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The Recording Academy Remembers The Music People We've Lost | GRAMMY In Memoriam (2021 – 2022)
Take a moment to reflect and salute the members of the music community who we lost
The following is a list of artists and industry professionals the music community lost from January 2021 – March 15 2022.
The 2022 GRAMMYs telecast on CBS featured an In Memoriam segment highlighting some of these individuals via a video tribute, and all of these individuals who died prior to its print date are included in the official 2022 GRAMMYs program book.
The Recording Academy salutes each individual for their respective talents and contributions to our culture and community.
"General" Jeff Page
"John Miles" Errington
"Mark Keds" Myers
"Meor" Yusof Aziddin Meor Hassan
"Nobuo Hara" Tsukahara
"Raffaella Carrà" Pelloni
Abdel Karim al Kabli
Abhijit Bandyopadhyay
Adalberto Álvarez
Adolph "Young Dolph" Robert Thorton Jr.
Agustin Gurza
Aki Rahimovski
Al Schlesinger
Al Schmitt
Alain Bancquart
Alan Hawkshaw
Alan Jesperson
Alan Lancaster
Alberto Ciurana
Aleksandr Khrabunov
Alemayehu Eshete
Alex DePue
Alexander Gradsky
Alexander Hamilton
Alexi Laiho
Alfred "Pee Wee" Ellis
Alfredo Diez Nieto
Alicia "Lisa" Lee
Alix Dobkin
Allan Slaight
Allan Stephenson
Alleppey Ranganath
Allin Grigoryevich Vlasenko
Alto Reed
Álvaro Manzano
Alvin "Seeco" Patterson
Alvin Lucier
Alvin Speights
Amanda Holden
Amarendra Mohanty
Ana Bejerano
Andre Petersen
Andrea Martin
Andrea Meyer
Andrew "Drew" Alexander
Andrew Barker
Andy Ross
Andy Warpigs
Andy Williams
Angela Kukawski
Anita Lane
Anthony "Muffman" Williams
Antonietta Stella
Anzor Erkomaishvili
Apostolos "Tolis" Voskopoulos
Aria Baron
Armando Gama
Arnold "Arnie" Pustilnik
Art Stewart
Arthur E. "Juini" Booth
Arthur Grigoryan
Arthur Pomposello
Arvil Freeman
Astroworld 2021
Aurelio De La Vega
B.B. Dickerson
B.J. Thomas
Badal Roy
Bappi Lahiri
Barbara Ess
Baron Browne
Barry Harris
Barry Ryan
Beatrice Bowles
Beldina "Heir of the Cursed" Odenyo Onassis
Belinda Sykes
Benjamin Vallé
Bennie Pete
Bernard Haitink
Betty Davis
Betty White
Beverly Noga
Beverly Ross
Bezbaruah
Bhaskar Menon
Bichu Thirumala
Big John Harte
Bill Harkin
Bill Holden
Bill Mollman
Bill Owens
Bill Runkle
Bill Staines
Billa O'Connell
Billie Hayes
Billy Conway
Billy Hinsche
Bjorn Thorsrud
Blake Mevis
Bob Moore
Bob Saget
Bobbe "Beegie" Long Adair
Brian Dunning
Brian Rohan
Brian Travers
Bruce Conte
Bruce Gaston
Bruce Greig
Bruce Hawes
Bryan St. Pere
Buddy Deppenschmidt
Burke Shelley
Burton Greene
Busker Meor
Byron Berline
Calvin Simon
Carl "Chucky" Thompson Jr.
