Consider 2022 Ed Sheeran's "Year of Yes." Though he's never been one to shy away from a collaboration, this year has been particularly prolific. Even as Sheeran has been on the European leg of his +–=÷x Tour, the GRAMMY-winning singer has teamed up with everyone from pop mainstays like Taylor Swift and Camila Cabello to rockers Bring Me the Horizon and reggaeton hitmaker J Balvin.

As it turns out, the "Shivers" singer's genre-hopping approach to the guest feature was entirely intentional. "This year is actually going to end up being busier than last year, which I'm really excited about. There's a lot coming out. I've sort of wanted to span genres. I basically just had a load of people hit me up in different genres, ranging from metal to drill music, and I just said yes to everything," he revealed in a February interview with BBC Radio 2. 

"It's quite lonely being a solo artist sometimes," he added, "and it's quite exciting getting in there. Like I did a session this morning at 7 a.m. with Kodak Black who's from America. And then after that I did a session with a guy called Kwengface…and yeah, I'm doing a song on Saturday for Cradle of Filth…I'm finding it really fun."

While Sheeran has yet to unveil the results of any of those particularly wide-ranging studio sessions, we've rounded up every collab he's released since dropping his 2021 album, =, including boundary-pushing tangents into Jamaican dancehall, Afrobeats, Latin rap and more.

Check out all of Sheeran's 2022 collabs — so far — below.

"Bad Habits" with Bring Me the Horizon

Sheeran opened the 2022 BRIT Awards with a trick up his well-tattooed sleeve by turning the lead single from last year's = into a hard-rocking duet with Bring Me The Horizon. The dark churn of electric guitar on the first chorus adds a dose of dark menace to the proceedings, promising there might indeed be something sinister, as Sheeran sings, in the hours after 2 a.m. But it's not until the beat drops that his rock-band collaborators really let loose, injecting Sheeran's earworm with a barely contained fury that sends the song in an entirely new direction.

"The Joker and the Queen" with Taylor Swift

It's no secret that Sheeran and Taylor Swift have been A-list besties for nearly a decade. (His honorary doctorate in 2016 even inspired her to aspire for her own, which she was awarded earlier this year as part of the NYU Class of 2022.) And on the official remix of "The Joker and the Queen," the pals add a new chapter to both their long history of collaborations and the sweet narrative they started with 2012's "Everything Has Changed." The ballad's tender music video finds the two characters introduced in that Red-era single on parallel paths — while still connected — and even features a real-life text exchange between the real-life superstars, proving once again that their musical alchemy transcends time and distance.*

"Sigue" with J Balvin

Though Sheeran has flirted with Spanish flavors in the past on his own cuts like "Barcelona" and "South of the Border," the superstar had to really learn the language for his first team-up with J Balvin. "He wanted to bring me into his world, and I wanted to bring him into mine. Was a proper challenge learning Spanish for this and I had so much fun doing it," the singer shared on social media ahead of the release in March. On the resulting reggaeton bop, Sheeran gamely keeps up with Balvin stanza for stanza, even going beyond the requisite chorus with his own caliente Spanish-language verse.

"Forever My Love" with J Balvin

On the very same day he dropped "Sigue," the singer showed off a different side to his newly found Spanish skills and budding friendship with J Balvin with "Forever My Love." On the bilingual ballad, Sheeran effortlessly switches between English and Spanish, promising his undying love to the object of his affection. He's then joined by the Colombian superstar for some breathtaking harmonies over their dual acoustic guitars.

"2step" with Lil Baby

Sheeran has released 14 "global remixes" of this recent = single, including team-ups with Swedish rapper 1.Cuz, Italian singer/songwriter Ultimo and Finnish star Ellinoora. But it was his collab with Lil Baby that got the full treatment — complete with a kaleidoscopic music video featuring powerful choreography, an impressively motor-mouthed guest verse by the rapper, and a dedication to the people of Kyiv, Ukraine, where the visual was filmed. Ultimately, the sum of the collaboration's parts come together to leave fans with a message much greater than the simple "Two-steppin' with the woman I love" refrain at its core.

"Bam Bam" with Camila Cabello

Sheeran last teamed up with Camila Cabello on No.6 Collaborations Project highlight "South of the Border." But this time around she was the one recruiting him for "Bam Bam," Cabello's post-breakup single following her November 2021 split from Shawn Mendes. However, if you're expecting a shady tale of relationship revenge on the wistful salsa-infused track, think again. One minute the song has you dancing, and the next you're laughing at Cabello and Sheeran's message that, for better or for worse, life always goes on. And let's face it, has there been a more relatable lyric in all of 2022 than hearing Sheeran croon, "It's been a hell of a year, thank God we made it out" at the top of his guest verse? Y sigue bailando, indeed.

"Brace It" with Ishawna

This summer, Sheeran added his signature flair to Ishawna's latest single "Brace It." On the track, the GRAMMY winner doesn't overthink his contributions to the Jamaican dancehall star's simple but infectious groove, urging, "Stay there/ Let me whine on your body/ Brace it/ Brace it on me" over the track's spare, hip-swiveling beat.

"For My Hand" with Burna Boy

After dipping his toes into the realms of reggaeton, hip-hop and Jamaican dancehall, Sheeran pivoted to the Afro-fusion of Nigeria for his first collaboration with Burna Boy. Sure, the singer/songwriter has found inspiration in the music of Africa before — most notably on 2017 ÷ bonus cut "Bibia Be Ye Ye" — but his assist gives the romantic single from Burna Boy's sixth studio album Love, Damini a particularly swoonworthy burst over the Nigerian star's rumbling, laid-back vocals.

