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Robert Plant and Alison Krauss, Raising Sand

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GRAMMY Rewind: 51st Annual GRAMMY Awards

Plant and Krauss win Album and Record Of The Year, and Adele wins Best New Artist against these nominees

GRAMMYs/Oct 23, 2021 - 12:38 am

Music's Biggest Night, the 54th Annual GRAMMY Awards, will air live from Staples Center in Los Angeles on Sunday, Feb. 12 at 8 p.m. ET/PT on CBS.

Leading up to the telecast, we will take a stroll down music memory lane with GRAMMY Rewind, highlighting the "big four" categories — Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist — from past awards shows. In the process, we'll examine the winners and the nominees who just missed taking home the GRAMMY, while also shining a light on the artists' careers and the eras in which the recordings were born.

Join us as we take an abbreviated journey through the trajectory of pop music from the 1st Annual GRAMMY Awards in 1959 to last year's 53rd Annual GRAMMY Awards. Today, the GRAMMY Awards remember a year in which Robert Plant and Alison Krauss raised sand and gold.

51st Annual GRAMMY Awards
Feb. 8, 2009

Album Of The Year
Winner: Robert Plant & Alison Krauss, Raising Sand
Coldplay, Viva La Vida Or Death And All His Friends
Lil Wayne, Tha Carter III
Ne-Yo, Year Of The Gentleman
Radiohead, In Rainbows

The unlikely pairing of Plant and Krauss on Raising Sand spawned an impressive six GRAMMYs, including Album and Record Of The Year. Plant had won his lone GRAMMY as a solo artist 10 years prior, and his legendary band, Led Zeppelin, was bestowed a Recording Academy Lifetime Achievement Award in 2005. GRAMMY gold was nothing new to Krauss, who has racked up an impressive 26 wins to date. While Coldplay's No. 1 album Viva La Vida Or Death And All His Friends would not make the grade here, it picked up Best Rock Album honors. The band won their first GRAMMY in 2001 for Best Alternative Music Album for their debut, Parachutes. New Orleans rapper Lil Wayne solidified himself as one of the genre's premier artists. Tha Carter III sold more than 1 million copies in its first week in June 2008. In scoring a nod, Ne-Yo proved he was not only a gentleman, but also a triple threat as a singer, songwriter and producer. His Top 10 hit "Miss Independent" won two GRAMMY Awards, including Best R&B Song. Radiohead's In Rainbows didn't have enough color to win here, but it garnered Best Alternative Music Album honors, an award the British group is up for again this year for King Of Limbs.

Record Of The Year
Winner: Robert Plant & Alison Krauss, "Please Read The Letter"
Adele, "Chasing Pavements"
Coldplay, "Viva La Vida"
Leona Lewis, "Bleeding Love"
M.I.A., "Paper Planes"

Originally recorded by Plant with Led Zeppelin bandmate Jimmy Page 10 years prior, "Please Read The Letter" was rebooted, featuring subdued vocals from the rock veteran and the unique country/bluegrass stylings of the angelic-voiced Krauss. The duo was aided in the studio by 10-time GRAMMY-winning producer T Bone Burnett. Adele's "Chasing Pavements" was inspired by a meeting with a boyfriend turned ugly, and her subsequent solitary walk down the street. Her style recalled classic singer/songwriters such as Carole King and recent neo-soul artists such as Jill Scott. "Viva La Vida" ("Long Live Life") soared with a grand orchestral arrangement and interpretive lyrics ripe with Biblical allusions, and resonated with listeners in selling more than 3 million copies. With a voice compared to Whitney Houston, Lewis parlayed winning the British talent show "The X Factor" to international stardom. "Bleeding Love" was the best-selling song in the United States in 2008. Born Mathangi Arulpragasam, M.I.A. burst onto the scene with her viral "Paper Planes," which features a sample of the Clash's "Straight To Hell." A very-pregnant M.I.A. performed on the GRAMMY telecast with an all-star team featuring Jay-Z, Lil Wayne, T.I., and Kanye West.

Song Of The Year
Winner: Coldplay, "Viva La Vida"
Adele, "Chasing Pavements"
Sara Bareilles, "Love Song"
Estelle Featuring Kanye West, "American Boy"
Jason Mraz, "I'm Yours"

Penned by bandmates Guy Berryman, Jonny Buckland, Will Champion, and Chris Martin, "Viva La Vida" became Coldplay's first No. 1 hit on the Billboard Hot 100. The UK alt-rockers first won a General Field GRAMMY in 2003 for Record Of The Year for "Clocks." Adele partnered with producer/arranger Eg White for the introspective "Chasing Pavements." Her debut album 19 featured a cover of Bob Dylan's "Make You Feel My Love," which was featured on Dylan's Album Of The Year-winning Time Out Of Minda decade earlier. Northern California-born songwriter/pianist Bareilles wrote "Love Song" in less than 1 hour following a request from her producer Eric Rosse for a single. The song became a hit, ultimately selling more than 3 million copies. West partnered with fellow GRAMMY winners John Legend and will.i.am, among others, to write "American Boy." The song became Estelle's big breakthrough and a Top 10 hit. Mraz's reggae-inspired "I'm Yours" peaked at No. 6 on the Billboard Hot 100. The Virginia-native would win his first two GRAMMYs a year later, including Best Pop Collaboration With Vocals for "Lucky" with Colbie Caillat.