Carl Bean
Carleton Carpenter
Carlisle Floyd
Carlos do Carmo
Carlos Marin
Carmel Quinn
Carmela Corren
Carmen Balthrop
Carol Easton
Carol Fran
Cathy Favaro-Maimone
Charles "Chuck E." Weiss
Charles "is-City" Gatt
Charles Criss
Charlie Black
Charlie Davis
Charlie McCardell
Charlie Watts
Chi Modu
Chris "The Bear" Hutka
Chris "X'Ho" Ho
Chris Scicluna
Christa Ludwig
Christine Nofchissey McHorse
Claire dela Fuente
Clarence "Mac" McDonald
Claude Bolling
Cleve Hall
Clifford Grant
Clive "Zanda" Alexander
Concha Márquez Piquer
Connie Bradley
Conrad Janis
Constance Demby
Corey "Chucky Trill" Detiege
Courtney Granger
Curtis Fuller
C.W. McCall
Dale Clevenger
Dale Knippers
Dallas Frazier
Dallas Good
Damodar Hota
Dan Einstein
Daniel "Dan" Sartain
Darrell "Drakeo the Ruler" Caldwell
Dashawn "Lil Loaded" Robertson
David "Dave" Frishberg
David "Jay Black" Blatt
David Cutler Lewis
David Darling
David Edwards
David Lasley
David Longdon
David Romano
David Surette
Dearon "Deezer D" Thompson
Debby King
Dee Pop
Dell Furano
Denis O'Brien
Dennis "Denny" Nowak
Dennis Payne
Dennis Thomas
Denroy Morgan
Dev Tharikewala
Dewayne Blackwell
Diane Martin
Dick Halligan
Dick Odette
Diego Verdaguer
Dimitri "Dee Pop" Papadopoulos
Djivan Gasparyan
Dmitri Bashkirov
Don Dilling
Don Everly
Don Heffington
Don Maddox
Don Wilson
Donald "Don" Marquis
Donald Dowdy
Donny Gerrard
Doris "Rose Lee" Maphis
Dorothy "Dottie" Dodgion
Doug Eyink
Douglas "Doug" Parkinson
Douglas Grigsby
Dr. Lonnie Smith
Drew Alexander
Earl "DMX" Simmons
Earl "JT" Gray
Earl Swavey
Ed Asner
Ed Bruce
Eddie "Ed" Asner
Eddie Basinski
Edita Gruberová
Edmund "Ed" Ward
Eleonore "Lorli" von Trapp Campbell
Ellen McIlwaine
Elliot Lawrence Broza
Elza Soares
Emani "Emani 22" Johnson
Emil Ramsauer
Emmaretta Marks
Emmett Chapman
Enrique "Pil Trafa" Chalar
Enriqueta "La Prieta Linda" Jiménez
Eric Wagner
Ernie Andrews
Esther Béjarano
Ethel Gabriel
Eugene "Gene" Smith
Eugene Wright
Eulalio "Sax" Cervantes Galarza
Eulis Cathey
Everett Lee
Everett Morton
Fanny Waterman
Farhad Humayun
Farid Ahmed Hazra
Flavio Etcheto
Francis Jackson
Francis Stueber
Francisco Kröpfl
Franco "Süphan Barzani" Battiato
Franco Cerri
Franz Streitwieser
Fred Geiger
Fred Johnson
Fred Parris
Freddie Combs
Freddie Redd
Frederic Rzewski
Fredrik Johansson
Gared O'Donnell
Gary "Chicken" Hirsh
Gary Brooker
Gary Corbett
Gary Edwards
Gary Leib
Gary Scruggs
Gene Rumsey
General Defao
General Jeff Page
Genival "Cassiano" dos Santos
Geoffrey Stephens
Georg Alexander Albrecht
George "Commander Cody" Frayne
George "Gay" McIntyre
George Crumb
George Frayne
George Horn
George Mraz
George Wein
George Winn
Georgie Dann
Gerald "Jerry" Granelli
Gerry Marsden
Gianluca Floris
Gil Wechsler
Gilberto Grácio
Glen Peart
Glenn Douglas Tubb
Glenn Wheatley
Gloria Montes
Graeme Edge
Graham Vick
Greg Gilbert
Greg Tate
Greg Webster
Gregory "Greg" Tate
Gregory "Shock G" Jacobs
Griselda Jiménez
Guilia Lorimer
Gurmeet Bawa
Habeeb "Obama DMW" Uthman
Haja El Hamdaouia
Hans Neuenfels
Hans-Erik "Hank von Hell" Husby
Hargus Robbins
Harpdog Brown
Harry Colomby
Harry Coombs
Harvey Louis Krantz
Hayk "Hayko" Hakobyan
Heber Bartolome
Héctor "Perro" Emaides
Henry Goldrich
Henry Stephen
Heo Cham
Hillel Resner
Howard "KingFish" Franklin Jr.
