With the 2023 GRAMMYs season in full swing, the Recording Academy has announced the 2023 Special Merit Awards honorees.

Bobby McFerrin, Nirvana, Ma Rainey, Nile Rodgers, Slick Rick "The Ruler," The Supremes, and Ann Wilson and Nancy Wilson of Heart are the 2023 Recording Academy Lifetime Achievement Award recipients; Henry Diltz, Ellis Marsalis and Jim Stewart are the Trustees Award recipients; and the Audio Engineering Society (AES) and Dr. Andy Hildebrand are the Technical GRAMMY Award honorees. The Best Song For Social Change honoree will be announced at a later date.

The Recording Academy's corresponding Special Merit Awards Ceremony celebrating the 2023 Special Merit Awards recipients will return as an in-person event for the first time since 2020 on Feb. 4, 2023, at the Wilshire Ebell Theatre in Los Angeles during GRAMMY Week 2023.

"The Academy is proud to celebrate this diverse slate of influential music people spanning numerous genres and crafts as our 2023 Special Merit Awards honorees," Recording Academy CEO Harvey Mason jr. said. "Each creator on this list has made an impact on our industry — from technical to creative achievements — representing the breadth of music's diverse community. We're excited to celebrate this group of legends next month that continues to inspire and shape the music world."

Lifetime Achievement Award Honorees: This Special Merit Award is presented by vote of the Recording Academy's National Trustees to performers^ who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording; ^through 1972, recipients included non-performers.

Bobby McFerrin is a 10-time GRAMMY Award winner who has blurred the distinction between pop music and fine art. His exploration of uncharted vocal territory inspired a whole new generation of a cappella singers and the beatbox movement. From his trailblazing, solo a cappella performances to his inspired collaborations with Chick Corea and Yo-Yo Ma, his iconic global No. 1 hit "Don't Worry, Be Happy" and his work conducting top-tier orchestras, McFerrin's calling has always been to connect people through the unlimited possibilities of music. McFerrin redefined the role of the human voice with his experiments in multi-tracking, his collaborations, his improvising choir Voicestra, and his legendary solo performances.

Nirvana was formed in 1987 by Kurt Cobain^ and Krist Novoselic and emerged from the Pacific Northwest onto the world stage with the 1989 release of its debut album Bleach. Two years later Nirvana's sophomore album Nevermind would spark a seismic shift in global youth culture. Rising to No. 1 worldwide and featuring GRAMMY Hall of Fame® single "Smells Like Teen Spirit," Nevermind‘s impact would transform Cobain, Novoselic and Dave Grohl into one of the most successful and influential musical entities of all time. Nirvana's third and ultimately final studio album, In Utero, was released in 1993, completing an indelible run that returned rock 'n' roll integrity and passion to the top of the charts. With a 2014 induction into the Rock & Roll Hall of Fame and more than 75 million records sold, Nirvana continues to be a singular inspiration for generations of fans and musicians the world over.

Ma Rainey^ (Gertrude Pridgett Rainey), often called the "Mother of the Blues," was known for her deep voice and mesmerizing stage presence that drew packed audiences in the early twentieth century. A songwriter as well as a performer, her lyrics and melodies reflected her experiences as an independent, openly bisexual African-American woman. Rainey signed a recording contract with Paramount Records in 1923, making her one of the earliest recorded blues musicians. Between 1923 and 1928, she recorded almost 100 records, many of them national hits that are now part of the American musical canon. Her 1924 recording of "See See Rider Blues" (for which she was accompanied by a young Louis Armstrong) was added to the Library of Congress's National Recording Registry in 2004.

Nile Rodgers is a Rock & Roll Hall of Fame inductee, Songwriters Hall of Fame inductee and a multiple GRAMMY Award-winning songwriter, composer, producer, arranger, and guitarist. As the co-founder of CHIC, Rodgers pioneered a musical language that generated chart-topping hits like "Le Freak," the biggest-selling single in the history of Atlantic Records, and sparked the advent of hip-hop with "Good Times." His work in the CHIC Organization including "We Are Family" with Sister Sledge and "I'm Coming Out" with Diana Ross and his productions for artists like David Bowie ("Let's Dance"), Madonna ("Like A Virgin") and Duran Duran ("The Reflex") have sold over 500 million albums and 100 million singles worldwide while his innovative, trendsetting collaborations with Daft Punk, Daddy Yankee and Beyoncé reflect the vanguard of contemporary hits. 