Best New Artist
Winner: Adele
Duffy
Jonas Brothers
Lady Antebellum
Jazmine Sullivan

With her soulful voice, Adele beat out a stable of talented newcomers to take home Best New Artist. In garnering three General Field category nominations, it capped off an impressive GRAMMY debut for the teenage British songstress, who is up for six awards this year." Hailing from a tiny Welsh village, Duffy combined touches of retro and modern soul for her debut album, Rockferry, which won for Best Pop Vocal Album. R&B/neo-soul artist Sullivan garnered an impressive five nominations on the strength of her debut Fearless, while drawing comparisons to GRAMMY winners such as Mary J. Blige and Lauryn Hill. Similar to Hanson a decade prior, Jonas Brothers made the cut, riding a roller coaster from the Disney Channel to platinum-selling albums. The trio performed with a former teen idol, Stevie Wonder, on the telecast. Rounding out the nominees was country sensation Lady Antebellum, marking the fifth consecutive year a country artist was nominated for Best New Artist. Though losing out here, the Nashville-based trio would win their first GRAMMY the following year.

Come back to GRAMMY.com tomorrow as we revisit last year's 52nd Annual GRAMMY Awards.

Follow GRAMMY.com for our inside look at GRAMMY news, blogs, photos, videos, and of course nominees. Stay up to the minute with GRAMMY Live. Check out the GRAMMY legacy with GRAMMY Rewind. Keep track of this year's GRAMMY Week events, and explore this year's GRAMMY Fields. Or check out the collaborations at Re:Generation, presented by Hyundai Veloster. And join the conversation at Facebook, Twitter, and YouTube.

Megan Thee Stallion at the 2021 GRAMMYs
Megan Thee Stallion at the 2021 GRAMMYs.

Photo: Kevin Mazur/Getty Images for The Recording Academy

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GRAMMY Rewind: Megan Thee Stallion Went From "Savage" To Speechless After Winning Best New Artist In 2021

Relive the moment Megan Thee Stallion won the coveted Best New Artist honor at the 2021 GRAMMYs, where she took home three golden gramophones thanks in part to her chart-topping smash "Savage."

GRAMMYs/Apr 5, 2024 - 05:25 pm

In 2020, Megan Thee Stallion solidified herself as one of rap's most promising new stars, thanks to her hit single "Savage." Not only was it her first No. 1 song on the Billboard Hot 100, but the "sassy, moody, nasty" single also helped Megan win three GRAMMYs in 2021.

In this episode of GRAMMY Rewind, revisit the sentimental moment the Houston "Hottie" accepted one of those golden gramophones, for Best New Artist.

"I don't want to cry," Megan Thee Stallion said after a speechless moment at the microphone. Before starting her praises, she gave a round of applause to her fellow nominees in the category, who she called "amazing."

Along with thanking God, she also acknowledged her manager, T. Farris, for "always being with me, being by my side"; her record label, 300 Entertainment, for "always believing in me, sticking by through my craziness"; and her mother, who "always believed I could do it."

Megan Thee Stallion's "Savage" remix with Beyoncé also helped her win Best Rap Song and Best Rap Performance that night — marking the first wins in the category by a female lead rapper.

Press play on the video above to watch Megan Thee Stallion's complete acceptance speech for Best New Artist at the 2021 GRAMMY Awards, and remember to check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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Beyonce on stage accepting the GRAMMY Award for "Halo" During Her Record-Setting Night In 2010
Beyonce on stage accepting the GRAMMY Award for "Halo" During Her Record-Setting Night In 2010

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Watch Beyoncé Win A GRAMMY For "Halo" During Her Record-Setting Night In 2010

As you dive into Beyoncé's new album, 'COWBOY CARTER,' revisit the moment Queen Bey won a GRAMMY for "Halo," one of six golden gramophones she won in 2010.

GRAMMYs/Mar 29, 2024 - 05:05 pm

Amongst Beyoncé's expansive catalog, "Halo" is easily one of her most iconic songs. Today, the 2009 single is her most-streamed song on Spotify; it was her first video to reach one billion views on YouTube; and it helped her set one of her GRAMMY records in 2010.

In this episode of GRAMMY Rewind, watch the superstar take the stage to accept Best Female Pop Vocal Performance for "Halo" in 2010 — the year she became the first female artist to win six GRAMMYs in one night.

