In a brand-new editorial series, the Recording Academy has asked its membership to reflect on their their career journey, the current state of the music industry and what we can do to collectively and positively move forward in the current social climate. Below, Latin pop performer and Florida chapter member Leslie Grace shares her open letter with GRAMMY.com readers.

Dear fellow creatives,

A good friend once told me, "every challenge is but an opportunity for growth." I’ve never come to understand that more than in the last six months of my life. Correction—our lives. What a doozy it’s been. For most of us, we can agree that there have been a number of challenges. Rather than list all the challenges we’ve faced to some degree or other, I’d rather use this space to share an area of my life I feel I and, in some ways, all of us have been granted to the opportunity to grow: MEANING.

I’d be lying if I said that I wasn’t one of the millions of people trying to guess on a daily what all of this chaos "means" for us, as a people, as a planet, as spiritual beings and as creatives. Newsflash: I’ve spent most of this COVID summer trying to figure it out and I still ain’t got it! But in my search for meaning, I did find something else almost just as satisfying—my need for meaning. 

As humans, we all have the remarkable capability of creating and imposing our own meaning to whatever life presents us with. It’s the reason people make a hobby out of visiting art museums and walk around insisting they know exactly what Basquiat "meant" with pieces like "Hollywood Africans" or know exactly why the Mona Lisa is smiling. HA! It’s why the internet is flooded with countless forums on the symbolism found in movies like The Matrix and how it nods at the validity of an alternate universe. The jury’s still out! It’s also the reason why one song can mean so many different things to so many different people from so many different walks of life. The Eagles' "Hotel California," for example. I digress!

<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CGaOzowhCBe/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CGaOzowhCBe/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CGaOzowhCBe/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">Patria, Minerva, and María Teresa energy this month as I get ready to vote</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/lesliegrace/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> LG</a> (@lesliegrace) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-10-16T15:43:28+00:00">Oct 16, 2020 at 8:43am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>

To some people, the importance of meaning isn’t something they spend too much time pondering. To artists, however, it’s the whole point. Meaning is the sole purpose of the artist and what they create. For an artist, the art is almost always less about what is created and more about how and why they’re creating it. It’s about the journey from something seemingly insignifican—a feeling, a thought, a story—to something magnificent: a hit song, a number one album, a mixtape about Alexander Hamilton turned record-breaking broadway musical/movie (sorry, I had to).

My point is, we’ve known forever that the stuff of life is found in the journey, not the destination. That fulfillment is found not in where we’re going, but in how we get "there," and why we set out to go in the first place. Or at least we’ve said that a billion times in hopes that we’d someday believe it. But what about the idea that where we’re going is determined by how we get there? The idea that the journey is not only better than the destination, but that if we’re honest, the journey actually determines the destination. And if we’re talking longevity here, the journey never ends until we do. So the journey’s all we’ve got! So why do we so easily overlook and underrate the journey as it pertains to creating? (When I say "the journey," I mean the little details in our creative process that either make the time spent making something exhilarating or excruciating.) What leads us to believe that how we feel throughout our creative process (the journey) won’t bleed into our work (the destination)?

As a multi-hyphenate artist, starting at the early age of 16, I spent years compromising my "why’s" and "how’s" for the sake of the "what." It's only recently that I’m figuring out that whenever I am conscious of the best "how" in the process of creating, it usually yields the best result out of every circumstance, be it a writing session, a read of a scene, or even a brainstorming session with my team. That being said, in so many ways, our industry encourages that most creative conversations start with "what are we creating?" rather than "how do we want to create today?" Maybe it’s because we haven’t had a strong enough "why?" Maybe we’ve drowned out why we originally set out to create in the first place in order to just create something. Whether conscious or not, we've let productivity trump the need for meaning in our creative processes. I must admit that on many occasions, I’ve allowed the pressure of being "digestible" halt the most meaningful and original of my ideas dead in their tracks long before I can even express them. Now, by no means am I saying it doesn’t help to have a game plan when creating, but our need for knowing what we’ll create before we even begin should not be so great that it supersedes our need for why and how we’ll create that day. Our longing to make beautiful art consistently that we can share and hopefully monetize should motivate us to be precious with how we make it in a way that makes us feel good in the process. Trying to anticipate or will our art into being "something" in advance can very well be what gets in the way of the result we’d like in the end. 