"Are You Entertained" with Russ

As its title hints, Russ' latest single does indeed open with Russell Crowe's famous line from 2000's Gladiator. But it's Sheeran's impeccable lyrical flow that does the bulk of the showboating as he reflects on the legacy he's been building since 2011, when he burst onto the scene with a guitar and a little ditty called "The A Team." "Live in the sticks/ Put my profit into mortar and bricks," he raps. "You know I got good advice from a couple guys/ To leave more than just stress for my kids/ Well isn't it blissful, baby?/ Sittin' here like we made it."

"Noche de Novela" with Paulo Londra

Sheeran first linked up with Argentine rapper Paulo Londra on "Nothing On You," their 2019 collaboration with British rapper Dave. For their second go-round, the pair match wits in English and Spanish as they make the most of the "novel night" of the song's title, finding potential for revelry in every drink poured and pair of eyes locked across the dance floor. "You could cover up my bruises and/ We could turn the moment into music/ Pour it out, drink it down like hooligans/ Noche de novela, let's do this, ay?" Sheeran spitballs on his charming verse. By the time he's finished, you'll be ready to take off into the unexplored night for your own adventure.

"My G" with Aitch

Aitch wrote this heartwarming track — featured on his debut studio album, Close to Home — for his younger sister Gracie, who was born with Down syndrome. Sheeran gets the animated treatment for the song's accompanying music video, providing support on the track with his melodic hook as he sings, "No other name for you/ Even though they call you by another/ You are always my G/ You light up the room/ Ever since the first day you were here/ You were always my G," in between the rising Manchester native's sweetly sentimental, rapped verses.

"Groundwork" with Big Narstie and Papoose

On his collaboration with rappers Big Narstie and Papoose, Sheeran lets fans in on the secret to his success — and it's all about how he's laid the proverbial (and literal) groundwork of his career. "Coming to ya from the outskirts/ I've been waitin' outside for time but now they gonna let me in/ But you gotta know one thing/ All I ever do is win/ Because of that groundwork/ I've been settin' this mic alight until the fight takes over/ And they say I told ya," he crows on the fleet-footed chorus, cementing his status as the ultimate kind of music industry success story.

Everything We Know About Taylor Swift's New Album 'Midnights'

With an ability to write songs that are as timeless as they are universal, Taylor Swift has often been described as the most impressive songwriter of her generation. The pop star's authentic lyrics and knack for storytelling has had fans invested from the start of her career, picking apart each line to better understand them. What is largely overlooked, though, are the poetic tools Swift channels to better understand herself.

From turning short stanzas into songs to categorizing tracks as "quill" or "fountain pen," Swift deftly incorporates her love of poetry and writing into her work. And now, she's conceptualizing an entire album around it.

Swift's aptly titled eleventh album, The Tortured Poets Department, sees the singer/songwriter as the Chairman of the Department who, upon announcing the album, declared "All's fair in love and poetry." Following the release of Midnights, she began working on the record and has since said it was a "lifeline" album — and that she never had a project where she needed songwriting more.

Before The Tortured Poets Department arrives on April 19, GRAMMY.com explores how Swift has incorporated poetry into her career and used it to level her songwriting.

Honoring Poets In Her Work

Much like how her fans find comfort in her work, Swift uses poetry as a main source of comfort and inspiration. Swift begins her album prologue for 2012's Red by quoting the poem "Tonight I Write the Saddest Lines" by Neruda, one she's said has always captivated her. 

The line reads, "Love is so short, forgetting is so long." It sets the theme for the entire Red album, with Swift stating that she relates to the line in her "saddest moments" when she "needed to know someone else had felt the exact same way." It clearly made an impression on her: during the release of Red (Taylor's Version) almost a decade later, she'd quote the line again at the beginning of "All Too Well: The Short Film."

When speaking with NPR about the poem, Swift said that her favorite writers — whether they be poets or authors — have "musical hooks" in their work and have the ability to write about things in a universal, relatable and simple way. "The Lakes," a deluxe track featured on folklore, directly references The Lake Poets, who called the idyllic Lake District in England home. Specifically, the track gives a nod to Romantic poet William Wordsworth: "Take me to the lakes where all the poets went to die/ I don't belong, and my beloved, neither do you [...]/ I've come too far to watch some name-dropping sleaze/ Tell me what are my words worth." 

Compartmentalizing Her Songwriting

During her acceptance speech for NSAI's Songwriter-Artist of the Decade Award in 2022, Swift mentioned the "dorky" way she compartmentalizes songwriting into three categories: "quill," "fountain pen" and "glitter gel." Fun, upbeat songs that don't take themselves too seriously fall under the "glitter gel" category; "fountain pen" lyrics reference modern storylines with a "poetic twist." 

"Quill" lyrics, however, are the ones that weave Swift's poeticism directly into her songs. During the speech, she describes writing them using antiquated words, almost as if she was "inspired to write it after reading Charlotte Brontë or after watching a movie where everyone is wearing poet shirts and corsets." Particularly, she notes evermore's "ivy" as a "quill" track, reciting the lyrics, "How's one to know/ I'd meet you where the spirit meets the bones/ In a faith forgotten land."

View this post on Instagram

A post shared by Taylor Swift (@taylorswift)

Using Poems To Communicate During A Media Blackout

Following the hysteria post-1989 that catalyzed 2017's reputation, Swift leaned into the album's ethos — "There will be no further explanation, there will just be reputation" — Swift avoided most, if not all, interviews during the press campaign. Instead, she opted to use poetry as a form of communication. 

