Echosmith Look Back On GRAMMY Camp 2021 Appearance, Show 2022's Student Participants What They're In For
GRAMMY Camp plans to return to in-person programming in 2022, but was forced to go virtual again this year. Still, the success of the indie-pop band Echosmith's appearance shows high school students what they have to look forward to next summer
For reasons one can probably ascertain, people didn't physically get together for GRAMMY Camp this year. While the rapport between artists and students remained, the physical experience had momentarily evaporated—no meet-and-greets, no rubbing shoulders, no traded songwriting tips on the USC campus.
Understandably, Noah, Sydney and Graham Sierota didn't quite know what to expect in 2021. But the siblings behind the indie-pop band Echosmith were pleasantly surprised, both at the quantity and quality of the mass Zoom hang-out on July 20.
"Having to do it all on Zoom didn't sound ideal at first because we prefer face-to-face interactions," Sydney admits to GRAMMY.com. Still, "We got to connect in such a special way. There were so many more students than I expected and so many great questions!"
Noah concurs, noting questions about the intersection of creativity, identity and commerce. "We even talked about 'networking' and stressed the importance of just focusing on getting to know people in a genuine way and not just seeing people as an opportunity to help yourself," he says. "Authenticity came up a lot and I love that that's important to these students."
Such is the power of GRAMMY Camp, which is usually a five-day nonresidential summer music industry program for high school students interested in having a career in music. (Other guests included All Time Low and The War and Treaty.) Even with everybody separated by computer screens, it was a forum for frank, candid discussions that generally don't happen in Reddit AMAs or backstage meet-and-greets.
"I feel that leaves the door open for conversations that normally wouldn't happen, or wouldn't be brought up," Sydney says of the GRAMMY Camp format. "Honestly, these students had even better questions than most journalists out there."
During the hour—which, in her words, "flew by"—Noah and Sydney learned just how crucial their music was to these students at a pivotal age. "I love getting to be a part of their growing up and the important milestones," she says. "It's pretty amazing to think that songs that we may have even written when we were their age have been significant to them as they experience such a unique time in life."
It's easy for Echosmith to put themselves in these students' shoes: Not so long ago, they were fresh-faced kids facing down the opportunity of a lifetime.
"In high school, that's when we got signed," Sydney recalls. "We got pulled out of geometry class and thought we were in trouble. We got called to the office and were like, 'Oh my gosh!' I forget who was on the phone, but Rob Cavallo asked if the kids could be pulled out of school so that we could get signed. Obviously, our answer was yes."
Is there another Echosmith within the crowd of Zoom windows that assembled to hear from the band? With so much sheer musical potential out there, the future of music looks to be in good hands—and GRAMMY Camp is the environment to foster such possibilities.
Click here to apply for GRAMMY Camp 2022 while applications are still open!
Photo: Dimitrios Kambouris/VMN19/Getty Images
Taylor Swift Plots 2020 World Tour With U.S. Dates For Lover Fest East & West
Following dates in Europe and South America, Swift will land in the U.S. for Lover Fest East and West, where the pop star will open Los Angeles' brand new stadium
Taylor Swift will be spreading the love in support of her hit album Lover.in 2020, but it may or may not be in a city near you. The GRAMMY winner announced plans for her summer 2020 tour in support of her seventh studio album, including two shows each in Foxborough, Mass. and Los Angeles for Lover Fest East and West respectively as the only four U.S. dates announced so far.
The Lover album is open fields, sunsets, + SUMMER. I want to perform it in a way that feels authentic. I want to go to some places I haven’t been and play festivals. Where we didn’t have festivals, we made some. Introducing, Lover Fest East + West! https://t.co/xw6YMN38WE pic.twitter.com/IhVPQ8DMUG— Taylor Swift (@taylorswift13) September 17, 2019
The tour kicks off in Belgium on June 20 and hits festivals in seven European countries before heading to Sao Paulo, Brazil on July 18 then heading to U.S. Swift will then present Lover Fest West with back-to-back Los Angeles July 25 and 26 at the newly named SoFi Stadium. The concerts will serve as the grand opening of the much-anticipated NFL venue. The tour will wrap a double header at Gillette Stadiuim in Foxborough July 31 and Aug 1
"The Lover album is open fields, sunsets, + SUMMER. I want to perform it in a way that feels authentic," she tweeted. "I want to go to some places I haven’t been and play festivals. Where we didn’t have festivals, we made some. Introducing, Lover Fest East + West!"
Tickets for the new dates go on sale to the general public via Ticketmaster on Oct. 17.
Fleetwood Mac in 1975
Photo: Michael Ochs Archives/Getty Images
Poll: From "Dreams" To "The Chain," Which Fleetwood Mac Song Is Your Favorite?
"Dreams" experienced a charming viral moment on TikTok after a man posted a video skateboarding to the classic track, and now it's back on the charts, 43 years later
In honor of Fleetwood Mac's ethereal '70s rock classic "Dreams," which recently returned to the Billboard Hot 100 thanks to a viral TikTok skateboard video from Nathan Apodaca, we want to know which of the legendary group's songs is your favorite!
Beyond their ubiquitous 1977 No. 1 hit "Dreams," there are so many other gems from the iconic GRAMMY-winning album Rumours, as well as across their entire catalog. There's the oft-covered sentimental ballad "Landslide" from their 1975 self-titled album, the jubilant, sparkling Tango in the Night cut "Everywhere" and Stevie Nicks' triumphant anthem for the people "Gypsy," from 1982's Mirage, among many others.
