At the 62nd GRAMMY Awards last week (Sunday, Jan. 26), Lil Nas X's performance began with a close-up shot of the artist on a living room couch. The 20-year-old Atlanta native was dressed from head to toe in a metallic two-piece and an equally sparkly black cowboy hat to match. Above him on the room's walls sat framed 2019 issues of Billboard, Variety and Time, respectively, each with Lil Nas X on their covers. The classic animated series "Chowder" and the inspiration behind the hook of the singer's 2019 hit, "Panini," played inaudibly on a TV set behind the artist. To his left was a chair with a purple and gold #24 jersey draped over it, in memory of late NBA hero Kobe Bryant who died earlier that day. As he strummed his guitar and belted out the opening chorus of his GRAMMY-winning single "Old Town Road," the stage began to revolve.

Jed Skrzypczak is a visual artist and stage designer who has worked alongside artists like A$AP Rocky, Charli XCX and FENTY, among others, leading creative direction on overall brand identity, live show design, experiential and interior design. After being recruited to produce a futuristic "Panini" set for Lil Nas X's appearance on "The Ellen DeGeneres Show" last September, Skrzypczak was asked to join the artist once again for his star-studded performance on Music's Biggest Night. 

As the stage turned and Lil Nas X entered each new room along its circumference, the set revealed fresh dystopias. K-pop supergroup BTS gathered in a futuristic cityscape while Diplo and viral sensation Mason Ramsey joined Lil Nas X in a barn decked out with glittery-pink walls, cattle skulls and "dead or alive" Diplo posters.

"I presented a few performance ideas to Lil Nas, and he liked the diorama room concept, which was the most theatrical and unique," Skrzypczak tells The Recording Academy. "The challenge was creating multiple distinct spaces onstage, while taking both live and broadcast audiences on a journey through them. We then came up with the idea of using a rotating set, which ended up working perfectly." 

"Lil Nas is a very online persona," Skrzypczak explained about the vision behind the show's hidden motifs. "He's all about memes and with his young fans that's part of their lives. So from the beginning when we started working on the performance, we were kind of thinking about how we can sort of translate that into stage performance. That's why throughout the show, there are lots of small bits like this."

Read: Lil Nas X, BTS & Billy Ray Cyrus Enter The "Old Town Road" Multiverse At The 2020 GRAMMYs

Skrzypczak says that working with Lil Nas X to bring the story of his meteoric rise to life was a treat within itself, and that ideas for creating each room on the revolving stage came about organically between the two. The idea of having a gigantic green skull wearing a cowboy hat in one room, for example, came from Lil Nas X's desire to have a moment in the show that was cool and artistic while also true to rap music. The Kobe Bryant jersey sitting just to the left of Lil Nas X in the show's opening shot? That was a last-minute addition that Skrzypczak and Lil Nas X agreed to put onstage as a small gesture paying homage to the NBA star.

"Working with Lil Nas was a really amazing experience because he is really hands-on and he has so many great ideas," Skrzypczak said. "Even though he is so young, he is a really clever guy and he knows what he wants… He also wants to make sure that every artist gets their own part and is involved and [gets] credit for it. He created a really amazing atmosphere, so it was a pleasure to work with him and everybody involved."

In his approach to the show, Skrzypczak was heavy on the details. The team built a special mini tractor for Ramsey so that he could have his own moment within the performance. The stage's revolutions lead to appearances by Billy Ray Cyrus and legendary rapper Nas, who joined Lil Nas X for "Rodeo," concluding the performance with surprise fireworks. 

Even if audience members or viewers at home may not notice, Skrzypczak says that creating layered meaning behind what you see onstage is key to helping create the stories that artists want to tell through their performances. 

"For me, that's one of the most important parts for the artist and their fans because that's where they get to experience it in person," he said. "I always try to make sure their experience exceeds their expectations and also shows how amazing the artist is. That's when the artist gives the most to their fans."

There are rarely moving stages that can also cater to as many artists at once the way that Skrzypczak's dynamic set did.

Read: 10 Unforgettable Moments From The 2020 GRAMMY Awards

"This project [was] the most challenging and amazing at the same time," he said, "the amount of people involved with it and also how different the idea originally was. When we were first presenting the idea to the GRAMMYs, I thought they would say no because of the intricate design and multiple moving elements." 

