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Kelly Clarkson
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Kelly Clarkson, Dave Chappelle, More To Present At 2018 GRAMMYs
Tony Bennett, Alicia Keys, Nick Jonas, John Legend, Eve, Jim Gaffigan, Sarah Silverman also among those to present on Music's Biggest Night on Jan. 28
An eclectic all-star lineup of artists, musicians, actors, and comedians will take the stage as presenters at the 60th GRAMMY Awards.
On tap to present awards and introduce performers are 18-time GRAMMY winner Tony Bennett, current GRAMMY nominee Dave Chappelle, three-time GRAMMY winner and current nominee Kelly Clarkson, professional football player Victor Cruz, GRAMMY winner Eve, current GRAMMY nominee Jim Gaffigan, actress Katie Holmes, previous GRAMMY nominee Nick Jonas, actress Anna Kendrick, 15-time GRAMMY winner Alicia Keys, 10-time GRAMMY winner John Legend, actor Shemar Moore, comedian and television host Trevor Noah, current GRAMMY nominee Sarah Silverman, actress and singer Hailee Steinfeld, and GRAMMY nominee Donnie Wahlberg.
Previously announced GRAMMY performers include Brothers Osborne, Alessia Cara, Cardi B, Eric Church, Gary Clark Jr., Miley Cyrus, Childish Gambino, Daddy Yankee, DJ Khaled, Luis Fonsi, Emmylou Harris, Elton John, Kesha, Khalid, Lady Gaga, Kendrick Lamar, Little Big Town, Logic, Patti LuPone, Bruno Mars, Maren Morris, Pink, Ben Platt, Rihanna, Zuleyka Rivera, Sam Smith, Chris Stapleton, StingSZA, Bryson Tiller, and U2.
Hosted by award-winning television personality and performer James Corden live from Madison Square Garden in New York City, the 60th GRAMMY Awards will be broadcast live on CBS on Sunday, Jan. 28 at 7:30 p.m. ET/4:30 p.m. PT.
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9 Reasons Why Usher's 'Confessions' Is R&B's Definitive Blockbuster Album
Just before Usher kicks off his extensive world tour, the R&B superstar celebrates the 20th anniversary of his magnum opus, 'Confessions.' Here's a look at the ways the album changed the genre — and cemented Usher as an icon.
"All of us have our Pandora's boxes or skeletons in our closets," Usher told MTV News while promoting his 2004 album, Confessions. "I've got a lot of things and stuff built in me that I just want to let go of."
He sure wasn't kidding. The concept album, and loosely based around his relationship with TLC's Rozonda "Chilli" Thomas — essentially played out like a prime-time soap opera set to music. But its brutally honest narrative and earworm hooks connected like no other contemporary R&B record before or since, solidifying Usher as one of music's modern greats.
In fact, Confessions was the second-best selling album of the 2000s (only behind *NSYNC's 2000 juggernaut, No Strings Attached), thanks in part to four consecutive Billboard Hot 100 chart-toppers and a string of attention-grabbing videos that allowed Usher to showcase his skills as a singer, dancer, actor, and all-round loverman.
Just after delivering a career-defining Super Bowl halftime show performance, Usher celebrates 20 years of Confessions on March 23. To commemorate the anniversary, here's a look at why Confessions remains the R&B scene's definitive blockbuster.
It Saved The Record Industry
Thanks to the rise in illegal downloads and decline of "Total Request Live"-friendly blockbusters, the music industry began 2004 staring down a fourth consecutive year of declining sales. Step forward their savior, Usher Raymond IV.
Confessions shifted a colossal 1.1. million copies in its first week, the highest number since Eminem's The Eminem Show in 2002, and didn't stop selling. By the end of December, its total had ballooned to nearly eight million — double its closest competitor, Norah Jones' Feels Like Home, to become the year's biggest commercial smash.
Usher's magnum opus was widely credited with getting the American public back into record stores again, resulting in a 1.6 percent increase in overall album sales. But Confessions' journey wasn't done there. In 2012, it was awarded diamond status, joining TLC's CrazySexyCool and Boyz II Men's II as the only R&B representatives in the exclusive club, with its current tally now reportedly standing at 18 million!
