"Jennifer Lopez: All I Have" at the Planet Hollywood Resort & Casino is among Las Vegas' hottest current attractions.

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However, given the tragic shooting that took place in Las Vegas during the Route 91 Harvest Festival on Sunday, Oct. 1, the Latin GRAMMY nominee will postpone three dates — Oct. 4, Oct. 6 and Oct. 7 — of her award-winning residency.​

Ticket holders are eligible for refunds or exchanges for other performances.

"Jennifer is heartbroken that such a senseless tragedy occurred," read a press release regarding the postponement. "Her thoughts and prayers are with the victims and their families."​

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Since the 1999 launch of her unstoppable music career, Jennifer Lopez has released eight studio albums and over 60 singles that have racked up billions of streams worldwide. So it's hard to believe there's been a full decade between the multihyphenate's last album, 2014's A.K.A., and her ninth studio LP, This Is Me… Now.

Released on Feb. 16 and described as "an intimate, fantastical and narrative-driven reflection of Lopez's journey to find love," This Is Me… Now is the highly anticipated sequel to Lopez's now-iconic This Is Me… Then. The 2002 project spawned megahits "Jenny From the Block" and "All I Have," but it's the hidden gems like "The One," "Again" and "I've Been Thinkin'" that perfectly capture a special moment in time for Lopez, whose then-budding romance with Oscar-winning actor and filmmaker Ben Affleck was beginning to take the world by storm.

Though their widely beloved (and broadcasted) romance fizzled in the early 2000s, "Bennifer" is back together two decades later — and in classic J.Lo fashion, love is inspiring her more than anything else. The 20-year span between losing each other and reconnecting is chronicled in This Is Me… Now, Lopez's self-proclaimed magnum opus.

"In a strange magical twist of fate, I wound up back together with Ben, and it inspired me again to go back in the studio in the same way I did with This Is Me… Then," Lopez tells GRAMMY.com. "I believe true love exists, I believe that some things are forever.

"If you've ever wondered about that, I'm sharing that with you: Don't give up," she continues. "That was a worthy message to put out into the world because I know I needed that a lot in my life. I wasn't sure and it led me down some very questionable roads. What I think a lot of people do is look for love outside themselves instead of inward, so that more than anything was the inspiration for the new album."

The 13-track LP is accompanied by a musical film, This Is Me…Now: A Love Story, which is available on Prime Video now. Self-funded by Lopez and directed by Dave Myers, the film drives home Lopez's journey of self-love, discovery and awareness while finding her happily ever after.

Lopez, along with BMG's A&R Brandon Riester and the album's executive producer Rogét Chahayed, reflected about her career-defining LP and how it all came together.

The Goals

From the start, Lopez was relentless about making the album sound incredible, even converting part of her Los Angeles home into a studio and shutting down everything — including stepping back from making movies in order to maintain focus on the recording sessions for This Is Me… Now. She also shared private love letters from Affleck with the songwriters and producers to convey the narrative she wanted to translate into the music. 

"She said to me, 'Let's make an album that I'm excited about because I'm in love and that's when I make my best music,'" Riester says. "Jennifer is very much an integral part of the vision and the production and the songwriting on this album. This is her story."

Lopez recruited Chahayed after hearing Jack Harlow's GRAMMY-nominated No. 1 hit "First Class," which he co-produced in 2022. Their initial conversations about musical influences led to Lopez giving Chahayed the rundown of her and Affleck's history together, along with the concept for the album itself.

"She actually wanted to start making music the next day," Chahayed recalls. "But I definitely needed a few days to process everything because I had been manifesting for a while to be able to work with an artist that has a legacy and decades of success, and my prayers were answered."

This Is Me… Now sees Lopez fully leaning into being a hopeless romantic — something she's been heavily scrutinized over for decades. In the extravagant film of the same name, she makes light of her three failed marriages, but it's with the intention of inspiring others that true love exists, which has always been at the core of Lopez's music.