"This has been such an amazing night for me, and I'd love to thank the GRAMMYs," she said, admitting she was nervous before taking a deep breath.

Before leaving the stage, Beyoncé took a second to thank two more special groups: "I'd love to thank my family for all of their support, including my husband. I love you. And I'd like to thank all of my fans for their support over the years."

The five other awards Beyoncé took home that night were for the coveted Song Of The Year ("Single Ladies (Put A Ring On It)") and four R&B Categories: Best Contemporary R&B Album (I Am... Sasha Fierce), Best R&B Song ("Single Ladies"), Best Female R&B Vocal Performance ("Single Ladies"), and Best Traditional R&B Vocal Performance (for her cover of Etta James' "At Last"). 

As of 2024, Beyoncé has won the most GRAMMY Awards in history with 32 wins.

Press play on the video above to relive Queen Bey's "Halo" win for Best Female Pop Vocal Performance, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

Enter The World Of Beyoncé

Linda Ronstadt at the 1977 GRAMMYs
(L-R) Linda Ronstadt and Peter Asher at the 1977 GRAMMYs.

Photo: Ron Galella/Ron Galella Collection via Getty Images

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GRAMMY Rewind: Watch Linda Ronstadt's Sweet & Simple Acceptance Speech In 1977

When Linda Ronstadt won a GRAMMY for Best Female Pop Vocal Performance — for her seventh album, 'Hasten Down the Wind' — she only had one special person in mind: her producer, Peter Asher.

GRAMMYs/Mar 22, 2024 - 04:32 pm

With Hasten Down the Wind, Linda Ronstadt became the first female artist with three million-selling albums in a row — and furthered her legacy as one of the pioneers of women in rock music.

The album also helped Ronstadt snag her second GRAMMY, as it won Best Female Pop Vocal Performance in 1977. (The year prior, she took home Best Female Country Vocal Performance for her cover of Hank Williams' "I Can't Help It (If I'm Still in Love With You).")

In this episode of GRAMMY Rewind, relive the moment Linda Ronstadt won Best Female Pop Vocal Performance for Hasten Down the Wind in 1977.

Ronstadt kept her acceptance speech short and sweet: "I'd especially like to thank Peter Asher," the producer of the pop rock LP. "Thank you," she added with a smile.

To date, Ronstadt has won 11 GRAMMYs and received 27 nominations. In 2011 and 2016, respectively, she received a Latin GRAMMY Lifetime Achievement Award and a GRAMMY Lifetime Achievement Award.

Press play on the video above to watch Linda Ronstadt take the stage to accept Best Pop Vocal Performance at the 19th Annual GRAMMY Awards and remember to keep checking back to GRAMMY.com for more new episodes of GRAMMY Rewind.

5 Songs To Get Into Kim Gordon's Solo Work, From "Change My Brain" To "I'm A Man"

Tina Turner at the 1985 GRAMMYs
Tina Turner at the 1985 GRAMMYs.

Photo: CBS via Getty Images

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GRAMMY Rewind: Watch Tina Turner Win Her First Solo GRAMMY In 1985 For "What's Love Got To Do With It?"

Relive the moment Tina Turner won a golden gramophone for Best Pop Vocal Performance, Female — an opportunity she had been waiting for "for such a long time."

GRAMMYs/Mar 15, 2024 - 05:04 pm

During her remarkable 83 years of life, the late Tina Turner received eight GRAMMY awards, a GRAMMY Lifetime Achievement Award, and three introductions into the GRAMMY Hall of Fame.

In this episode of GRAMMY Rewind, we travel to 1985, when Turner won a golden gramophone for one of her many iconic hits, "What's Love Got to Do with It?," in the Best Pop Vocal Performance, Female, category.

"I've been waiting for this opportunity for such a long time," she said in her acceptance speech. "I have to thank many people. And all of you that I don't get to thank, you must know that it's in my mind."

Among those "many people," Turner praised Graham Lyle and Terry Britten, who wrote the track; John Carter, her A&R "who played a wonderful part" in relaunching her career with Capitol Records in the '80s; and Roger Davies, her manager, "a great man who has done a great job with her career."

Later that night, "What's Love Got To Do With It?" helped Turner win Record Of The Year; she also took home Best Rock Vocal Performance, Female, for "Better Be Good to Me." Though the 1985 ceremony marked Turner's first solo awards, she first won a GRAMMY in 1972 alongside her ex-husband, Ike Turner, for their recording of "Proud Mary."

Press play on the video above to watch Tina Turner's full acceptance speech for Best Pop Vocal Performance, Female, and remember to check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

10 Essential Tina Turner Songs From the '70s: How Her Forgotten Era Set The Stage For A Dramatic Debut As A Solo Performer