Photo: JC Olivera/Getty Images for The Latin Recording Academy.
GRAMMY Museum And The Latin Recording Academy Announce The Gabriel Abaroa Jr. Latin Media Gallery
Former Latin Academy President and CEO Gabriel Abaroa, Jr. was responsible for the transition of the Latin GRAMMY telecast from English to Spanish, among many other accomplishments. The GRAMMY Museum's Latin Music Gallery has been renamed in his honor.
The GRAMMY Museum and the Latin Recording Academy have renamed the permanent gallery in the museum as the Gabriel Abaroa, Jr. Latin Media Gallery, in honor of former Latin Academy President and CEO Gabriel Abaroa, Jr.
Abaroa was awarded with the honor during a private reception attended by the Board of Trustees of both the Latin Academy and the Recording Academy, the Museum and the Latin GRAMMY Cultural Foundation, as well as Abaroa’s family and close friends.
"Gabriel’s almost two decades of leadership at the Latin Academy was a key influence for the worldwide impact, awareness and growth of Latin music," said Michael Sticka, President and CEO of the GRAMMY Museum.
Working in collaboration with the Latin Academy, the Museum renovated its third floor in 2019 to expand its Latin-themed exhibits and showcase the international resonance of Latin music. Currently on display in the Gabriel Abaroa, Jr. Latin Media Gallery is "Y Para Siempre… Marco Antonio Solís," which highlights the life of the renowned Mexican singer.
Abaroa's 20-year tenure at the Latin Academy has resulted in outstanding growth and exceptional financial stability. Some of his key accomplishments include implementing a strong Board of Trustees while fostering a healthy relationship with the Recording Academy, and assembling a team of talented and passionate executives and staffers. He was responsible for the transition of the Latin GRAMMY telecast from English to Spanish.
Under Abaroa’s leadership in 2018, the Latin Academy signed an unprecedented agreement extending an established partnership with Univision through 2028. In 2014, Abaroa led the establishment of the Latin GRAMMY Cultural Foundation, which furthers international awareness and appreciation of Latin music and its makers through college scholarships, grants and educational programs.
In 2021, Abaroa became President Emeritus of the Latin Academy, a newly created senior advisory role that will include working on assigned strategic projects.
"Gabriel’s unique leadership style truly exemplified the values of our organization: excellence, integrity and passion," said Latin Academy CEO Manuel Abud. "The Latin Media Gallery that will carry his name is a testament to his legacy, and will reinforce our rich heritage of supporting and honoring Latin music and its creators."
Photo: Rebecca Sapp/WireImage.com
Macklemore & Ryan Lewis Take Over The GRAMMY Museum
Hip-hop duo discuss their career beginnings and creating their GRAMMY-nominated album The Heist
Current seven-time GRAMMY nominees Macklemore & Ryan Lewis, along with their manager Zach Quillen, recently participated in an installment of the GRAMMY Museum's A Conversation With series. Before an intimate audience at the Museum's Clive Davis Theater, the hip-hop duo and Quillen discussed the beginning of the Macklemore & Ryan Lewis' career, having creative control over their work and recording their GRAMMY-nominated Album Of The Year, The Heist.
"I met somebody [who] had the same dedication as me, [who] put everything into the music, everything into the craft," said Ben Haggerty (aka Macklemore) regarding meeting Lewis. "I wanted a career and Ryan was somebody [who] had the same discipline and sacrificed everything."
"I think it took a little while before it became clear to me who [Macklemore] was going to be," said Lewis. "I think the first indication of that was with the song 'Otherside' from the VS. Redux EP]. … That song … embodied so much. It was a story nobody was telling. … It was just somebody who was dying to be on the mike and to say something."
Seattle-based rapper Macklemore and DJ/producer Lewis have been making music fans take notice since they released their debut EP, 2009's The VS. EP. They followed with VS. Redux, which reached No. 7 on the iTunes Hip-Hop chart. The duo made waves in 2011 with the release of their hit single "Can't Hold Us" featuring Ray Dalton. The next year Macklemore was featured on the cover of XXL Magazine's coveted freshman class issue, and Rolling Stone dubbed the duo an "indie rags-to-riches" success story.
Released in 2012, Macklemore & Ryan Lewis' debut studio album, The Heist, reached No. 2 on the Billboard 200, propelled by the No. 1 hits "Can't Hold Us" and "Thrift Shop," the latter of which reached multi-platinum status and remained on top of the charts for six weeks. The album garnered a nomination for Album Of The Year and Best Rap Album at the 56th GRAMMY Awards, while "Thrift Shop" earned a nod for Best Rap Performance and Best Rap Song. The duo's Top 20 hit "Same Love" featuring Mary Lambert earned a nomination for Song Of The Year and has been adopted by some as a pro-equality anthem. The duo garnered additional nominations for Best New Artist and Best Music Video for "Can't Hold Us."
Upcoming GRAMMY Museum events include Icons Of The Music Industry: Ken Ehrlich (Jan. 14) and A Conversation With Peter Guralnick (Jan. 15).
Walk, Don't Run: 60 Years Of The Ventures Exhibit Will Showcase The Surf-Rock Icons' Impact On Pop Culture
The exhibit, opening Dec. 7, will feature late band member Mel Taylor's Gretsch snare drum, a 1965 Ventures model Mosrite electric guitar, the original 45 rpm of "Walk Don't Run" and more
Influential instrumental rock band The Ventures are getting their own exhibit at the GRAMMY Museum in Los Angeles that will showcase the band's impact on pop culture since the release of their massive hit "Walk, Don't Run" 60 years ago.
