Classical music has been proven to ease anxiety. Several studies can attest to the genre's ability to lower blood pressure and stress, both of which are on the rise as society tries to adapt to the uncertainty and isolation brought on by the coronavirus pandemic. Thankfully, the classical community is hard at work trying to combat the negative effects of self-quarantine. Despite the hardships that musicians are facing during this time of social distancing, only seven percent of musicians are social distancing from their instruments as well, according to a poll conducted by violinist.com. Choral societies, opera companies and gig musicians alike are all making efforts to provide comfort to fans and listeners through live streams, podcasts, music lessons and more. Read on for six anxiety-melting classical music stories and experiences that you can immerse yourself in today.

1. Iconic opera singer Andrea Bocelli brings us "Music for Hope" from Milan

On Easter Sunday, renowned opera singer Andrea Bocelli gave a performance in the empty Milan Cathedral, Duomo di Milano. Bocelli's intent was to bring peace to those spending the holiday weekend alone and a sense of community to the world wherein 90 percent of people are engaged in social distancing—a third of which are under some level of government-enforced lockdown. The five-time GRAMMY-nominated vocalist called this 30-minute Concert "Music for Hope," as it included uplifting favorites like "Amazing Grace" and Bach's "Ave Maria." The performance, which received 17 million streams within the first four hours of being posted, can be watched in full on YouTube. 

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2. Yo Yo Ma expresses gratitude to healthcare heroes with "Songs of Comfort" series

Last month, GRAMMY-winning cellist Yo Yo Ma performed the heartwarming Sarabande from Bach's Cello Suite No. 3, dedicating the concert to healthcare workers on the frontlines. "Your ability to balance human connection and scientific truth in service of us all gives me hope," he wrote in a tweet. The Paris-born virtuoso continues this series of online performances entitled "Songs of Comfort" in hopes of bringing peace to those crippled with anxiety during these hard times. To experience more, follow #songsofcomfort on Twitter and Facebook.

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3. Nu Deco Ensemble continues to pay its musicians and lead educational programs

Miami’s eclectic and genre-bending Nu Deco Ensemble (NDE), which has collaborated with GRAMMY-winning artists like Macy Gray and Jacob Collier, maintains its grind during these challenging times. In fact, they seem to know a secret that no one else does when it comes to keeping audiences connected and putting musicians first. We reached out to NDE Personnel Manager and violinist Abby Young, who spoke with us about the efforts behind NDE's continued perseverance amidst the hardships they face. 

"When our performances were cancelled, our leadership asked patrons to donate the cost of their tickets instead of taking the refund, which we've turned around and used to pay our musicians," Young explains. The ensemble showed its gratitude by conducting live interviews over Instagram, giving their patrons an opportunity to interact with NDE conductor Jacomo Bairos and arranger Sam Hyken directly. "We wanted to give patrons an opportunity to learn more about them and their creative processes."

Nu Deco's musicians also participate in an educational program entitled Nu Deco NXT, which is committed to teaching and coaching high school students from the community. The program’s week-long spring break intensive was cancelled, but according to Young, the NXT leadership team quickly regrouped and arranged an alternative for the students: Saturday morning guided meditations over Zoom, followed by a different music lesson each week. Individual music instruction also continues through Zoom private lessons. "I am so proud of the steps Nu Deco has taken to protect our musicians and strengthen our organization, all while keeping our patrong and students engaged through these trying times," Young shares.

NDE is holding virtual "watch parties" to premiere newly released videos of past performances as a fun way for audience members and new fans to engage in a shared experience. To join in the fun, visit their Facebook or Instagram.

4. Houston Chamber Choir brings a sense of community with their biweekly podcast

As is the case for ensembles all across the nation, the distinguished Houston Chamber Choir was forced to cancel all concerts for the remainder of the season. Despite this misfortune, they are one of several choirs still seeking to provide people with the comfort and sense of community that comes from listening to choir voices singing in unison. The ensemble, which earned the GRAMMY for Best Choral Performance this year, is offering a podcast every Monday and Friday at noon CT entitled "With One Accord." Hosted by their artistic director Robert Simpson, the biweekly podcast presents favorite moments from past performances that are, as described on the choir’s website, "selected especially to bridge the isolation we are all feeling and to offer a moment of peace and comfort during these anxious days."