<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CGYsl4vhiUR/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CGYsl4vhiUR/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CGYsl4vhiUR/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">Days like today, it’s the little things that bring me joy: cooking up un pollo guisado that reminds me of home and pairing it with a nice cold @MichelobUltra Pure Gold as the sun goes down in LA Prouder than ever to be Dominican-American! Happy Hispanic Heritage Month from me to you #ULTRAAmbassador #PuroOro</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/lesliegrace/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> LG</a> (@lesliegrace) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-10-16T01:25:15+00:00">Oct 15, 2020 at 6:25pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>

What’s that phrase people use in politics? "The end justifies the means." In the case of songwriting and many other creative processes, I’ve found that the end never justifies the means if the means have no meaning other than to get an end. Which begs the question: Have we as creatives been more interested in making something that can be easily categorized, more than we are interested in expressing something new, authentic, and thought-provoking? Are we really in the business of making art or in the art of making business? I for one think we should be concerned with both. Are we taking full ownership of our processes when we write, arrange, produce, create? Are we allowing our ideas to flow more than we are manipulating them to be something different before we’ve even given them a fair shot? Are we building on or chipping away at essence? Are we holding a marketing meeting in the studio before we even write the song? We should keep asking ourselves these questions frequently. 

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I’ve been having this conversation more often with myself and other fellow creatives as we step into some new habits thanks to the major opportunity set before us by this global pandemic. We definitely did not invite it but we are making the best of what it’s brought out of us. We’re coming back to the familiar (yet almost forgotten) feeling of creating for expression's sake because merely speaking words wouldn’t be enough! We’re remembering what it is to create in a safe space with people who invite vulnerability and how much our art benefits from that. We’re allowing art to be the process through which something is made, not from nothing, but from a feeling, before we call it "something." I think we’re all returning to ourselves, in a way we haven’t in a long time, however whole or broken we may be, and finally creating from that place. I think we’ve all gone fast and far enough only to realize that it’s always been how we do what we do that gives us meaning, not what we do. 

And if all of this is just my reasoning with chaos for the sake of finding some kind of meaning, well then I think I’m well on my way and that’s a marvelous thing…

All my love and light and blessings,
LG 
#YourGrace

Torae Talks Fighting For Change & Overhauling The Music Industry's Business Model

The Recording Academy has partnered with leading online learning platform Coursera on GRAMMY GO, a new online initiative to offer classes tailored for music creators and industry professionals.

This partnership empowers the next generation of the music community with practical, up-to-the moment digital content that provides wisdom for both emerging and established members of the industry. Continuing the Academy’s ongoing mission to serve all music people, courses cover a variety of specializations tailored to creative and professional growth. 

GRAMMY GO on Coursera includes courses taught by Recording Academy members, featuring GRAMMY winners and nominees and offers real-life lessons learners can put to work right away.

Starting today, enrollment is open for GRAMMY GO’s first Coursera specialization, "Building Your Audience for Music Professionals," taught by Joey Harris, international music/marketing executive and CEO of Joey Harris Inc. The course features Rock & Roll Hall of Fame inductee and five-time GRAMMY winner Jimmy Jam, 10-time GRAMMY nominee Janelle Monáe and three-time GRAMMY winner and the 2024 GRAMMYs Best New Artist Victoria Monét. This foundational specialization will help participants gain the skills, knowledge and confidence to build a strong brand presence and cultivate a devoted audience within the ever-changing music industry. 

The partnership’s second course, launching later this summer, aims to strengthen the technological and audio skills of a music producer. "Music Production: Crafting An Award-Worthy Song" will be taught by Carolyn Malachi, Howard University professor and GRAMMY nominee, and will include appearances by GRAMMY winner CIRKUT, three-time GRAMMY winner Hit-Boy, artist and celebrity vocal coach Stevie Mackey, five-time GRAMMY nominee and Recording Academy CEO Harvey Mason jr., and 15-time GRAMMY winner Judith Sherman. Pre-enrollment for "Music Production: Crafting An Award-Worthy Song" opens today.

