Photo: Daniel Mendoza/Recording Academy
Billie Eilish
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Exclusive: Billie Eilish On Success, Her Radio Show & New Music
The rapidly rising newcomer took time to speak to us at Lollapalooza about her headlining tour, career milestones and her forthcoming album
GRAMMYs/Aug 3, 2018 - 09:46 pm
With her debut LP still in the works and her EP on the Billboard Top 40, 16-year-old Billie Eilish made her Lollapalooza debut on Thursday, Aug. 2 in front of a larger-than-life crowd. If her devoted audience isn’t enough of an indication of her speedy success, her EP reaching over a billion streams is. Later this year she will embark on her 1 By 1 Tour which sold out in just 60 seconds.
We spoke with Billie backstage at Lollapalooza to talk about her billion-stream milestone, what we can expect from her upcoming headlining tour, and learn new details about her debut full-length album.
Your Full American 1 by 1 Tour sold out in 60 seconds, without an LP out. How does it feel to have something that accelerated happen to you this early in your music career?
All I can say about that is I just don't even get it. It's just crazy to me because I grew up as a fan and I still am a fan, you know. I'm a fan of so much music and art and artists and stuff, and I grew up with their sort of mindset, and now, I'm seeing it from the other side, but also, being on the other side, it's weird. It's just something that doesn't happen, so when it happens, it's like, "What the f***?". Like, "what?" It's crazy. It's really cool.
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What are some of those things you are into? You mentioned music and art - what are you listening to these days and what's inspiring you?
These days, to be honest with you, I'm just listening to my own stuff that I'm making. I listen to so much music, though, I couldn't really say, "I'm listening to this right now, or this a week ago." It's just like always, always everything is changing. I'm always listening to music.
Lately, it's just been the stuff that I'm creating that I'm really pumped about and just feeling it, but I don't know… There's so much good music out there right now, it's crazy.
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You passed a billion streams. Do you remember where you were when you found this out? Did you celebrate, or, how did you react?
Honestly, I feel like if I celebrated that kind of thing, I'd just feel weird. I'd feel almost gross. I just want to celebrate everybody else. I don't want to be, like, "Oh, I got a billion streams, I got a million followers." I just want to have fun with the people that f*** with me, you know? I just want to f*** with people that f*** with me… I like all of them, too. It's more than it is. But it's less than it is, I don't know.
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Tell me about the Beats 1 radio show you're launching. How did that come about?
Dude, isn't it so sick? Dude, Beats 1 is just the homie. It's crazy because when "Ocean Eyes" came out in 2015, Jayden Smith had a Beats 1 show on Beats 1, and he played it, which was crazy because it had just come out. I have no idea how he found it or whatever, but, it was the biggest deal, you know? At the time I was like, "This is insane," and then, now I have [a Beats 1 show of my own].
I'm just like a big music fan and so I always find new stuff. I'm always playing stuff that people are like, "What is this?" And it's always stuff that has like two plays on SoundCloud or nobody knows. I'm just trying to get people's names out there because there are so many artists right now that just got big from some dumb s***. When there's so many little people on SoundCloud that nobody knows about that are just popping off, you know? It's crazy.
<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">ep 4 of groupies have feelings too tomorrow on <a href="https://twitter.com/Beats1?ref_src=twsrc%5Etfw">@Beats1</a>. free at 12pmPT/3pmET at <a href="https://t.co/9WUcsZH4ju">https://t.co/9WUcsZH4ju</a> (ep 1, 2, 3 at <a href="https://t.co/WEr6wIl94j">https://t.co/WEr6wIl94j</a>)</p>— billie eilish (@billieeilish) <a href="https://twitter.com/billieeilish/status/1012468003668201477?ref_src=twsrc%5Etfw">June 28, 2018</a></blockquote>
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So, you're working on the full-length album now. Is your EP any indication of what the album will sound like? What can fans expect?
