, he was credited with breaking records from Public Enemy and Arrested Development in the Midwest. He brought the same passion for spotting hits-in-the-making to his career in music publishing, signing and collaborating with some of the biggest names in hip-hop and R&B, including Jay-Z, Beyoncé, Drake, Rihanna, Pharrell Williams and Usher. Platt is widely credited for elevating how hip-hop and R&B artists are respected and compensated as songwriters.
Platt has consistently shared his belief in building a music business every bit as diverse as the music it represents. He has increased diversity across senior leadership teams throughout his career, and supported the development of a pipeline of female executives with SMP’s global Women’s Leadership Program. His commitment to equity and inclusion extends to empowering the next generation of songwriters and composers with initiatives like SMP’s Screen Scoring Diversity Scholarship at the University of Southern California’s Thornton School of Music.
Platt previously served as chairman & CEO of Warner Chappell and led the company’s turnaround. He also spent 17 years at EMI Music Publishing, where he cemented his reputation for recognizing icons-in-the-making by signing Jay-Z on the release of his 1996 independent debut album, Reasonable Doubt.
Platt sits on the boards of Berklee College of Music, Songwriters Hall of Fame, Rock & Roll Hall of Fame, Motown Museum, Living Legends Foundation, and the National Music Publishers Association (NMPA), and his numerous recognitions include City of Hope’s prestigious Spirit of Life Award, SONA’s Warrior Award, NSAI’s President’s Keystone Award, SESAC’s Visionary Award, Billboard’s Power 100, Variety’s Variety500, and Morehouse College’s Candle Award. In 2005, he launched The Big Jon Platt Scholarship Program for college-bound students from his Denver community in Montbello.
Photo: Jeff Kravitz/FilmMagic
GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
Photo Courtesy of the Recording Academy and GRAMMY Museum
25 Semifinalists Announced For The 2024 Music Educator Award
Twenty-five music teachers, from 25 cities across 17 states, have been announced as semifinalists for the 2024 Music Educator Award, presented by the Recording Academy and GRAMMY Museum. One ultimate recipient will be honored during GRAMMY Week 2024.
Twenty-five music teachers have today been announced as semifinalists for the Music Educator Award, an annual award, presented by the Recording Academy and GRAMMY Museum, that supports and celebrates music education and music educators across the U.S. The 25 semifinalists, who hail from 25 cities across 17 states, were selected from a pool of more than 2,000 initial nominations from across all 50 U.S. states. Finalists will be announced in December, and the ultimate recipient of the 2024 Music Educator Award will be recognized during GRAMMY Week 2024, days ahead of the 2024 GRAMMYs.
Nominations for the 2025 Music Educator Award are now open.
Presented by the Recording Academy and GRAMMY Museum, the Music Educator Award recognizes current educators who have made a significant and lasting contribution to the music education field and demonstrate a commitment to the broader cause of maintaining music education in the schools. The Award is open to current U.S. music teachers. Anyone can nominate a teacher — students, parents, friends, colleagues, community members, school deans, and administrators — while teachers are also able to nominate themselves; nominated teachers are notified and invited to fill out an application.
Each year, the recipient of the Music Educator Award, selected from 10 finalists, receives a $10,000 honorarium and matching grant for their school's music program. The nine additional finalists receive a $1,000 honorarium and matching grants. The remaining 15 semifinalists, among the group announced today, will receive a $500 honorarium with matching school grants.
The Music Educator Award program, including honorariums, is made possible by the generosity and support of the Chuck Lorre Family Foundation. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies.
The full list of the 2024 Music Educator Award semifinalists is as follows:
|Dawn Amthor||Wallkill Senior High School||Wallkill||New York|
|Jeremy Bartunek||Greenbriar School||Northbrook||Illinois|
|William Bennett||Cane Bay High School||Summerville||South Carolina|
|Meg Byrne||Pleasant Valley High School||Bettendorf||Iowa|
|Ernesta Chicklowski||Roosevelt Elementary||Tampa||Florida|
|Michael Coelho||Ipswich Middle and High School||Ipswich||Massachusetts|
|Drew Cowell||Belleville East High School||Belleville||Illinois|
|Marci DeAmbrose||Lincoln Southwest High School||Lincoln||Nebraska|
|Antoine Dolberry||P.S. 103x Hector Fontanez||Bronx||New York|
|Jasmine Fripp||KIPP Nashville Collegiate High School||Nashville||Tennessee|
|J.D. Frizzell||Briarcrest Christian School||Eads||Tennessee|
|Amanda Hanzlik||E.O. Smith High School||Storrs||Connecticut|
|Michael Lapomardo||Shrewsbury High School||Shrewsbury||Massachusetts|
|Ashleigh McDaniel Spatz||Rising Starr Middle School||Fayetteville||Georgia|
|Kevin McDonald||Wellesley High School||Wellesley||Massachusetts|
|Coty Raven Morris||Portland State University||Portland||Oregon|
|Trevor Nicholas||Senn Arts at Nicholas Senn High School||Chicago||Illinois|
|Vicki Nichols||Grandview Elementary||Grandview||Texas|
|Annie Ray||Annandale High School||Annandale||Virginia|
|Bethany Robinson||Noblesville High School||Noblesville||Indiana|
|Danni Schmitt||Roland Park Elementary/Middle School||Baltimore||Maryland|
|Kevin Schoenbach||Oswego High School||Oswego||Illinois|
|Matthew Shephard||Meridian Early College High School||Sanford||Michigan|
|Alice Tsui||New Bridges Elementary||Brooklyn||New York|
|Tammy Yi||Chapman University||Orange||California|
Learn more about the Music Educator Award and apply to the 2025 Music Educator Award program now.
Photo: Courtesy of BJ The Chicago Kid
Press Play: Watch BJ The Chicago Kid Pay Tribute To His Childhood Best Friend With "Liquor Store In The Sky"
Neo soul singer BJ The Chicago Kid offers an emotional, acoustic performance of "Liquor Store in the Sky," a single from his upcoming album that honors his late best friend.
Like many artists, BJ The Chicago Kid often draws from personal experiences when he writes songs. One of his newest songs is also one of his most vulnerable: "Liquor Store in the Sky," which honors the memory of Al Howard, a childhood best friend he tragically lost in a car accident.
In this episode of Press Play, BJ The Chicago Kid delivers a stripped-down performance of "Liquor Store in the Sky." Accompanied by a guitar player, he improvises along to the instrumental with his velvety runs.
"Hair braided, but it's nappy like the Bible say/ Don't know what you call Him, but I call Him 'Yahweh'/ It blow my mind, it's kind of crazy 'cause he with Him now/ I ain't see the car crash, but I could hear the song," he sings in the opening verse.
"Liquor Store in the Sky'' — originally a collaboration with Freddie Gibbs — is a track from BJ The Chicago Kid's upcoming album, which he produced in collaboration with multiplatinum producer Yeti Beats via Reach the World Records.
"This song resonates with anyone who has lost someone special, particularly with those who yearn for a cherished drink with their favorite person," the neo-soul singer shared with GRAMMY.com.
Watch the video above to hear BJ The Chicago Kid's honest performance of "Liquor Story in the Sky," and check back to GRAMMY.com for more new episodes of Press Play.