Grimes' devout fans have been holding their breath lately, waiting for her to confirm her plans for a new album. Now, the Canadian alt-pop singer/songwriter has taken to her Instagram story to tease the album's, “working titlez, subject to change but just so y’all know its real.”

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The list of 13 song titles includes "Darq Souls," "Black Swan Blues," and "Favourite Psycho," according to Spin. The singer also let her fans into her process via Twitter, posting what appears to be song descriptions and posing the question to fans of what single should drop first.

Grimes recently appeared on Janelle Monáe's recent album Dirty Computer as a guest on the song "PYNK." The two had collaborated once before in 2015 on the song "Venus Fly."

Grimes previous album, 2015's Art Angels, was her fourth studio LP and her first to chart in the Top 40. While fans process and decipher her latest album updates via social, the official title and release date for her fifth album are still forthcoming.

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

The Recording Academy has partnered with leading online learning platform Coursera on GRAMMY GO, a new online initiative to offer classes tailored for music creators and industry professionals.

This partnership empowers the next generation of the music community with practical, up-to-the moment digital content that provides wisdom for both emerging and established members of the industry. Continuing the Academy’s ongoing mission to serve all music people, courses cover a variety of specializations tailored to creative and professional growth. 

GRAMMY GO on Coursera includes courses taught by Recording Academy members, featuring GRAMMY winners and nominees and offers real-life lessons learners can put to work right away.

Starting today, enrollment is open for GRAMMY GO’s first Coursera specialization, "Building Your Audience for Music Professionals," taught by Joey Harris, international music/marketing executive and CEO of Joey Harris Inc. The course features Rock & Roll Hall of Fame inductee and five-time GRAMMY winner Jimmy Jam, 10-time GRAMMY nominee Janelle Monáe and three-time GRAMMY winner and the 2024 GRAMMYs Best New Artist Victoria Monét. This foundational specialization will help participants gain the skills, knowledge and confidence to build a strong brand presence and cultivate a devoted audience within the ever-changing music industry. 

The partnership’s second course, launching later this summer, aims to strengthen the technological and audio skills of a music producer. "Music Production: Crafting An Award-Worthy Song" will be taught by Carolyn Malachi, Howard University professor and GRAMMY nominee, and will include appearances by GRAMMY winner CIRKUT, three-time GRAMMY winner Hit-Boy, artist and celebrity vocal coach Stevie Mackey, five-time GRAMMY nominee and Recording Academy CEO Harvey Mason jr., and 15-time GRAMMY winner Judith Sherman. Pre-enrollment for "Music Production: Crafting An Award-Worthy Song" opens today.

"Whether it be through a GRAMMY Museum program, GRAMMY Camp or GRAMMY U, the GRAMMY organization is committed to helping music creators flourish, and the Recording Academy is proud to introduce our newest learning platform, GRAMMY GO, in partnership with Coursera," said Panos A. Panay, President of the Recording Academy. "A creator’s growth path is ongoing and these courses have been crafted to provide learners with the essential tools to grow in their professional and creative journeys."

"We are honored to welcome GRAMMY GO, our first entertainment partner, to the Coursera community," said Marni Baker Stein, Chief Content Officer at Coursera. "With these self-paced online specializations, aspiring music professionals all over the world have an incredible opportunity to learn directly from iconic artists and industry experts. Together with GRAMMY GO, we can empower tomorrow's pioneers of the music industry to explore their passion today."

GRAMMY GO also serves as the music community’s newest digital hub for career pathways and editorial content that provides industry insights for members of the industry; visit go.grammy.com for more. For information and enrollment, please visit the landing pages for "Building Your Audience for Music Professionals" and "Music Production: Crafting An Award-Worthy Song."

Meet 5 GRAMMY Nominees Who Started At GRAMMY U: From Boygenius Engineer Sarah Tudzin To Pentatonix’s Scott Hoying

Back when LP Giobbi played synth in an all-woman band called LJ Laboratory, seeing Grimes perform and learning that she produced all her own music was a game changer. Although she'd been in music for a while, she'd never thought about producing her own. This is where she felt firsthand the power of visual representation — being able to see and imagine herself in spaces she hadn't before.

After the Oregon-born artist found her way into DJing and music production, her friendship and fruitful creative partnership with GRAMMY-nominated dance pop duo SOFI TUKKER gave her the support she needed to grow in dance music and find her artistic voice. 