It Invented Crunk&B
Crunk, an energetic form of southern hip-hop defined by its 808 basslines, kick drums, and general party-starting vibes, originated in the mid-1990s. But it took nearly a decade for the sound to crossover from the Miami underground to the top of the charts. And then the lead single from Confessions took the scene to another level.
With its high-pitched synth hook, emphatic beats, and hype man chants from the subgenre's self-proclaimed king Lil Jon, "Yeah!" had all the hallmarks of a crunk classic. But Usher's smooth, soulful tones and Ludacris' playful rhymes gave the dance floor anthem a much stronger melodic edge, prompting critics to coin a new term, Crunk&B.
Several artists took note of the crunk and contemporary R&B crossover, with both Ciara's "Goodies" and Chris Brown's "Run It" also topping the Hot 100. But "Yeah!" remains the sound's crowning glory, as proven by the diamond status it achieved right before Usher's Super Bowl halftime show (Usher is also now only the third ever Black artist to have a diamond-certified single and album, alongside Michael Jackson and Whitney Houston).
It Further Bridged The Gap Between R&B And Hip-Hop
While previous albums Usher, My Way, and 8701 had all been grounded in slick, soulful R&B, Confessions was a concerted attempt to bridge the gap between his signature sound and the grittier world of hip-hop. The man himself admits that he took just as much inspiration from Eminem and Bone Thugs-N-Harmony as his usual suspects, like Michael Jackson and James Brown, to create an album that was aimed equally at the bedroom and the clubs.
Alongside the famous guest appearances from Lil Jon and Ludacris, the LP also drew upon the production talents of Roc-A-Fella regular Just Blaze. Meanwhile, on the special edition, Jadakiss laid down some bars on "Throwback," while the remix of "Confessions Part II" boasted rhymes from Shyne, Twista, and Kanye West.
That's not to say thatNot that Usher forgot his roots, though., Has proven by his collab with Keys ("My Boo"), recruitment of legendary producers Jimmy Jam and Terry Lewis, and contributions from long-time collaborators Jermaine Dupri and Bryan-Michael Cox all helped remind of his R&B prowess. "I feel like it is the base of everything," Usherhe said about his love of R&B at the time. "I want to make it more prominent."
It Was A GRAMMY Favorite
Although Ray Charles posthumously won the most awards of the night, the 2005 GRAMMYs undoubtedly still belonged to Usher. The R&B star not only took home three golden gramophones, but he also brought the house down thanks to a spellbinding duet with the Godfather of Soul.
A sharp-suited Usher first took to the stage for an epically choreographed performance of Confessions' fifth single "Caught Up," before James Brown — who even at the age of 71 still had several moves of his own — popped up for a joint rendition of his classic, "Sex Machine."
Usher was no doubt in a celebratory mood. By this point, he'd picked up three of the eight categories he'd been nominated in: Best Contemporary R&B Album, Best Rap/Sung Collaboration for "Yeah!," and Best R&B Performance by a Duo or Group with Vocal alongsideAlicia Keys for "My Boo." (As of press time, Usher has won eight GRAMMYs and received 23 GRAMMY nominations.)
It Brought A Confessional Side Back To R&B
From Marvin Gaye's Here, My Dear to D'Angelo's Brown Sugar, some of the greatest R&B records of the 20th century resulted from artists baring their souls as if their lives depended on it. This was an approach that had largely fallen by the wayside as time went on, with some suggesting that the genre gradually became more emotionally stunted.
Usher, on the other hand, had no qualms whatsoever about laying it all on the line, namely the ups and downs of his relationship with Thomas. On the falsetto-voiced "Burn," he willingly displays devastation over his breakup ("I'm twisted 'cause one side of me's telling me that I need to move on/ On the other side I wanna break down and cry"). And even by the penultimate track, "Take Your Hand," he still seems to be in a state of torment ("In your loving, every time I feel your touch/ Second thoughts, more doubts started building up").
Usher's confessional approach continued in 2008 with Here I Stand's love letter to then-wife Tameka Foster and then again in 2010 with the divorce-themed Raymond vs. Raymond. And many other R&B artists, including Janelle Monae and Beyoncé, have since made career bests by delving similarly deep into their personal lives.
It Inspired A Generation Of R&B Lotharios
Think of any R&B lothario who's emerged in the last 20 years and chances are they've been heavily inspired by Confessions. Jason Derulo has said as much, describing it as a "classic album" and "just start to finish awesome"; Ne-Yo echoed that sentiment to BBC Radio 1, calling it "flawless top to bottom." While Bryson Tiller explicitly told Fuse he wanted to make a record in the same vein. And you can hear its influence in everything from Drake's more romantic offerings to August Alsina's intimate revelations.