"We're living in a society where the value of relationships and marriage has been sort of lost," Chahayed suggests. "Her album will not only give people a new perspective on her music in general, but also give them a chance to believe in love again — and feel like there's someone out there for you, even if it's someone that you broke up with 10, 20 years ago."

This Is Me… Now picks up right where 2002's twice platinum-selling This Is Me… Then left off with some obvious nods to the prequel; the most blatant is "Dear Ben Pt. II," a follow up to "Dear Ben," on which Lopez describes Affleck as "my lust, my love, my man, my child, my friend, and my king." Still, the 54-year-old global icon didn't want to get caught up in trying to chase hits or recreate the past.

"We never listened to This Is Me... Then in the studio, not one time. That record is always going to have such a special place in my heart, but the sequel is just like another level," Lopez says. "People who have been on this journey with me and who have seen me fall down and get back up and make mistakes and get divorced — that journey got me to a place where I can now go, 'I've figured some things out about myself.'"

As much as the 13-track LP seizes the fairytale-like rekindling of Lopez and Affleck's relationship, it's also about something much bigger: how self-love, or lack thereof, plays a role in the relationships we have with others. "Hearts and Flowers" is a testament to Lopez's inner strength, as evidenced by the defiant chorus. ("It ain't all hearts and flowers/ So many nights and hours/ Every day of my life, in the grind faithfully/ Superpowers, we all got superpowers," she sings.)

"I'm a more evolved, healed person. I'm not saying I'm completely healed, or that I got it all figured out. I don't. But This Is Me... Now represents where I am in my journey right now," Lopez says.

"It's me embracing all of it, even the bad decisions," she adds. "I had to learn to be loving and forgiving of yourself, because then you can be loving and forgiving of other people. You can be empathetic toward other people and great for the world. But until you can give that to yourself, you can't do anything for anybody."

The Moments

Celebratory songs like lead single "Can't Get Enough," "This Time Around" and penultimate track "Midnight Trip to Vegas" have the same giddiness heard in 2002's "I'm Glad" and "Baby I Love U!" — the final two singles off This Is Me… Then. The autobiographical title track is a culmination of a lifetime, merging Lopez's working-class upbringing in The Bronx with the feeling of gratitude for a second chance at true love with Affleck. 

"I watched my mother miss out on her life/ All those could-have-beens became her sacrifice/ But here in the darkness, it's not the future nor the past/ And 'cause it's meant to be with you, boy, it will last," she sings in the opening verse. 

Stripped-down ballad "Broken Like Me" unflinchingly stands as Lopez's most personal work to date, as she deconstructs her J.Lo persona into diaristic lyrics that are bound to surprise even longtime fans. "Two babies at home/ Mama had to be strong/ In a battle for love/ In a war of my own/ And I tried to be honest/ But it made me feel weak/ And when I think about it/ It brings me to my knees/ Couldn't look in the mirror/ Afraid what I'd see/ 'Cause I still loved you/ Loved you more than me," Lopez confesses midway through the track, which moved Affleck to tears after hearing it for the first time.

"Ben would come in the studio and spend hours with us and tell us stories to help set the tone," Riester says. "I remember one moment where he said, 'Where's the pain that I went through of not being with the one that I love for so long?' That's how some of the darker songs like 'Rebound' and 'Broken Like Me' were born. It takes the dark to get to the light, and that's a really big theme of this album."

But there were plenty of fun, lighthearted moments, too; like how an Incredible Hulk-themed guitar autographed by Marvel Studios President Kevin Feige was used for "Mad in Love," a lullaby-esque anthem for soulmates everywhere. Or the night before "Midnight Trip to Vegas" was written, which pretty much sums up everything we love about Bennifer 2.0.

"Jennifer texted me and said, 'Hey, what are you doing today?'" Riester recalls. "I responded and then I didn't hear from her. The next thing I notice is all these news alerts that Jen got married, so I'm texting management like, 'Yo, what's going on? Did you guys not want to tell me about this?' They were like, 'We had no idea.'" 