Today, the "All In A Dream" producer is doing all she can to pay it forward. Through Femme House — an education program and party series that supports women and nonbinary people in production and DJing — Giobbi, co-founder Hermixalot, education lead Mini Bear and their small-but-mighty team are working hard to bring provide useful resources, workshops and a platform to as many people as they can.

“My partner is in the music industry and he does so much business on the golf course. We need our golf course, where we're building friendships, booking each other and collaborating on each other's work — all those things that happen when you have community,” LP Giobbi recently told GRAMMY.com. She has witnessed Femme House’s in-person workshops as a fruitful example of this.

Given that only 6.5 percent of the producers of songs on the Billboard Hot 100 in 2023 were female (in 2022, that number was 3.4 percent), there's a lot of work to be done to make a male-dominated profession and industry less so. 

On March 1, Femme House released their second compilation album on Insomniac Records, highlighting the wealth of emerging women in dance music. The all-female tracklist features Hermixalot and educators Mary Droppinz and Mini Bear, along with a talented cast of newer names and rising acts including Baby Weight, PAUZA, Lisbona Sisters, and ZOF. Given the massive reach Insomniac has in electronic music, the release will likely expose them to a new, wider fanbase and lead to other opportunities. 

"At a time when the music industry was recognizing a problem, but not really providing any solutions or being proactive, LP Giobbi and Hermixalot took it upon themselves to do the hard work and actually create an entity that puts money where their mouth is," Baby Weight said via email. "The amount of opportunities they have been able to provide through workshops and sponsorships and takeovers at festivals is honestly super inspiring — and it should be proof that if you really want to make a change, it can be done." 

Femme House has also intentionally created safe spaces for all women and queer people, not just white cis-gender women.

"As a transgender woman, I sometimes feel like I don’t belong with the other girls in the industry and the cisgender straight males don’t understand me either,"  Baby Weight added. "The Femme House community, however, didn’t blink and welcomed me with open arms and acknowledged me for who I am. So being able to be a part of this tapestry, and provide that same validation to others out there who may have felt the same way, means the world to me."

Since Femme House launched in 2019, they've educated over 12,000 women and gender-expansive people through online classes and free workshops. They also offer six annual scholarships for creators in the BIPOC and LGBTQIA+ community, which include free gear, one-on-one classes, and professional development.

"One of the reasons I decided to teach music production is because I knew how important it was to create safe and supportive learning environments for people who haven't traditionally had spaces where they can take up space and wholly be themselves," Mini Bear wrote via email. "I want to create the kind of space I wish existed when I was starting out, and to uplift those who have been underrepresented and shut out."

Femme House has grown at an impressive rate since its founding, adding new classes and workshops as well as more femme-centered parties and releases. They also sell affordable go-at-your-own-pace online courses on production, and a wide offering of free monthly classes on specific elements of DJing, production techniques, songwriting and more.

Read on to hear from LP Giobbi about the work Femme House is doing to bring more women into dance music and production.

Let's start with the Femme House Vol. 2 compilation album. It follows the first Femme House album that came out on Insomniac Records in 2022, but how did this one come together and how did you choose the artists and tracks for it?

Insomniac has been an amazing partner on this. I worked closely with their A&R team on both the first and second compilation. I had a list of artists in my mind that have been really supportive of the mission and that we've worked with. 

I had some ideas in my head and then sat within the Insomniac team. They had a lot of great ideas and turned me on to some artists that they had been supporting early on, so I got to discover new music through them. I really want to reiterate how amazing Insomniac has been on this mission. They do the biggest electronic festivals in the U.S. and so they have such a [huge] platform and a lot of power in the industry. So to see them put their hand up and care and realize Maybe we need to work harder on making sure our lineups are diverse [is really awesome]. How do you get diverse lineups? You have to help build artists from the beginning.

They really are aware of what this compilation could do for an artist and how it can help them and build their story. After we finally put it together — they were like "We really want to keep supporting these artists to eventually book them for EDC and our other big festivals." They really truly are partners in the sense of caring not just about this one compilation but the larger industry at whole.

How else is Insomniac helping you support women in building their DJ careers?

It's this chicken or egg thing that we really work hard on at Femme House: How do you get booked for a festival? By getting booked for a festival [before]. Promoters will look at other lineups and see who's playing. So we do a lot of stage takeovers with Femme House [with slots for artists who've never played a festival]. 