Nobody can expect a thing. That's as real as I could be about it… Having gone on tour a lot for the past - half of year, basically - I've just learned so much about what is fun to do live, what I like doing live, what the crowd likes to do to be with me live, So, basically, I'm just making music that's going to be f***ing crazy, that I could just go off, you know? And I'm always changing. I never want to have a sound. I feel like if somebody thinks I have a sound, don't listen to my music. I don't want that. I don't want to be one thing. I want to be everything in one, I guess. So [the album is] sort of just everything that I haven't been yet.
Colombian singer Shakira performs with Argentine record producer and songwriter Bizarrap on the Sahara Stage during the Coachella Valley Music and Arts Festival in Indio, California, on April 12, 2024
Photo: VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images
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Coachella 2024 Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey To Olivia Rodrigo With No Doubt
Weekend 1 of Coachella 2024 is a wrap, and the internet can’t stop talking about it. Here are 20 surprises and special moments from Coachella so far, including inspired team-ups, wackadoo moments in the clutch, and much more.
GRAMMYs/Apr 15, 2024 - 09:11 pm
It may be hard to believe, but Weekend 1 of Coachella 2024 is already over. Clearly, time flies when you’re having fun — particularly when beholding the world’s leading artists, convened in the Indio desert in California.
If you weren’t there, the festival was filmed, of course. You can enjoy Coachella from the comfort of your own home, sans-sunburn, undrenched with champagne.
As you survey Coachella’s sold-out first weekend, read on for 20 performances, debuts and moments that surprised and touched us from Coachella Weekend 1.
Lana Del Rey's Headlining Set Brought Out GRAMMY Winners Billie Eilish, Jon Batiste & Jack Antonoff
After rolling deep up to her desert set on a fleet of motorcycles for her Friday performance, Lana Del Rey infused her iconic sad-girl pop persona into every facet of her Gatsby-esque performance.
Her headlining set also included some special GRAMMY-winning guests: Jon Batiste and 2024 Producer Of The YearJack Antonoff both accompanied on piano, while Billie Eilish joined her idol on stage for duet performances of "Ocean Eyes" and "Video Games." Sharing a moment with her hero on stage at the end of the set, Eilish declared, "This is the reason for half you bitches’ existence, including mine.”
Tyler, The Creator Brings Out Childish Gambino, A$AP Rocky, Kali Uchis and Charlie Wilson
Saturday's main stage event kicked off with a ruckus 80-minute set by creative magnet Tyler, The Creator, who transformed the stage into an ever-changing desert scene to host fellow performers.
First up, Childish Gambino hit the stage to perform a duet of "Running Out of Time," before A$AP Rocky joined for a performance of two tracks, "Potato Salad" and "Who Dat Boy."
Tyler admitted he once saw both as rivals, but now considers them friends. Kali Uchis also returned to the desert stage with Tyler for a quick appearance as well as legendary singer/songwriter Charlie Wilson, who made an unexpected appearance to accompany Tyler on a laid-back version of "EARFQUAKE."
No Doubt Made Their Grand Re-Entrance (With Olivia Rodrigo!)
Social media is currently abuzz at the allegedly unresponsive audience for Blur — but what’s a viral, out-of-context clip supposed to prove, anyway? Whatever the case may be, after their rollicking set, Damon Albarn and company declared that the Britpop icons were entering another hiatus.
Bizarrap Brought Out Shakira
Mega-watt Argentine producer Bizarrap brought his BZRP Music Sessions to the Coachella stage and included a surprise appearance from superstar Shakira.
Shakira and Bizarrap won the Latin GRAMMY for Song Of The Year at the 2023 Latin GRAMMYs for "Shakira: Bzrp Music Sessions, Vol. 53," a featured track on her fresh-out-the-trap album, Las Mujeres Ya No Lloran.
Billie Eilish Threw A Special “Billie & Friends” Party & Hyped Up The Crowd With The Killers’ “Mr. Brightside”
After surprising fans during Lana Del Rey's Friday set, Billie Eilish treated fans and special guests to a preview of her new album, Hit Me Hard and Soft at the Do LaB Stage on Saturday night.
