Photo: Justin Jackson /J3 Collection
Participating Talent For 63rd GRAMMY Awards Premiere Ceremony Announced: Jhené Aiko, Burna Boy, Lido Pimienta, Poppy And More Confirmed
Streaming live internationally Sunday, March 14, via GRAMMY.com, the 63rd GRAMMY Awards Premiere Ceremony will feature a number of performances by current GRAMMY nominees like Rufus Wainwright, Terri Lyne Carrington + Social Science and many others
The Recording Academy has announced details for the Premiere Ceremony ahead of the annual GRAMMY Awards telecast this month.
Hosted by current three-time GRAMMY nominee Jhené Aiko, the Premiere Ceremony will feature a number of performances by current GRAMMY nominees, including: Nigerian singer, songwriter and rapper Burna Boy, jazz band Terri Lyne Carrington + Social Science, blues musician Jimmy "Duck" Holmes, classical pianist Igor Levit, Latin electropop musician Lido Pimienta, singer, songwriter and performance artist Poppy, and singer, songwriter and composer Rufus Wainwright.
Kicking off the event will be a tribute performance celebrating the 50th anniversary of the classic Marvin Gaye track "Mercy, Mercy Me (The Ecology)". The special all-nominee ensemble performance will feature Afro-Peruvian Jazz Orchestra, Thana Alexa, John Beasley, Camilo, Regina Carter, Alexandre Desplat, Bebel Gilberto, Lupita Infante, Sarah Jarosz, Mykal Kilgore, Ledisi, Mariachi Sol de Mexico de Jose Hernandez, PJ Morton, Gregory Porter, Grace Potter, säje, Gustavo Santaolalla (Bajofondo), Anoushka Shankar, and Kamasi Washington.
Current nominees Bill Burr, Chika, Infante and former Recording Academy Chair Jimmy Jam will present the first GRAMMY Awards of the day. Branden Chapman and Bill Freimuth are the producers on behalf of the Recording Academy, Greg Fera is executive producer and Cheche Alara will serve as music producer and musical director.
Music fans will be given unprecedented digital access to GRAMMY Awards content with GRAMMY Live, which will stream internationally on GRAMMY.com and via Facebook Live, the exclusive streaming partner of GRAMMY Live. GRAMMY Live takes viewers behind the scenes with backstage experiences, pre-show interviews and post-show highlights from Music's Biggest Night. GRAMMY Live will stream all day on Sunday, March 14, including during and after the GRAMMY Awards evening telecast. IBM, the Official AI & Cloud Partner of the Recording Academy, will host GRAMMY Live for the first time entirely on the IBM Cloud.
The 63rd Annual GRAMMY Awards will be broadcast live following the Premiere Ceremony on CBS and Paramount+ from 8 p.m.–11:30 p.m. ET/5 p.m.–8:30 p.m. PT. For GRAMMY coverage, updates and breaking news, please visit the Recording Academy's social networks on Facebook, Instagram and Twitter.
All of the Premiere Ceremony performers and the host are nominated this year, as are most of the presenters. Afro-Peruvian Jazz Orchestra for Best Latin Jazz Album (Tradiciones); Aiko for Album Of The Year (Chilombo), Best R&B Performance ("Lightning & Thunder" featuring John Legend) and Best Progressive R&B Album (Chilombo); Alexa for Best Jazz Vocal Album (Ona); Beasley with Somi With Frankfurt Radio Big Band for Best Jazz Vocal Album (Holy Room: Live At Alte Oper), Best Large Jazz Ensemble Album (MONK'estra Plays John Beasley), Best Arrangement, Instrumental or A Cappella ("Donna Lee") and Best Arrangement, Instrumentals and Vocals ("Asas Fechadas" with Maria Mendes); Burna Boy for Best Global Music Album (Twice As Tall); Burr for Best Comedy Album (Paper Tiger); Camilo for Best Latin Pop or Urban Album (Por Primera Vez); Carrington + Social Science for Best Jazz Instrumental Album (Waiting Game); Carter for Best Improvised Jazz Solo ("Pachamama"); Chika for Best New Artist; Desplat for Best Instrumental Composition ("Plumfield"); Gilberto for Best Global Music Album (Agora); Holmes for Best Traditional Blues Album (Cypress Grove); Infante for Best Regional Mexican Music Album (Including Tejano) (La Serenata); Jarosz for Best American Roots Song ("Hometown"), Best Americana Album (World On The Ground); Kilgore for Best Traditional R&B Performance ("Let Me Go"); Ledisi for Best Traditional R&B Performance ("Anything For You"); Levit for Best Classical Instrumental Solo (Beethoven: Complete Piano Sonatas); Mariachi Sol de Mexico de Jose Hernandez for Best Regional Mexican Music Album (Including Tejano) (Bailando Sones Y Huapangos Con Mariachi Sol De Mexico De Jose Hernandez); Morton for Best Gospel Album (Gospel According To PJ); Pimienta for Best Latin Rock or Alternative Album (Miss Colombia); Poppy for Best Metal Performance ("BLOODMONEY"); Porter for Best R&B Album (All Rise); Potter for Best Rock Performance ("Daylight"), Best Rock Album (Daylight); säje for Best Arrangement, Instruments and Vocals ("Desert Song"); Santaolalla with Bajofondo for Best Latin Rock or Alternative Album (Aura); Shankar for Best Global Music Album (Love Letters); Wainwright for Best Traditional Pop Vocal Album (Unfollow The Rules); and Washington for Best Score Soundtrack For Visual Media (Becoming).