Slick Rick "The Ruler,” renowned as "THE most sampled hip-hop artist in history" and "Hip-hop's greatest storyteller" has set the pace for rap's past, present, and future. The Ruler's catalog, which includes the anthems "La-Di-Da-Di" and "The Show," boasts over 850 samples, ranging from Snoop Dogg's "Lodi Dodi" through Beyoncé and J. Cole's "Party." Noted as "the third artist signed to Def Jam Recordings" and "the most successful British-American rapper," his multi-platinum discography encompasses The Great Adventures of Slick Rick [1988], The Ruler's Back [1991], Behind Bars [1994], and The Art of Storytelling [1999]. VH1 Hip Hop Honors celebrated him in 2008, and The Source ranked him among the Top 3 of its "Top 50 Lyricists of All Time."

Two-time GRAMMY Award nominees The Supremes were the leading act of Motown Records during the 1960s. Founded by Diana Ross, Mary Wilson^ and Florence Ballard^, The Supremes were trailblazers in the history of music, transcending all genres as the first female group that defined a generation. They were leaders at a pivotal time during the American Civil Rights movement by bringing together audiences that had racial cultural differences through their style and music. Named the No. 1 female recording group of all time by Billboard in 2017, the group achieved an unprecedented 12 No. 1 hits and five consecutive No. 1s from 1964-1965 with "Where Did Our Love Go," "Baby Love," "Come See About Me," "Stop! In the Name of Love," and "Back in My Arms Again." The Supremes were inducted into the Rock & Roll Hall of Fame in 1988 with The Beatles, received a star on the Hollywood Walk of Fame in 1994, and were inducted into the Vocal Group Hall of Fame in 1998.

Ann Wilson and Nancy Wilson are being recognized as Lifetime Achievement Award honorees for their creative work with the rock band Heart. Heart was inducted into the Rock & Roll Hall of Fame, sold over 35 million records, garnered four GRAMMY Award nominations, landed 10 Top 10 albums, received a star on the Hollywood Walk of Fame, had several No. 1 hits, and achieved "the longest span of top 10 albums on the Billboard charts by a female-led band." Heart's influence can be palpably felt everywhere from rock and heavy metal to hip-hop and pop. As a result, their music resonates in nearly every corner of pop culture.

Read More: GRAMMY Lifetime Achievement Awards | The Complete List

Trustees Award Honorees: This Special Merit Award is presented by vote of the Recording Academy's National Trustees to individuals who, during their careers in music, have made significant contributions, other than performance^, to the field of recording; ^through 1983, recipients included performers.

Henry Diltz photographed more than 250 album covers and thousands of publicity shots in the 1960s and 1970s as a music photographer, including the iconic Morrison Hotel cover for the Doors. Other artists, whose fly-on-the-wall style portraits he's known for, include musical legends such as the Eagles, Neil Young, Crosby, Stills & Nash, Jackson Browne, America, Steppenwolf, James Taylor, Jimi Hendrix, The Monkees, Joni Mitchell, Linda Ronstadt, and David Cassidy. He was the official photographer at the Woodstock festival in August 1969. His work has appeared in The New York Times, Los Angeles Times, LIFE, People, Rolling Stone, High Times, and Billboard.

Ellis Marsalis^ was a jazz pianist and music educator regarded by many as the premier modern jazz pianist in New Orleans. He began formal music studies at the Xavier University Junior School of Music at age 11 and graduated with a bachelor of arts degree in music education from Dillard University in 1955. In 1986, Marsalis accepted the position of commonwealth professor at Virginia Commonwealth University in Richmond, Va., where he spent two of the three years as coordinator of jazz studies before returning to New Orleans to become the University of New Orleans' first occupant of the Coca-Cola-endowed chair of jazz studies. In 2008 he was inducted into the Louisiana Music Hall of Fame, and in 2011, he was honored with the NEA Jazz Masters Award, along with his sons Branford, Wynton, Delfeayo, and Jason, given to the Marsalis family. 