The previewed songs were well-received by an enthusiastic set of attendees who were introduced to yet-to-debut tracks "“Lunch,” "L’Amour De Ma Vie," and "Chihiro."
"Yo Gabba Gabba!" Showed Up To The Aquabats’ Pool Party
Christian Jacobs, lead singer of the Aquabats, co-created the "Yo Gabba Gabba!" TV show — and the colorful cast of costumed characters showed up to their pool party! This marks yet another example of ska picking up at Coachella — see the transcendent No Doubt and Sublime performances.
Sublime Made Their Coachella Debut With Jakob Nowell
As you may have read, Sublime are back, against the odds — not with Rome, but with Jakob Nowell, original Sublime frontman Bradley’s son. (It must be said: Bradley died at 28, ending the band’s original run; as he takes the guitar and mic, Jakob himself is 28.)
Speaking of the guitar — he wielded his old man’s, in an emotional and electrifying set that proved these songs’ durability and beyond.
Vampire Weekend Brought Paris Hilton Onstage To Play Cornhole
Dance/electronic sensation Dom Dolla returned to Coachella for a charged set featuring festival first-timer Nelly Furtado who joined to perform their GRAMMY-nominated track, "Eat Your Man."
Furtado gave her all during the rousing performance, a testament to the duo's synergy after Dom Dolla brought the singer out of a six year hiatus to work together on the song.
Sky Ferreira Made A Surprise Appearance With Kevin Abstract
If Sky Ferreira seems like an unlikely candidate to belt out a Lady A hit, think again. The singer/songwriter brought newfound heft to the five-time GRAMMY winners’ classic hit, “Need You Now,” with Kevin Abstract.
Does this foreshadow a reappraisal of the country mainstays’ catalog? Once the dust settles re: the ska revival, we’ll have that conversation.
Kesha Showed Up To Rock With Reneé Rapp (And Diss A Certain Disgraced Rapper)
YOASOBIPhoto: Kato Shumpei
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From Tokyo To Coachella: YOASOBI's Journey To Validate J-Pop And Vocaloid As Art Forms
YOASOBI, blending J-pop and Vocaloid with narrative-driven songs, is capturing a global audience through their performances at major festivals like Coachella and Lollapalooza, marking a significant moment for Japanese music on the international stage.
GRAMMYs/Apr 9, 2024 - 04:37 pmFor decades, Japanese music has been one of the hardest to access as a foreigner. Even with the popularization of cultural exports like anime and the emergence of streaming platforms, it is still considered a niche, and fans often have to dig deep in order to find albums, translations, or any kind of content at all.
"There weren’t many opportunities for Japanese music to go out into the world until now," says YOASOBI’s producer and songwriter, Ayase, over a Sunday morning Zoom from Tokyo. "If we were to break into the mainstream, I think there’s a lot more work to do. Being a part of Coachella is one of them."
The duo, composed of Ayase, 30, and vocalist Ikura, 23, is gearing up for their first performance at the mighty Californian festival next weekend, plus two sold out headline shows in Los Angeles and San Francisco. In August, they are set to play at Lollapalooza in Chicago, IL.
"Performing at festivals like Coachella was one of our goals when we put our live team together, so I believe that it will be a place for us to grow further,” says Ikura, who lived in Chicago as a kid and considers these opportunities a "full circle" moment.
Read more: 10 Must-See Artists At Coachella 2024: Skepta, The Last Dinner Party, Mdou Moctar, Cimafunk & More
Formed in 2019, YOASOBI found overnight success with their debut single "Yoru ni Kakeru," a bright-sounding but harrowing tale that topped Billboard’s Japan Hot 100 chart for six non-consecutive weeks. They continued to rise further, recording five EPs (three in Japanese, two in English), the opening theme to Netflix’s anime series "Beastars," 2021’s "Kaibutsu," and their magnum opus so far: "Idol."