Making an already-complex stage design fit his and Lil Nas X's standards as a live broadcast was not an easy task, but the risk paid off in the end. 

"It's always important to know how the show and all of its elements are going to translate on camera," Skrzypczak explained. "If it's going to be visible, if it's going to be nicely shot, what kind of background there is—that was one of the big challenges because the set had so many different elements, so many different artists at the same time, and it was all revolving as well. My thinking the whole time was, 'Is this going to translate well for the cameras?'"

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January always marks fresh starts and clean slates as the world collectively turns the page from one year to the next. The world of music is no exception: the second week of 2024 is filled with artists embarking on new eras and album cycles.

On the full-length front, 21 Savage unveiled his third solo LP, american dream, with guest assists from the likes of Summer Walker ("Prove It"), Doja Cat ("N.H.I.E."), Young Thug and Metro Boomin ("Pop Ur S–t") and more while Kali Uchis celebrates her just-announced first pregnancy with longtime boyfriend Don Toliver by delivering her second Spanish-language studio set Orchídeas.

Meanwhile, Reneé Rapp brings the new Mean Girls musical movie to life as Gen Z's Regina George, with a soundtrack that also features Megan Thee Stallion, Auli'i Cravalho, Angourie Rice and more, and K-pop act ITZY makes a statement on their sophomore Korean-language album, Born To Be, which gives all five members a chance to shine with individual solo tracks on top of swaggering bangers like "Untouchable" and the title track.  

In addition to star-studded album drops, Jan. 12 sees several big single releases too. Press play on hotly anticipated musical resets from Ariana Grande and Lil Nas X, lead singles from Jennifer Lopez and Sheryl Crow, and a monumental collaboration between D'Angelo and Jay-Z for the new movie The Book of Clarence below.

Ariana Grande — "yes, and?"

Ariana Grande is officially back and ready to own everything. For "yes, and?" — her first new musical offering since 2020's Positions — the superstar is doling out heavy-hitting words to live by, disguised as a glossy pop confection that takes an irresistible cue from Madonna's "Vogue."

Both an exercise in self-affirmation and a runway-ready Pride anthem, "yes, and?" finds Grande unapologetically sharing her truth in a way she hasn't since 2018's "thank u, next." Her voice dripping with honey, the soon-to-be Wicked star slyly addresses the recent tabloid fodder surrounding her personal life. 

"Now I'm so done with caring/ What you think, no, I won't hide/ Underneath your own projections/ Or change my most authentic life," she vows in between spine-tingling harmonies and plenty of vocal fireworks. Ari only gets more blunt from there, clapping back with her whole chest about the obsession with her body, relationship status, sex life and more. In her words, "Yes…and?" 

Jennifer Lopez — "Can't Get Enough"

Jennifer Lopez's ninth studio album, This Is Me… Now, has been a long time coming. But if lead single "Can't Get Enough" is any indication, the sequel to 2002's This Is Me… Then will be well worth the wait when it arrives Feb. 16. The track, which samples the late Alton Ellis' 1967 release "Still in Love," is a fizzy, funky delight that pops like a blast of champagne straight out the bottle.

On the song's chorus, the multi-hyphenate superstar giddily professes just how much she loves being in love (and back in love with now-husband Ben Affleck). And while the accompanying music video pokes fun at her trio of past marriages, fans can rest assured she's singing the lovestruck lyrics to the same Dunkin'-lovin' guy she was serenading 21 years ago on This Is Me… Then.

Jeymes Samuel x D'Angelo x Jay-Z — "I Want You Forever"

A new D'Angelo single would be a major event. So would a new Jay-Z single. After all, it's quickly coming up on 10 years since the neo-soul star released his last album, 2014's Black Messiah and the rap mogul's last solo single was the title track off 2017's 4:44.

However, director Jeymes Samuel managed to coax both men back into the studio to join forces for the soundtrack of his new biblical film The Book of Clarence starring Lakeith Stanfield. On "I Want You Forever," D'Angelo holds court with a hypnotic, repetitive hook before ceding the mic to Hov for the song's lone, pleading verse. 