In place of an interview, she submitted a poem to British Vogue to accompany her cover shoot. The poem "The Trick to Holding On" was seemingly written at the tail end of that aforementioned media scrutiny, seeing Swift exploring themes around healing and acceptance, writing, "Let go of the ones who hurt you/ Let go of the ones you outgrow" and "Suddenly you'll know/ The trick to holding on/ Was all that letting go."

As part of the album launch, Swift released accompanying magazines with two different poems titled "If You're Anything Like Me" and "Why She Disappeared," both written by her. In "If You're Anything Like Me," Swift picks apart her own flaws and failings while touching on the aftermath of the scrutiny she experienced ("Each new enemy turns to steel/ They become the bars that confine you/ In your own little golden prison cell"). It ends with Swift recognizing her growth and finding peace: "If you're anything like me, I'm sorry/ But Darling, it's going to be okay."

Reciting Poetry On Tour

On her two most recent tours, Swift has integrated poetry into parts of her sets. Before Swift performed "Getaway Car" during the reputation stadium tour, she recited her poem "Why She Disappeared." Much like "If You're Anything Like Me," the poem explores her tarnished reputation and uses illeism to show the distance she feels from those events. In the poem, she says, "Without your past/ You could never have arrived so wondrously and brutally/ By design or some violent, exquisite happenstance/...here," distinguishing her past self from her present self.

As Swift took a journey through her discography on her Eras Tour, she began the folklore set — the one that fans might describe as her most poetic — with a spoken word version of her song "seven." Alluding to her past and current eras, Swift begins the poem with the line, "If you wish to romanticize the woman I became" followed by interpolating a lyric from 1989's "Wildest Dreams," saying, "Then say you'll remember me/ Standing in a nice dress/ Staring at the sunset." She asks audiences to "begin at the beginning" by picturing her in the trees and continues to recite the first verse and chorus.

Referencing Literature

When Vogue asked Swift what subject she would teach if she was a teacher, it wasn't a surprise that she said English. Her love of literature — both modern and classic — is apparent in her lyrics. Sometimes she compares herself to literary characters, like Daisy Buchanan from The Great Gatsby in the song "happiness," in which she sings, "I hope she'll be a beautiful fool," a direct quote from the novel. Instead of using it in its original context, which was meant to be a blessing, Swift makes it more devastating. 

Other times, she uses specific motifs as a way to express her frustrations, like using Nathaniel Hawthorne's The Scarlet Letter and its themes of "adultery" and sin in Fearless' "Love Story" ("You were Romeo, I was a scarlet letter") and in 1989 "New Romantics" ("Show off our different scarlet letters").

The concept of fate that Swift explores in "invisible string" was mentioned by English author Charlotte Brontë in Jane Eyre. The novel's "I have a strange feeling with regard to you: as if I had a string somewhere under my left ribs, tightly knotted to a similar string in you" line is mirrored by Swift's lyrics, "All along there was some/ Invisible string/ Tying you to me."

In a conversation with Paul McCartney for Rolling Stone, Swift said that she read "much more" than she ever did during folklore. Specifically mentioning Rebecca by Daphne du Maurier, a story of an unnamed woman who marries a man who she believes is still in love with his wife. Swift found inspiration in the novel's use of flowery and "prettier" words and turned them into song names and lyrics, like "epiphany" and "elegies." Her evermore track "no body, no crime" even alludes to the same death the fictional character faces in Rebecca and "tolerate it" explores the story of a neglected wife and a loveless husband.

Since Swift loves using songwriting and storytelling as a form of escape, it makes sense that she'd also use whimsical children's fairy tales as inspiration. Alice in Wonderland might be the most obvious reference she's used for 1989's "Wonderland," using allusions to falling down a rabbit hole and Cheshire cat grins as a way to explain the frantic and fragile relationship she was experiencing. In "cardigan," Swift puts herself in the shoes of Wendy in Peter Pan to explain her frustrations with the immature and gallless Peter ("I knew you/ Tried to change the ending/ Peter losing Wendy").

Incorporating Poetry Into Songs

Many of Swift's songs began as poems. In conversation with Scholastic in 2014, Swift spoke with students about the books she loved growing up, discussing how journaling helped simplify her feelings which would eventually lead her to discovering her love of poetry. She mentions that "This Love" from 1989 was initially a quick and spontaneous poem she wrote in her journal which read "This love is good/ This love is bad/ This love is alive back from the dead/ These hands had to let it go free and/ This love came back to me." Shortly after, a melody came to mind and she developed the poem into a song.

On Lover, fans found that the penultimate track "It's Nice To Have A Friend" reminded them of a poem. Speaking to Billboard upon the album's release, Swift said the song is more of a poem filled with metaphors with double meanings. "It's Nice To Have A Friend" follows a typical poetic beat — specifically an iambic trimeter — where Swift emphasizes certain syllables to create six syllables per line. 

On her 2022 album, Midnights, Swift directly mentions writing poetry on the love song "Sweet Nothing," penning the lyric, "On the way home/ I wrote a poem/ You say, 'What a mind'/ This happens all the time." Although the themes of pressure and media scrutiny of the reputation poems still appear in her later work, this poetic-sounding track speaks more to a simple gratitude than anything else. 

In late 2023, Swift liked a tweet connecting the lyric to a quote from Paul McCartney about his late wife Linda McCartney, which reads, "I would come back from a run with a poem to share and having listened, Linda would say 'what a mind.'" Whether it's about Paul and Linda or Swift's personal life, poetry helps uncover new ways to inspire her.