Other choirs taking part in the widespread effort to bring choral music to the ears of the isolated include GRAMMY-nominated ensemble Conspirare in their "All of Us" Virtual Choir Project and Monteverdi’s Choir & Orchestra.

5. Tarisio auctions off rare Instruments to raise money for struggling musicians

Tarisio Fine Instruments & Bows has launched an initiative called GiveBack, which is a benefit auction wherein all commissions will be donated to musicians around the world who have been affected by COVID-19. The total commissions of approximately $100,000 will be divided and distributed in the form of grants at $600 each, and any musician is welcome to apply. "As we navigate these unprecedented times, supporting our communities is essential," Tarisio Auctions Founder Jason Price states on the organization’s website. "Orchestras have been furloughed, contracts have been canceled, freelancers are left without work. We will do what we can to help." The catalog for this special sale will be posted online on April 15 and the auction will end on May 1. If you wish to contribute or participate, you can contact Tarisio directly or visit their website’s GiveBack page.

6. Manchester Collective invites us to their intimate "Live From Isolation" series

The Manchester Collective is dedicated to immersing viewers in unique live listening experiences, and it is clear that nothing—not even a pandemic—is enough to stop them. "Whether on the road or under lockdown, Manchester Collective are staying firmly committed to our mission to create unforgettable musical experiences for audiences all over the world," their website states. The U.K.-based ensemble remains hard at work producing exciting and ever-changing live online events in a series called "Live From Isolation" in which the ensemble’s musicians are performing intimate solo concerts from their living rooms to yours. Light a candle, grab a blanket and enjoy the sonic escape.

For those longing for more classical music escapes, visit Classic FM, New York Classical Review, or Livingroom Live. If you are a full-time musician whose career has been placed on hold as a result of COVID-19, organizations like Equal Sound and MusiCares have Coronavirus relief funds that you can apply for today.

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As one of the world’s most beloved vocalists, the Italian tenor Andrea Bocelli has built a legendary career over 15 solo albums, a regular schedule of blockbuster tours and five GRAMMY nominations, most recently for Best Traditional Pop Vocal Album for Si in 2020.

Originally setting his dreams onto a career as a soccer player, life set Bocelli on a new path after a mishap playing the sport resulted in the loss of his vision. Worldwide stardom came after his musical success in his native Italy, and since the release of his debut album in 1994, he’s staked a claim as one of the best-selling artists of all time. 

It’s a legacy that continues with the recent release of the deluxe edition of his album A Family Christmas. Originally released to acclaim last year, it features his children Virginia and Matteo; the updated version is composed of 10 new tracks, including the single “Let It Snow.”

Bocelli spoke to GRAMMY.com about the new album, his current nationwide tour and the album that first turned him into a global sensation: “The result went beyond my wildest dreams.” 

A Family Christmas features your kids Virginia and Matteo. Over the years, you also recorded blockbuster duets with everyone from Tony Bennett and Beyonce, Ed Sheeran and Celine Dion, among many others. Can you point out the most memorable duet of your career?

I wouldn’t mention one in particular, to not offend the others. As you know, I love duets; mixing voices is a challenge, a wager, a meeting of souls. Singing together, either opera or pop music, is always a gratifying experience. In my thirty-year career, I have had the honor to sing with extraordinary artists, from the already mentioned Celine Dion to Barbra Streisand, from Stevie Wonder to the unforgettable Tony Bennett. In the lyrical world, I hold close to my heart the memory and privilege of making music with Placido Domingo, Jose Carreras, and Luciano Pavarotti.

You were nominated for the Best New Artist GRAMMY in 1999. What do you remember about that show, and your introduction to America in general?