Lil Nas X — "J CHRIST"

Nearly three years after giving the devil a lap dance in the hellish music video for his No. 1 hit "Montero (Call Me By Your Name)," Lil Nas X is flipping the script and ascending to heaven on his new single "J CHRIST." Well, not for too long — turns out a giant stripper pole connects the celestial realm with the fires of purgatory, and Lil Nas X is equally at home in each.

The track's high-concept, cinematic music video has it all: angelic doppelgängers of everyone from Taylor Swift, Mariah Carey and Oprah to Michael Jackson and Barack Obama; Lil Nas cooking up a cauldron filled with human limbs; and yes, even the rapper pinned to a cross in a visual sure to enrage the critics who were already up in arms before the track was even released. But by song's end, as Lil Nas X takes on the role of Noah emerging from a worldwide flood, the GRAMMY winner makes clear the hip-hop banger isn't just religious cosplay — it's a new beginning.

Sheryl Crow — "Evolution"

Sheryl Crow is uncharacteristically on edge on "Evolution," the lead single and title track of her forthcoming 11th studio album. The queen of bright singer/songwriter jams like "All I Wanna Do" and "Soak Up the Sun" (and newly inducted Rock and Roll Hall of Famer) takes aim at the encroaching threat of artificial intelligence to the music industry and creativity at large on the spacey track. 

To top it all off, she even recruited Tom Morello of Rage Against the Machine to concoct a supercharged guitar solo that ratchets the uneasiness up to 11 as Crow warns, "Where are we headed in this paradise?/ We are passengers and there's no one at the wheel."

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Lil Nas X became a global sensation practically overnight, but it wasn't an accident.

The American singer and rapper — born Montero Lamar Hill — became fluent in music and pop culture at an early age, becoming a meme aficionado. His love for internet culture cultivated the perfect recipe for his debut single, "Old Town Road," to become one of the most viral hits in music history; the song also prompted a necessary conversation about the bounds of genre. 

"Old Town Road" rose to the top of the Billboard Hot 100 chart, and still holds the record for most time spent at No. 1 at 19 weeks. The single later helped Lil Nas X snag two GRAMMY Awards for Best Pop/Duo Group Performance and Best Music Video. (To date, he's won 2 GRAMMYs and has received 11 nominations overall.)

Aside from his immense musical talent, Lil Nas X — who came out as gay on social media during his Hot 100 reign — has been a fierce champion for LGBTQIA+ and Black communities.

"It's just acceptance of gay people. And they see that as a bad thing, like, They're trying to normalize it. You know what? Yeah. That's actually what I'm trying to do," he told GQ in 2021.

At just 24 years old, Lil Nas X has plenty more history-making and game-changing moves in store. As he revealed during his March 2023 campaign with Coach, "My next big chapter is coming."

Press play on the video above to learn more about Lil Nas X's industry-altering career, and check back to GRAMMY.com for more new episodes of Black Sounds Beautiful.

The Evolution Of The Queer Anthem: From Judy Garland To Lady Gaga & Lil Nas X

"GAY RIGHTS!!!!!" Betty Who captioned a cheeky photo earlier this month. Yes, it was a well-known inside joke among the LGBTQIA+ community, but the all-caps message held some serious meaning. The queer pop star's photo was from the White House's 2023 Pride Celebration, where President Biden formally announced the New Actions to Protect the LGBTQIA+ Community plan — and Betty Who was the star performer.

Music has always been a safe haven for gay and trans people of all kinds — from the closeted kids in Middle America finding sanctuary in the songs of their favorite pop stars, to the out-and-proud artists forming the soundtrack for the next generation of LGBTQIA+ fans. And Pride has always been a special time of the year to celebrate visibility and inclusion in the music industry — a place where everyone deserves to show up and be seen (and heard!) as their authentic self, and where every proverbial note, melody and harmony make up a beautiful and unique soundtrack that can only be yours.

Recently, queer musicians and allies who use their platforms to stand up for the LGBTQIA+ community has felt more important than ever. A rash of anti-LGBTQIA+ legislation has swept through state legislatures across the country, from so-called "Don't Say Gay" bills to blatant legal attacks on drag queens, trans kids and LGBTQIA+ history as a whole —  but those who stand for the community are fighting even harder.

As Pride month carries on, GRAMMY.com has rounded up a list of nine LGBTQIA+ artists, allies and bonafide gay icons who've made advocating for the community a central tenet of their music, their words and their actions. Of course, there are dozens to highlight, but take a look at how queer artists like Kim Petras and Troye Sivan and allies like Taylor Swift and Madonna have helped fans shine as their authentic selves.