As the next chapter in Swift's musical universe begins with the arrival of The Tortured Poet Department, it's clear her love for storytelling is ever-evolving — just like her love for poetry.

When the Backstreet Boys released "I Want It That Way" on April 12, 1999, they likely had no idea how beloved their smash hit would still be a quarter-century later.

Written by the Swedish powerhouse team of Andreas Carlsson and Max Martin, "I Want It That Way" is undoubtedly BSB's signature hit, particularly thanks to its memorable undulating melody and its long-debated cryptic meaning. But perhaps the most surprising part of the song's legacy is how it has resonated across genres — from a TikTok cover by Korn to a hip-hop sampling by Lil Uzi Vert.

As the Backstreet Boys celebrate the 25th anniversary of "I Want It That Way," take a look at how the song has been diversely covered, lovingly lampooned and karaoke jammed by an array of voices in the business.

Weird Al Yankovic (2003)

When the king of parody songs selects one to skewer, you know it's an iconic song. Weird Al Yankovic paid tribute to the largeness of the Backstreet Boys classic when he used "I Want It That Way" as the basis of a song called "eBay" in 2003.

Yankovic's chorus replaces the original's with, "A used pink bathrobe/ A rare mint snow globe/ A Smurf TV tray/ I bought on eBay." The Backstreet Boys send up appears on Yankovic's album Poodle Hat, which won Best Comedy Album at the 2004 GRAMMYs.

One Direction (2013)

Three years One Direction formed on "The X Factor," the five lads — Harry Styles, Zayn Malik, Niall Horan, Liam Payne and Louis Tomlinson — included a cover of "I Want It That Way" on their 2013 concert set lists, the young boy band paying homage to the ones that came before them. Though their English accents poked through at times, their version was loyal to the original, and got their crowds singing along.

"Glee" (2013)

Poking fun at the presumed rivalry between *NSYNC and Backstreet Boys, a medley of the former's "Bye Bye Bye" and "I Want It That Way" was featured in Season 4, Episode 16 of "Glee." In the episode — aptly titled "Feud" — choir director Mr. Schuester (Matthew Morrison) and glee club heartthrob Finn (Cory Monteith) face off in an epic boy band battle, which ultimately proved the groups' respective music was more cohesive than divisive.

Brittany Howard and Jim James (2016)

The lead singers of Alabama Shakes and My Morning Jacket covering a boy band classic. It doesn't sound real, but Brittany Howard and Jim James did just that in 2016 when they recorded "I Want It That Way" for an animated short cartoon called "A Love Story."

Released by the fast food chain Chipotle Mexican Grill, the clip was part of a creative campaign to showcase the company's focus on natural ingredients. Howard and James highlight the poignancy and versatility of the song by adding lush string arrangements and dramatic beats.

Backstreet Boys x Jimmy Fallon and The Roots (2018)

The 2018 live performance of "I Want It That Way" by the Backstreet Boys, Jimmy Fallon and The Roots for "The Tonight Show" is arguably the sweetest rendition of the song — and not just because they're using a mini xylophone, baby tambourine and other toy classroom instruments. It's even more endearing than the previous collaborations between Fallon and Backstreet Boys: a barbershop singing version of Sisqo's "Thong Song" and a "Bawkstreet Boys" version of "Everybody (Backstreet's Back)," with everyone dressed like fluffy birds.

The 1975 (2020)

British rockers The 1975 performed a fairly faithful cover of "I Want It That Way," hitting all the high notes at several of their 2023 world concert tour stops. But it's not the first time frontman Matty Healy has hinted at the Backstreet Boys' influence on his band: he told Pitchfork in 2020 that "College Dropout-era Kanye West meets Backstreet Boys" was part of their veritable moodboard at the time when working on their own song called "Tonight (I Wish I Was Your Boy)."

Lil Uzi Vert (2020)

In 2020, Lil Uzi Vert released a rap song called "That Way" that includes a refrain of "I want it that way" sung to the tune of the Backstreet original, but with an AutoTune twist. From there, the lyrics become quite a bit naughtier than anything the BSB guys have uttered in any song.

"I don't know how [the idea of] Backstreet Boys got involved in this song, I really don't," the song's producer Supah Mario told Splice at the time. "I think it was all Uzi. But it was a game changer."

The interpolation was so good, in fact, that Nick Carter even invited Lil Uzi Vert to collaborate: "Now you're gonna have to be featured on our next album bud," he tweeted upon the song's release.

Korn (2022)

Fans of Korn know that the nu metal band has a sense of humor, but few could've expected that Jonathan Davis and crew would post a TikTok of themselves singing "I Want It That Way" in 2022.

"I never wanna hear you say… 'Worst Is On Its Way,'" reads the caption on the post, a tongue-in-cheek reference to Korn's 2022 song of the same name.

Backstreet Boys responded on the app via a hilarious Duet video with Nick Carter. In the video, Carter — who sports fabulous metal eye makeup and a long silver wig — doesn't actually say or sing anything, he just drops his jaw in amazement.

Backstreet Boys x Downy (2022)

Downy hired the Backstreet Boys to poke fun at "I Want It That Way" with the now-viral "Tell Me Why" commercial in 2022. All five members — Nick Carter, Howie Dorough, Brian Littrell, AJ McLean and Kevin Richardson — appear as a Backstreet Boys poster on the wall that comes to life, using the "tell me why" hook of their hit to engage a woman doing laundry in a conversation about washing her clothes.

As Saatchi group account director Jen Brotman told Muse at the time, the nostalgic ad also spawned some memories for the folks working on the ad campaign.