Vote below in our latest GRAMMY.com poll to let us know which you love most.
Photo: Kevin Mazur/Getty Images
Ariana Grande Donates Proceeds From Atlanta Show To Planned Parenthood
"Ariana Grande's generous donation comes at a critical time—in Georgia and across the country, anti-women's health politicians are trying to ban all safe, legal abortion," Dr. Leana Wen, President of Planned Parenthood, said in a statement
Today, Planned Parenthood confirmed that GRAMMY winner Ariana Grande has donated the proceeds from her June 8 concert in Atlanta, around $250,000, to the reproductive health non-profit. The contribution follows several Southern states, including Georgia, passing restrictive anti-abortion bills in May.
This is incredible, @arianagrande — thank you!— Planned Parenthood (@PPFA) June 12, 2019
We're so grateful for your longstanding commitment to supporting women’s rights & standing with Planned Parenthood to defend access to sexual and reproductive health care. #IStandWithPP #StopTheBans https://t.co/zFkBVONNK9
"Ariana Grande's generous donation comes at a critical time—in Georgia and across the country, anti-women's health politicians are trying to ban all safe, legal abortion," Dr. Leana Wen, President of Planned Parenthood, said in a statement to People, who broke the news.
Wen, who is a medical doctor and the former Baltimore City Health Commissioner, spoke to the critical timing of Grande's donation, at a time when lawmakers are rolling back years of women's rights legislation:
"This is not what the American people want, nor is it something they'll stand for. Thanks to inspiring support like hers, Planned Parenthood can continue to fight back—in the courts, in Congress, in state houses, and in the streets—against these dangerous attacks on people's health and lives. We are so grateful to Ariana for her longstanding commitment to supporting women's rights and standing with Planned Parenthood to defend access to reproductive health care. We won't stop fighting—no matter what."
As People and other outlets point out, the donation follows the singer's response to hate speech made outside of the Atlanta concert. Ari fans tweeted a video of a protester outside of the venue making homophobic, sexist and racist comments over a P.A. system to the young women. Grande commented on the post, writing: "man... saddened but not surprised by this one bit. I'm so sorry any of my fans had to encounter this. we will do our best to ensure this doesn't happen again. proud of u all for not fighting / engaging violently. never worth it. wishing him peace & a healed heart cause girl yikes."
The Atlanta show was one of the stops on the pop star's Sweetener World Tour, which continues across North America until mid-July, after which she'll headline Lollapalooza on Aug. 4, then take the tour across the pond to London on Aug. 17 for its European leg.
Photo: Christopher Polk/Getty Images
Recordings By Janet Jackson, Louis Armstrong, Odetta & More Inducted Into The National Recording Registry
Selections by Albert King, Labelle, Connie Smith, Nas, Jackson Browne, Pat Metheny, Kermit the Frog and others have also been marked for federal preservation
The Librarian of Congress Carla Haden has named 25 new inductees into the National Recording Registry of the Library of Congress. They include Janet Jackson’s “Rhythm Nation 1814,” Louis Armstrong’s “When the Saints Go Marching In,” Labelle’s “Lady Marmalade,” Nas’ “Illmatic,” Kool & the Gang’s “Celebration,” Kermit the Frog’s “The Rainbow Connection” and more.
“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said in a statement. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”
The National Recording Preservation Board is an advisory board consisting of professional organizations and experts who aim to preserve important recorded sounds. The Recording Academy is involved on a voting level. The 25 new entries bring the number of musical titles on the registry to 575; the entire sound collection includes nearly 3 million titles. Check out the full list of new inductees below:
National Recording Registry Selections for 2020
Edison’s “St. Louis tinfoil” recording (1878)
“Nikolina” — Hjalmar Peterson (1917) (single)
“Smyrneikos Balos” — Marika Papagika (1928) (single)
“When the Saints Go Marching In” — Louis Armstrong & his Orchestra (1938) (single)
Christmas Eve Broadcast--Franklin D. Roosevelt and Winston Churchill (December 24, 1941)
“The Guiding Light” — Nov. 22, 1945
“Odetta Sings Ballads and Blues” — Odetta (1957) (album)
“Lord, Keep Me Day by Day” — Albertina Walker and the Caravans (1959) (single)
Roger Maris hits his 61st homerun (October 1, 1961)
“Aida” — Leontyne Price, et.al. (1962) (album)
“Once a Day” — Connie Smith (1964) (single)
“Born Under a Bad Sign” — Albert King (1967) (album)
“Free to Be…You & Me” — Marlo Thomas and Friends (1972) (album)
“The Harder They Come” — Jimmy Cliff (1972) (album)
“Lady Marmalade” — Labelle (1974) (single)
“Late for the Sky” — Jackson Browne (1974) (album)
“Bright Size Life” — Pat Metheny (1976) (album)
“The Rainbow Connection” — Kermit the Frog (1979) (single)
“Celebration” — Kool & the Gang (1980) (single)
“Richard Strauss: Four Last Songs” — Jessye Norman (1983) (album)
“Janet Jackson’s Rhythm Nation 1814” — Janet Jackson (1989) (album)
“Partners” — Flaco Jiménez (1992) (album)
“Somewhere Over the Rainbow”/”What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
“Illmatic” — Nas (1994) (album)
“This American Life: The Giant Pool of Money” (May 9, 2008)