Insomniac was the first [promoter/event brand] to reach out to us and asked us to do one at EDC. We were able to book a full female and gender-expansive lineup. That's where our partnership started with them. Most of the folks who played that [EDC with us], it was their first time playing a festival. It really allowed them to start building their story and sort of sell what they're capable of and what they've done. Whenever we do stage takeovers, we save the opening slot for [the winner of] a contest we run where if you've never played a festival before, you can send us a mix.

Your track with Femme House co-founder Hermixalot that opens the compilation reimagines the Rapture's "How Deep Is Your Love"— the first dance track you fell in love with. How did y'all approach covering such a memorable tune while giving it your own touch?

My fiancé is the one who showed me electronic music and the Rapture, which was kind of a gateway for me. I remember listening to "How Deep Is Your Love" [when we first started dating] and having the most epic dance party... It was probably the most fun five minutes of my life. I always wanted to have a version of that song I could play in my sets. I made an [instrumental cover] track with harder hitting drums, and started playing it out and sets. I would throw in that piano line over a bunch of different tracks and was always weaving it throughout [my set] because it's so simple but it's so catchy. 

I played a festival set and Hermixalot was like, "That 'How Deep Is Your Love' [cover] is so sick, I love that track." Our musical tastes don't usually overlap; she's more R&B and everything outside dance music. I asked if she wanted to sing on it. She came with such a cool, unique [take]. She did a few different versions — some that had her more R&B flair to it where she did a few different runs — and we ended up piecing them together.

To get to cover my favorite dance track with the person that helped me believe I could be an artist and who created Femme House with me — where our mission is to be what you haven't normally traditionally seen — just so it feels so fitting and really special.

Can you talk about the Femme House tour you did last year,  where you had workshops in each city you headlined during your Light Places tour?

The workshops are free. They're safe spaces for women and gender-expansive folks, but all are welcome. I would play the show and an afterparty and then get on the first flight out because I needed to get to the workshop [in the next city], which was happening in the daytime. I would be [so tired] and then show up at the workshop and feel so fueled [by it]. 

We partnered with Ableton who brought on their female certified trainers in each city. I think there's only seven, which is like two percent of their trainers, but talk about a company that really cares about the mission. They have been so wildly supportive.

The workshop was Intro to Ableton, so we were targeting newer users. [The class helps you] get comfortable opening the program, loading a track and starting your idea, which sometimes can be the scariest part. We really wanted to focus on the basics and try to reach new people because once you're in, we have all sorts of online courses that cover topics way more in-depth. 

We also had our lead educator, Mini Bear, [a.k.a.] Lauren Kop, who's on the compilation, did a few workshops. The opener for the tour is an amazing artist named Bad Snacks, who studied electronic music at Berklee School of Music and is one of the most proficient humans in Ableton I've ever met. She taught some of the workshops as well.

What else is coming up for Femme House in 2024?

We're doing a big activation soon at Miami Music Week. We are [also] partnering with Armada [Music] to do an educational series with them and their Armada University. We are also doing a few more festival stage takeovers that I can't announce yet. We'll have that contest for the opening slots to make sure we're booking somebody that's never gotten to play festival before. 

[Femme House is] getting so many awesome incoming opportunities. The education is first and foremost, we'll continue to have monthly production and DJ courses and we are adding [online] show photography courses, which I'm really excited about.

The photographer I tour with a lot, Sarah [Northrop] — SarTakesPics is her Instagram — is gonna teach. Touring photography is also a male dominated industry. On the last tour, she started a program where at every one of my shows she picked a photographer to shadow. She would meet with this person and sit with them for an hour, share her knowledge, how she got there and let that person ask questions. That person would do a photo shoot with me to practice portraits, and they would shoot the show as well and have full access to the stage. It was an incredible program, so we'll keep doing that. She'll have a shadow at a few events at Miami Music Week.

And we have a series called Backstage Pass where we invite folks from the industry, not artists or music makers, but agents, promoters and managers and folks come and talk. Our community Zooms in and the [special guest] tell their story on how they got where they are. 

I think the contacts part is so important because some people start from nowhere. You had Sofi Tukker, who you've talked about being so vital to your career.

Yeah, oh my god. SOFI TUKKER had some success and they met the head of electronic [music] at Spotify and sent them my songs — they were promoting [their own] songs, but they sent mine. That is what changed everything for me, and then allowing me [the space to] learn how to DJ. That's why Femme House is so important to me, because the power of an artist supporting another artist is life changing.