"The moment [BSB] stood in front of the camera, they rehearsed 'I Want It That Way' just to get the notes right, and we felt like we were getting serenaded on set," Brotman recalled. "We couldn't believe how emotional we all got — there may or may not have been tears in some eyes. The song has always been a karaoke favorite of the team, so we knew which 'tell me whys' we wanted them to hit, and we still can't get it out of our heads."

Ed Sheeran (2023)

When he fancies singing a bit of karaoke, Ed Sheeran loves leaning on "I Want It That Way," as the star showed at his favorite Nashville bar in July 2023. A patron caught him on camera and his happiness level is undeniable when belting out this enduring pop classic.

As Sheeran told CBS News a few months later, he grew up on the pop hits of everyone from Backstreet Boys to Britney Spears. But what he said about "I Want It That Way" specifically may be the best way to describe its long-lasting impact: "You can't be in a bar, a couple of beers in, and 'I Want It That Way' comes on and not be like, 'This is a good song.' You can't."

24 Songs Turning 20: Listen To 2004's Bangers, From "Yeah!" To "Since U Been Gone"

The dawn of Taylor Swift's "tortured poet" era is upon us. The reigning Queen of Pop is set to release her highly anticipated 11th studio album, The Tortured Poets Department, on Friday, April 19. 

Ever since she announced the new album during the 2024 GRAMMYs — while accepting her lucky 13th GRAMMY Award for Best Pop Vocal Album for Midnights —- Swifties have been meticulously analyzing every detail of her existence for clues about the release of The Tortured Poets Department.

Fortunately, Swift has been serving a lot of information to snack on. After revealing the cover art in an Instagram post before accepting her record breaking fourth win for Album Of The Year, she didn't stop the feast. From the full track list to a five-stage breakup playlist — and, of course, all the bonus tracks and special editions — here's all the breadcrumbs GRAMMY.com collected in preparation for The Tortured Poets Department. 

All The Art Is Black And White

View this post on Instagram

A post shared by Taylor Swift (@taylorswift)

The cover art for The Tortured Poets Department displays a black-and-white inset photo of Swift in repose on a stack of white pillows, with the album's title in uppercase white letters above her. The photography accompanying the album, including back covers and special editions, captures Swift in reflective solitude: standing before a body of water wearing an oversized white button-up, and in a pensive self-embrace against a stark black backdrop.

The photography for the album was shot by Swift's photographer since 2020, Beth Garrabrant, who also shot the covers of Swift's folklore, evermore, Fearless (Taylor's Version), Red (Taylor's Version), Midnights, Speak Now (Taylor's Version), 1989 (Taylor's Version). She's known for using a medium-format film photography that evokes an emotional closeness to her subjects — especially fitting for an album titled The Tortured Poets Department.

The Album Features Two Notable Collaborations

View this post on Instagram

A post shared by Taylor Swift (@taylorswift)

On GRAMMY night, alongside the album announcement, Swift posted the complete track list on her Instagram. The post included a photo of the album's back cover, showing a close-up of Swift with her hand on her forehead, overlaid with the text "I love you, it's ruining my life" in all-caps. 

The 16-track release has been split into four sides and also features collaborations with Post Malone on Side A opener "Fortnight" as well as Florence + The Machine on Side B's "Florida!!!" 

Check out the full track list:

**Side A**
“Fortnight” (feat. Post Malone)
“The Tortured Poets Department”
“My Boy Only Breaks His Favorite Toys”
“Down Bad”

**Side B**
“So Long, London”
“But Daddy I Love Him”
“Fresh Out the Slammer”
“Florida!!!” (feat. Florence + the Machine)

**Side C**
“Guilty As Sin?”
“Who’s Afraid of Little Old Me?”
“I Can Fix Him (No Really I Can)”
“loml”

**Side D**
“I Can Do It With a Broken Heart”
“The Smallest Man Who Ever Lived”
“The Alchemy”
“Clara Bow”

Bonus Tracks:

“The Manuscript”

“The Black Dog”

"The Albatross"

The Album Title Hints At Another Ex 

Mere moments after Swift dropped The Tortured Poets Department album name, the internet was ablaze with viral speculation that the title is derived from a play on ex Joe Alwyn's group chat, "The Tortured Man Club" with Paul Mescal and Andrew Scott. 

Alwyn and Mescal revealed their "club name" during an interview with Variety in December 2022 and it didn't take long for fans to connect the dots. Upon unearthing the tie-in, Swifties rushed to share memes and comment on the original interview across various social channels.

There Are Three Bonus Tracks (So Far)

View this post on Instagram

A post shared by Taylor Swift (@taylorswift)

Swift has revealed at least three bonus tracks for different editions of the album, each marked with its own "file name." The initial track list release, referred to as "The Manuscript," includes a bonus track sharing this name.  

On Feb. 23, Swift posted a slideshow on Instagram to promote a special edition named "The Albatross." It featured the bonus tracks and revealed the back cover, which presented a track list alongside a contemplative close-up of Swift overlaid with the question, "Am I allowed to cry?" 

Then, on March 3, she introduced the bonus track “The Black Dog” through a similar post that showcased new cover art, with the album's reverse side portraying Swift and the haunting text, "Old habits die screaming." 

Lyrics Have Already Been Shared

Unlike her previous album campaigns, Swift hasn't unveiled any music ahead of The Tortured Poets Department’s release — but she has dropped plenty of hints at the subject matter to come. Handwritten lyrics first appeared in the album announcement post, in a stack of papers inside a folder tabbed with a monogram of the album's name.