Howard Alexander Dumble
Howard Grimes
Howard Johnson
Howard Wales
Howard Weitzman
Hugh X. Lewis
Ian "Napolian" Evans
Ian Alexander jr.
Ian McDonald
Ian Worang
Ibrahim Ashk
Igor Oistrakh
Ike Stubblefield
Inge Ginsberg
Ivan Tasovac
Ivor "Nick" Kamen
Iwan Edwards
J.D. Crowe
Jaakko Kuusisto
Jack Bradley
Jacob "Jake" Abrams Jr.
Jacob Desvarieux
Jagjit Kaur
Jamal Edwards
Jameon "Ketchy the Great" Davis
James "Jamie" O'Hara
James "Jim" Maher
James "Jim" Pembroke
James "Jim" Steinman
James "Jimmy" Cox
James "Koz" Kozlowski
James Dee "J.D." Crowe
James Easter
James Leary
James Levine
James Maraniss
James Mtume
Jamie O'Hara
Jamillah "JAM" Muhammad
Jan Welmers
Jane "Nightbirde" Marczewski
Janet Mead
Janice Wendell
János "Mecky" Kóbor
Jason "Rowdy" Cope
Jason Moore
Javunte "Squeak" Wheeler
Jay Jacobs
Jay Jay Phillips
Jay Weaver
Jayananda Lama
Jean-Paul Jeannotte
Jeff "Hitmaka Jeff" Thornton
Jeff Chambers
Jeff Wald
Jeffrey "Deon" Estus
Jeffrey "Jeff" LaBar
Jem Targal
Jemal Chkuaseli
Jeremy Lubbock
Jerold "Jerry" Blair
Jerome "J.D." Hill
Jerome Hyde
Jerry Crutchfield
Jerry Ray Johnston
Jervis "Pete" Corum
Jesse Aratow
Jessie D Lee Daniels
Jim Bessman
Jim Duty
Jim Horn
Jim Knapp
Jim Maher
Jimbeau Hinson
Jimmy Cox
Jimmy Johnson
Jimmy Kennedy
Joanne Shenandoah
Joe "Dusty" Hill
Joe Simon
Joel Chadabe
John "J.D." Hutchinson
John "Johnny" Crawford
John "Johnny" Solinger
John "Tim" Bogert
John Ashton Thomas
John C. Koss
John Davis
John Fagot
John Kinsella
John Lawton
John Miles Errington
John Nolan
John Rice Irwin
John Viers
Johnny Brown
Johnny Solinger
Jon "Doug" Nichols
Jon "Woodenman" Lukas
Jon Appleton
Jon Hassell
Jon Lind
Jon Mark
Jon Mark
Jon Zazula
Jonas Gwangwa
Jonathon "Baby CEO" Brown
Joni James
Jordi Sabatés
Jorge Cumbo
José "Flow La Movie" Ángel Hernández
José Ángel "Flow La Movie" Hernández
José Enrique "Chelique" Sarabia
José María Cámara
Joseph "Jo Jo" Bennett
Joseph "Joe" Palmaccio
Joseph Horovitz
Josephine Veasey
Joyce Reeves Milsap
Juan "Johnny Ventura" Soriano
Juan Nelson
Judith Davidoff
Julia Nixon
Julie "Tawny" Kitaen
Juraj Filas
Jürg Wyttenbach
Justin Alexander "J $tash" Joseph
Kaithapram Viswanathan Namboothiri
Kalaimamani M. J. C. Comagan
Karan Armstrong
Karim Ouellet
Karla Burns
Keith Allison
Kelli "K-HAND" Hand
Ken Seaman
Kenneth "Ken" Kragen
Kenneth Cooper
Kenneth Wannberg
Kenny Malone
Kenny Sidle
Kenwrick "Kenny J" Joseph
Kerry Chater
Kerry Hay
Kevin Clark
Khan Jamal
Kim Tribble
King Louie Bankston
Kirti Shiledar
Koady Chaisson
Kyle Wood
Lalith Anand
Larry Willoughby
Lars-Göran "LG" Petrov
Lata Mangeshkar
Laurence "Enzo" Gusman
Lawrence "Larry Harlow" Kahn
Lawrence "Larry" Sheridan
Lawrence “Maniac” West