Jim Stewart^ founded Stax Records and produced some of the greatest rhythm and blues (R&B) records of the 1960s. He was instrumental in launching the careers of Otis Redding, the Bar-Kays, Isaac Hayes, Eddie Floyd, Booker T. & the M.G.s, the Staple Singers, Johnnie Taylor, Albert King, Rufus and Carla Thomas, and hundreds of others. With Stewart at the helm, Stax moved some 800 singles and 300 albums, placing more than 167 hit songs in the Top 100 on the pop charts, and a staggering 243 hits in the Top 100 R&B charts. Stewart was inducted into the Rock & Roll Hall of Fame in 2002 by Steve Cropper of Booker T. & the M.G.'s, and Sam Moore of Sam & Dave. In 2012, he was also among the first class of inductees to the Memphis Music Hall of Fame.

Read More: GRAMMY Trustees Awards | The Complete List

Technical GRAMMY Award Honorees: This Special Merit Award is presented by vote of the Producers & Engineers Wing® Advisory Council and Chapter Committees and ratification by the Recording Academy's National Trustees to individuals and/or companies/organizations/institutions who have made contributions of outstanding technical significance to the recording field. 

The Audio Engineering Society (AES) is the only professional society devoted exclusively to advancing audio technology. Founded in 1948 with the key goals of collecting, collating and disseminating knowledge of audio science and its application, AES facilitates communication and collaboration that unites audio engineers, creative artists, scientists, and students, with hundreds of local sections worldwide. 75 years on, AES's members continue to set precedents and standards wherever sound and technology meet, from recording and entertainment to scientific research in emerging fields such as Spatial and Game Audio, Networking and Streaming, and Audio for Virtual and Augmented Reality.

Dr. Andy Hildebrand graduated with a Ph.D. EE from the University of Illinois in 1976, specializing in stochastic processes and estimation theory. After studying music composition at Rice's Shepard School of Music, Hildebrand developed an interest in audio data processing and founded Antares Audio Technology in 1990. At Antares, Hildebrand created the groundbreaking Auto-Tune software program, which was first released in 1997. In 2011, Hildebrand was inducted into the TEC Foundation's "Technology Hall of Fame" for the invention of Auto-Tune.

^Denotes posthumous honoree.

Read More: GRAMMY Technical Awards | The Complete List

2023 GRAMMY Nominations: See The Complete Nominees List

Watch highlights from the 2025 GRAMMYs on live.GRAMMY.com.

The 2025 GRAMMYs telecast has been reimagined to raise funds for MusiCares Fire Relief, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. Donate now.

It was almost impossible not to feel hopeful about the future the moment the Special Merit Awards ceremony kicked off on Feb. 1 during 2025 GRAMMYs Week.

Onstage at the Wilshire Ebell Theatre in Los Angeles, a montage showing the smiling faces of previous recipients — all legends who transformed the course of popular music — was accompanied by snippets of such recordings as Tina Turner’s soulful "What’s Love Got To Do With It" and Aretha Franklin’s majestic reading of Puccini’s opera classic "Nessun Dorma."

The video felt especially poignant on that balmy afternoon, as Los Angeles is still reeling from the catastrophic fires that disrupted the lives of thousands — including many of the city’s musicians.

"We have to acknowledge the hardship that many of our fellow creators are experiencing," Recording Academy CEO Harvey Mason jr. said during his introductory remarks, pausing to note the magnitude of Musicares’ Fire Relief efforts.

Read more: Recording Academy & MusiCares Expand Wildfire Relief Efforts With New Partnerships During 2025 GRAMMYs

Noting that this is a vital time to recognize the importance of music education in our nation, Mason Jr. introduced the 2025 Music Educator Award. Its 12th winner is Adrian Maclin, a teacher at Cordova High School in Memphis, Tennessee.

"I’m always looking for that a-ha moment in the classroom," Maclin, who was chosen for his lifelong commitment to excellence, said in a pre-recorded video. "It almost brings a tear to my eye when that happens. I’m a big cry baby."

As he received the award, Maclin recalled planning his Sunday on GRAMMY day during his childhood, hoping one day to be part of the festivities. He then described his current schedule, waking up at 3:45 a.m. every day to start his day and make a difference in the classroom. "It’s not a class," he explained. "It’s a choir family."

The year’s Technical GRAMMY honoree was the late Leo Beranek, an acoustics expert, author and professor who lived 102 years and consulted in the evaluation of concert halls across the globe.