Click the below to view the program book for the 63rd GRAMMY Awards Premiere Ceremony.
ACL Celebrates 40 Years
After 40 years and more than 800 performances, "Austin City Limits" continues to thrive as America's longest-running televised music program
When GRAMMY winner Gary Clark Jr. taped his "Austin City Limits" episode with Alabama Shakes in late 2012, the blues guitarist had already performed at the White House with Buddy Guy, Mick Jagger, Jeff Beck, and B.B. King, and played alongside Eric Clapton. In fact, Clark had also already played on "Austin City Limits," appearing five seasons earlier in a tribute to Jimmy Reed. But when he stood center stage before its iconic Austin skyline backdrop, finally joining a fraternity populated by so many of his idols, the Austin, Texas, native, then 28, said, "I've been wanting to do this for 16 years."
Like Clark, who learned to play guitar by wearing out his VHS tape of the 1996 tribute episode to Stevie Ray Vaughan, GRAMMY nominee Sarah Jarosz also grew up watching the public television series — which, unlike other TV programs, showcases artists performing actual, uninterrupted sets. Multi-instrumentalist and singer/songwriter Jarosz, who was raised in Wimberley, just outside of Austin, recalls, "Just getting to see some of my musical heroes on that show was pretty priceless, and inspiring."
The PBS series — the longest-running televised music program in the United States — has helped launch careers for 39 years. Even those who gain international renown before setting foot on the show's storied stage count their performance as a bucket list/holy grail moment. On Oct. 3, the night before season 40 kicks off with GRAMMY winner Beck, PBS will air "Austin City Limits Celebrates 40 Years," a two-hour special featuring some of the series' most beloved artists and rising stars, from Kris Kristofferson, Bonnie Raitt and Joe Ely to Clark and Alabama Shakes.
Co-hosted by actor/musician Jeff Bridges and GRAMMY winner Sheryl Crow, the special combines footage from a four-hour event taped in June and the show's inaugural Austin City Limits Hall of Fame induction ceremony, held in April. Among the first class of inductees were GRAMMY-winning pedal steel player Lloyd Maines, Vaughan and Willie Nelson, who taped the pilot episode of "Austin City Limits" in 1974.
ACL, as it's commonly called, has featured more than 800 live performances since it first aired 40 years ago. Conceived by KLRU-TV (then KLRN) program director Bill Arhos, producer Paul Bosner and director Bruce Scafe, the series initially focused on the unique music scene that had sprouted in central Texas, where country, blues, folk, and rock had cross-pollinated into something labeled progressive country, or "redneck rock." (Nelson's strain was dubbed "outlaw country." The nascent genre would become known as alt-country before morphing into Americana.) Broadcast during a 1975 PBS pledge drive, the show's fundraising success got it picked up for the 1976 season.
Since then, it's managed not only to stay on the air, but gain popularity, weathering the birth of MTV and other competition for viewers' attention. Time magazine has cited ACL as one of the 10 most influential music programs in TV history. It's also the only television program ever awarded a National Medal of Arts. Other accolades include a Peabody Award and its designation as an official rock and roll landmark (both the show and its venues) by the Rock and Roll Hall of Fame and Museum.