And 10 years after Robin Thicke co-penned and co-produced Confessions' sensuous bedroom jam, "Can U Handle It," he released his own breakup tale with 2014's Paula. Though he hasn't ever explicitly cited Confessions as an influence, Paula is a concept album about Thicke's real-life marriage breakdown, which essentially doubled up as a begging letter to his estranged wife.
It's A Storytelling Masterclass
In 2023, it was announced that an untitled drama series inspired by Usher's back catalog was in the works. No doubt that the project, said to be "about Black love in Atlanta and individuals looking to find a place to call home," will draw heavily upon the storytelling masterclass that is Confessions.
Take "Truth Hurts," for example, the relationship tale in which Usher initially presents himself as the wounded party before revealing that he was, in fact, the one being adulterous ("I've been blaming you when I'm the one that's doing wrong/ I'ma go on/ My guilty conscience is the real reason I wrote this song").
Usher also appeared to enjoy keeping audiences guessing about whether his confessions were truly autobiographical or borrowed from the album's male-centric production team. See the two title tracks, which suggested the lothario had himself become a father following a one-night stand, when in reality, the paternity drama was all Dupri's.
"We wanted the media to ask us questions," the latteradmitted to Vibe in 2014, citingMichael Jackson as a key attention-grabbing influence. "Nobody knows who the f— Billie Jean is. We're still looking for her."
It Helped Breathe New Life Into Several Soul Classics
While much of Confessions was interested in pushing R&B forward, it wasn't entirely averse to getting a little nostalgic. The record is filled with cleverly chosen samples from the soul of yesteryear, from Harold Melvin and the Blue Notes' "Is There a Place for Me" on "Take Your Hand" to Willie Hutch's Mack's Stroll on "Superstar" and Preston Love's "Chili Mac" on "Whatever I Want."
And nearly 20 years before Doja Cat repurposed a Dionne Warwick classic to chart-topping effect on 2023's "Paint the Town Red," Usher brought the Motown legend into the contemporary R&B world by borrowing from "You're Gonna Need Me" on the aptly titled "Throwback."
It Broke Multiple Chart Records
You know an artist has reached true greatness when they start being mentioned in the same breath as The Beatles. In 2004, Usher became the first act since the Fab Four to have both the biggest and second biggest-selling singles of Billboard's year-end chart with "Yeah!" and "Burn," respectively. And this was far from the only major milestone Confessions achieved.
Until Taylor Swift's Fearless spent an additional fortnight in the top spot in 2009, the album's nine weeks atop the Billboard 200 was the longest run of the millennium. And with "Confessions Part II" also reaching No. 1 on the Hot 100 (ironically, replacing "Burn"), Usher not only became the first artist in history to achieve three consecutive chart toppers, but also the first act to spend more than half a calendar year atop the Hot 100 at 28 combined weeks.
Twenty years on, Confessions is still the highest-selling record by a Black artist this century. And further exemplifying his staying power and impact across the globe, Usher will soon embark on a lengthy world tour that has sold out from Brooklyn to Berlin — a momentous way to honor the album that changed the R&B game.
24 Songs Turning 20: Listen To 2004's Bangers, From "Yeah!" To "Since U Been Gone"
Photo: Michael Owens/Getty Images
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Usher's Super Bowl Halftime Show Was More Than A Performance, It Was A Celebration Of Black Excellence
From celebrating Atlanta's HBCU culture to shining light on Southern rappers like Ludacris and Lil Jon, Usher brought the brilliance of the Black South to Las Vegas.
In the days leading up to Usher’s Super Bowl performance, the singer waxed poetically about the significance of this moment not only in popular culture but for Black music.
Speaking with Kelly Carter on "Good Morning America," Usher reflected on the history of Black entertainers who performed for the masses under restrictive laws. Although a majority of those laws have been overturned, it would be remiss to not think about the recent series of court cases that have targeted Black musicians, such as Atlanta-based rapper Young Thug, whose music is currently being used against him in court.