Next up were the three Trustee Awards: legendary jazz pianist Erroll Garner, who wrote the standard "Misty" and secured a vital legal victory for artists’ rights; groundbreaking Cuban American classical composer and conductor Tania León; and 82-year-old English producer Glyn Johns, whose naturalistic approach to the recording process worked wonders with the Beatles, the Stones and Led Zeppelin, among many others.

"Having been notified of this award last November, my main objective has been to remain alive," quipped Jones. "During the past 65 years, I got to work with some of the most innovative artists of their time, without whom I wouldn’t be standing here."

It was time to honor the Lifetime Achievement recipients, and the first one was given to singer/songwriter Frankie Beverly, known for his work with iconic funk group Maze. Beverly passed away in September 2024 at age 77, but his son — drummer Anthony Beverly — accepted the award in his name.

"My father was a force of nature," he said. "He referred to his fans as 'his people,' and wrote songs about love, community and freedom."

Read more: 2025 GRAMMYs: See The Full Winners & Nominees List

The fighting spirit of the ‘70s punk movement in England was celebrated with a Lifetime Achievement Award for the Clash, whose albums London Calling (1979) and the triple LP Sandinista! (1980) rewrote the rulebook of rock. Public Enemy leader Chuck D accepted the trophy on their behalf and read a message from the band: "Chuck, as you heard our voices, we also heard yours."

An 85-year-old pioneer who combined his passion for music with a religious calling, singer and television host Dr. Bobby Jones summed up his four decade career spreading the beauty of gospel.

"I’m going to continue doing this as long as God gives me the strength to do it," he enthused. "It’s all in the hands of the Lord."

Framed by his two daughters — and backup vocalists — GRAMMY-winning guitarist and multi-instrumentalist Taj Mahal spoke of his stubborn determination to honor his ancestors and blend the blues and jazz that he grew up listening to with a vivid mosaic of sounds from the Caribbean, India and Hawaii. "We’re all in this together," said the maestro born in New York 82 years ago. "The audience is always part of the performance. The blues were living so deep inside me, I had to do it," he added, in reference to the challenges of building up a lasting musical legacy.

A short video featuring excerpts from such anthems as "Purple Rain" and "Little Red Corvette" introduced one of the most moving moments of the ceremony, as the late Prince received a posthumous award for his monumental contribution to popular music – and his uncanny ability to challenge conventions and redefine the meaning of artistry.

Jimmy Jam, former member of the funk-rock band the Time, was one of the many musicians onstage who shared their experiences working with Prince. "He had the best work ethic of anyone I have ever known," he said. "He showed me that if I worked my ass off, I would get better."

The importance of women in the development of hip-hop was brought to the forefront when pioneering Queens rapper Roxanne Shanté received her Lifetime Achievement Award — the only solo female rapper to do so — with a poignant recollection of the dreams she harbored when she was first making a name for herself.

"I was bright eyed, bushy tailed, and knew that I wanted three things," she admitted. "I wanted to have a record in the Billboard charts, I wanted to get paid for it, and I wanted a GRAMMY." She paused, then added with a sparkle in her eyes: "I have achieved them all."

King of the falsetto and Four Seasons frontman Frankie Valli was equally exuberant about his award. "I don’t know what took so long, but that’s the way it goes," the 90-year-old hitmaker said, eliciting a wave of laughter from the audience. "Music has been my whole life – there’s nothing else I know," he added, before offering some valuable music industry advice: "If you don’t do it yourself, usually it doesn’t get done."

The presentation ended on a self-reflecting note, as Iman Jordan won the newly renamed Harry Belafonte Song for Social Change Award for his stirring 2024 single "Deliver." Jordan quoted Nina Simone’s belief that art should always reflect the current times, before thanking his mother for encouraging him to use his words as a catalyst of change.

"In this world, it’s only we," he said. "And we need to come together."

Editor's Note: This article was originally published on Jan. 31, 2023 and was updated on Feb. 3, 2025 to reflect her 2025 GRAMMY wins.

Two years after becoming the artist with the most GRAMMY wins at the 2023 GRAMMYs, Beyoncé made GRAMMY history again at the 2025 GRAMMYs. Along with winning her first golden gramophone for Album Of The Year for COWBOY CARTER, the now 35-time GRAMMY-winning star also became the first Black artist to win the GRAMMY for Best Country Album.