Lawrence Matshiza
Lee "Scratch" Perry
Lee Williams
Leonard 'Hub' Hubbard
Leonard "Doc" Gibbs
Leonard "Hub" Hubbard
Leslie "Les" Harris
Leslie "Les" McKeown
Leslie Bricusse
Leslie Parnas
Leslie West
Letieres Leite
Levon Chaushian
Lieb Bester
Lil Bo Weep
Linda Mensch
Lindsay Tebbutt
Lisa Roy
Lizzie Bravo
Lloyd "Gitsy" Willis
Lloyd Price
Locksley "Slide" Hampton
Lodewijk "Lou" Ottens
Lois Kirschenbaum
Lou Dennis
Louis "Lou" Robin
Louis Andriessen
Louise Tomberlain
Lucy Rowan Mann
Ludmila Ferber
Luis de Pablo Costales
Lulendo "General Defao" Matumona
Mac Martin
Malcolm Cecil
Malcolm Dome
Man Arai
Manikka Vinayagam
Marc Lee Dé Hugar
Marc Tanner
Marcel "Biz Markie" Hall
Margaret Everly
Margo Guryan
Maria "Milva" Biolcati
Maria Ewing
María Mérida
Marília Mendonça
Marilyn Bergman
Mario Lavista
Mario Pavone
Mark Keds Myers
Mark Lanegan
Mark Lubotsky
Mark Varner
Marsha Zazula
Martin "Marty" Roberts
Martín Carrizo
Martin Kahan
Martin Wright
Mārtiņš Brauns
Mary Edna Thompson
Matt "Money" Miller
Matthew Strachan
Maureen Cleave
Mauri Louisa Skinfill
Meat Loaf
Melvin Parker
Melvin Van Peebles
Michael "Mick Rock" Smith
Michael "Mike" Finnigan
Michael "Mike" O'Reilly
Michael Bishop
Michael Chapman
Michael Fonfara
Michael Lang
Michael Morgan
Michael Nesmith
Michael Stanley
Michail "Mikis" Theodorakis
Michel Baumann
Michel Corboz
Mick Brigden
Mick Griffiths
Mickey Eichner
Miguel "Meñique" Ángel Barcasnegras
Mike Dekle
Mike Finnigan
Mike Howe
Mike Mitchell
Mike O'Reilly
Mike Renzi
Mike Tarsia
Mikey "Mao" Chung
Mikey Chung
Mimi Stern-Wolfe
Misty Morgan
Mita Haque
Morton "Mort" Sahl
Morty Craft
Muvaffak "Maffy" Falay
Mzilikazi Khumalo
Nana Ampadu
Nanci Griffith
Nathan "Joey" Jonas Jordison
Neela Wickramasinghe
Neil Flanz
Neil Nongkynrih
Nelson Freire
Nick Colionne
Nick Weaver
Nicky Tesco
Nicole Hurst
Nigel Butterley
Nikolai Golyshev
Nikolai Slichenko
Nils "Einár" Grönberg
Nobesuthu Mbadu
Nobuo Hara Tsukahara
Norma Morris
Norma Waterson
Norman "Paul Cotton"
Norman "Rusty" Young
Norman Simmons
Obie "Travis Stewart"
Olanrewaju "Sound Sultan" Fasasi
Olanrewaju "Sound Sultan" Fasasi
Oscar Guitián
Oscar López Ruiz
Osvaldo Peredo
Owen Moran
Paddy Moloney
Pat Fish
Pat Martino
Patricia Kennealy-Morrison
Patricio Manns
Patricio Renán
Patrick "Pat Fish" Huntrods
Patrick Sky
Patsy Bruce
Pau Riba i Romeva
Paul Cotton
Paul Jackson
Paul Johnson
Paul Laubin
Paul Mitchell
Pauline Tinsley
Pearl Kaufman
Peer Mohammed
Pervis Staples
Peter "Jack Terricloth" Ventantonio
Peter "Pita" Rehberg
Peter Bogdanovich
Peter Ind
Peter Klatzow
Peter Scolari
Peter Zinovieff
Phi Nhung
Phil Leadbetter
Phil Zimmerman
Philip "Phil" Schaap
Philip "Phil" Zimmerman
Philip Margo
Philip Paul