I just launched a label this year, Yes Yes Yes, in partnership with Defected. There's one artist I just signed, Mascolo — how Sophie and Tucker felt about me, I feel about this artist. I'm gonna bring him on tour with me. I'm releasing his first records at the end of April. 

I'm sick of talking about myself and seeing myself in flyers. This artist has given me new energy again. This is so much more fun to me; to listen and believe in their music and see the little seeds of growing their own fan base.

He's the most talented songwriter, producer and artist I've ever been in a room with. He was signed with Ryan Tedder, so he was writing pop songs for massive pop stars. He started showing me some of his dance tunes. And I was like, "Dude, what?" His music is very different but he's like a Frank Ocean as far as a freak genius. I believe in him so f—ing much. I believe in him more than I believe myself. This feeling of deep conviction over somebody else is a really beautiful, powerful feeling.

I think we all need champions and affirmations, even as simple as when someone compliments your work.

SOFI TUKKER gave me a stage, literally started a label to release my music—they did everything for me. But the biggest thing they did for me was they believed. There's no greater gift than the power of belief because then you start believing maybe it is possible. It's not just the belief, it's all the work you have to do to get there. That gift allowed me to do everything I needed to do to actually sustain myself as an artist. I'm so excited to give that to somebody that I really believe in.

What do you think we can start doing now as a dance music community to support more diversity and equity across the genre and scene?

We at Femme House really believe that this change [needs] allies. It cannot just be the underrepresented people doing all the f—ing work. That goes for all movements, I believe. It takes the gatekeepers. It takes the people who are booking the festivals to go, "Wait, is this diverse enough?" When I get booked, I have my agent send out this thing that says if you're still in the process of booking your lineup, here's a bunch of women and gender expansive artists. I had a big learning lesson when one of the first Femme House workshops was all white women. That is why we started the BIPOC scholarship.

The most amazing thing about Femme House has been to see how many of these gatekeepers have come to us saying "How can we make a change.?" On a festival, 90 percent of the tickets are sold by the headliners. So that means that the undercard, the other 50 artists that you're booking, you have so much opportunity to diversify that bottom half of the festival bill. And I do believe that slowly but surely that's happening. 

The more women we have on these lineups, the more people in the audience will, subconsciously or consciously, go Oh! That would be a possibility for me. Then they'll do the work if they want to and slowly everything changes.

What are your biggest dreams for Femme House and for women and non-binary representation in dance music and music production?

My biggest dream is to have anybody believe they can do anything. At Femme House, we don't expect having more female DJs or producers will change the world. But having anybody believe they can do anything will change the world. Our outlet just happens to be electronic music, but I would love for everybody to see themselves represented in whatever they want to do and believe they can do it.

You had a really big year last year, which included remixing Taylor Swift's "Cruel Summer." How did that official remix come about and how did you feel taking it on?

I was in Marbella, Spain, about to go on stage and my manager called me. He's like, "I know you're going on stage right now but Taylor Swift reached out to work with you." And I was just like, "Wait, what? She knows my name?" [Chuckles.] I was so confused and blown away. [When] I got off stage, I immediately started working on it because I wanted to beast mode it without even having to be asked for it. She listened to it and liked it. I had no idea about a release or anything else.

I was asleep on an airplane flying to Amsterdam for [Amsterdam Dance Event]. My tour manager comes over and wakes me up to tell me Taylor Swift is gonna release the remix tonight. These things happen a lot and oftentimes nothing will come from it. You never say anything until it's actually happened. [Laughs.] I couldn't believe it. When I landed, literally every human I've ever met that maybe had my number had contacted me. Then I saw that she tagged me on her Instagram [post]. The last person Taylor Swift tagged in an Instagram post was Beyoncé, so that was crazy. She definitely did help change my career.

5 Women Essential To Electronic Music: TOKiMONSTA, Shygirl, Nina Kraviz & More

R&B lovers were spoiled in 2023. 

Talented legends received well-deserved flowers, while focused newcomers celebrated many exciting firsts. Usher set his sights on an epic comeback, and Best New Artist nominees Coco Jones and Victoria Monét (who are nominated in the category alongside Gracie Abrams, Fred again.., Ice Spice, Jelly Roll, Noah Kahan, and The War And Treaty) set the R&B charts ablaze while embarking on their first headlining tours.

