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Justin Bieber Wins First Latin GRAMMY For "Despacito" Remix

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Justin Bieber Wins First Latin GRAMMY For "Despacito" Remix

The Canadian earns a Latin GRAMMY for Best Urban Fusion/Performance alongside Luis Fonsi and Daddy Yankee

GRAMMYs/Nov 17, 2017 - 08:33 am

Justin Bieber has one GRAMMY to his credit thus far in his career. And now he has joined an exclusive club of artists who have won a GRAMMY and a Latin GRAMMY.

The smash remix for "Despacito" featuring Bieber, which spent 16 weeks at No. 1 on the Billboard 200 this past summer, earned Best Urban Fusion/Performance honors at the 18th Latin GRAMMY Awards. Bieber shared the award with Luis Fonsi and Daddy Yankee.

The other nominees for Best Urban Fusion/Performance were "Si Tu Novio Te Deja Sola" — J. Balvin feat. Bad Bunny, "El Amante" — Nicky Jam, "Dagombas En Tamale" — Residente, and "Chantaje" — Shakira feat. Maluma.

Meet Justin Bieber With GRAMMY Charity Online Auctions
Justin Bieber

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Meet Justin Bieber With GRAMMY Charity Online Auctions

Bid on an exclusive VIP concert experience to meet Justin Bieber

GRAMMYs/Dec 3, 2014 - 05:06 am

GRAMMY Charity Online Auctions has launched a new auction offering bidders the opportunity to bid on an exclusive VIP concert experience with Justin Bieber. Open now through Oct. 25, the auction package features two tickets and meet-and-greet passes to an upcoming Bieber concert.

To place your bid on this exclusive experience, visit www.charitybuzz.com. All proceeds will benefit the GRAMMY Foundation.

Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?

Maluma

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Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?

Cast your vote. Who will voters choose for Record Of The Year at the 18th Latin GRAMMY Awards?

GRAMMYs/Oct 1, 2017 - 08:57 pm

Including the likes of Shakira and Carlos Vives to Natalia Lafourcade, Marc Anthony, Jesse & Joy, and Alejandro Sanz, the previous Latin GRAMMY winners for Record Of The Year reads like a who's who of Latin music. This year's nominees are no different.

With Rubén Blades' sensual "La Flor De La Canela," Luis Fonsi featuring Daddy Yankee's song of the summer "Despacito," Residente's impactful "Guerra," Ricky Martin with Maluma's Vente Pa' Ca," and Jorge Drexler's "El Surco," among others, this year's class of 18th Latin GRAMMY Awards nominees for Record Of The Year is loaded.  

Which song do you think will take home the Latin GRAMMY for Record Of The Year? Cast your vote below.

A Look At 2022 Nominees For Best Música Urbana Album At The 2023 GRAMMY Awards

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A Look At 2022 Nominees For Best Música Urbana Album At The 2023 GRAMMY Awards

The 2022 Best Música Urbana Album Nominees at the 2023 GRAMMYs come from some of the biggest names in Latin music, each of whom have fused a unique sensibility and a variety of influences into their records.

GRAMMYs/Nov 16, 2022 - 02:38 pm

Perhaps because in its current incarnation música urbana tackles such a wide array of influences — from the expected bounce of reggaetón to ominous trap moods, frantic dembow and a cool dash of Latin pop — the genre has become a hub for freshness and creativity.

All five 2022 nominees for Best Música Urbana Album at the 65th GRAMMY Awards are international stars, but none of them allowed fame to lead into stagnation. On the contrary, their albums are defined by cutting edge innovation and challenging new sounds. Read on to learn more about offerings from Bad Bunny, Daddy Yankee, Farruko, Maluma and Rauw Alejandro.

View the complete list of nominees for the 2023 GRAMMY Awards here.

Rauw Alejandro — TRAP CAKE, VOL. 2

Released in 2019, the first volume of Trap Cake served as a laboratory where the Puerto Rican singer experimented with unusual textures. Vol. 2 marches on the same avant-garde principles, serving as a provocative bridge between Rauw’s genre-defining smash Vice Versa and his restless third album Saturno.

The production is slick and airy on this sumptuous mini-album seeped in a hazy cloud of melancholy nostalgia. The music box-like opening strains of "MUSEO" hint at the precious ambient sonics at hand, whereas the distorted electric guitar and aggressive downbeat of "GRACIAS POR TODO" opens up an intriguing window to the quirks of Rauw as potential rock’n’roller. Co-produced by Jamaican helmer Rvssian, the darkly hued "Caprichoso" features contributions by the singer’s romantic partner — the one and only Rosalía.

Bad Bunny — Un Verano Sin Ti

How do you celebrate the confirmation of your status as a young global pop star? In the case of Bad Bunny, he released the ultimate summer album — an imaginary mixtape, meant to be booming in the background as the poolside party rages on.