He continued, "The whole team had been with her every single day for months, but we found out about it the way everybody else did. But it was an amazing story, because Ben was like, 'Everyone's so worried about all the different elements of this wedding. Let's just put it all aside.' I think that just shows you how much they love each other, because it wasn't about the wedding that's for everybody else. This is about their love for each other."

The Outcome

Whether you've been bumping J.Lo since her 1999 debut, On the 6, or simply admire her work ethic, This Is Me… Now defies expectations as she reaches the pinnacle of creative freedom.

"This is truly an artist's project because it is her heart and her soul all pushed into a pen and written out for the world to see," Riester says. "I was telling someone the other day, 'When will an album rollout be like this again?' The story really is well-crafted and the music is incredible. Everyone can pull something from it because we've all been through those moments of heartbreak or finding what you think is your true love."

Days before announcing her first tour in five years, Lopez hinted that her ninth studio album, This Is Me... Now, may be her last ("I really feel very fulfilled," she recently told ET). Whatever her musical future looks like, baring her soul and creating a cinematic experience with This Is Me…Now forced her to grow artistically in ways she never expected — which has brought an entirely new purpose to her remarkable career. 

"I've never done anything like this with a record in my life, or felt inspired to do anything like this with an album. This is the most honest record I've ever made," Lopez asserts. "I was able to do that because I was more mature and had done more work on myself to be really open and vulnerable in ways that I've never been. Everything about me is all in here. This is the album that I've been trying to make all my life — and I finally made it."

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January always marks fresh starts and clean slates as the world collectively turns the page from one year to the next. The world of music is no exception: the second week of 2024 is filled with artists embarking on new eras and album cycles.

On the full-length front, 21 Savage unveiled his third solo LP, american dream, with guest assists from the likes of Summer Walker ("Prove It"), Doja Cat ("N.H.I.E."), Young Thug and Metro Boomin ("Pop Ur S–t") and more while Kali Uchis celebrates her just-announced first pregnancy with longtime boyfriend Don Toliver by delivering her second Spanish-language studio set Orchídeas.

Meanwhile, Reneé Rapp brings the new Mean Girls musical movie to life as Gen Z's Regina George, with a soundtrack that also features Megan Thee Stallion, Auli'i Cravalho, Angourie Rice and more, and K-pop act ITZY makes a statement on their sophomore Korean-language album, Born To Be, which gives all five members a chance to shine with individual solo tracks on top of swaggering bangers like "Untouchable" and the title track.  

In addition to star-studded album drops, Jan. 12 sees several big single releases too. Press play on hotly anticipated musical resets from Ariana Grande and Lil Nas X, lead singles from Jennifer Lopez and Sheryl Crow, and a monumental collaboration between D'Angelo and Jay-Z for the new movie The Book of Clarence below.

Ariana Grande — "yes, and?"

Ariana Grande is officially back and ready to own everything. For "yes, and?" — her first new musical offering since 2020's Positions — the superstar is doling out heavy-hitting words to live by, disguised as a glossy pop confection that takes an irresistible cue from Madonna's "Vogue."

Both an exercise in self-affirmation and a runway-ready Pride anthem, "yes, and?" finds Grande unapologetically sharing her truth in a way she hasn't since 2018's "thank u, next." Her voice dripping with honey, the soon-to-be Wicked star slyly addresses the recent tabloid fodder surrounding her personal life. 

"Now I'm so done with caring/ What you think, no, I won't hide/ Underneath your own projections/ Or change my most authentic life," she vows in between spine-tingling harmonies and plenty of vocal fireworks. Ari only gets more blunt from there, clapping back with her whole chest about the obsession with her body, relationship status, sex life and more. In her words, "Yes…and?" 