ARTISTS

Kim Petras

Petras cemented her place as a rising star in the pop music echelon in February, when she became the first trans woman to win the GRAMMY for Best Pop Duo/Group collaboration with Sam Smith for their subversive collaboration "Unholy." (Smith, who identifies as non-binary, also made history with the win, though they graciously ceded the floor for Petras to give her awestruck acceptance speech on the GRAMMYs stage.)

As the cover star of Out's 2023 Pride issue, the German pop princess spoke out about the rash of anti-trans rhetoric taking root in legislatures across the country and harming vulnerable trans youth. "I literally was very suicidal as a kid, and I just wouldn't still be here had my parents not believed me," she told the magazine. "I hate that another generation is going through this, and I hate that young kids are going through the same s–t I was going through, and that apparently just isn't changing. I think it's sad. I just never understood why people were so obsessed with what people do to be happy. Just focus on what you can do to be happy."

Lil Nas X

Lil Nas X has never been shy when it comes to sticking up for the queer community — and he usually does so with a healthy dose of snarky humor on social media. He's cheerfully clapped back about everything from the explicit queerness of his music videos to his place in the modern pantheon of hip-hop; mostly recently, he hopped on Twitter to hilariously take down conservative outrage over Pride-themed merchandise at Target.

"Can't believe target is supporting this nonsense, im never shopping there again, my son is not 'too cool for school' these shirts are ridiculous. He is going to school and he WILL learn," the GRAMMY winner wrote in a since-deleted tweet, mockingly referencing the anti-LGBTQIA+ crusaders upset with inclusive and trans-friendly apparel being sold at the popular retailer. 

In another instance from late April, Montero made his stance hysterically clear when he tweeted, "I want to clear all the straight rumors. i have many straight friends and i support their community, but that is NOT me!"

Troye Sivan

Years before releasing his debut album Blue Neighborhood in 2015, Troye Sivan came out publicly via YouTube. Since then, he's been consistently outspoken about his experiences as a gay artist in the music industry.

The Australia native, who announced his long-awaited follow-up to 2018's Bloom earlier this month, has made a consistent point in his career to turn his visuals into unapologetic examples of queer art — from the lusty defiance of 2018's "My My My!" to the "gushy juicy doting adoring power b^tt^m gay ballad" perfection that was 2021's "Angel Baby."

Perhaps most powerful of all, though, was his video for early single "Heaven" featuring Betty Who, which depicted historic moments in the LGBTQIA+ rights movement including some of the earliest Pride parades on record. "We have always been here. we will always be here. this video is dedicated to all those who've come before me and fought for our cause and those who now continue the fight," he wrote in the video's description. "in dark and light times, let's love forever. love, troye x."

Betty Who

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Speaking of Betty Who, the indie pop star received an invitation directly from President Biden to perform at the White House's official 2023 Pride Celebration, where the commander in chief formally announced his administration's plan titled New Actions to Protect the LGBTQIA+ Community. The three-point roll-out promises to focus on "Strengthening Physical Safety," "Addressing Civil Rights Violations" and "Strengthening Mental Health and other Support Resources."

"Today was the biggest pride celebration ever held at the white house and i got to be a part of it!!!!!!!!" Betty, who identifies as both queer and bisexual, wrote afterwards on social media. "So many things i want to say! What an honour it is, how proud i am to be part of the lgbtqia+ [community], how special today's event was and how grateful i am to @potus, @drbiden and the amazing white house staff for hosting us. queer joy spouting everywhere!!! very grateful for this incredible experience."

Big Freedia

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Earlier this year, Big Freedia was honored by PFLAG — the nation's longest-running LGBTQIA+ organization — with its first-ever National Breaking Barriers Award. The new honor, which she received at PGFLAG's 50th anniversary gala in March, is meant to shine the spotlight on "an individual who uses their platform to help remove obstacles to LGBTQIA+ and intersectional equality in pursuit of a more just, equitable and inclusive world."

Upon receiving the award, the bounce music trailblazer (and 2023 GRAMMY winner) took to Instagram with a determined message, writing, "There's still so much work to do to fight discrimination and I will continue to work on behalf of our whole community to spread love, acceptance, inclusion and everyone's right TO BE FREE."