Released in 2023, "Idol" became a massive hit, placing No.1 at Billboard's Japan Hot 100 chart for 22 weeks and counting — an all-time record break. It was also the nineteenth best-selling song of 2023 worldwide, according to the IFPI. With these accolades, it’s easy to understand why the duo is fully booked, but what makes their music so enticing to global audiences?
Listening to YOASOBI is like entering a rabbit hole. First, you get hypnotized by the glistening synths, bursting like fireworks, and the rock riffs taking melodies to full-speed. Then, you discover their adage is "novel into music," and all songs are based on fictional stories written by various authors. There’s also the animated music videos, each with a different style, giving their sounds another layer for interpretation. And finally, there are Ayase’s and Ikura’s (under the name Lilas Ikuta) own solo careers — treasure troves ready to be unearthed.
"I don't know, to be honest," says Ayase when asked about their growing popularity. "I guess the fact that a lot of Japanese [exports] have been prevalent around the world had to do with it. But also, maybe it's because people are experiencing this combination of music with storytelling that is interesting to them." Ikura agrees, adding that YOASOBI allows fans to "enjoy this bigger world that we are part of in a more three-dimensional way."
The experience is similar to how they create their music: mining, collecting, mixing, and transforming different threads into a new fabric. From fictional stories, Ayase transmutes his feelings into beats on his laptop with Logic Pro, then inputs melodies and lyrics through Vocaloid softwares like Hatsune Miku. Ikura listens to the Vocaloid demos, and then adds her own feelings and flair into the interpretations. For English-language tracks, they work with translator Konnie Aoki, who is "very mindful of phonetic sounds," and Ikura listens to the Japanese versions up until it’s time to record, so that she can have "the right emotions set."
It’s such a natural process for them that Ayase is surprised to know that there are still people who don’t consider Vocaloid as "real" music. “Those people probably don’t know what music is,” he says with a laugh. “Do they think that instrumental music, where there's no human singing, isn’t real music? There’s really great Vocaloid music out there, and it’s basically [voices] created through synthesizing softwares. It's very different from AI, which is auto-generated music. Vocaloid is humans creating music using these softwares. That's the only difference from a human singing a song.”
To Ikura, who maintains her burgeoning solo career in tandem with YOASOBI’s busy schedule, Vocaloid allowed her to broaden her talents. "It is my first time singing songs that somebody else wrote, so it was an opportunity to challenge myself with things that I wouldn't necessarily write, or sing in a tone or voice that I wouldn't come up with myself." She says that these experiences influence her solo works all the time, in a "synergy" that allows her to "have more colors to work with in my palette."
"I started producing music through Vocaloids,” adds Ayase. “And it truly broadened my ideas and imagination when it comes to creating music. It allows creators to come up with melodies that a human singer may not come up with. It's a fascinating culture. The possibility I feel is infinite, and it really makes the impossible possible, in a way.”
Read more: It Goes To 11: How One Piece Of Technology Makes YOASOBI's Musical Vision Come To Life
Endless possibilities are also a big allure in AI technologies, but Ayase doesn’t see this as a threat. With the right boundaries, it’s just a tool — like Vocaloid, Logic Pro, and the internet — that can be used positively. "However, as a creator myself, I really hope that creative works come out of the imagination and ideas of the human mind. In that sense, [AI] may not be 100% a positive thing for us," he shares.
But that’s something for the future. Now, YOASOBI is focusing on their very real, very tangible events ahead. "Finally, we have this opportunity where people around the world are discovering our music. So, performing at festivals like Coachella, Lollapalooza, or doing our solo shows, I think it's important that we communicate with the audiences and maximize this opportunity as much as possible," says Ikura.
And it’s not just YOASOBI getting all the attention: according to data and research company Luminate, J-pop in general is on the rise. "I’m very proud, as a Japanese person, for that situation. For us, it’s really about taking it one step at a time," says Ayase. “Our ultimate wish is to have our music or reach as many people around the world as possible, and so we will continue to work hard every day."