The Rock Hall of Fame inductees and Billboard chart-toppers have become especially iconic in the surf-rock world, known for its reverb-loaded guitar sound, for songs like "Wipeout," "Hawaii Five-O" and "Walk, Don't Run." The Walk, Don't Run: 60 Years Of The Ventures exhibit opening Dec. 7 will feature late band member Mel Taylor's Gretsch snare drum, a 1965 Ventures model Mosrite electric guitar, the original 45 rpm of "Walk Don't Run," a Fender Limited Edition Ventures Signature guitars, rare photos and other items from their career spanning six decades and 250 albums.
“It’s such an honor to have an exhibit dedicated to The Ventures at the GRAMMY Museum and be recognized for our impact on music history,” said Don Wilson, a founding member of the band, in a statement. "I like to think that, because we ‘Venturized’ the music we recorded and played, we made it instantly recognizable as being The Ventures. We continue to do that, even today."
Don Wilson, Gerry McGee, Bob Spalding, and Leon Taylor are current band members. On Jan. 9, Taylor's widow and former Fiona Taylor, Ventures associated musician Jeff "Skunk" Baxter and others will be in conversation with GRAMMY Museum Artistic Director Scott Goldman about the band's journey into becoming the most successful instrumental rock band in history at the Clive Davis Theater.
"The Ventures have inspired generations of musicians during their storied six-decade career, motivating many artists to follow in their footsteps and start their own projects," said Michael Sticka, GRAMMY Museum President. "As a music museum, we aim to shine a light on music education, and we applaud the Ventures for earning their honorary title of 'the band that launched a thousand bands.' Many thanks to the Ventures and their families for letting us feature items from this important era in music history."
The exhibit will run Dec. 7–Aug. 3, 2020 at the GRAMMY Museum.
Scott Goldman and Julia Michaels
Photo: Rebecca Sapp/WireImage.com
Julia Michaels Deconstructs "Issues," Writing Songs | "Required Listening" Podcast
Go inside the bright mind of one of pop's most promising singer/songwriters and learn about her songwriting process, her transition to the spotlight and the three female artists she admires
Julia Michaels' career has soared within the past year. Already a talented songwriter with writing credits such as Selena Gomez, Justin Bieber, Demi Lovato, Ed Sheeran, and Fifth Harmony to her name, Michaels took a leap of faith with the release of her third solo EP, 2017's Nervous System.
Though Michaels has admitted to being nervous about moving to the forefront as an artist in her own right, the gamble paid off. The single "Issues" went gangbusters all the way to No. 11 on the Billboard Hot 100 and her EP cracked the Top 50. Plus, the Davenport, Iowa, native scored two nominations for the 60th GRAMMY Awards: Song Of The Year for "Issues" and Best New Artist.
What makes Michaels tick musically, how did she overcome her trepidation and why does she rely on feelings to guide her songwriting?
"It depends on the person. A lot of the times I'll just talk to them [first]," said Michaels regarding collaborating with other artists. "I mean we're all human. We all cry the same. We all bleed the same. So I try to make people feel as comfortable as possible to be able to tell me things, even if the artist that I'm with doesn't write, just having them talk is lyrics in itself. You know, them explaining their day or expressing how they feel. It's like, "That's amazing ... if that's how you're feeling we should write that.'"
As a matter of fact, Michaels told the host of "Required Listening," GRAMMY Museum Executive Director Scott Goldman, that she lets her feelings pilot her songwriting instead of traditional conventions — a process that has yielded gems such as "Issues."
"I'm not that calculated when I write," said Michaels. "I'm all heart when I write so I don't think about the algorithm of a song or the mathematics of a song. I just think, 'This feels good to me,' and just kind of go with that."
When peppered by Goldman with a question about coming into the limelight as a recording artist, Michaels was quick to point out that she has benefitted from plenty of help and encouragement.
"I think a lot of people have helped me get there," said Michaels. "My manager, Beka Tischker, she's been with me for six years. She's always believed in me. … And this year a lot of people have come into my life. I mean even my band — Dan Kanter, who's my guitar player … he's been with me since the beginning of the artist transition. I can't even do it without him at this point. ... There's a lot of people in my life, especially this year, that have made me feel comfortable and confident."
Speaking of confidence, Michaels has taken cues from plenty of her self-assured peers. She cited three artists, in particular, who have inspired her career path.
"I'm not that calculated when I write. I'm all heart." — Julia Michaels
"[Pink is] a bad*," said Michaels. "I love Fiona Apple. I love a lot of artists that are not afraid to say what they want to say. I love artists that write their own music. Laura Marling — she's very much from her point of view, very much whatever she wants to do. And plus her voice is so haunting and beautiful."
"Required Listening" launched on GRAMMY Sunday, Jan. 28, with the first episode featuring an in-depth conversation with GRAMMY winners Imagine Dragons and the second detailing "The Defiant Ones" with Allen Hughes and Jimmy Iovine.
GRAMMY Museum To Launch Cheap Trick: I Want You To Want Me! Sept. 12
Exhibit to feature artifacts from the private collection of the iconic power-pop band
On Sept. 12 the GRAMMY Museum will launch Cheap Trick: I Want You To Want Me! — a one-of-a-kind exhibit offering visitors an in-depth look at the more than 35-year career of power-pop progenitors Cheap Trick.
Located in the Museum's Mike Curb Gallery on the fourth floor, artifacts on display will include guitars played by Rick Nielsen, including his 1952 Fender Telecaster used during a performance at Budokan in Tokyo; costumes worn on the album cover of 1979's Dream Police; and original lyrics, photographs, and tour ephemera, among other items.
In conjunction with the launch of the exhibit, on Sept. 12 Cheap Trick will visit the GRAMMY Museum's Clive Davis Theater to participate in a question-and-answer session and perform a brief set as part of the Museum's An Evening With series.
Cheap Trick: I Want You To Want Me! will be on display through June 2014.