R&B in particular is set up for a big year at the 2024 GRAMMYs: SZA earned the most nominations at the 66th GRAMMY Awards with a total of nine, followed by Monét with seven nods. What's more, women led the way in the genre this year — four out of the five Best R&B Album and Best R&B Song nominees are ladies.

As R&B music continues to evolve and shatter naysayers' expectations, revisit some of the biggest trends that defined the genre in 2023.

The Ladies Dominated

Women ate and left no crumbs in 2023. Vulnerable as ever, self-discovery through romantic heartbreak was a common theme — as evidenced by Emily King and Summer Walker's confessional projects (more on those later).

R&B-infused bangers from Tyla and Tems took the male-dominated Afrobeats genre by storm, while Chlöe and Halle Bailey's solo endeavors set the sisters apart creatively. Janelle Monáe's first album in five years saw her basking in the fierceness of sexual freedom. Part of R&B's new class, Kiana Ledé joined forces with London-born Ella Mai for a "strong R&B girl moment" and her first release of 2023, "Jealous," is set to appear on Ledé's upcoming sophomore album.

Women were the highlight of Babyface's collaborative Girls Night Out — which is nominated for Best R&B Album at the 2024 GRAMMYs alongside Coco Jones' What I Didn't Tell You (Deluxe), Victoria Monet's JAGUAR II, Emily King's Special Occasion, and Summer Walker's CLEAR 2: SOFT LIFE. Singers Ari Lennox, Kehlani, Muni Long, Queen Naija, and a host of other female R&B artists shined bright as they belted out tunes about the highs and lows of love.

But the year in R&B unequivocally belonged to SZA, who boasts the most nominations at the 2024 GRAMMYs, including Record of the Year, Song Of The Year, and Album Of The Year.

Women Made Vulnerability Their Superpower

The ladies of R&B took the confessional route with their 2023 projects. On Special Occasion, Emily King channeled the inevitable pain brought on by the end of her 15-year relationship but not without leaving room for joy — from the delightful opening track "This Year" to feeling regretful on "Bad Memory." Summer Walker similarly left it all on the table with CLEAR 2: SOFT LIFE, a nine-track EP that chronicles her frustration with feeling undervalued in relationships. The frankness of "Hardlife" speaks to the emotional burdens many Black women face in their relationships and beyond.

SZA's SOS (nominated for Album Of The Year alongside Jon Batiste's World Music Radio, boygenius' the record, Miley Cyrus' Endless Summer Vacation, Lana Del Rey's Did You Know That There's A Tunnel Under Ocean Blvd, Janelle Monáe's The Age Of Pleasure, Olivia Rodrigo's GUTS, and Taylor Swift's Midnights) was the gift that kept on giving in 2023. Self-described as "bizarre acts of self-embarrassment," SOS solidifies SZA as a generational talent as she fearlessly toys with folk ("Special") and grunge ("F2F") and spits rap verses ("Smoking on My Ex Pack") like it's nothing all while wearing her heart on her sleeve. That unapologetic candor is what makes SOS such a standout.

R&B Veterans Made A Comeback

Nostalgia was front and center in 2023 as acts like New Edition announced a 2024 Las Vegas residency and Y2K-era duos like Ashanti and Nelly gave love (and touring) a second chance.

After two show-stopping runs in 2021 and 2022, Usher's acclaimed Las Vegas residency continued well into 2023 and solidified him as the "New King of Vegas." In between shows, the eight-time GRAMMY winner released "Good Good" featuring Summer Walker and 21 Savage — signaling a new and exciting era that also includes a headlining spot at the 2024 Super Bowl halftime show. The performance will coincide with a global tour and the release of Coming Home, marking Usher's first studio album in nearly a decade. 

Babyface kicked off 2023 with "As a Matter of Fact," his first solo record in eight years. It spent five consecutive weeks atop Billboard’s Adult R&B Airplay chart, becoming his longest-running single. In June, Babyface crammed four decades' worth of music into his NPR Tiny Desk Concert, which included snippets of his own hits like "Whip Appeal" and beloved songs he penned for other artists like Whitney Houston's "Exhale (Shoop Shoop)" and Tevin Campbell's "Can We Talk." The latter song is sampled in his duet with Ella Mai, "Keeps On Fallin'." 