9 Essential K-Pop/Western Collabs: From BTS And Megan Thee Stallion, To IVE And Saweetie
Billie EilishPhoto: William Drumm
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Billie Eilish's New Album 'Hit Me Hard And Soft': Everything We Know About Release Date, Close Friends Campaign & A More Eco-Friendly Release
On May 17, Billie Eilish will release her third studio album with brother Finneas — a release that emphasizes sustainability. Read on for everything about 'HIT ME HARD AND SOFT,' from the singer's eco-conscious production to innovative cover art.
GRAMMYs/Apr 8, 2024 - 10:20 pmBillie Eilish has announced her third studio album, HIT ME HARD AND SOFT out May 17.
Fresh off a sweeping set of award wins for Song Of The Year and Best Song Written For Visual Media at the 2024 GRAMMYs and Best Original Song at the Oscars for her hit single, "What Was I Made For?" from the Barbie soundtrack, Eilish is swapping Barbie pink for submerged shades of blue.
Her new album, another collaboration with brother Finneas, comes almost three years after her sophomore effort, 2021's Happier Than Ever.
Ahead of the official press announcement and Instagram post on Monday, Eilish unleashed a viral ad campaign teasing the release. Billboards featuring the nine-time GRAMMY winner's "blohsh" symbol (a genderless human stick figure) with what fans guessed were cryptic lyrics, appeared in blue font on a black background across major cities, including Los Angeles and New York City's Times Square. Then, Eilish changed her social media icons to a shade of blue and treated Instagram followers to some more mystifying visual content via a set of story posts that included her millions of fans being added to Close Friends on the app.
That strategy paid off, exploding the number of followers Eilish counts on the platform to over 120 million (up from 110 million on Friday) in the span of just three days. One fan summed up the collective rush to join the inner circle with a comment that's racked up over 10,000 likes: "Not a big deal but I’m on her close friends."
As she dives into deeper artistic waters with her third album, Billie Eilish continues to push the boundaries of music and environmental activism, blending her unique sound with a strong commitment to sustainability. Read on for everything GRAMMY.com has unearthed about Eilish's upcoming release.
There Won't Be Any Pre-Released Singles
Fans hoping for an early taste of what's to come will have to wait almost a full month to quench their thirst for any new music.
Eilish confirmed via Instagram that the album will drop in full, without any pre-released singles. “So crazy to be writing this right now i’m nervyyyyy & exciteddd," Eilish wrote. Continuing, "Not doing singles i wanna give it to you all at once. Finneas and i truly could not be more proud of this album and we absolutely can’t wait for you to hear it. Love you love you love you.”
It's Her Most Daring Work To Date
The album is set to debut in a year poised to feature some of the most significant releases from major musicians, each exploring and redefining genre boundaries, trends, and soundscapes.
"HIT ME HARD AND SOFT is a diverse yet cohesive collection of songs, ideally listened to in its entirety from beginning to end," a press release accompanying the announcement stated. "The album does exactly as the title suggests: hits you hard and soft both lyrically and sonically while bending genres and defying trends along the way."
The Cover Art Is Haunting
The cover art is elusive and mysterious, featuring a dark and moody image of Eilish that matches statements about her plunging to new depths as an artist. Dressed head-to-toe in dark colors, she is depicted sinking into the depths of a body of water, beneath a stark white door floating at the surface.
The cover art tracks against the statements in the press release that note, "HIT ME HARD AND SOFT journeys through a vast and expansive audio landscape, immersing listeners into a full spectrum of emotions."
The Release Is Focused On Sustainability
Eilish is hoping to turn the power of her fans into a force for good — her latest album hopes to set a new standard for eco-conscious music production with sustainability baked into the production of CD, cassette, and vinyl releases.
In an interview with Billboard Eilish said, "The fact that I have a far bigger audience and platform than I’ve ever had in my life means I can reach that many more people, and that’s such a huge responsibility and privilege to have." She continued, “If I don’t use that privilege to do some good in the world, then what’s the point?"
