Photo: William R. Eastabrook
Paul and Linda McCartney attend the 1971 GRAMMYs
GRAMMY Rewind: Watch Paul McCartney Accept The GRAMMY For Best Original Score At The 1971 GRAMMYs
In the latest edition of GRAMMY Rewind, 18-time GRAMMY winner Paul McCartney accepts the GRAMMY for Best Original Score Written For A Motion Picture Or A Television Special for the 1970 Beatles documentary, 'Let It Be,' at the 13th GRAMMY Awards in 1971
While The Beatles are beloved around the world for their eternal music and forever-classic songs, the English rock icons are also celebrated for their visuals. Their early work in concert and promotional films surrounding their singles and albums are largely credited with birthing the concept of music videos, which would eventually give rise to TV networks like MTV. Their groundbreaking approach to curating music to image, and vice versa, has secured their stance as pioneers in both music and film. It's why, in addition to winning eight career GRAMMYs, with 24 nominations overall, The Beatles also count an Academy Award, the film industry's GRAMMY equivalent, on their wide-spanning résumés.
In May 1970, The Beatles released Let It Be, an all-time favorite within the group's discography. To accompany the project, the band released a documentary of the same name, which chronicles the making and recording of Let It Be and also includes the act's iconic unannounced rooftop concert, their final public performance as The Beatles.
Let It Be, both the film and the album, would become a bittersweet entry in the Beatles' saga. As the group's final album, with the film counterpart marking their last original release as The Beatles, Let It Be would go on to make major waves, going multiplatinum in and topping several charts around the world.
Let It Be also had a huge presence at the 13th GRAMMY Awards, held in 1971. Let It Be notched four GRAMMY nominations that year, including Record Of The Year, Song Of The Year and Best Contemporary Song for the title track, as well as Best Contemporary Vocal Performance By A Duo, Group Or Chorus for the album itself.
While Let It Be, the album, did not win any GRAMMYs that year, the film's soundtrack took home the golden gramophone for Best Original Score Written For A Motion Picture Or A Television Special. (One month later, in April 1971, the film's soundtrack won the Oscar for Best Original Song Score.)
Accepting the award at the 1971 GRAMMYs, held at the Hollywood Palladium in Los Angeles, a smiling, stylish Paul McCartney—alongside his then-wife Linda McCartney, who died 22 years ago today (April 17)—kept his speech short and sweet: "Thank you, goodnight."
In 2004, 34 years after its original release, "Let It Be," the song, was inducted into the GRAMMY Hall Of Fame, forever solidifying the accompanying track, album, film and soundtrack in GRAMMY and Beatles history.
Photo: Michael Ochs Archive/Getty Images
GRAMMY Rewind: Michael Jackson Wins Best Recording For Children, The Award He Was "Most Proud Of" At The 1984 GRAMMYs
Michael Jackson took home eight golden gramophones at the 1984 GRAMMYs, but felt most rewarded by his win for his audiobook and soundtrack companion album for 'E.T. the Extra-Terrestrial.'
Michael Jackson made history with his groundbreaking album Thriller in 1982. But while the icon was smashing pop records, he was also venturing into a new avenue: narration.
Jackson was the voice of the audiobook and soundtrack companion album for Steven Spielberg's groundbreaking 1982 classic, E.T. The Extra-Terrestrial. The album won the King of Pop one of his eight GRAMMYs in 1984 – and it may have been the most important win of his career.
"One of the most dangerous joint decisions Michael and I made was to accept to do an album for Steven Spielberg," Jones explained at the beginning of their acceptance speech before expressing gratitude for the film's cast and crew.
"I don't thank the people who stopped this record from coming out," Jones said, alluding to the backlash MCA Records received from Epic for releasing the project at the same time as Thriller.
"Of all the awards I've gotten, I'm most proud of this one," Jackson revealed. "I think children are a great inspiration, and this album is not for children. It's for everyone. I'm so happy, and I'm so proud. Thank you so much."
Press play on the video above to hear Michael Jackson and Quincy Jones's complete acceptance speech for Best Recording for Children at the 1984 GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.
8 Music Books To Read This Fall/Winter: Britney Spears' Memoir, Paul McCartney's Lyrics & More
As 2023 nears its end and the holidays approach, add these books to your reading list. Memoirs from Dolly Parton and Sly Stone, as well as histories of titans such as Ella Fitzgerald are sure to add music to the latter half of the year.
If you’re a music fan looking to restock your library with some new reads, you’re in luck. With the second half of the year comes a dearth of new music books recounting the life and times of some of the most celebrated artists in the history of the artform are hitting shelves.