Jennifer Lopez — "Can't Get Enough"

Jennifer Lopez's ninth studio album, This Is Me… Now, has been a long time coming. But if lead single "Can't Get Enough" is any indication, the sequel to 2002's This Is Me… Then will be well worth the wait when it arrives Feb. 16. The track, which samples the late Alton Ellis' 1967 release "Still in Love," is a fizzy, funky delight that pops like a blast of champagne straight out the bottle.

On the song's chorus, the multi-hyphenate superstar giddily professes just how much she loves being in love (and back in love with now-husband Ben Affleck). And while the accompanying music video pokes fun at her trio of past marriages, fans can rest assured she's singing the lovestruck lyrics to the same Dunkin'-lovin' guy she was serenading 21 years ago on This Is Me… Then.

Jeymes Samuel x D'Angelo x Jay-Z — "I Want You Forever"

A new D'Angelo single would be a major event. So would a new Jay-Z single. After all, it's quickly coming up on 10 years since the neo-soul star released his last album, 2014's Black Messiah and the rap mogul's last solo single was the title track off 2017's 4:44.

However, director Jeymes Samuel managed to coax both men back into the studio to join forces for the soundtrack of his new biblical film The Book of Clarence starring Lakeith Stanfield. On "I Want You Forever," D'Angelo holds court with a hypnotic, repetitive hook before ceding the mic to Hov for the song's lone, pleading verse. 

Lil Nas X — "J CHRIST"

Nearly three years after giving the devil a lap dance in the hellish music video for his No. 1 hit "Montero (Call Me By Your Name)," Lil Nas X is flipping the script and ascending to heaven on his new single "J CHRIST." Well, not for too long — turns out a giant stripper pole connects the celestial realm with the fires of purgatory, and Lil Nas X is equally at home in each.

The track's high-concept, cinematic music video has it all: angelic doppelgängers of everyone from Taylor Swift, Mariah Carey and Oprah to Michael Jackson and Barack Obama; Lil Nas cooking up a cauldron filled with human limbs; and yes, even the rapper pinned to a cross in a visual sure to enrage the critics who were already up in arms before the track was even released. But by song's end, as Lil Nas X takes on the role of Noah emerging from a worldwide flood, the GRAMMY winner makes clear the hip-hop banger isn't just religious cosplay — it's a new beginning.

Sheryl Crow — "Evolution"

Sheryl Crow is uncharacteristically on edge on "Evolution," the lead single and title track of her forthcoming 11th studio album. The queen of bright singer/songwriter jams like "All I Wanna Do" and "Soak Up the Sun" (and newly inducted Rock and Roll Hall of Famer) takes aim at the encroaching threat of artificial intelligence to the music industry and creativity at large on the spacey track. 

To top it all off, she even recruited Tom Morello of Rage Against the Machine to concoct a supercharged guitar solo that ratchets the uneasiness up to 11 as Crow warns, "Where are we headed in this paradise?/ We are passengers and there's no one at the wheel."

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Way back in November 2002, Jennifer Lopez released This Is Me… Then — a highly personal looking-glass into her relationship with Ben Affleck. Twenty-two years later, the two-time GRAMMY nominee is closing the loop with the aptly titled This Is Me… Now.

Not only is there a yawning gap between prequel and sequel, but Lopez hasn't released a new album since 2014's A.K.A. (Unless you count the soundtrack to 2022's Marry Me, which she starred in alongside Owen Wilson and Colombian singer Maluma; therein, she and Maluma performed the music.)

On Nov. 27, Lopez finally revealed the release date for This Is Me… Now, as well as a teaser trailer for a film of the same name — to be released on the same day. Here's a rundown of what we know about Lopez's long-awaited new dispatch to the world — over your speakers, and on your screen.

Both Album And Film Will Release Feb. 16

That's what Lopez revealed on Nov. 27. After you absorb the album, enjoy "an intimate, fantastical and narrative-driven reflection of Lopez's journey to find love" on Prime Video.

The First Single Will Stream On Jan. 10

Said single is titled "Can't Get Enough"; just days into the new year, you can cue it up. On social media, J. Lo also teased This Is Me… Now's title track, with a snippet of the music.