I remember, with great emotion, the duet that my dearest friend, Celine Dion, and I sang together, interpreting that little masterpiece that was “The Prayer”, written by another great friend of mine, David Foster. A very intense relationship with the United States was taking shape at the time, and then followed a continuous upward curve, to the extent that today I consider it my second home. This extraordinary country immediately showed me love!

You're currently on tour, and are known for your epic performances and specials, whether performing in Milan's Duomo or riding horseback across the country. How do you come up with these ideas? Is the idea to go bigger and bigger, or did these just happen organically? 

The source of my inspiration is always the same, and I can summarize it in one word: love. Love across the board: sensual love, love for life, for beauty, for the brotherhood that unites us, and for He who created us.

I believe that there is a purpose conceived for each one of us. Every life is a story that reflects a specific plan. Every woman, every man is born with a talent that is a gift by heavenly design. It is up to our conscience, to our free will to cultivate and honor it or vice versa squander it.

I personally tried to honor mine, making my voice available to share values, such as love, optimism and brotherhood. After that, everything is in the hands of our good Lord, so what I do is look up to the heavens every day and give thanks, ask for help, pray and whisper, “Your will be done.”

Romanza is one of the best selling albums of all time. When you were recording it, did you feel it was going to be something special — or did its success take you by surprise?

I experienced alternating feelings of hope and disappointment. People appreciated my singing and proved it to me consistently. It was show business itself that didn’t consider me a marketable “product.” I was often told, “you better find a new job.” There were so many potential opportunities lost by a breath, and considering the fact that I was no longer a young artist, at times my expectations of transforming this passion of mine into a profession were truly dim.

How did that change?

When Romanza was released, I, of course, aspired to find my own audience, be it in pop or opera. The result went beyond my wildest dreams, beyond my rosiest and most passionate expectations. This recording project holds within it a very important part of my own personal and professional story. To date, I find it hard to understand the reasons for such an overwhelming success, despite realizing that its songs still today, after so many years, are capable of communicating intense, uplifting emotions.

Do you know right away how to musically interpret a song, or is there a process?

There is always a long, complex and challenging process of reflection and elaboration. There is a first phase of listening to the entire interpreted narrative of the song. Then comes the creative phase, alternating with an analytical phase for the end result, with a constant fine-tuning of the vocal and instrumental solutions.

I must say that I consider this deluxe version of the Christmas album, with extra songs, special for personal reasons. Mainly because I was able to work with my children. But also for its innovative recording, orchestral arrangements and the creative process. For each song, we started off with the piano using a felt to dampen the sound. Then it was overwritten by classical and pop instrumentation, always looking to create sculpted sounds for each individual piece. Everything was first sampled, then recorded with a full orchestra.

When it comes to putting the Christmas album specifically, how do you find fresh songs to cover and interpret?  The classics have been covered countless times.

After evaluating hundreds of songs, we chose [together with our record label team] the most intense; the ones capable of evoking the Christmas spirit we were looking for. It is, in some ways, an unusual selection, inspired by the sentiment of universal solidarity. It is a phonic kaleidoscope of international songs, alternating celebratory and festive tones with more intimate and reflective ones.

The album is the genuine musical product of a family dedicated to all families. In it are three voices, three stages of life, three inevitably different sensitivities (despite our strong emotional ties) competing in a mix of genres, but at the same time, looking to recreate that magical state of mind that Holy Christmas can give us. This is what A Family Christmas is about: an album that is markedly different from the one I released in 2009, because it has a more modern and diversified track, with original and bespoke arrangements, fully adapted to our different voices.

Speaking of covers, your version of "Happy Xmas (War Is Over)" is very unique. Can you tell me the story behind choosing that, and the arrangement?

The atmosphere created with this arrangement, and through the timbre and expressiveness of Matteo's voice offer a truly different, and I hope, interesting rendering. A decisive contribution to creating this and other songs comes from two extraordinary professionals, Ross Cullum and Stephan Moccio. Both worked in all of the vocal recording sessions, with meticulous and very refined precision on the choice of tonality, rhythm, dynamics, the vocal range of the scores, and orchestral colors.