Phillip "Phil Naro" Sampognaro
Phillip "Phil" Chen
Phillip Wells
Phyllis McGuire
Pierce Fulton
Pietro Gilfucci
Piraisoodan
Prabhakar Jog
Prateek Chaudhuri
Prem Dhoj Pradhan
Rachel Nagy
Raffaella Carrà Pelloni
Ralph Emery
Ralph Irizarry
Ralph Schuckett
Ralph Tavares
Ramasaamy "Pulavar Pulamaipithan"
Ramdas Kamat
Randall Massengill
Randy "Baja" Fletcher
Randy Jackson
Rasie "Razzy" Bailey
Ravindranath "Lakshman Wijesekara"
Ray Reyes Léon
Raymond Gniewek
Reggie Warren
Renee Grant-Williams
Renée Martel
Renée Pietrafesa
Richard Cole
Richard H. Kirk
Richard Pratt
Rick Jarrard
Rick Laird
Rick Raybon
Rickie Lee Reynolds
Ricky Powell
Riky Rick
Rob Vitale
Robby Steinhardt
Robert 'Bob' Rudolph
Robert "Black Rob" Ross
Robert "Bob" James
Robert "Bob" Koester
Robert "Bob" Porter
Robert "Bob" Rudolph
Robert "Bobby" Few
Robert "Les" Emmerson
Robert "Robb" Earls
Robert "Robbie" Shakespeare
Robert "Robby" Steinhardt
Robert "Rockin' Rob" Aldridge
Robert Richards
Roberta Morales
Roberto "Elio Roca" Macceialli
Roberto "Palo" Pandolfo
Roberto Roena
Robin Le Mesurier
Robin McNamara
Robin Morton
Roger Englander
Roger Hawkins
Roger Newell
Roland Anthony Chirico
Ron "Snake" Reynolds
Ron Bushy
Ron Miles
Ronald "Ron" Anderson
Ronald "Ron" Cornelius
Ronald "Ron" Cuccia
Ronald "Ron" Tutt
Ronald "Ronnie" Falgout
Ronald "Ronny" Drayton
Ronnie Kidd
Ronnie Spector
Ronnie Wilson
Rosa Lee Hawkins
Rosalía Garrido
Rosalie Trombley
Rose Beauchamp
Ruben Rodriguez
Rudy Salas
Ruth Olay
Sabah Fakhri
Sally Grossman
Salvador Lizárraga
Sam Lay
Sam Riddle
Sammy Clark
Samuel "Sam" Salter
Samuel "Wes" Phillips
Sandhya Mukherjee
Sandra Jaffe
Sandy Nelson
Sanford Clark
Sarah Dash
Sarah Harding
Scott Whitehead
Scotty Wray
Sebastião Tapajós
Sérgio Brandão
Sergio Esquivel
Shaun "Kangol Kid" Shiller Fequiere
Shawn Cripps
Shorty Byrd
Shravan Rathod
Sidney Miller
Sidney Poitier
Simon Illa
Sirivennela Seetharama Sastry
Sister Janet Mead
Skibadee
Skilyr Hicks
Snootie Wild
Sonny Osborne
Sonny Simmons
Sonny Turner
Søren Holm
Spencer Nitchie
Stan Moress
Stanley Crouch
Stéphane Blet
Stephen J. Lawrence
Stephen Sondheim
Steve "Baba Zumbi" Gaines
Steve Bronski Forrest
Steve Salas
Steven "Steve Bronski" Forrest
Stonewall Jackson
Sudie Callaway
Sue Thompson
Sultan "Traxamillion" Banks
Sunil Pererea
Susan Anway
Susan Palo Cherwien
Suzanne "Jane Powell" Burce
Syl Johnson
Sylvano Bussotti
Sylvia Medford
Tam Harvey
Tatiana Chudova
Taylor Hawkins
TDott Woo
Tebogo "Steve" Kekena
Ted Gardner
Terence "Astro" Wilson
Teresa Żylis-Gara
Terry Shue
Terry Teachout
Terry Tolkin
Teruhiko Saigo
Theuns Jordaan
Thione Seck
Thom Moore
Thomas "Mensi" Mensforth
Thomas "Tom" Gray
Thomas "Tommy West" Picardo Jr.