"Nobody ever thought it would go this long," says KLRU CEO and General Manager Bill Stotesbery. "Shows don't run this long in television. I think it's due to the fact that the show's maintained a very high level of quality and that it's on PBS, because PBS has a commitment to this kind of programming."
ACL also grew well beyond KLRU's Studio 6A on the University of Texas campus, its home for 36 years. In 2002 the series spawned the now-annual Austin City Limits Festival and in 2011 PBS first aired the "ACL Presents: Americana Music Festival," featuring highlights from the Americana Honors & Awards Show. Also in 2011, the series relocated to the newly built ACL Live at the Moody Theater in downtown Austin on Willie Nelson Avenue, with audience capacity increasing from 350 to 2,750.
For Jarosz and performers such as GRAMMY-winning jazz artist Esperanza Spalding, who wasn't allowed to watch non-PBS programming as a child, both stages hold magic — as does the experience of playing on them.
"To get to really do a [full] set, it's like performing one act of a play or performing three acts of a play," says Spalding. "It makes a difference for the audience to see a fuller palette of what you are as an artist. … It's really such a luxury to get to stretch out and show your whole self. Forty years is a testament to that. People want to know what the artist is saying."
There's a definite career bump, too.
"Probably 90 percent of the people who come up to me after my live shows say that [ACL's] how they heard about me and that's where they first saw my performance and heard my music," says Jarosz, who was 18 when she recorded her first episode. "To be given that chance really has helped a lot."
ACL executive producer and host Terry Lickona, who also co-produces the GRAMMY Awards and is a former Recording Academy Chair, says the show's longevity has made it even more desirable to artists.
"They see 'Austin City Limits' as a validation of their music," notes Lickona, who joined ACL in its second season.
His wish list still includes Bruce Springsteen and Prince, who's apparently a fan.
"I've heard from other people [Prince] saw Esperanza Spalding and Grupo Fantasma, and he loves to tune in to see if there's somebody new he's never heard of before," says Lickona.
Speaking of career bumps, Prince subsequently hired Grupo Fantasma as his backing band for various high-profile gigs, including a Golden Globes after-party.
Lickona also still gets a thrill from discovering new, original talent, too, and sharing it with viewers — via TV, the Internet or some other still-to-come technology.
"We're all proud of where 'Austin City Limits' has come from," says Ed Bailey, vice president of brand development for ACL. "But we're proud of where it's going. Forty years is a stopping off point to celebrate where we've been … but we're also looking for the next thing. That's why ACL still matters."
(Austin, Texas-based writer/editor Lynne Margolis has contributed to a variety of print, broadcast and online media, including American Songwriter and Paste magazines, Rollingstone.com, the Christian Science Monitor and NPR. She also writes bios for new and established artists.)
Photo: Jeff Kravitz
Body Count Perform "Black Hoodie" | 2018 GRAMMYs
Ice-T & Co. blaze through their GRAMMY-nominated track
If there's one way to powerfully encapsulate anger, metal music might just be one of the most effective outlets. Such is the case with band Body Count and their track "Black Hoodie."
The group — fronted by legendary rapper Ice-T— got political with the Best Metal Performance GRAMMY-nominated slugger, railing against the shooting of unarmed black teenager Trayvon Martin in 2012. The band didn't hold back their rage, tapping into the zeitgeist of what many are feeling in today's political climate.
Body Count brought the unapologetic song to the 60th GRAMMY Awards Premiere Ceremony with a performance that won't soon be forgotten. Take a look for yourself.
Pre-Order The 2013 GRAMMY Nominees Album Now
Latest edition of best-selling series available Jan. 22, 2013; fans can pre-order the album and enter to win a trip for two to the 55th Annual GRAMMY Awards
The Recording Academy's GRAMMY Recordings and Capitol Records have teamed to release the 2013 GRAMMY Nominees album, which will be available Jan. 22, 2013, in stores and via digital retailers. The 19th installment of the best-selling series will feature a bevy of this year's GRAMMY-nominated artists and hit songs across multiple genres. A portion of the proceeds from sales of the album will help support the year-round efforts of the GRAMMY Foundation and MusiCares Foundation — two charitable organizations of The Recording Academy.
Following the success of last year's contest, music fans can log on to www.grammy.com/2013grammyalbum to pre-order the 2013 GRAMMY Nominees album and enter to win a trip for two to the 55th Annual GRAMMY Awards.