Meanwhile, vocal powerhouse Cheryl Lynn's 1983 hit "Encore" went viral on TikTok. Penned by the legendary duo Jimmy Jam and Terry Lewis, the song's resurgence 40 years later even took Lynn by surprise. "What in the world is going on?" she tweeted. The "Got to Be Real" singer now boasts over 500 million Spotify streams.

New Names Shined Bright

While icons like Usher, Babyface, and Cheryl Lynn took us down memory lane, Best New Artist nominees Coco Jones and Victoria Monét achieved critical and commercial success while proving that the future of R&B is in gifted hands.

Thousands of miles away in South Africa, 21-year-old Tyla's "Water" cracked the Top 10 on the Billboard Hot 100, becoming the first solo song by a South African artist to chart since Hugh Masekela's "Grazing in the Grass" 55 years ago. "Water" is nominated for Best African Music Performance at the 2024 GRAMMYs alongside ASAKE & Olamide's "Amapiano," Burna Boy's "City Boys," Davido's "UNAVAILABLE" featuring Musa Keys, and Ayra Starr's "Rush."

Two weeks after inking a new deal with Epic Records, Mariah the Scientist kept the celebratory vibes going by dropping her third studio album, To Be Eaten Alive, on her 26th birthday. Lead single "From a Woman" not only answers boyfriend Young Thug's "From a Man," but it explores relationship-centric vulnerability and surrender through the lens of empowerment. "I close my eyes and trust your plan / Won't let no one force my hand," she sings softly against a smooth beat — illustrating that the studio is indeed a creative lab for the former biology student.

EPs Stole The Show

Many emerging artists are choosing to release EPs over studio albums as a more cost-effective way of establishing their fan base while creating anticipation for future full-length projects. In fact, two of the five nominated works in this year's Best R&B Album category are categorized as EPs.

After many years of putting out music independently, Coco Jones' debut EP, What I Didn't Tell You, repositioned the 25-year-old "Bel-Air star" as someone worth watching on the charts. "Sometimes people see me as the characters I play, but these stories are my own script," Jones shared in a press release. Becoming her first-ever entry on the Hot 100, Jones' "ICU" is nominated for Best R&B Song (alongside Halle Bailey's "Angel," Robert Glasper's "Back To Love" featuring SiR & Alex Isley, Victoria Monét's "On My Mama," and SZA's "Snooze"). The sizzling ballad is also up for Best R&B Performance (alongside Chris Brown's "Summer Too Hot," Glasper's "Back To Love, Victoria Monét's "How Does It Make You Feel," and SZA's "Kill Bill").

Following the success of Summer Walker's 2021 sophomore effort, Still Over It, many fans awaited another studio album from the 27-year-old mother of three. But in late spring, Walker surprised audiences by dropping an EP titled, CLEAR 2: SOFT LIFE. Walker is diaristic in detailing her journey toward joy and self-compassion, from being fed up in "Mind Yo Mouth" to holding herself accountable on closer "Agayu's Revelation."

Whether you prefer the old or new school, R&B's biggest names are putting their own spin on a decades-old sound, proving that the genre knows no bounds.

2023 In Review: 5 Trends That Defined Pop Music

In a world dominated by singles and streaming, it's even more important for albums to be cherished and preserved. The Recording Academy celebrates albums as essential, beloved formats of artistic expression, especially in the coveted Album Of The Year Category.

From gutsy pop to psychedelic soul, the eight nominees for Album Of The Year at the 2024 GRAMMYs — which are notably dominated by women, people of color, and the queer community — are a reflection of the joyous diversity within the music community.

Below, take a deeper dive into who's in the running for Album Of The Year on Music's Biggest Night.

Jon Batiste — World Music Radio

On the opening track of World Music Radio, Jon Batiste importantly reminds listeners that music is not just a passive recreation, but an experience. Or, at least the interstellar radio host Billy Bob does.

Narrated by Billy Bob, Batiste's 21-song concept album is made to sound like it's an actual radio station; amid intermittent static and between-song messaging, the station welcomes a slew of high-profile musical guests, ranging from Lana Del Rey to NewJeans to Lil Wayne. Including everything from smooth DJ interludes to crystal-clear saxophone solos to sparkling piano riffs, World Music Radio has something for everyone within its one-hour runtime.

With five GRAMMYs under his belt — including one for Album Of The Year — Batiste understands the significance of pushing boundaries in music. Consequently, World Music Radio questions genre as much as it questions how we can make the world a more inclusive place.