While the past few years may have spawned her most historic feats, Beyoncé has created an extensive array of GRAMMY moments. She has delivered epic live performances on her own and alongside icons like Prince and Tina Turner, and she's taken home six GRAMMYs in one night.

Starting from her first nominations with Destiny's Child in 2000, take a trip through Beyoncé's most memorable and impactful moments at Music's Biggest Night.

2000 — 42nd GRAMMY Awards

Nominations: Best R&B Performance By A Duo Or Group With Vocal and Best Rhythm & Blues Song ("Bills, Bills, Bills") with Destiny's Child

Beyoncé's first red carpet appearance at the GRAMMYs was with fellow Destiny's Child members Kelly Rowland, Michelle Williams and Farrah Franklin (who was only part of the group for six months). The iteration of the group that was there that day was not the same group that received two nominations for "Bills, Bills, Bills" — that distinction goes to Beyoncé, Rowland, LeToya Luckett, and LaTavia Roberson.

Beyoncé, Luckett and Rowland co-wrote the track with producer Kevin "She'kspeare" Briggs and Xscape singer Kandi Burruss, the latter of whom coincidentally won the GRAMMY for Best Rhythm & Blues Song that year for co-writing TLC's "No Scrubs" with Tameka "Tiny" Cottle.

2001 — 43rd GRAMMY Awards

Photo: Steve Granitz / Contributor / Getty Images

Wins: Best R&B Song ("Say My Name"), Best R&B Performance By A Duo or Group With Vocal ("Say My Name")

Nominations: Record Of The Year and Song Of The Year ("Say My Name"), Best Song Written For A Motion Picture, Television Or Other Visual Media ("Independent Women Part I" From Charlie's Angels)

The first GRAMMY red carpet as a trio with Roland and Williams, the group wore matching silky gowns on the red carpet and "Survivor"-era green outfits backstage, all designed by Beyoncé's mother, Tina Knowles. 

Destiny's Child took home their first GRAMMYs that night, for Best R&B Performance By A Duo or Group With Vocal and Best R&B Song for "Say My Name," which was also nominated for Record Of The Year and Song Of The Year. 

Beyoncé also earned a Best Song Written For A Motion Picture, Television Or Other Visual Media nomination for Destiny's Child's contribution to the 2000 film Charlie's Angels, "Independent Women Part I," which she co-wrote.

2002 — 44th GRAMMY Awards

Wins: Best R&B Performance By A Duo Or Group With Vocal ("Survivor")

Nominations: Best R&B Album (Survivor)

Performance: "Quisiera Ser" with Alejandro Sanz

Destiny's Child's first performance at the GRAMMYs was to duet with Latin star Alejandro Sanz on "Quisiera Ser." They provided supporting vocals and Beyoncé added some English lyrics to his Spanish song. 

The group's own international hit "Survivor," an anthem about thriving as the trio, won a GRAMMY for Best R&B Performance By A Duo Or Group With Vocal, and the Survivor album was nominated for Best R&B Album.

2004 — 46th GRAMMY Awards

Wins: Best Female R&B Vocal Performance ("Dangerously In Love 2"), Best R&B Performance By A Duo Or Group With Vocals ("The Closer I Get To You") with Luther Vandross, Best R&B Song and Best Rap/Sung Collaboration ("Crazy In Love"), Best Contemporary R&B Album (Dangerously In Love)

Nominations: Record Of The Year ("Crazy In Love")

Performance: "Purple Rain," "Baby I'm a Star," "Let's Go Crazy" and "Crazy In Love" with Prince

After dazzling in a gold Tina Knowles dress on the red carpet, Beyoncé opened the show alongside Prince with a medley of his hits "Purple Rain," "Let's Go Crazy" and "Baby I'm a Star," with a dash of her own "Crazy In Love." 

She accepted her first five GRAMMYs as a solo artist, including Best Female R&B Vocal Performance for "Dangerously In Love 2" — which she also performed — Best R&B Performance By A Duo Or Group With Vocals for "The Closer I Get To You" with Luther Vandross, Best Contemporary R&B Album for Dangerously In Love and two wins for "Crazy In Love" (Best R&B Song and Best Rap/Sung Collaboration). 