For singers like Usher who have been privy to the ways in which Black music — and those who create it — have been mistreated, his halftime performance was as much as a statement as it was a tribute to those who came before him. "I'm coming through the front door with this one," Usher told Carter.
It is only fitting that the performance opened with lines from "My Way" — the title of his Las Vegas residency, which has featured a who’s who of prominent figures in pop culture — before launching into "Caught Up." Usher then descended from his anointed throne in a crisp, all white Dolce & Gabbana ensemble, he began a Michael Jackson-inspired dance routine with an array of backup dancers; the standout being renowned celebrity choreographer Sean Bankhead.
Usher made it clear early on, however, that his performance was no mere spectacle. He paused to deliver a testimony, one that bears repeating despite his new album and $100 million-earning Vegas residency: "They said I wouldn't make it, they said I wouldn't be here today, but I am."
Once the air cleared and Usher thanked his momma for her steadfast advocacy and faith in him, he led Allegiant Stadium in a sing along of "Superstar." The track from 2004’s Confessions recently inspired a viral challenge on TikTok.
A consummate performer and supporter of his peers, Usher wasn't content to simply highlight his own success. The singer transformed Allegiant Stadium to "The Yard" — the singular place at Historically Black Colleges and Universities, where students gather to talk, discuss, and have fun — and filled it with music.
Usher’s Yard included a performance of "Love In This Club" with the assistance of two members of Kappa Alpha Psi Fraternity Inc., the second oldest Black fraternity in the U.S. The trio was supported by the Jackson State University marching band, known as the "Sonic Boom of The South," to finish the song.
Even his brief moment of affection with singer Alicia Keys, who joined the singer for "My Boo," can be described as a "homecoming hug." Homecoming is another HBCU tradition, where alumni convene at their respective campuses and greet their former flame with a hug.
When Jermaine Dupri entered the stage to announce the 20th anniversary of Confessions, the transportation was complete. The audience was no longer in Vegas, but in Atlanta, the Black Mecca of the world. And Usher is Atlanta’s nucleus.
It is here that the spirits of Michael Jackson, Marvin Gaye, and Prince accompanied Usher as he bewitched millions with a singular microphone and momentum stage presence. A haze of purple clouds and smoke led the way for singer H.E.R., the night’s self appointed "Bad Girl" and her crew of roller skating baddies.
While Usher may have began the halftime show with the enthusiasm of a young boy who just got his chance to perform a solo in the church choir, by its end he was fully inhabiting his chart-topping sex icon persona.Will.i.am’s voice rippled through the stadium as Usher, donning a blue and black Off-White outfit reminiscent of football shoulder pads, glided onto the stage with an aura that is equal parts charismatic and sinful sweet.
Skating, a main tenant of Atlanta’s culture, is embedded in Usher’s ethos and a part of his larger business. The singer loves skating and owns several skating rinks.
Usher finished the extravagant performance with "Yeah!" — a song beloved in Atlanta and far, far beyond. That the song is turning 20 this year and still resonates with a global audience (not to mention a football-loving one) is further evidence that Usher truly is the "King of R&B."
"Your moment is your moment. And this is a moment I’ve prepared for during the last 30 years," Usher told Billboard ahead of the Super Bowl.
He certainly owned his moment. Usher's Super Bowl halftime show was no singular performance or an audition, but a coronation. He was receiving the torch carried by all the Black entertainers who preceded him, and reminding the world that the South still has something to say.
Surrounded by Ludacris and Lil Jon, strippers, and his own marching band, Usher closed the night out with the A-Town Stomp and one important phase: "I took the world to the A!"
Usher's Biggest Hits, From Baby-Making Slow Jams To Dance Floor Classics
Photo: Ezra Shaw/Getty Images
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Usher Electrifies Las Vegas with Triumphant Super Bowl LVIII Halftime Show: 6 Best Moments
R&B superstar Usher ran through his career of hits, from “U Got It Bad,” “Burn” and “Yeah!” to “My Boo,” “Love in This Club,” “O.M.G.,” and more during his halftime performance at Super Bowl LVIII.
He’s (still) got it bad! Usher lit up Super Bowl LVIII with an electrifying halftime show filled with a career-spanning setlist, drool-worthy dance moves and a parade of surprise guests including Alicia Keys, Ludacris, Lil Jon, H.E.R., will.i.am and more.