This Is Me… Now Continues Its Predecessor's Love Story

Lopez and Affleck have a long history — much longer than This Is Me… Then could possibly contain. They first dated from 2002 to 2004; they called off their engagement in 2004.

In 2021, they began dating again; in 2022, they wed. All of this, permeated with the pressures of media attention and the growing pains of love, promises to live inside This Is Me… Now's grooves.

"We captured me at this moment in time when I was reunited with the love of my life, and we decided we were going to be together forever. The whole message of the album then is this love exists. This is a real love," she told Zane Lowe last year.

"Now I think what the message of the album is very much if you were wondering if you have, like me at times, lost hope, almost given up, don't," Lopez continued. "Because true love does exist, and some things do last forever, and that's real."

This Is Me… Now Marks A New Label Partnership

Back in September 2023, Lopez announced a new recording and publishing partnership with BMG; This Is Me… Now will mark the first fruitage of this alliance.

"We are thrilled to have the opportunity to work with her and her team to release her first album in nearly a decade," BMG CEO Thomas Coesfeld said in a statement.

Coesfield also called Lopez a "global superstar artist, entertainer… a phenomenon" — and that's exactly why This Is Me… Now will be such a milestone. Keep checking GRAMMY.com as more information about This Is Me… Now comes to light.

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These days, what happens in Vegas, slays in Vegas when it comes to the harder side of music.

It might have seemed unthinkable a decade ago, but as Fat Mike of NOFX and Fat Wreck Chords has been putting out there for a while now, Sin City is basically "the most punk city in the U.S." at the moment. Some might find this statement debatable, but Vegas has long attracted subculture-driven gatherings, from Viva Las Vegas rockabilly weekend to the all-metal Psycho Las Vegas to the mixed bag that was Las Rageous. The latest slate of huge punk and punk-adjacent music events (from Punk Rock Bowling and When We Were Young to the just-announced new lineup of Sick New World 2024) back his claim even further. 

Mike’s own Punk Rock Museum, which opened in April of this year, has cemented the city’s alternative music cred — even as it’s still best known for gambling, clubbing, and gorging at buffets. 

In fact, A lot of the audacious new activity is centered away from the big casinos and in the downtown area and arts district of what is known as "old Vegas." Just outside of the tourist-trappy, Times Square-like Fremont Experience, there’s a vibrant live music scene anchored by a few key clubs, and an ever-growing slate of fests.

*Attendees at 2022's When We Were Young Festival┃Photo: Tim Mosenfelder/FilmMagic*

Live Nation’s second annual When We Were Young Festival brought out a largely Millennial crowd to see headliners Green Day and blink-182 this past weekend, alongside over two dozen more recognizable openers from emo/pop-punk's heyday. Tickets sold so well when it was first announced, that a second day was added to the schedule.

Green Day didn’t stop with their fest gigs; the band played a "not-so-secret" pop-up show last Thursday night at one of the most popular venues in town for punk, alternative and heavy music: Fremont Country Club, just blocks from festival grounds. The show served as a warm-up gig as well as an announcement by Billie Joe Armstrong: His band will join Smashing Pumpkins, Rancid, and others for a 2024 stadium tour. The band also debuted a timely new track, "The American Dream Is Killing Me."  

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"People who like punk and other heavy music want to be in a club environment like ours, not a big casino," says Carlos "Big Daddy" Adley, owner of Fremont Country Club and its adjacent music space Backstage Bar & Grill. Both have become live music hotspots not unlike the ones Adley and his wife/partner Ava Berman ran in Los Angeles before they moved to Vegas over a decade ago. 

"Fremont East," as the neighborhood is called, will soon see a boutique hotel from the pair. Like everything they do, it will have a rock n’ roll edge that hopes to draw both visitors and locals.