2005 — 47th GRAMMY Awards

Nomination: Best R&B Performance by a Duo or Group With Vocals ("Lose My Breath")

Destiny's Child celebrated another global smash earning a GRAMMY nomination with "Lose My Breath." The lead single from Destiny Fulfilled — their final studio album — received a nomination for Best R&B Performance by a Duo or Group With Vocals. 

Beyoncé and Rowland co-produced "Lose My Breath" with hitmakers Rodney Jerkins (who also helmed "Say My Name" and "Cater 2 U" from Destiny Fulfilled), and Sean Garrett, who later co-produced Bey solo singles including "Check On It," "Get Me Bodied," "Ring The Alarm" and "Upgrade U" with Swizz Beatz.

2006 — 48th GRAMMY Awards

Win: Best R&B Performance by a Duo or Group With Vocals ("So Amazing") with Stevie Wonder

Nominations: Best Contemporary R&B Album (Destiny Fulfilled), Best Female R&B Vocal Performance ("Wishing On A Star"), Best R&B Performance By A Duo Or Group With Vocals ("Cater 2 U"), Best R&B Song ("Cater 2 U"), Best Rap/Sung Collaboration ("Soldier")

Beyoncé and Stevie Wonder won a GRAMMY for Best R&B Performance by a Duo or Group With Vocals for "So Amazing," a cover of the song Luther Vandross wrote for Dionne Warwick in 1983 and recorded himself three years later. Bey also received a solo nomination for her cover of Rose Royce's "Wishing On A Star" on her Live at Wembley album. 

Meanwhile, Destiny's Child closed out their time as a group with four more nominations, bringing their career total to 14. Although the group had announced in June 2005 that they would be disbanding to pursue solo ventures, they assembled on the GRAMMY stage one last time — igniting eruptive applause — to present the golden gramophone for Song Of The Year, which went to U2 for "Sometimes You Can't Make It on Your Own."

2007 — 49th GRAMMY Awards

Win: Best Contemporary R&B Album (B'Day)

Nominations: Best Female R&B Vocal Performance ("Ring The Alarm"), Best R&B Song and Best Rap/Sung Collaboration ("Deja Vu")

Performance: "Listen" 

Beyoncé performed "Listen," her original song that she also sang as the lead role of Deena Jones in the film adaptation of the Broadway musical Dreamgirls.

She went home a GRAMMY winner again that night, as her second album, B'Day, was victorious as Best Contemporary R&B Album. Two of the album's singles earned nominations as well: "Ring The Alarm" for Best Female R&B Vocal Performance and "Deja Vu" for Best Rap/Sung Collaboration.

2008 — 50th GRAMMY Awards

Wins: Best Compilation Soundtrack (Dreamgirls) 

Nominations: Record Of The Year ("Irreplaceable"), Best Pop Collaboration ("Beautiful Liar") with Shakira

Performance: "Proud Mary" with Tina Turner

Continuing her streak of performing live with legends at the GRAMMYs, Beyoncé joined Tina Turner onstage to sing a fierce rendition of "Proud Mary" and achieve one of her personal bucket-list moments. 

"She's my hero and my icon," she said of Turner at an after party. "It was crazy. I went in the room [after] and I just bawled because I couldn't believe it.”

Dreamgirls won Best Compilation Soundtrack that night, while "Irreplaceable" was nominated for Record Of The Year and "Beautiful Liar," her collaboration with Colombian star Shakira from B'Day, received a nomination for Best Pop Collaboration.

2009 — 51st GRAMMY Awards

Nomination: Best Female R&B Vocal Performance ("Me, Myself & I")

A top 10 hit that was co-produced by Beyoncé and Scott Storch, "Me, Myself & I" touts the benefits of self-care, of being one's "own best friend" and not taking the blame in the face of a partner's infidelity. The relatable song was nominated for Best Female R&B Vocal Performance.

2010 — 52nd GRAMMY Awards

Wins: Song Of The Year, Best R&B Song and Best Female R&B Vocal Performance ("Single Ladies (Put A Ring On It)"), Best Female Pop Vocal Performance ("Halo"), Best Contemporary R&B Album (I Am… Sasha Fierce), Best Traditional R&B Vocal Performance ("At Last" from Cadillac Records: Music From The Motion Picture)

Nominations: Record Of The Year ("Halo"), Album Of The Year (I Am... Sasha Fierce), Best Rap/Sung Collaboration ("Ego"), Best Song Written For Motion Picture, Television Or Other Visual Media ("Once In A Lifetime" from Cadillac Records: Music From The Motion Picture)

Performance: "If I Were a Boy" 

Backed by an army of male dancers, Beyoncé's live performance of "If I Were a Boy" included an even more unexpected moment. At the song's climax, she switched to the chorus from "You Oughta Know" by Alanis Morrissette, the 1996 GRAMMY winner for Best Rock Song and Best Female Rock Vocal Performance.