From Britney Spears' much talked-about memoir that tackles the tabloid tumult of her life and Barbra Streisand’s highly anticipated autobiography (which clocks in at nearly 1,000 pages), to tomes that recount the lives of Tupac Shakur and Dolly Parton, it’s time to get reading. Read on for some of the best music-related new and upcoming books to add to your collection.
By Britney Spears
One of the most highly anticipated books of the year, Spears' memoir has been a blockbuster in the weeks since its release. When it was announced that the singer was writing a book, fans and observers braced themselves for what she would reveal when it comes to her tumultuous life and career. The result is a no-holds-barred look at how an innocent girl from Louisiana became swept up in the tsunami of fame, as well as the resulting wake.
The Woman in Me details Spears' halcyon younger years as part of the "New Mickey Mouse Club," her explosive career, the blossoming and collapse of her relationship with Justin Timberlake, and the punishing conservatorship concocted by her father. Spears doesn’t hold back, but also shouts out the figures who provided solace and kindness: Madonna, Elton John, Mariah Carey, and former Jive Records president Clive Calder. The Woman In Me proves to be an unflinching, eye-opening look at the swirling tornado of music, fame, love and family, for better or for worse.
By Barbra Streisand
Since her early '60s breakout to her current status as a bona fide living legend, Barbra Streisand has lived a lot of life. Streisand's 992-page tome breaks down her humble beginnings growing up in Williamsburg, Brooklyn and her subsequent stratospheric life during which she received a whopping 46 GRAMMY nominations and released many timeless songs. Along the way, she also became the first female in the history of moviemaking to write, produce, direct and star in a major motion picture (Yentl).
It’s all a long time coming, considering Jackie Onassis first approached Streisand to chronicle her triumphant life in 1984 (at the time, the former first lady was editor of Doubleday and Streisand was a mere 20 years into her iconic career). "Frankly, I thought at 42 I was too young, with much more work still to come," Striesand recently told Vanity Fair. It’s an understatement considering all that’s happened since.
By Paul McCartney
One of the most celebrated artists of all time, McCartney's genius songwriting is on full, glimmering display in THE LYRICS. Newly released in a one volume paperback edition, the book puts the Beatles' way with words front and center while offering popcorn-worthy backstory.
Originally published to acclaim in 2021, the updated version includes additional material and insight from Macca himself on the creation of some of the most indelible hits in music history, including the 1965 Beatles hit "Daytripper."
"The riff became one of our most well-known and you still often hear it played when you walk into guitar shops," wrote McCartney of the track. "It’s one of those songs that revolves around the riff. Some songs are hung onto a chord progression. Others, like this, are driven by the riff."
By Dolly Parton
"It costs a lot of money to look this cheap!" So says luminary Dolly Parton, in a self-deprecating and witty and also patently untrue famous turn of phrase. While Parton’s life story has been recounted numerous times on the page and on screen, Behind the Seams zeros in on not just her trials and tribulations, but her unmistakable style.
Packed with nearly 500 photographs, the book traces Parton’s looks from the sacks she used to dress in as a child in poverty to the flamboyant visuals associated with her stardom. "I’ve been at this so long, I’ve worn some of the most bizarre things," Parton recently told the Guardian. "My hairdos have always been so out there. At the time you think you look good, then you look back on it, like, what was I thinking?"
By Sly Stone
The 80-year-old reclusive frontman of Sly and the Family Stone has certainly lived a lot of life. From his early days as part of the gospel vocal group the Stewart Four, Stone and his family band later became fixtures of the charts from the late '60s into the mid-'70s; a journey traced in the new book Thank You (Falettinme Be Mice Elf Agin), named after their 1969 song of the same name.
Known for funky, soulful and earworm signature hits including "Dance to the Music" and "Everyday People," the band won over the hearts of America, influencing legions of fans (including Herbie Hanckock and Miles Davis) and gaining a few enemies (the Black Panther Party). The book chronicles those ups and downs (including drug abuse), tracking Stone up to the modern era, which includes receiving the Recording Academy's Lifetime Achievement Special Merit Award in 2017.
By Judith Tick
Ella Fitzgerald is one of America’s most iconic voices and the full breadth of her story will be told in the first major biography since her death in 1996. Known as the First Lady of Song, the 13-time GRAMMY winner is known for her swingin’ standards, sultry ballads, scat and everything in between.
Out Nov. 21, the vocalist’s historic career is recounted by musicologist Judith Tick, who reflects on her legend using new research, fresh interviews and rare recordings. The result is a portrait of an undeniable talent and the obstacles she was up against, from her early days at the Apollo Theater to her passionate zeal for recording and performing up until her later years.
"Ella was two people," her longtime drummer Gregg Field told GRAMMY.com in 2020. "She was very humble, very shy and generous. But when she walked on stage she was hardcore and didn’t know how to sing unless it was coming from her heart."