According to an Instagram post, Batiste's album aims to "'re-examine and redefine terms like world music as they exist in the culture."' The "'re"' prefix is what music is all about: reliving memories, reinventing what's been done before, and redefining things we previously thought we understood. Riding the airwaves all the way to an Album Of The Year nomination, Batiste's latest visionary work reminds us to reconsider what we think we know — and then, dial in.

boygenius — the record

On the vinyl version of the record, a locked groove leaves listeners perpetually listening to a single word: "'waiting."' The lyric goes eternally unfinished.

But good things come to those who wait, and for boygenius, a year like 2023 has never made this more discernible. Less than a year after the group debuted at Coachella and embarked on not one but two tours, they're now in the running for the GRAMMY for Album Of The Year.

Skyrocketing to headliner fame this year, the indie rock supergroup composed of Julien Baker, Phoebe Bridgers and Lucy Dacus released their debut album back in spring. Preceded only by a singular, successful EP from five years prior, the record proves itself to be very much worth the wait: chock-full of dreams of arson, $20 bills, and calls to kill the bourgeois, it froths with charisma and jocular amity.

This marks boygenius' first collective GRAMMY nomination, as well as the first nominations for Baker and Dacus. Bridgers' Punisher made her a 4-time GRAMMY nominee at the 63rd GRAMMY Awards. But it's not the group's only nod at the 2024 show — boygenius earned six nominations in total, including Record Of The Year.

What makes the record so momentous is its testament to the trio's vibrant, long-standing friendship — specifically, a companionship rooted in queerness, as well as in opposition to the idea that women in the industry should be pitted against each other. the record intensely and unmistakably feels the gravity of their organic bond, and in this way, it stands for so much more than 12 songs.

Miley Cyrus — Endless Summer Vacation

It's time to give Miley Cyrus her flowers. The GRAMMY-nominated artist already struck gold earlier this year, with her liberating lead single "'Flowers"' breaking records left and right. The track blossoms with the sweet nectar of independence, and this embrace of freedom is the heart of Endless Summer Vacation.

Her album's title denotes a perpetual stretch into eternity, but if there's one thing Cyrus is known for, it's change. Whether it's radically altering her style or switching up her aesthetic, the longtime pop queen knows that creative adaptability is one of her many strengths.

Endless Summer Vacation spotlights this versatility, from Cyrus warmly soaking up "'Violet Chemistry"' to reflecting on when she "'Used To Be Young."' Her signature gravelly drawl suits the album's disco-infused, beachy production — a major shift from the unyielding, punk rock of predecessor Plastic Hearts (2020), or the power pop-trap spotlighted on her 2019 EP, SHE IS COMING.

Notably, this marks Cyrus' first Album Of The Year nomination for her own work (she received a nod for her feature on Lil Nas X's 2021 LP Montero). The honor praises not just Endless Summer Vacation as a salient career highlight, but also applauds the singer's resilience after years of musical shapeshifting — Cyrus was due for a well-deserved vacation.

Lana Del Rey — Did You Know That There's A Tunnel Under Ocean Blvd

On her ninth studio album, Lana Del Rey honors kintsugi, or the ​​Japanese art of repairing broken pottery pieces with gold. Now, with an Album Of The Year nomination, she could be taking home GRAMMY gold.

Del Rey's last nomination in this Big Four category was for Norman Fucking Rockwell! at the 2020 GRAMMYs. While NFR! freewheeled along the West Coast, paving a soft rock landscape inspired by '70s Americana, Did You Know That There's A Tunnel Under Ocean Blvd leans away from Del Rey's habitual worldbuilding. Instead, the singer let spirituality guide her music-making process, dabbling in everything from gospel to trap.

Even though Did You Know That There's A Tunnel Under Ocean Blvd is Del Rey's most natural album yet, the work still feels otherworldly. Throwing caution to the wind, she delves into the multifaceted nature of her identity, candidly examining personal matters relating to religion, mortality and family.

In the same way a pottery artist might delicately approach kintsugi, Del Rey approaches making music with a keen eye and open heart. She searches for ways to sculpt beauty from flaws and fractures — after all, that's how the light gets in.

Janelle Monáe — The Age Of Pleasure

The rush of a crush, the sigh from a single touch — euphoria comes in many beautiful forms, and on her latest album, Janelle Monáe wants you to experience all of them.