Bey won an impressive six GRAMMYs in 2010, including three for "Single Ladies (Put A Ring On It)." She also earned a nomination for her portrayal of Etta James in the 2008 film Cadillac Records, as Beyoncé's version of "At Last" won Best Traditional R&B Vocal Performance.

2011 — 53rd GRAMMY Awards

Nominations: Best Female Pop Vocal Performance ("Halo (Live)"), Album Of The Year (The Fame Monster), Best Pop Collaboration With Vocals ("Telephone") with Lady Gaga

Several of Beyoncé's GRAMMY nominations have been for live songs as well as songs with other artists. At the 2011 GRAMMYs, she celebrated nominations for both: "Halo (Live)," which appears on the live album I Am… Yours: An Intimate Performance at Wynn Las Vegas, was nominated for Best Female Pop Vocal Performance, and her collaboration with Lady Gaga, "Telephone," earned Beyoncé two nominations. 

2012 — 54th GRAMMY Awards

Nominations: Best Rap/Sung Collaboration ("Party") and Best Longform Music Video (I Am… World Tour)

"Party," a duet with André 3000 from OutKast, is a highlight from Beyoncé's 4 album for its infectious chorus and the sheer rarity of scoring a verse from Three Stacks. The GRAMMYs recognized this dream team with a nomination for Best Rap/Sung Collaboration. Bey also received her first-ever nomination in the Best Longform Music Video category for I Am…World Tour. The film includes her singing "If I Were a Boy" with a few measures of "You Oughta Know," just like she did in her 2010 GRAMMYs performance.

2013 — 55th GRAMMY Awards

Win: Best Traditional R&B Performance ("Love On Top")

Beyoncé's 17th GRAMMY win occurred in the Premiere Ceremony for the 2013 GRAMMYs, which she and husband Jay-Z did not attend. So when Jimmy Jam announced that Beyoncé had won Best Traditional R&B Performance for "Love On Top," he jokingly offered to drop off the GRAMMY along with the awards Jay-Z won at the ceremony.

"They live in the same place, it's all good," Jam smiled. "Economical!"

2014 — 56th GRAMMY Awards

Photo: Frederic J. Brown / Getty Images

Nomination: Best Rap/Sung Collaboration ("Part II (On The Run)") with Jay-Z

Performance: "Drunk In Love" with Jay-Z

Smoke billowed across the stage as Beyoncé opened the 2014 GRAMMYs with an intimate live performance of "Drunk In Love," joined by her husband Jay-Z for what may just be the sexiest performance of their careers.

Although "Drunk In Love" wasn't nominated until the following year, the couple did celebrate a nomination in 2014 for "Part II (On The Run)," from Jay's album Magna Carta Holy Grail. Backstage, Bey's long white Michael Costello gown got cameras clicking and slayed style watchers, a standout among all of her GRAMMY fits.

2015 — 57th GRAMMY Awards

Wins: Best R&B Performance ("Drunk In Love"), Best R&B Song ("Drunk In Love"), Best Surround Sound Album (Beyoncé)

Nominations: Album Of The Year (Beyoncé), Best Contemporary Album (Beyoncé), Best Music Film (Beyoncé and Jay-Z: On The Run Tour)

Performance: "Take My Hand, Precious Lord"

After the previous year's racy performance of "Drunk In Love" that opened the show, Beyoncé took a markedly more pious approach with her musical number in 2015. Backed by an all-male choir, she sang "Take My Hand, Precious Lord," a gospel classic written by Thomas A. Dorsey in 1932. In a now-deleted behind-the-scenes video posted on her website, she explained that the performance was meant as a statement around police brutality and civil unrest in the wake of the murders of Eric Garner and Michael Brown, among others.

"My grandparents marched with Dr. King, and my father was part of the first generation of Black men that attended an all-white school," Beyoncé said. "My father has grown up with a lot of trauma from those experiences. I feel like now I can sing for his pain, I can sing for my grandparents' pain. I can sing for some of the families that have lost their sons."