Days before taking the stage at Allegiant Stadium, the eight-time GRAMMY-winning R&B superstar opened up to Apple Music about the creative approach he took to planning his halftime show. “What I did is, I was very mindful of my past, celebrating my present, which is here in Las Vegas, and thinking about where we’re headed in the future, and that was really the idea,” he said. “What songs do I feel people know me for? What songs have been a celebration of all of the journey of what life and love and emotion has been offered in my music?
Usher’s halftime show comes on the heels of a monumental year and a half for the star, following his sold-out 100-show Las Vegas residency, My Way, at the Park MGM’s Dolby Live Theater. The R&B heartthrob also released Coming Home — his ninth studio album (and first in nearly a decade) on Friday — just two days before his epic performance.
Below, GRAMMY.com broke down all the best moments from Usher’s momentous halftime show.
That Grand, Las Vegas-Style Entrance
From the drop, Usher let us know his Super Bowl set would be a celebration of all things Sin City as the camera wove through acrobats, showgirls, contortionists and dancers to reveal the R&B icon in all his glory — dressed in a dazzling white cape and seated on a mirrored thrown.
From there, he launched into a high-energy rendition of “Caught Up,” one of the five consecutive top 10 singles from his landmark 2004 album Confessions. Not even an acrobat being launched through the air could distract from Usher’s swagger as he sauntered across the field.
A Sweet Shout-Out to His Mom
Transitioning between 2003’s “U Don’t Have to Call'' and a snippet of Confessions deep cut “Superstar,” Usher took a moment to recognize the magnitude of the occasion with a shout-out to his mother, Jonetta Patton. “But if you do call, know that God answers prayers. They said I wouldn’t make it. They said I wouldn’t be here today, but I am. Hey, mama, we made it. Now this — this is for you. My number one,” he said before crooning, “Spotlight, big stage / Sixty-thousand fans screamin’ in a rage.”
A Nostalgic Duet with His “Boo”
Usher’s halftime performance really hit its stride once he broke into his 2008 No. 1 hit “Love in This Club” with a full marching band. But the end of the song delivered the first big surprise of the night as the singer gestured across the field to introduce none other than Alicia Keys.
Seated at a futuristic red piano with a majestic cape of the same shade billowing behind her, the 16-time GRAMMY-winning singer-songwriter performed a snippet of her own 2004 single “If I Ain’t Got You” before being joined by Usher on their No. 1 hit “My Boo.”
The pair’s decades of friendship were palpable as they belted out, “I don’t know about y’all but I know about us, and uh / It’s the only way we know how to rock / It started when we were younger, you were mine / My boo” and the number ended with both stars grinning ear to ear as Usher wrapped his arms around Keys.
“Burn”-ing Up to Confessions
With producer Jermaine Dupri playing hype man, Usher celebrated the 20th anniversary of Confessions by running through a medley of songs from the 14x-platinum album, including “Confessions Part II” and a soaring take on “Burn,” which was undeniably one of the standout vocal moments of Usher’s entire set.
The star also put his sex appeal on full display, tearing away his glittery silver top to reveal a simple white tank as he performed “U Got It Bad” — only to remove that as well, finishing the song shirtless and glistening with sweat before ceding the spotlight to H.E.R. on an electric guitar.
“O.M.G.,” That Roller Skate Choreography!
Joined by will.i.am, Usher returned to stage dressed in a sparkling black-and-blue ensemble and roller skates — incorporating a popular moment from his recent residency as he ran through his 2010 chart-topper “O.M.G.” by nailing the choreography on wheels. For added measure, he finished off the section by skating deftly through will.i.am’s legs and striking a pose.
Peace Up, A-Town Down
Of course, the grand finale of Usher’s halftime set couldn’t be anything but “Yeah!,” his smash worldwide hit that became the longest-running No. 1 of 2004 and an inescapable soundtrack to the early 2000s. Enlisting help from collaborators Lil Jon and Ludacris, Usher turned Allegiant Stadium into an all-out dance party and brought his halftime show to a triumphant climax with the song’s infectious, shout-it-out chorus.
Reba McEntire Performs Patriotic Rendition of the National Anthem at Super Bowl LVIII
Photo: Dave Hogan / Getty Images Archive
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In Memoriam (2023): The Recording Academy Remembers The Music People We Lost
Take a moment to salute the members of the music community we lost in 2022-2024.