"And so I enter into evidence/ My tarnished coat of arms/ My muses, acquired like bruises/ My talismans and charms/ The tick, tick, tick of love bombs/ My veins of pitch black ink," is written above the sign-off, "All's fair in love and poetry… Sincerely, The Chairman of The Tortured Poets Department."

Then, in an Instagram story posted on April 8 — the date of the total solar eclipse — Swift shared an image of a typewriter loaded with a sheet of paper stamped with the words, "Crowd goes wild at her fingertips/ Half moonshine, Full eclipse." 

Swift Created Five Playlists To Mirror The Stages Of A Breakup

Gearing up for the release, Swift dropped a 5-part playlist series on Apple Music on April 5 featuring previously released work arranged in playlists that reflect the five stages of grief. The playlist for "Denial: I Love You, It’s Ruining My Life Songs," features hits including Midnight's "Lavender Haze," and Lover's "Cruel Summer" and "False God." 

The other playlists run through the emotional gamut with titles like "Anger: You Don’t Get to Tell Me About Sad Songs," the midpoint "Bargaining: Am I Allowed to Cry? Songs," "Depression: Old Habits Die Screaming Songs," and finally "Acceptance: I Can Do It With a Broken Heart Songs." Each one takes listeners on a Taylor Swift escapade through love won and lost, representing what many believe to be a musical voyage through Swift's stages of grief following the end of her relationship with ex Joe Alwyn. 

Each playlist also includes a description from Swift. For "Denial," it says, "This is a list of songs about getting so caught up in the idea of something that you have a hard time seeing the red flags, possibly resulting in moments of denial and maybe a little bit of delusion. Results may vary.”

As April 19 nears closer, take a deep dive into everything Swift has unleashed so far — and get ready for a lot more divulging once The Tortured Poets Department arrives.

This year, April brings more than just showers to beget May flowers. Instead, there must be something in the stars: In the fourth month of 2024, four artists are releasing their fourth studio albums. These are pop-rock band X Ambassadors’ Townie, R&B singer Bryson Tiller’s Bryson Tiller, rapper PartyNextDoor’s P4, and Irish rockers Picture This’ Parked Car Conversations.

Numerology aside, April will also contemplate exciting new works from pop masters Taylor Swift, whose The Tortured Poets Department drops mid-month, and St. Vincent’s All Born Screaming, country star ERNEST’s Nashville, Tennessee, jazz master Kenny Garrett and electronic producer Svoy’s What Killed AI?, and — allegedly — the second part of Future and Metro Boomin’s first joint-effort, We Don’t Trust You.

There’s music for all tastes ready to fill your playlists for the rest of the year. Read on for 15 of the most exciting albums dropping in April 2024.

TOMORROW X TOGETHER - minisode 3: TOMORROW 

Release date: April 1

Luckily, fans of the K-pop quintet TOMORROW X TOGETHER (TXT) rarely have to wait for new music. Six months after releasing their third studio album, The Name Chapter: Freefall, the group is gearing up to release minisode 3: TOMORROW.

The seven-song EP is fronted by upcoming lead single "Deja Vu," which is said to mix trap, rage, and emo rock into their signature emotional intensity, as per a press release. The other tracks continue to expand the group’s versatility, experimenting with pop rock, house, and acoustic guitars. 

As usual, the concept of the album is connected to TXT’s overarching lore, and features several references to their past works — track "- --- -- --- ·-· ·-· --- ·–," for example, evokes their debut era where Morse Code was used in teasers and in the single "Crown."

TXT will embark on their Act: Promise World Tour starting May 3-5 in Seoul, South Korea, and then head to the U.S. for 11 shows across the country, including two dates at New York’s Madison Square Garden.

Conan Gray - Found Heaven

Release date: April 5

Gen Z popstar Conan Gray has Found Heaven. After 2022’s Superache, his upcoming third album was co-produced by legendaries Max Martin, Greg Kurstin, and Shawn Everett, among others.

Gray had been teasing the 13-track record since last year with a slew of buoyant, '80s-tinged singles ("Never Ending Song," "Killing Me" and "Lonely Dancers") and poignant, Elton John-esque ballads ("Winner," "Alley Rose"). "When I was making the album, I was really obsessively listening to music of that era," he explained to NME. "I think also, because it was a deeply emotional time, I was almost hiding from reality. I didn’t listen to a song from the 2020s during the making of this album."

To celebrate this new, holy era, Gray will be touring Australia in July, North America in September and October, and Europe and the UK in November. "I want people to know that I was having fun and goofing around, and I want you to smile and I want you to feel like you can just be yourself," he added. "I just want the album to be a reminder to people that you can be so many things all at once."

Sinkane - We Belong 

Release date: April 5

Ahmed Gallab, the Sudanese American multi-instrumentalist behind Sinkane, has built his discography resisting musical genres. We Belong, his upcoming eighth studio album, is no different: it combines pop, funk, electronic, afrobeats, disco, and more into "a love letter to Black music," per a press release.

Sinkane’s first album since 2019’s Dépaysé, We Belong features 10 tracks and participations by Bilal, Money Mark, STOUT, and others. Each song tells the story of a different era in Black music and history, laced with love and hope for the future: the disco groove of "Come Together," the gospel choirs of "Everything Is Everything," the funky bassline of "How Sweet is Your Love."

Along with live band the Message, Sinkane has announced a select 10-city tour in the U.S., starting May 3 in New York City and wrapping up on June 9 in Pioneertown, California.