ALLIES

Taylor Swift

While she'd slyly referenced her support for the LGBTQIA+ community in the past on songs like "Welcome to New York," Taylor Swift took a public stand in 2019 with her Lover era single "You Need to Calm Down." The gay anthem's celebratory music video issued a call to action for her fans to support the as-yet-unpassed Equality Act with her very own Change.org petition.

During her Eras Tour stop in Chicago earlier this month, the superstar spoke specifically to her LGBTQIA+ fans, promising them that her concerts would always be a "safe space" for them to celebrate who they are. 

"I wish that every place was safe and beautiful for people in the LGBTQ community, I really wish that. We can't talk about Pride Month without talking about pain," she told the sold-out crowd of Swifties at Soldier Field. "There have been so many harmful pieces of legislation that have put people in the LGBTQ and queer community at risk. It's painful for everyone — every ally, every loved one, every person in these communities. And that's why I'm always posting, 'This is when the midterms are. This is when these important, key primaries are.'

"'Cause we can support as much as we want during Pride Month," the 12-time GRAMMY winner continued. "But if we're not doing our research on these elected officials — Are they advocates? Are they allies? Are they protectors of equality? Do I want to vote for them? — I love you guys so much and happy Pride Month."

Madonna

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What hasn't Madonna done in her iconic career to lift up the LGBTQIA+ community? In fact, there's an entire Wikipedia page dedicated solely to her status as a living gay icon.

Famously, Her Madgesty's love for the gay community started with her early mentor and dance teacher Christopher Flynn. Early in her career, she became one of the first artists to speak out about the HIV/AIDS crisis and decry the stigmatization of gay people at the time.

She's been recognized by the GLAAD Media Awards multiple times, including in 1991 with the Raising Gay Awareness award and in 2019 with the Advocate for Change award. (At the latter ceremony, GLAAD president Sarah Kate Ellis stated, "Madonna always has and always will be the LGBTQ community's greatest ally.")

More recently, Madge added multiple dates to her upcoming Celebration Tour, including a special stop in Nashville to stand in solidarity with the state's queer, trans and drag communities as they've been bombarded by a string of anti-LGBTQIA+ legislation from the state's Capitol.

"The oppression of the LGBTQIA+ is not only unacceptable and inhumane; it's creating an unsafe environment; making America a dangerous place for our most vulnerable citizens, especially trans women of color," she wrote on Instagram alongside the announcement. "Also, these so-called laws to protect our children are unfounded and pathetic. Anyone with half a brain knows not to f— with a drag queen. Bob and I will see you from the stage in Nashville where we will celebrate the beauty that is the queer community!"

Beyoncé

Long considered a gay icon in her own right, Beyoncé paid reverential honor to the LGBTQIA+ community and her late uncle Johnny with 2022's Renaissance, an undulating magnum opus inspired by the underground ballroom scene sparked by Black, trans and gay pioneers of the 1970s, '80s, '90s, and beyond.

Queen Bey also holds space for queer artists throughout Renaissance's sprawling, hour-long track list, collaborating with TS Madison and Big Freedia, sampling Kevin Aviance and late drag star Moi Renee, working with Honey Dijon behind the boards and more. "Thank you to all of the pioneers who originate culture, to all of the fallen angels whose contributions have gone unrecognized for far too long," the living legend wrote in a note posted to her personal website upon the album's release. "This is a celebration for you."

Dan Reynolds of Imagine Dragons

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Imagine Dragons frontman Dan Reynolds has emerged as a powerful advocate for the LGBTQIA+ community through his nonprofit organization Loveloud and its popular Utah festival, which he launched in 2017 to support LGBTQIA+ teens in the state's overwhelmingly conservative (and outspokenly anti-LGBTQIA+) Mormon community. 

This year, though, Reynolds and the Loveloud board — which includes out and proud musicians like Tyler Glenn of Neon Trees, Vincint, Wrabel and Parson James — have expanded Loveloud's mission beyond the Mormonism of the Wasatch front. In early March, Loveloud announced it would be transforming into a traveling festival for its sixth year with stops in Austin, Texas, where dozens of anti-LGBTQIA+ laws have been pursued by the state legislature and Gov. Greg Abbott, and Washington D.C.

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