Below is a tribute to the luminaries and esteemed professionals from the music community we lost between Dec. 5, 2022, through Jan. 26, 2024.
During the 2024 GRAMMYs broadcast, the Recording Academy's In Memoriam segment featured performances by several masterful musicians. Annie Lennox was joined by Wendy Melvoin and Lisa Coleman to honor Sinéad O’Connor. Stevie Wonder took the stage to pay homage to the legendary Tony Bennett, Jon Batiste honored the "Godfather of Black Music" Clarence Avant and Fantasia Barrino paid tribute to the Queen of Rock 'n' Roll, Tina Turner. The performances were set against a video homage of several of the distinguished figures on this list. Every individual who passed away before the publication date has also been respectfully commemorated in the official 2024 GRAMMYs program book.
The Recording Academy offers its profound respect and appreciation for the unique gifts and enduring contributions these individuals have bestowed upon our culture and collective spirit.
Abe Stoklasa
Adam Johnstone
Aérea Negrot
Akbar Golpayegani
Alan Arkin
Alan Niederland
Alan Rankine
Alan Warner
Alan Moore Stowell
Alba 'Albita' Eagan
Algy Ward
Alice Parker
Allen Becker
Alton Wade Kelley
Amos Ettinger
Amp Fiddler
Amparo Rubín
Ana Clara Benevides Machado
Andrew Penhallow
Andrew Speight
Andy Rourke
Angela Zilia
Angelo Bruschini
Anita Kerr
Anne Hart
Annie Nightingale
Anthony Topham
Anthony John Heyes
Anup Ghoshal
Arie Levanon
Arif Cooper
Arthur Ward Eller
Audie Blaylock
August 08
Axali Doëseb
B. Sasikumar
Barbara Bryne
Barrett Strong
Baxter Black
Beeyar Prasad
Ben Lipitz
Benito Castro
Benjamin Zephaniah
Berit Lindholm
Bernie Marsden
Betta St. John
Betty Price
Beytocan
Bhavani Shankar
Bhavatharini Raja
Big Pokey
Big Scarr
John Nelson "Big John" Trimble Jr.
William "Bill" Castle
Bill Humble
Bill Lee
Bill Mayne
Bill Saluga
Bill Zehme
Bill Hayes
Billy Smith
Billy White Jr.
Billy "The Kid" Emerson
Bilqees Khanum
Bishop Carlton Pearson
Blair Tindall
Blas Durán
Blayne Tucker
Bob Burwell
Bob Feldman
Bob Jones
Bob Mummert
Bob Nalbandian
Bob Rice
Bob Siggins
Bob "Norton" Thompson
Bobbi Staff
Bobby Caldwell
Bobby Casey
Bobby Eli
Bobby Schiffman
Bonny Beverley
Brad Houser
Brad Thomson
Bram Inscore
Brandon Marcel Williams
Brett Radin
Brian McBride
Brian "Brizz" Gillis
Bridgette Wimberly
Broderick Smith
Bruce Guthro
Brucene Harrison
Bruno Ducol
Buddy McNeill
Burt Bacharach
C-Knight
C.J. Harris
Calton Coffie
Calton Coffie
Calvin Newton
Canelita Medina
Canisso Canisso
Care Failure
Carl Pagter
Carl Tovey
Carla Bley
Carlee Ann Vaughn
Carlin Glynn
Carline Smith Wilhite
Carlos Fonseca
Carlos Lyra
Carmen Jara
Carmen Xtravaganza
Carole Cook
Catherine Christer Hennix
Cayle Sain
Cecilia Pantoja Levi
Chabelita Fuentes
Chad Allan
Chaim Topol
Charline Whillhite
Charles Gayle
Charlie Dominici
Charlie Gracie
Charlie Monk
Charlie Robison
Chas Newby
Chick Rains
Chico Novarro
Choi Sung-Bong
Chris Ford
Chris Ledesma
Chris Lee
Chris Peluso
Christy Dignam
Chuck Flood
Chuck Jackson
Chuck Morris