According to a new sustainability page on her website, fans can anticipate eight distinct vinyl variants, each unified in track-listing but varied in their sustainable creation. Available through her website and major retailers, the standard black vinyl is crafted entirely from recycled materials. The other seven vibrant variants use ECO-MIX, which repurposes leftover vinyl pieces, or BioVinyl, reducing carbon emissions by 90 percent with ingredients like used cooking oil. The packaging itself is also focused on environmental responsibility, featuring certified recycled content and plant-based ink.
On building more sustainable processes into her album release as a major artist, Eilish told Billboard, “I can’t just ignore what I know and go about my business and career and not do something. That’s just not how I was raised, or how I want to live my life."
Watch Billie Eilish & FINNEAS’ 2024 GRAMMYs Red Carpet Interview
Finneas O'Connell and Billie Eilish show off their Oscar awards for Best Original Song for 'What Was I Made For?' from 'Barbie'' at the 96th Annual Academy Awards in Hollywood.Photo: Arturo Holmes/Getty Images
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2024 Oscars: Billie Eilish and FINNEAS Win Best Original Song For "What Was I Made For?" From The Motion Picture 'Barbie'
The duo's win for "What Was I Made For?" [From The Motion Picture 'Barbie'] marks the second Oscar win for Billie Eilish and FINNEAS, making Eilish the youngest two-time Oscar winner ever.
GRAMMYs/Mar 11, 2024 - 02:23 amSibling duo Billie Eilish and FINNEAS are taking home more awards "What Was I Made For" [From The Motion Picture *Barbie*], this time at the 2024 Oscars, winning the prestigious Best Original Song award for their heartfelt ballad.
Once again, they've proven their unparalleled talent crosses effortlessly between the realms of music and film. Billie Eilish and Finneas won their first Oscar in 2022 for Best Original Song with "No Time to Die," the theme for the James Bond film of the same name.
Fittingly, the award was presented by two GRAMMY-winning musical performers, Ariana Grande and Cynthia Erivo, who star as Glinda and Elphaba in the Wizard of Oz big screen adaptation of the musical Wicked, premiering on the silver screen later this year.
2024 Oscars: Watch Performances & Highlights
Eilish, who admitted to having a nightmare the night before receiving the award, burst into laughs before thanking the Academy and Barbie director Greta Gerwig, "Thank you to Greta, where did you go? I love you. Thank you for this. I'm so grateful for this song and this movie and the way that it made me feel."
The pair contended for the award against a diverse group of nominees: Diane Warren with "The Fire Inside" from "Flamin' Hot," Mark Ronson and Andrew Wyatt for "I'm Just Ken" also from Barbie, Jon Batiste and Dan Wilson with "It Never Went Away" from American Symphony, and Scott George for "Wahzhazhe (A Song for My People)" from Killers of the Flower Moon.
Ahead of the win, Eilish and O'Connell gave a stirring paired back performance that highlighted their power as a pair.
"What Was I Made For?" captivated audiences and critics alike with its poignant lyrics and emotive composition, underscoring the siblings' ability to tap into universal feelings of identity and purpose.
This Oscar win is a significant milestone for both artists, reinforcing their status as multifaceted talents capable of storytelling that resonates across different mediums. At the 2024 GRAMMYs, they had already made waves with the same song, winning Song Of The Year and Best Song Written For Visual Media.
Eilish and Finneas's journey from the music studios to the glitz of the Oscar stage is a testament to their hard work, creativity, and the deep connection they share as siblings. Their ability to collaborate and push the boundaries of music, now recognized by both the Recording Academy and the Academy of Motion Picture Arts and Sciences, sets a high bar for artists striving to make their mark across multiple industries.
Eilish and FINNEAS are not just a powerful duo in music but also formidable talents in film music composition. Their Oscar victory tonight is not just a win for them but a win for the incredible synergy between music and storytelling in cinema.