*Outside Fremont Country Club┃Photo: Fred Morledge*

The duo told GRAMMY.com that a visit to Double Down Saloon, Sin City’s widely-recognized original punk bar and music dive was what first inspired them to come to Vegas and get into the nightlife business there. Double Down has been slinging booze (like Bacon Martinis and "Ass Juice" served in a ceramic toilet bowl mug) and booking live punk sounds since it opened back in 1992.

"It's kind of a stepping stone for a lot of bands," says Cameron Morat, a punk musician and photographer, who also works with the Punk Rock Museum as curator of its rockstar-led tour guide program. "People always assume that Vegas is just the strip, but that's only like four miles long. There's a lot more of the ‘‘other city.’ There are people who are just into music and into going to local shows who don't ever go to the main strip."

In addition to the Double Down, Morat says Vegas has always had a history of throwing local punk shows at spaces like the Huntridge Theater, which is currently being remodeled and set to re-open soon for local live music. He also points to The Usual Place as a venue popular with local punk and rock bands now, and The Dive Bar — a favorite with the mohawk, patched-up battle vest scene, featuring heavy music seven nights a week, including a night promoted by his partner Masuimi Max called Vegas Chaos.  

*Cameron Morat┃Photo: Kristina Markovich*

While glitzy stage shows from legacy artists and mega-pop hit makers like Usher, Elton John, Katy Perry, Carrie Underwood, Gwen Stefani and Lady Gaga still get the most media attention, raucous local shows are starting to factor into a new generation’s vacation planning, too.

"There’s a really good scene here," Morat proclaims. "It's funny because a lot of people, the sort of gatekeepers of punk, ask ‘why is the punk museum in Vegas?’ But it is a punk city, and not just because you've got all the local bands and the venues."

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Morat, whose own band Soldiers of Destruction, plays around town on occasion, also notes other acts such as Gob Patrol, Suburban Resistance, and Inframundo as having fierce local followings. He says there’s a certain voracious vibe in Vegas that lends itself to punk rock creation, performance and attitude. "A lot of the anger from punk rock — like the disparity of wealth, for instance, is here," he says. "Five minutes down the road, you've got people throwing away a million on the roll of a dice. But you've also got people who are doing like three jobs just trying to pay their rent." 

Over at the Punk Rock Museum, Morat, who moved from Los Angeles to Vegas about seven  years ago, is keeping busy booking big-name guests to share inspirations and war stories, both weekly, and specifically timed with whatever big festival or event happens to be in town. He says he wants to feature artists that might not be thought of as traditional punk rock, but who have relevant backgrounds and stories to share. 

"A lot of these people have punk history the public doesn’t know about," he says. "I think if we just stick to a very small well of people, it's going to get pretty boring. So I'm trying to open it up for a bigger cross-section." 

*Imagery from "Black Punk Now" | Ed Marshall*

The museum is already showing the breadth of punk rock’s influence on music in general. During WWWY, the museum held events tied to its new exhibit "Black Punk Now," curated by James Spooner, director of the 2003 documentary Afro-Punk. As Spooner spoke about the film’s 20th anniversary and his new book of Black punk authors, musicians playing the weekend’s festivities from Sum 41, MxPx, Bayside, Less Than Jake came through to talk too. Warped Tour’s Kevin Lyman and Fat Mike himself also took part in the museum’s new after-dark guided tour series.

Bringing in a wider audience and a new generation of rebellious kids who seek to channel their angst and energy into music is part of what the museum — and, it seems, the myriad of events in Las Vegas these days — is all about. Despite what some punk rock purists and gatekeepers might say, the inclusion of tangent bands and scenes is in the original punk spirit. He’ll be booking guests tied to next year’s Sick New World, the Viva Las Vegas rockabilly bash and even EDC in the future (electronic bangers are not unlike hardcore ones and even Moby was a punk before he became a DJ). 

"I think that the museum is great for the punk scene here," he adds. "People will literally come to town just to see the museum, and then if there's a band playing in town in the evening, they'll go. So it's broadening the support for all the bands, local and touring. Some punk bands used to skip Vegas completely on their tours, but not anymore." 

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