"Whether it be through a GRAMMY Museum program, GRAMMY Camp or GRAMMY U, the GRAMMY organization is committed to helping music creators flourish, and the Recording Academy is proud to introduce our newest learning platform, GRAMMY GO, in partnership with Coursera," said Panos A. Panay, President of the Recording Academy. "A creator’s growth path is ongoing and these courses have been crafted to provide learners with the essential tools to grow in their professional and creative journeys."

"We are honored to welcome GRAMMY GO, our first entertainment partner, to the Coursera community," said Marni Baker Stein, Chief Content Officer at Coursera. "With these self-paced online specializations, aspiring music professionals all over the world have an incredible opportunity to learn directly from iconic artists and industry experts. Together with GRAMMY GO, we can empower tomorrow's pioneers of the music industry to explore their passion today."

GRAMMY GO also serves as the music community’s newest digital hub for career pathways and editorial content that provides industry insights for members of the industry; visit go.grammy.com for more. For information and enrollment, please visit the landing pages for "Building Your Audience for Music Professionals" and "Music Production: Crafting An Award-Worthy Song."

Meet 5 GRAMMY Nominees Who Started At GRAMMY U: From Boygenius Engineer Sarah Tudzin To Pentatonix’s Scott Hoying

As a founding member of the National Recording Preservation Board, the Recording Academy was instrumental in lobbying and getting the board created by Congress. Now, the Library of Congress has added new treasures to the National Recording Registry, preserving masterpieces that have shaped American culture.

The 2024 class not only celebrates modern icons like Green Day’s punk classic Dookie and Biggie Smalls' seminal Ready to Die, but also honors vintage gems like Gene Autry’s "Rudolph, the Red-Nosed Reindeer" and Perry Como’s hits from 1957. These recordings join over 650 titles that constitute the registry — a curated collection housed within the Library’s vast archive of nearly 4 million sound recordings. 

Librarian of Congress Carla Hayden announced these additions as essential pieces of our nation’s audio legacy, each selected for their cultural, historical, or aesthetic importance. This selection process is influenced by public nominations, which hit a record number this year, emphasizing the public's role in preserving audio history.

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"The Library of Congress is proud to preserve the sounds of American history and our diverse culture through the National Recording Registry," Hayden said. "We have selected audio treasures worthy of preservation with our partners this year, including a wide range of music from the past 100 years, as well as comedy. We were thrilled to receive a record number of public nominations, and we welcome the public’s input on what we should preserve next."

The latest selections named to the registry span from 1919 to 1998 and range from the recordings of the all-Black 369th U.S. Infantry Band led by James Reese Europe after World War I, to defining sounds of jazz and bluegrass, and iconic recordings from pop, dance, country, rock, rap, Latin and classical music.

"For the past 21 years the National Recording Preservation Board has provided musical expertise, historical perspective and deep knowledge of recorded sound to assist the Librarian in choosing landmark recordings to be inducted into the Library’s National Recording Registry," said Robbin Ahrold, Chair of the National Recording Preservation Board. "The board again this year is pleased to join the Librarian in highlighting influential works in our diverse sound heritage, as well as helping to spread the word on the National Recording Registry through their own social media and streaming media Campaigns."

Tune in to NPR's "1A" for "The Sounds of America" series, featuring interviews with Hayden and selected artists, to hear stories behind this year’s picks. Stay connected to the conversation about the registry via social media and listen to many of the recordings on your favorite streaming service.

For more details on the National Recording Registry and to explore more about the selections, visit The Library of Congress's official National Recording Registry page.