X Ambassadors - Townie

Release date: April 5

**Pop rock trio X Ambassadors dive deep into nostalgia for Townie, their fourth studio album. The record was inspired by their experience of growing up in the small city of Ithaca, New York, and how it shaped who they are.**

"As a grown man, I’ve fallen back in love with upstate NY, and I oddly feel blessed to have had something to rally so hard against/fight to escape from as a kid," vocalist Sam Harris said in a statement. "No Strings," the first single off the project, is an anthem for that restless feeling, and anchors their concept in a haunting, propulsive melody. "Your Town" and "Half-Life" continue the journey, although taking more melancholy tones.

X Ambassadors first set off their Townie tour in Europe and the UK during February and March. On the day of the release, they will begin the North American leg of the tour in Vancouver, Canada.

Vampire Weekend - Only God Was Above Us 

Release date: April 5

Five years after releasing their latest record, 2019’s Father of the Bride, indie band Vampire Weekend will drop their fifth studio album, Only God Was Above Us.

According to a press release, frontman Ezra Koenig wrote most of the songs in 2019-2020, and spent the last five years refining them with bandmates Chris Baio and Chris Tomson. The result is a collection of 10 "direct yet complex" tracks, "showing the band at once at its grittiest, and also at its most beautiful and melodic," as seen in singles "CAprilicorn," "Gen-X Cops," and "Classical."

In addition to a sold out performance in Austin, Texas that will coincide with the total eclipse on April 8 and a headline show at Primavera Sound festival in Barcelona, Vampire Weekend has announced an extensive North American tour throughout summer and fall.

Bryson Tiller - Bryson Tiller

Release date: April 5

Grab your tickets to Bryson Tiller’s upcoming tour while you can: he might go on a hiatus right after. That’s what the R&B singer and rapper told Complex, alleging that his number one passion is actually video games. "I've been designing a game for the past three years; been looking into internships for different companies. That's what I want to prioritize after this album comes out."

The album Tiller refers to is his eponymous fourth LP, a 19-track collection that includes a feature by Victoria Monét, and is described as "seamlessly blending R&B, dancehall, pop, drill, trapsoul, neo-soul, and hip hop" in a press release. "Bryson Tiller is not just an album; it's a declaration of artistic independence and a tribute to the relentless pursuit of greatness."

The project’s three alluring singles ("Outside," "Whatever She Wants," and "CALYPSO") exemplify how Tiller pushed the boundaries of R&B even more, and solidified his identity as one of music’s most singular artists. "My No. 1 goal with this album is just for everybody on Earth to hear it one time," Tiller also told Complex. "My guarantee is that they'll love [at least] one song."

Tori Kelly - TORI.

Release date: April 5

"You think you know who Tori Kelly is, but this album will prove that maybe you didn’t," said the YouTube-star-turned-singer in a NME interview about her fifth studio album, TORI. "I feel like I’m stepping into my power and owning my craft."

Her first LP since 2020’s A Tori Kelly Christmas, TORI. took inspiration from '90s and early aughts R&B and pop, as heard on singles "Missin U" and "Cut." "I was trying to create this world of nostalgia, but also there’s that balance with [TORI.] feeling fresh and new," she said. Comprising 15 tracks, it also includes participations by Ayra Starr in "Unbelievable," LE SSERAFIM’s Kim Chae-won on "Spruce," and Jon Bellion — who co-wrote and produced the album — on "Young Gun."

During the creation process, Kelly told Bellion that her guidelines were to be able to "belt out [songs] in the car" and "dance" to them, like one can do in the powerful "High Water." As far as it goes, it looks like they accomplished their mission.

Kelly will kick off her Purple Skies North American tour on April 12 in Ventura, California, and conclude it on May 3 in Kansas City, Missouri.

Future & Metro Boomin - TBA / We Still Don’t Trust You 

Release date: April 12

Rap titans Future and Metro Boomin have been personal friends and work peers for over a decade, but their first collaborative album is only coming out now. We Don’t Trust You, the first installment of a double album, dropped on March 22, while the second part — titled yet to be announced — is slated to release on April 12.

In We Don’t Trust You, the duo showcased their flawless chemistry with grandiose tracks, haunting trap beats, and star-studded features, such as "Like That" with Kendrick Lamar, "Young Metro" with The Weeknd, and "Type S—" with Travis Scott and Playboi Carti. As Metro defined in an interview with Complex, "it’s the classic Future and Metro, but just updated."

So far, no further details have been shared about the second album, but expectations remain high for the duo to outdo the first effort.

girl in red - I'M DOING IT AGAIN BABY!

Release date: April 12

"I wanted to sincerely apologize for the events that happened directly after the release of my second album, I'M DOING IT AGAIN BABY!" prefaced Norwegian singer girl in red — real name Marie Ulven — on a solemn social media video last month. But while viewers caught their breaths, she revealed it was all a witty joke: the album will only come out on Aprilil 12.

"This is a big year for me. 2024 is, like, my year," she added in the video. I'M DOING IT AGAIN BABY! follows Ulven’s 2021 debut If I Could Make It Go Quiet, but feels "more fun and more playful, and a little bit more confident," as she told Billboard. Lead track "Too Much" brings that novelty heads on, while singles "Doing It Again Baby" and "You Need Me Now?" with Sabrina Carpenter prove that Ulven’s powerful pop is only getting better.

Ulven will kick off her Doing It Again tour from April 16-June 2 in North America, and from Aug.27-Oct. 5 in Europe.

Kenny Garrett & Svoy - Who Killed AI?  