The Age Of Pleasure ushers in Monáe's vision of rapture, dreamily blurring the lines between reality and fantasy. The 10-time GRAMMY-nominated artist has long defied labels, whether it be regarding genre or their personal identity, and their latest album celebrates love in all its color and fluidity.

It's all smooth sailing in The Age Of Pleasure. Soulfully, the multihyphenate singer swims through romantic R&B, plunges into funky rap, and bathes in soft pop radiance — but above all, Monáe floats. She's untroubled and unbothered, and that's more than enough to warrant raising a glass.

Monáe's nomination for Album Of The Year acknowledges not just the thrill of living a life carefree, but also celebrates the divinity of all-encompassing love. The album is more than hips and lips galore: beyond giving into passion, it's about cherishing community and, most importantly, choosing joy for yourself.

Olivia Rodrigo — GUTS

Though she's the youngest nominee on the list, Olivia Rodrigo knows she has nothing to prove.

Already a 3-time GRAMMY winner before her 20th birthday, the "'drivers license"' singer/songwriter unsurprisingly resisted the sophomore slump. On her plucky second album GUTS, she leans a little more into punkish pent-up rage than the crying-on-the-bathroom-floor heartache of her 2021 debut, SOUR — and impressively, her determination earned her a second consecutive GRAMMY nomination for Album Of The Year.

Whether her self-reflection appears in the form of piano-led balladry or pop-rock headbangers, Rodrigo tackles wilted relationships, growing pains and everything in between with her characteristically refreshing charm. From the gritty, Joan Didion-inspired "'all american b—"' to the leave-him-to-rot breakup anthem "'vampire,"' GUTS knows how to make a statement without forgetting to have a bit of fun.

Rodrigo, who won the GRAMMY for Best New Artist at the 2022 ceremony, understands the resonant power of her pen, and the singer's swift ascent to fame mirrors her swelling talent. It's already been almost two years since the smash success of "'drivers license,"' but Rodrigo isn't taking her foot off the gas.

Taylor Swift — Midnights

Best believe Taylor Swift is still bejeweled.

Of the megastar's extensive discography, Midnights might just be its crowning jewel thus far. Swift's tenth studio album dives deeper into pop experimentalism, steering away from the indie folk journeys that folklore and evermore so calmly encompassed; Midnights silhouettes the life of a beloved, high-profile "'Anti-Hero"' and assertively offers some of Swift's most ambitious work yet.

It's this fearless ambition that makes Swift no stranger to the GRAMMYs. On top of nearly 50 nominations total, the 12-time GRAMMY winner is the first and only woman solo artist to win Album Of The Year three times for her solo recordings. As Swifties know, she loves to break her own records — and if Midnights takes home GRAMMY gold, Swift would become the artist with the most Album Of The Year wins of all time.

This Midnights nomination marks a climax for Swift's career, and even though the singer has collected countless milestones, this year might be her most colossal yet. As she continues to bring all of her musical eras to life, Swift isn't just reliving her musical past — she's writing her future.

SZA — SOS

SZA knows how to build anticipation. Keeping her fans in suspense for five years, the prolific GRAMMY winner released her 2022 sophomore album SOS to wide critical acclaim — and while its title suggests a sense of helplessness, SOS puts forth plenty of strength.

SZA understands the vast power of vulnerability, and she wields this power expertly, whether it be forcefully or delicately. During the album's wade through loneliness and insecurity, the singer occasionally employs features from friends like Don Toliver, Phoebe Bridgers, and Travis Scott, but above all, SZA's self-discovery remains in the spotlight.

The R&B star scored her first GRAMMY just two years ago, sharing the award for Best Pop Duo/Group Performance with Doja Cat for their lovable collaboration "'Kiss Me More"' at the 2022 GRAMMYs. While the pop-rap collaboration bubbles with lost-in-the-moment delight, SOS looks at life with a wider lens; in her single "'Shirt,"' SZA admits that she's "'in the dark right now/ feeling lost but I like it,"' and it's these glimmers of self-assurance that show her a light at the end of the tunnel.

This Album Of The Year nomination nods to the singer's personal growth since her 2017 debut Ctrl. Although SZA sings about a fear of letting other people define her, SOS rejects other people's terms and soars as a bold reclamation: by defying others, she rediscovers herself.

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

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2024 GRAMMY Nominations: See The Full Nominees List