National Recording Registry, 2024 Selections (chronological order)

1. "Clarinet Marmalade" – Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)

2. "Kauhavan Polkka" – Viola Turpeinen and John Rosendahl (1928)

3. Wisconsin Folksong Collection (1937-1946)

4. "Rose Room" – Benny Goodman Sextet with Charlie Christian (1939)

5. "Rudolph, the Red-Nosed Reindeer" – Gene Autry (1949)

6. "Tennessee Waltz" – Patti Page (1950)

7. "Rocket ‘88’" – Jackie Brenston and His Delta Cats (1951)

8. "Catch a Falling Star" / "Magic Moments" – Perry Como (1957)

9. "Chances Are" – Johnny Mathis (1957)

10. "The Sidewinder" – Lee Morgan (1964)

11. "Surrealistic Pillow" – Jefferson Airplane (1967)

12. "Ain’t No Sunshine" – Bill Withers (1971)

13. "This is a Recording" – Lily Tomlin (1971)

14. "J.D. Crowe & the New South" – J.D. Crowe & the New South (1975)

15. "Arrival" – ABBA (1976)

16. "El Cantante" – Héctor Lavoe (1978)

17. "The Cars" – The Cars (1978)

18. "Parallel Lines" – Blondie (1978)

19. "La-Di-Da-Di" – Doug E. Fresh and Slick Rick (MC Ricky D) (1985)

20. "Don’t Worry, Be Happy" – Bobby McFerrin (1988)

21. "Amor Eterno" – Juan Gabriel (1990)

22. "Pieces of Africa" – Kronos Quartet (1992)

23. Dookie – Green Day (1994)

24. Ready to Die – The Notorious B.I.G. (1994)

25. "Wide Open Spaces" – The Chicks (1998)

21 Albums Turning 50 In 2024: 'Diamond Dogs,' 'Jolene,' 'Natty Dread' & More

Following a two-year hiatus, the GRAMMY Museum and Recording Academy are reinstating the GRAMMY Hall Of Fame on its 50th anniversary. The momentous event will be celebrated with an inaugural gala and concert on Tuesday, May 21, at the NOVO Theater in Los Angeles; tickets and performers for the event will be announced at a later date. As part of the return, 10 recordings, including four albums and six singles, will be newly inducted into the GRAMMY Hall Of Fame later this year.

The GRAMMY Hall Of Fame was established by the Recording Academy's National Trustees in 1973 to honor recordings of lasting qualitative or historical significance that are at least 25 years old. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts with final ratification by the Recording Academy's National Board of Trustees. There are currently 1,152 inducted recordings in the GRAMMY Hall Of Fame. View the full list GRAMMY Hall Of Fame past inductees.

This year, the GRAMMY Museum’s GRAMMY Hall Of Fame Gala will be the first of what will become an annual event, and includes a red carpet and VIP reception on the newly opened Ray Charles Terrace at the GRAMMY Museum, followed by a one-of-a-kind concert at the NOVO Theater in Downtown Los Angeles.

The inaugural gala and concert is produced by longtime executive producer of the GRAMMY Awards, Ken Ehrlich, along with Chantel Sausedo and Ron Basile and will feature musical direction by globally renowned producer and keyboardist Greg Phillinganes. For sponsorship opportunities, reach out to halloffame@grammymuseum.org.

Keep watching this space for more exciting news about the GRAMMY Hall Of Fame!

2024 GRAMMYs: See The Full Winners & Nominees List

In the midst of GRAMMY Week, The Recording Academy, Gold House and Pacific Bridge Arts Foundation came together for the first-ever Gold Music Alliance reception — an intimate, yet powerful celebration of the Pan-Asian community's vast contributions to the music industry.

"This is the first gathering, but it's definitely not going to be the last," promised Harvey Mason jr., CEO of the Recording Academy, in opening remarks at the Jan. 31 event, which was held at the Fairmont Century Plaza in Century City, California. "We're going to continue to grow, we're going to continue to evolve. This organization and this group of constituents, music makers — it's going to be a powerful platform to make a difference. The importance of this group is so the Academy can listen and learn and understand."

As the son of Harvey Mason Sr. — the acclaimed jazz drummer from Fourplay and original drummer of Herbie Hancock's The Headhunters — Mason jr.'s entire life has revolved around music. Even though he's always been immersed in sound, Mason jr. understands that he needs to keep his ears open to other perspectives within the industry.

"We don't know everything that's going on in every group of music makers or music people," he said, "so having different groups being able to get together, have insight and give us feedback — how can we serve better? How can we represent your group, your constituency, your community better? We need to understand what's missing, what's lacking, how can we get it better?"