What songs get the biggest reaction on your current tour?

It's actually hard to give a ranking of my most liked songs. Of course, songs tied to the imminent Christmas festivities warm the heart and are received with joy. But warm reactions are also generated by my operatic repertory with its most famous and beloved arias, as do also my pop classics.

The U.S. public, that I have the honor to have frequented for a quarter of a century, is, to my mind, the ideal audience. It's upbeat, generous, ready to get involved. It's an audience that can still get emotional, can participate and be responsive to what is happening on stage. It can experience with healthy simplicity and enthusiasm the emotions generated by listening. 

You uniquely weave your charitable foundation in with your shows. What's it like trying to think of fresh ideas for your foundation? Do you have fun with it?

The Andrea Bocelli Foundation was established in 2011. With the mission to empower people and communities, we chose education as a true key to offer people and communities the opportunity to live to their full potential. We do so by trying to be innovative in approach and planning our work with a multi-disciplinary team of professionals and consultants coming from different backgrounds and aligned with global objectives, such as the UN 2030 Agenda. We use tools and informal disciplines like art or digital music and promote the development of cross-cutting skills. For this reason, the Permanent Mission of Italy to the United Nations invited us to bring our expertise and best practices to the UN this December in recognition of our work as meaningful and innovative.

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The Biggest Night in Latin Music is almost here — and even more talent will grace the stage! The Latin Recording Academy has announced additional performers for the 2023 Latin GRAMMYs: Current nominees Shakira, Rosalía, Maluma, Sebastián Yatra, and Milo J have been added as performers. Andrea Bocelli, a previous Latin GRAMMY nominee, and DJ Premier join the star-studded lineup, and David Guetta will join Ozuna for a special performance.

In addition, Majo Aguilar, Anitta, Pedro Capó, Jorge Drexler, Luis Figueroa, Fonseca, Tiago Iorc, Mon Laferte, Natalia Lafourcade, John Leguizamo, Nicki Nicole, Carlos Ponce, Carlos Vives, and Yandel join as presenters.

Milo J is nominated this year for Best Rap/Hip Hop Song, while Maluma is nominated for Record of the Year and Best Tropical Song. Latin GRAMMY and GRAMMY winner Rosalía is nominated for Record of the Year. Shakira has seven nominations including Record of the Year and three different nominations for Song of the Year. Two-time GRAMMY nominee and two-time Latin GRAMMY winner Sebastián Yatra, who is currently nominated for Best Pop Song, will co-host the 2023 Latin GRAMMYs, alongside Latin GRAMMY nominees and actresses Roselyn Sánchez and Danna Paola and internationally acclaimed actress Paz Vega.

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They join previously announced performers Juanes, Rauw Alejandro, Alejandro Sanz, Christian Nodal, Ozuna, Bizarrap, Feid, Camilo, Maria Becerra, 2023 Latin Recording Academy Person Of The Year Laura Pausini, and many others, who will take the stage at the 2023 Latin GRAMMYs. Additionally, Peso Pluma and Eslabón Armado will join forces to perform "Ella Baila Sola" for the first time together on television.

The 2023 Latin GRAMMYs, officially known as the 24th Latin GRAMMY Awards, will be broadcast from the Conference and Exhibition Centre (FIBES) in Sevilla (Seville) in Andalucía (Andalusia), Spain, on Thursday, Nov. 16, 2023, at 8 p.m. ET (7 p.m. CT) on Univision, UniMás and Galavisión in the U.S., and at 10:30 p.m. CET on Radiotelevisión Española (RTVE) in Spain. It will also air on cable channel TNT at 19:30 (MEX) / 20:30 (PAN-COL) / 21:30 (VEN) / 22:30 (ARG/CHI). The ceremony will be aired in over 80 countries worldwide. Check your local broadcasters for airings.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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