Thomas "Tommy" Edwards
Thoppil Anto
Tim Akers
Timothy J. "The Gift of Gab" Parker
Tito Matos
Tohru "Monamour" Hiroshima
Tom Parker
Tom Starr
Tom T. Hall
Tommy "TT" Truesdale
Tommy DeBarge
Tommy Edwards
Tommy Neal
Tõnu Aare
Tony "Muffman" Williams
Tony MacMahon
Trevor Birdsong
Tsai "Fan Fan" Yi-fan
Tsepo Tshola
Udo Zimmerman
Uno Loop
Urban Haglund
Vanraj Bhatia
Veronica "Ronnie" Dunne
Veronica Dunne
Vicente Feliú
Vicente Fernández
Vicente Zarzo Pitarch
Victor Wood
Vince "CPO Boss Hogg" Edwards
Vincent "Slim 400" Cochran
Violeta Dávalos Lara
Virgil Abloh
Virginia "Ginny" Mancini
W. Royal Stokes
Walter "Herbie" Herbert II
Walter Barylli
Walter C. Blount
Walter Yetnikoff
Wanda Young
Warner Mack
Warner Williams
Warren Storm
Wayne Miller
Weerasak Sunthornsri
William "Ed" Bruce
William B. Shelby
William Kraft
WIlliam Shelby
William Vernon Pippin
Willie Garnett
Willie Leacox
Willie Winfield
Winfield Parker
Winona K Blackburn
Wyttenbach
Yoram Taharlev
Yoshimasa "Yoshi" Wada
Young Dolph
Yves "Lionel Leroy" Martin
Yves Aerts
Yvonne Sterling
Zhou Guangren

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Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.

Photo: Rachel Kupfer
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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea
Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.
Shiro Schwarz
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.
Franc Moody
Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

Photo: Steven Sebring
interview
Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."
Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP, Cage, and continuing to rock through decades of changing tastes.
Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.
Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face."
But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life.
His latest release is Cage, the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves.
Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself, details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside, reflects on surviving the accident.)
Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") — their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of "VH1 Storytellers" and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.
While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens.
Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.
Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [Laughs]. We did always mix things up.
Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically.
"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?
We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds.
We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside. We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick.
I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?
Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol.
You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way.
Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore?
I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier.
I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff.
So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.
[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.
I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.
Did you watch Danny Boyle's recent Sex Pistols mini-series?
I did, yes.
You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?
I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.
It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.
But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go. If ["Pistol" is] informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.
Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.
We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.
It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].
We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.
You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.
It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.
When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.
You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?
Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."
We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.
You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.
With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.
Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.
You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?
I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts, and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.
But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.
I remember when you went on "Viva La Bam" back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?
I think it was his car.
Did he get over it later on?
He loved it. [Laughs] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.
Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?
In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.
We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.
The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [Laughs] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.
There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.
It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.
It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.
Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?
Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.
The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.
The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?
Yeah. Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

Graphic: The Recording Academy
list
Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards
The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.
Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.
Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.
Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."
Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business.
As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.
Kelsea Ballerini — "HEARTFIRST"
In the tradition of Shania Twain, Faith Hill and Carrie Underwood, Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.
Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt."
There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.
Zach Bryan — "Something In The Orange"
Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.
After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon.
"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.
Miranda Lambert — "In His Arms"
Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes, a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.
In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."
Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall.
Maren Morris — "Circles Around This Town"
When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest.
Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production.
Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.
Willie Nelson — "Live Forever"
Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."
Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver, is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar.
Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley, Kris Kristofferson and Waylon Jennings. Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.