Harvey Mason jr. speaking with guests at the Gold Music Alliance Reception on Jan. 31, 2024 | Anna Webber / Getty Images

"Thank you, Harvey, for listening," said Jonathan Yip, who is currently serving as a Trustee, and is the first AAPI+ Trustee elected to the Recording Academy's National Board of Trustees from the Los Angeles Chapter. "You nailed it! That is exactly what we need. We need allies and, with you and the Recording Academy backing us and what we're trying to do here, it means everything to us. So thank you very much for that.

"When I first moved out to LA in 2001, I worked at a couple different record labels, and when I would go in there, I didn't see anybody that looked like me," Yip, a two-time GRAMMY winner for his producing work as part of Stereotypes on "That's What I Like" by Bruno Mars, which took home golden gramophones for Song Of The Year and Best R&B Song in 2018, added. "But, what I did notice 20 years forward, I see a lot, and I think the growth of our community within the music industry is something to be proud of."

Yip acknowledged how important it is to have the Recording Academy's support in pushing the Gold Music Alliance initiative, which he said will "help bridge the gaps in the future and the younger people in our community to give them opportunities to be creative." And the GRAMMY Week reception wasn't just impactful because of the promise in the room, but because it's a moment that the community has long hoped for. 

"We've all been in the music industry where we've always wanted a voice, we've always wanted that visibility," Yip noted. "So for us to be here, to be able to reach out to the community and let them know that it's accessible, that we're here and we have a voice — that to me is a huge moment."

With its mission grounded in lifting Asian founders, creative voices, and leaders, Gold House has played a pivotal role in working with major media companies to help reshape screens in TV and film, with successes like Beef and Everything Everywhere All at Once. Now, the nonprofit organization is bringing its passion to the music business by sponsoring the Inaugural Gold Music Alliance GRAMMY Week reception.

"We all know that awards are so critically important to all of our creative industries, and voting bodies have historically looked very singular," noted Gold House CEO Bing Chen. "So we are so excited to be able to diversify, not just for representation, but for creative excellence, the next waves of artists, producers, musicians and companies."

DJ Virman at the Gold Music Alliance Reception on Jan. 31, 2024 | Anna Webber / Getty Images

As Frankie Yaptinchay, Amazon Music's Senior Product Manager, Audience Development & Creative Partnerships,  added, the hope and vision of the Gold Music Alliance is that it will be around for generations to come.

"I think the big thing the Gold Music Alliance is doing is we want to build accessibility," said Yaptinchay, who also serves as governor of the Pacific Northwest chapter of the Recording Academy. "We want to build accessibility, for not only us and the creators, and executives, but for the next generation. We want to use the vehicle that the Recording Academy has built and the prestige and share that with our community. I think this is our time to be visible, our time to speak up, and I'm really really excited we can do this.”

"We are all about uplifting the next generation in music," agreed Annie Lam, executive director of Pacific Bridge Arts Foundation. The nonprofit was founded by Far East Movement, the first Asian-American group to top the Billboard Hot 100 charts with their 2010 party hit "Like a G6". The group's Kev Nish is integrated in every aspect of the event, serving as PBA's Chair of the Board and founder, a Gold House board member, and the Recording Academy's Los Angeles Chapter Governor; his bandmate DJ Virman provided the musical accompaniment for the reception.

"The work that we do is really shaped by their journey and experiences," Lam continued, highlighting some of their programs, including The Bridging Arts Talk, which features GRAMMY nominees, GRAMMY winners and music executives. "We are so proud that all of these leaders are part of our network to give back, because we know the value of mentorship and how important they are and we are working step by step to knock down those barriers. We're still fighting the good fight and hope that you will continue to work with us to keep up with the movement."

Before the event came to a close, Grace Jun Baca, Recording Academy Director of Governance, Member & Industry Relations, expressed her thanks for those who helped make the event a success.

"Tonight was made possible because of the support of Ryan Butler, VP DEI and DEI's DREAM (Diversity Reimagined by Engaging All Musicmakers) Initiative, serving underrepresented groups at the Academy, and of course the ultimate green light from CEO Harvey Mason, jr. Like Harvey said, this is only the beginning. There's much more to come!"

The Recording Academy's Los Angeles Chapter Honored Its Musical Family At 2024 GRAMMY Nominee Celebration