"It's an honor to join forces with Capitol Records to deliver a truly diverse collection encompassing a variety of genres and highlighting today's most talented musicians," said Neil Portnow, President/CEO of The Recording Academy. "After the success of last year's pre-order enter-and-win sweepstakes, we're once again thrilled to give music fans the opportunity to experience Music's Biggest Night firsthand. And, it's gratifying to be able to continue our support of the crucial work that MusiCares and the GRAMMY Foundation carry out year-round."
Dan McCarroll, president of Capitol Records, added, "Capitol is honored to collaborate with The Recording Academy on this prestigious series. This year has been a remarkably strong year in music, and encompassing the highlights of 2012 on a single release supporting these charities is immensely gratifying."
The road to Music's Biggest Night begins with "The GRAMMY Nominations Concert Live!!" and culminates with the 55th Annual GRAMMY Awards, live from Staples Center in Los Angeles on Sunday, Feb. 10, 2013, and broadcast on CBS at 8 p.m. ET/PT.
For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook.
Dave Koz, MC Lyte host 2012 GRAMMY Pre-Telecast Ceremony
Co-hosted by Dave Koz and MC Lyte, ceremony to present nearly 70 awards and feature performances from Kim Burrell, Joyce DiDonato, Reirth Brass Band, and Trin-I-Tee 5:7, among others
The 54th Annual GRAMMY Awards Pre-Telecast Ceremony will take place on Sunday, Feb. 12 from 1–3:30 p.m. PT at the Los Angeles Convention Center and will be streamed live in its entirety internationally at www.grammy.com/live and www.cbs.com.
Attended by nominees and industry VIPs, the star-studded ceremony with be co-hosted by current GRAMMY nominee Dave Koz and Recording Academy Los Angeles Chapter President and rapper MC Lyte.
The Pre-Telecast will feature performances by current nominees Kim Burrell, Le'Andria Johnson, Kelly Price, and Trin-I-Tee 5:7 in a "Ladies of Gospel" segment as well as current nominees mezzo-soprano Joyce DiDonato, singer/songwriter Steve Earle and New Orleans' Rebirth Brass Band.
Presenting the first GRAMMY Awards of the night in 68 categories will be current nominees Gerald Clayton, Chick Corea, Brandon Heath, Arturo O'Farrill, OK Go, Corinne Bailey Rae, and Esperanza Spalding as well as GRAMMY-winning producer Jimmy Jam.
Co-host Koz is nominated for Best Pop Instrumental Album for Hello Tomorrow.
Performers Burrell, Earle, Johnson, Rebirth Brass Band, and Trin-I-Tee 5:7 each have one nod: Burrell for Best Gospel Album for The Love Album; Earle for Best Folk Album for I'll Never Get Out Of This World Alive; Johnson for Best Gospel/Contemporary Christian Music Performance for "Jesus"; Rebirth Brass Band for Best Regional Roots Music Album for Rebirth Of New Orleans; and Trin-I-Tee 5:7 for Best Gospel Album for Angel & Chanelle Deluxe Edition. DiDonato has two nominations for Best Opera Recording for Vivaldi: Ercole Sul Termodonte and Best Classical Vocal Solo for "Diva Divo." Price has three nods for Best R&B Performance (with Stokley) and Best R&B song for "Not My Daddy" and Best R&B Album for Kelly.
Presenters Clayton, O'Farrill, OK Go, Rae, and Spalding each have one nomination: Clayton for Best Jazz Instrumental Album for Bond: The Paris Sessions; O'Farrill for Best Large Jazz Ensemble Album for 40 Acres And A Burro; OK Go for Best Short Form Music Video for "All Is Not Lost"; Rae for Best R&B Performance for "Is This Love"; and Spalding for Best Jazz Instrumental Album for Bird Songs (with Joe Lovano/Us Five). Corea has two nominations for Best Improvised Jazz Solo for "500 Miles High," and Best Jazz Instrumental Album for Forever (with Stanley Clarke and Lenny White). Heath has three nominations for Best Gospel/Contemporary Christian Music Performance and Best Contemporary Christian Music Song for "Your Love," and Best Contemporary Christian Music Album for Leaving Eden.
The live stream of the Pre-Telecast will remain on GRAMMY.com as video on demand for 30 days following the event. Following the ceremony, the 54th Annual GRAMMY Awards will be broadcast live on the CBS Television Network from 8–11:30 p.m. ET/PT.
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