The Puerto Rican phenomenon focuses on his usual preoccupations — erotic foreplay, desire as transcendent lifeforce, the stinging aftertaste of romantic separation — but the beats and layers of atmospherics are more abstract and psychedelic than on previous releases. Even though Un Verano Sin Ti boasts stellar collaborations with the likes of Tainy, Rauw Alejandro and Chencho Corleone, the album finds some of its most compelling passages in the stylistic detours of "Ojitos Lindos" — with Colombia’s Bomba Estéreo — and the alternative tropi-rock of "Otro Atardecer," with the Marias.

Daddy Yankee — LEGENDADDY

2022 was the year when the "Gasolina" pioneer shocked the Latin music establishment by announcing his retirement at age 46. Fortunately, Daddy Yankee’s farewell came in the shape of a sprawling party record. LEGENDADDY feels like a passionate, and occasionally wistful, love letter to the limitless variety that has always defined Afro-Caribbean music.

Yankee’s rapid-fire delivery and reggaetón riddims are ever-present, of course, but the menu also includes some wacky dembow ("BOMBÓN," with Lil Jon and Dominican hitmaker El Alfa), and the truly wondrous fusion of salsa, reggaetón and spidery bachata lines on the kinetic "RUMBATÓN." On "AGUA," Yankee is joined by Rauw Alejandro and guitar god Nile Rodgers for a jam infused with post-disco zest. Yankee’s electrifying live performances will be missed, but this emotional swan song delivers an fitting epic finale to a remarkable career.

Farruko — La 167

A seasoned veteran of the urbano landscape, Farruko has always been progressive in his mission to expand stylistic boundaries. The title of his seventh studio album is a reference to the singer/songwriter’s childhood memories: the 167 highway in the Bayamón area of Puerto Rico where he grew up.

At the same time, the album also reflects Farruko’s extensive travels across Latin America. "Pepas," the collection’s bonafide hit, is an anthemic electro-guaracha that stays close to the genre’s roots in Colombia. "Baja Cali" mixes Latin rap with the young generation of corridos that defines the present of música mexicana, and the breezy "W.F.M." (featuring Jamaican vocalist Mavado) delves into sweet dancehall vibes. On "Jíbaro," Farruko cherishes his boricua origins alongside bolero revivalist Pedro Capó. A man of the world, he sounds the happiest when he returns home.

Maluma — The Love & Sex Tape

In 2021, Maluma surprised fans by releasing #7DJ (7 Días En Jamaica), a refreshing EP of reggae infused tracks. A silky mini-album made up of eight new songs, The Love & Sex Tape finds the Medellín native delving back into the sensuous reggaetón narratives that made him famous.

A duet with fellow Colombian Feid, "Mojando Asientos" is appropriately frisky, and the self-explanatory "Nos Comemos Vivos" gains in intensity thanks to the streetwise attitude of the ubiquitous Chencho Corleone. Maluma surrenders to hedonism with abandon, reaching the natural conclusion that life is, indeed, quite beautiful ("La Vida Es Bella.") A classy ending, "Happy Birthday" incorporates the soulful groove of Afrobeats, hinting that Maluma’s brilliant creative detours will surface again in subsequent works.

2023 GRAMMY Nominations: See The Complete Nominees List

Mon Laferte Wins Best Alternative Song | 18th Latin GRAMMYs

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Mon Laferte Wins Best Alternative Song | 18th Latin GRAMMYs

Chilean singer/songwriter wins first career Latin GRAMMY for Juanes collaboration

GRAMMYs/Nov 17, 2017 - 03:01 am

Chilean singer/songwriter Mon Laferte won Best Alternative Song for "Amárrame" featuring Juanes at the 18th Latin GRAMMY Awards.

"Hello, it's my first Latin GRAMMY. The first time ... it's fair to cry, it's the first time, yes! Thank you very much: Manú Jalil, Lalo Del Aguila and Allan — we made this record together. To all of the work team, the record company. To Juanes, for being so generous and for singing with me. I am very nervous. I don't know what else to say. Thank you very much and I am very happy, [fellow] colleagues. I feel honored that you have voted for my song. Thank you." — Mon Laferte

The win marked the first career Latin GRAMMY for Laferte. "Amárrame" is featured on La Trenza, which was nominated for Best Alternative Music Album. 

The other Best Alternative Song nominees were "Antonia" — Sig Ragga, songwriter (Sig Ragga), "Apocalipsis Zombi" — Roberto Musso, songwriter (El Cuarteto De Nos), "Apocalíptico" — Rafael Arcaute & Residente, songwriters (Residente), and "Integridad" — Stephen Marley & Danay Suarez, Songwriters (Danay Suarez feat. Stephen Marley).