By Jeff Tweedy
Aside from his extensive discography with Wilco and beyond, Jeff Tweedy is the author of three books: his memoir Let’s Go (So We Can Get Back), a meditation on creativity called How to Write One Song, and his latest, World Within a Song. The latter expertly examines a variety of songs by a disparate spate of artists, from Rosalía to Billie Eilish with Tweedy’s singular take on what makes each song stand out along with what he dubs "Rememories," short blurbs that recount moments from his own life and times.
Much like his songwriting prowess, it’s a book where Tweedy’s way with words shine with shimmering eloquence. "My experience of my own emotions is that they all interact," Tweedy told GRAMMY.com last year. "They aren't individual, isolated things that you experience one at a time, and I think that's a really beautiful thing about being alive."
By Staci Robinson
One of the giants of hip-hop finally gets his due with an official recounting of his life and times. Here his legend is told by the authoritative Staci Robinson, an expert on the star who previously wrote Tupac Remembered: Bearing Witness to a Life and Legacy and served as executive producer of the FX documentary series "Dear Mama: The Saga of Afeni and Tupac Shakur."
Here, Robinson reflects on Tupac’s legacy from a modern perspective, and tracks the history of race in America alongside the rapper’s life and times, from the turbulent '60s to the Rodney King riots. Along the way are the stories behind the songs including "Brenda’s Got a Baby."
"In between shots (of filming the movie Juice) I wrote it," Shakur is quoted saying in Robinson’s book. "I was crying too. That’s how I knew everybody else would cry, ’cause I was crying.’"
Photo: Michael Tran/FilmMagic
GRAMMY Rewind: Christina Aguilera Celebrates Her Latin Heritage After Winning Her First Latin GRAMMY In 20 Years
In May 2022, Christina Aguilera made a stunning return to Latin music with ‘Aguilera.’ Six months later, she won her second Latin GRAMMY — and she made sure to thank everyone who was part of the journey.
Last year, pop diva Christina Aguilera returned to her Ecuadorian roots with Aguilera, her first full Spanish-language album since Mi Reflejo (2000). By the end of the year, she snagged multiple awards for the LP, including Best Traditional Pop Vocal Album at the 2022 Latin GRAMMY Awards.
In this episode of GRAMMY Rewind, revisit the moment Aguilera took the stage to accept her gramophone for her self-titled project.
"This is so important to me, and it's been amazing to come back to this home," Aguilera shared before expressing gratitude to her collaborators and longtime supporters.
"The fans, the Fighters, thank you so much!" She squealed. "We've been on this journey for so long, so I couldn't thank you more."
It was quite an eventful night for Aguilera. She received seven nominations in total — including Album Of The Year and Record and Song Of The Year for "Pa Mis Muchachas" — and delivered a show-stopping performance of "Cuando Me Dé la Gana" with Christian Nodal.
Press play on the video above to watch Christina Aguilera's complete acceptance speech for Best Traditional Pop Vocal Album at the 2022 Latin GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.
Photo: Courtesy of the Latin Recording Academy
GRAMMY Rewind: Marco Antonio Solís Offers Encouragement For Aspiring Musicians During His Person Of The Year Acceptance Speech
Mexican hitmaker Marco Antonio Solís motivated young musicians to stay positive and trust the Creator during his Person Of The Year acceptance speech at the 2022 Latin GRAMMYs.
After nearly 50 years in the industry, legendary Mexican musician and producer Marco Antonio Solís has established himself as one of the most iconic Latin artists in history – from spearheading one of the bestselling grupero bands, Los Bukis, to creating his own roster of solo hits.
As Manuel Abud, the CEO of the Latin Recording Academy, said of Solís in April 2022, "He continues to break down generational barriers through his poignant lyrics … and inspire greater acceptance and understanding." And seven months later, the icon was honored with the Person Of The Year award at the 2022 Latin GRAMMYs.
"My heart is filled with gratitude," Solís said in Spanish during his acceptance speech. "Gratitude is the heart's memory. I am grateful to everyone who is watching us out there on the television. To all those who have supported me in my career over so many years."
Before leaving the stage, Solís gave an uplifting message to aspiring musicians: "To all those who are dreaming of being here some day, a big hug and never lose courage, and above all, faith in our most loved Creator. You will be here some day. Thank you."
The 2023 Latin GRAMMYs will be held Thursday, Nov. 16, at the Conference and Exhibition Centre (FIBES) in Sevilla, Spain, the first-ever international show in Latin GRAMMY history. Tune in on Univision at 8 p.m. ET/PT (7 p.m. CT).
Press play on the video above to hear Marco Antonio Solís's complete acceptance speech for Person Of The Year at the 2022 Latin GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.