Charley Morris
Clarence Avant
Clarence Barlow
Claude Kahn
Clay Hart
Cliff Fish
Clifton Oliver
Clint Yeager
Cobi Narita
Coco Lee
Colette Maze
Colin Burgess
Conny Van Dyke
Costa Titch
Craig Burbidge
Craig Hayes
Curtis Fowlkes
Cynthia Haring
Dan Lardner
Daniel Bourgue
Daniel Jones
Daniel Lee Stephen Jones
Danny Kaleikini
Danny Schur
Danny Milhon
Dave Cohen
Dave Dickerson
Dave Roe
Dave Freeman
David Drozen
David LaFlamme
David McCallum
David Soul
David Lumsdaine
David Beckwith
David Jude Jolicoeur
Dedi Graucher
Del Palmer
Denis Badault
Denyse Plummer
Dev Kohli
Dick Biondi
Dickie Harrell
Dima Nova
Dino Danelli
DJ Casper
DJ Deeon
DJ Dino Calvao
Djalma Corrêa
Don Graham
Don Kissil
Don Mulkey
Don Williams
Donnie McKethan
Dorian Kweller
Dr Latozi Madosini Mpahleni
Duane Tabinski
Dusty Street
Dwight Twilley
Ed Stone
Ed "Beanpole" Efaw
Edino Krieger
Edward Sexton
Edward Walters
Edward "Kidd" Jordan
Elayne Jones
Eliud Treviño
Ellen Fitzhugh
Elliot Goldman
Eloise Wyatt Russo
Emahoy Tsegué-Maryam Guèbrou
Enrique "Zurdo" Roizner
Eric Boehlert
Eric Shoutin' Sheridan
Eric Moyo
Eric Alan Livingston
Essra Mohawk
Fallece Marilú
Faye Fantarrow
Fito Olivares
Florence Malgoire
Fran La Maina
Francesa Cappucci
Francis Monkman
François Glorieux
Frank Harlow
Frank Kozik
Frank Solivan Sr.
Frank Woodard
Frank Ford
Frank Farian
Freddie Ross Hancock
Fuzzy Haskins
Gabriele Schnaut
Gangsta Boo
Garry Mapanzure
Garry Lee Rentfro
Gary Hobish
Gary Rossington
Gary Smith
Gary Wright
Gary Young
Gennady Gladkov
George Logan
George Maharis
George Moffett
George Newall
George Portz
George Tickner
George Yanok
Georgia Holt
Gérard Drouot
Germano Mathias
Glen "Spot" Lockett
Gloria Belle
Gloria Coates
Goa Gil
Gordy Harmon
Gordy Nichol
Grace Bumbry
Grady Hockett
Graeme Malcolm
Graham Clark
Grand Daddy I.U.
Gregory Brian Wright
Hans Poulsen
Harley Worthington
Harold Childs
Harold Killian
Harold Black
Harry Sheppard
Haydn Gwynne
Heather Dunbar
Heike Matthiesen
Heklina Heklina
Helen Thorington
Henri Duaman
Henry Grossman
Herb Deutsch
Hiroshi "Heath" Morie
Hoppy Hopkins
Horacio Malvicino
Howie Kane
Huey "Piano" Smith
Ian Bairnson
Ian Emes
Ian Tyson
Iasos
Ilanga
Inga Swenson
Ingrid Haebler
Ira Selsky
Irish Grinstead
Irma Capece Minutolo
Irv Lichtman
Isaac "Redd" Holt
Ismaïlia Touré
Ivan "Mamão" Conti
Ivan M. Tribe
J.J. Barnes
Jack Lee
Jack Pruett Jr.
Jack Sonni
Jacqueline Dark
Jaquelyne Ledent-Vilain
Jah Shaka
Jaimie Branch
Jake Marlowe
James Bowman
James Casey
James Harvey IV
James Jorden
James Lewis
James Kottak
James C. "Jimmy" LaRocca
Jamie Reid
Jamie Tiller
Jan Woods
Jane Birkin
Jannis Noya Makrigiannis
Jasmin Stavros
Javier Álvarez Fuentes
Jay Goldberg
Jay Weston
Jay Clayton
Jeff Cook
Jeff Davis
Jeff Heiman
Jeffrey Foskett
Jeremiah Green
Jerry Bradley
Jerry Dodgion
Jerry Fretwell
Jerry Kearns
Jerry Samuels
Jerry Springer
Jerry Whitehurst
Jerry Paul Arnold
Jesus Garber
Jet Black
Jim Boyer
Jim Parker
Jim Sharpley
Jim Vienneau
Jim Ladd
Jim Rae
Jo Mersa Marley
Joanna Merlin
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