Release date: April 12

For his first electronic foray, NEA Jazz Master and GRAMMY-winning saxophonist Kenny Garrett enlisted the acclaimed producer-musician Svoy. The result is Who Killed AI?, a seven-track daring exploration of jazz and pop culture.

"The first two songs are really reminiscent of Miles [Davis]," Garrett shared in a statement. "The way I’m stretching the melody — that’s how I played with Miles." The opener and lead single "Ascendence" is a strong preview of what’s to come: distorted synths and drum and bass beats fused with Garrett’s fun and brilliant lines, a compelling portrait of what the future of music can be.

Later in the year, Garrett plans to take the album on a live tour. "I think my fans will find this interesting," Garrett shared in a statement. "Some people forget that my teacher was Miles Davis. So for me, it’s not that I have to do something different. It is just something that I do. All you have to do is present the music and let them take the journey." 

ERNEST - Nashville, Tennessee 

Release date: April 12

Early in March, singer/songwriter ERNEST announced on social media that he would be running for mayor in order to "legalize country music." Of course, fans started to get their hopes up for new music — and they were right. The plot was just part of his promotion for the newly announced Nashville, Tennessee, out April 12.

A tour de force with 26 tracks, the record features a bevy of guest stars: from Jelly Roll ("I Went To College, I Went To Jail"), to Lainey Wilson ("Would If I Could"), and ERNEST's two-year-old son, Ryman Saint. It also includes a bluegrass cover of Radiohead’s "Creep" with HARDY, and a cover of John Mayer’s "Slow Dancing in a Burning Room."

In addition to "I Went To College, I Went To Jail," four other advance tracks have been shared: "Why Dallas" with Lukas Nelson, "Ain’t As Easy," "Ain’t Too Late," and "How’d We Get Here."

Taylor Swift - The Tortured Poets Department 

Release date: April 19

View this post on Instagram

A post shared by Taylor Swift (@taylorswift)

On the same night that she won her  lucky 13th GRAMMY for Best Pop Vocal Album with 2022’s Midnights, Taylor Swift also announced her 11th studio album, The Tortured Poets Department. Coming out April 19, the record will feature 16 tracks and collaborations by Florence + the Machine on "Florida!!!" and Post Malone on "Fortnight."

"I needed to make it, it was really a lifeline for me, it sort of reminded me why songwriting gets me through life," Swift said during her The Eras Tour show in Melbourne. "I've never had an album where I needed songwriting more than I needed it on Tortured Poets."

Along with the statement, Swift also shared an alternate cover for the physical album, titled after and including bonus track "The Bolter." Later on, three other versions named "The Manuscript," "The Albatross," and "The Black Dog" — all including an eponymous bonus track —  were also made available for purchase.

For the rest of the year, Swift will be touring through Europe and North America. As usual with the singer, more surprises are likely to come soon.

PartyNextDoor - PartyNextDoor 4 (P4)

Release date: April 26

**Canadian hitmaker and singer PartyNextDoor will make his long-awaited return this month. PartyNextDoor 4, also dubbed P4, is his first full-length work since 2020’s Partymobile, and continues his eponymous albums series after 2016’s P3.**

"This is the hardest I’ve ever worked on an album. This is the proudest I’ve felt," Party told Billboard for his March cover story. "I’m excited to grind even more for the next [one]. I’m in love with how hard you should work for it." 

He also explained that love is the reason why he takes so long to release new stuff. "I get into relationships and then music becomes second," he said. "I think I’m going to take a break from relationships, a long break, and just get back to making music."

In support of the release, Party shared moody, intimate singles "Resentment" and "Real Woman" — inspired by the same relationships that kept him off stage.

St. Vincent - All Born Screaming

Release date: April 26

In an interview with Mojo, St. Vincent — also known as Annie Clark — defined her upcoming seventh album, All Born Screaming, as "post-plague pop." Since its creation started right after the release of 2021’s Daddy’s Home, the years of seclusion and adjustment due to the COVID pandemic were a prominent influence in her new work.

"That kind of isolation breeds paranoia and loneliness, and loneliness can breed violence," she said. "It’s been a time of loss collectively and personally. [But] loss and death are very clarifying things, they make everything that doesn’t f—ng matter go away."

Comprising 10 tracks and features from Dave Grohl, Cate Le Bon, and Warpaint’s Stella Mozgawa, All Born Screaming is St. Vincent’s first entirely self-produced set, and an attempt at showcasing what does matter. "This record is darker and harder and more close to the bone. I’d say it’s my least funny record yet. There’s nothing cute about it," she added.

Clark released two singles off the album, "Broken Man" and "Flea," and is gearing up for a North American tour starting May 22.

Picture This - Parked Car Conversations

Release date: April 26

"Parked Car Conversations is by far the most personal album we have ever created," said vocalist and lyricist Ryan Hennessy in a press release about Picture This’s upcoming album. "It is an album about everything involved with being human. Love and loss and hurt and euphoria and all of those other complex emotions that flutter in between."

The album consists of 15 songs, but a third of it can be previewed through bittersweet, soaring singles "Get On My Love," "Song To Myself," "Leftover Love," "Call It Love," and "Act Of Innocence." Overall, Parked Car Conversations is a soundtrack "not to a movie, but to life," and aims to convey "the ups and downs of living" through ballads and anthems alike, according to Hennessy. 

Coming almost three years since the Irish band’s last release, 2021’s Life in Colour, the new record will be celebrated in high spirits with an Europe and U.K. tour, starting April 21 in München, Germany.

10 Women In African Hip-Hop You Should Know: SGaWD, Nadai Nakai, Sho Madjozi & More