During her three wins, fans saw her show some rare PDA with Jay-Z. The pair shared a kiss when they won Best R&B Performance for "Drunk In Love."

Two days after the 2015 GRAMMYs, Beyoncé also took part in a star-studded salute to Stevie Wonder for the CBS special "Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute," which aired on Feb. 15, 2015. She sang a medley of "Fingertips," "Master Blaster" and "Higher Ground" alongside Ed Sheeran and Gary Clark Jr.

2016 — 58th GRAMMY Awards

In a year when she didn't have eligible work in the running, Beyoncé still made international waves when she appeared at the GRAMMYs in a white wedding-like gown. She wasn't there to get married, though — she presented the award for Record Of The Year to Bruno Mars for his hit song "Uptown Funk."

"Let's go, Beyoncé, let's do it!" Mars playfully yelled from the audience, just before she said his name.

2017 — 59th GRAMMY Awards

Wins: Best Contemporary Urban Album (Lemonade), Best Music Video ("Formation")

Nominations: Album Of The Year (Lemonade), Best Music Film (Lemonade), Record Of The Year ("Formation"), Song Of The Year ("Formation"), Best Pop Solo Performance ("Hold Up"), Best Rock Performance ("Don't Hurt Yourself"), Best Rap/Sung Performance ("Freedom") 

Performance: "Love Drought" and "Sandcastles"

Beyoncé dressed like a goddess while pregnant with twins Rumi and Sir Carter to perform "Love Drought" and "Sandcastles," songs from her multi-nominated (and GRAMMY-winning) album and music film Lemonade. Her kids were at the forefront of her mind during her acceptance speech for Best Contemporary Urban Album.

"It's important to me to show images to my children that reflect their beauty so they can grow up in a world where they look in the mirror — first through their own families, as well as the news, the Super Bowl, the Olympics, the White House and the GRAMMYs — and see themselves," she said.

Later, in an unexpected — and instantly viral — moment, Adele dedicated her acceptance speech for Album Of The Year to effusively praising Beyoncé and the Lemonade album, which was also nominated in the category.

"You are our light!" Adele exclaimed, calling Lemonade her album of the year.

2018 — 60th GRAMMY Awards

Nomination: Best Rap/Sung Performance ("Family Feud")

It was all in the family when Beyoncé, Jay-Z and their then 6-year-old daughter Blue Ivy Carter sat together at the GRAMMYs in 2018 — though Blue's parents were ironically nominated for a song called "Family Feud" from Jay's 4:44 album. In a clip that went viral, a camera caught Blue seemingly motioning for them to stop clapping. The world fell in love with her commanding presence at that very moment.

2019 — 61st GRAMMY Awards

Win: Best Urban Contemporary Album (Everything Is Love)

Nominations: Best R&B Performance ("Summer"), Best Music Video ("Apes***")

Beyoncé's 2019 win and nominations were given for her collaborations with Jay-Z in their Everything Is Love album. The Carters won Best Urban Contemporary Album with the nine-song album, which they co-produced with Leon Michels and Cool & Dre. They also were nominated for Best R&B Performance for "Summer" as well as Best Music Video for "Apes***," a bold piece which they filmed in front of the Mona Lisa, Venus de Milo, Great Sphinx of Tanis and other seminal works displayed in Paris' Louvre.

2020 — 62nd GRAMMY Awards

Win: Best Music Film (Homecoming)

Nominations: Best Pop Solo Performance ("Spirit"), Best Song Written for Visual Media ("Spirit"), Best Pop Vocal Album (The Lion King: The Gift) 

Homecoming offers an intimate look at the best onstage and behind-the-scenes moments from Beyoncé's massive headline sets at Coachella in 2018. Performed over two consecutive weekends, her show at the Southern California desert festival pays homage to the great Southern bands from HBCUs (Historically Black Colleges and Universities). There's also a brief but thrilling Destiny's Child reunion, as well as plenty of Easter eggs for Southern rap fans in the form of instrumental and lyrical riffs and snippets weaved into her hits. 

Two additional nominations recognized her work for The Lion King: The Gift. She voiced Nala in the film.

2021 — 63rd GRAMMY Awards

Wins: Best R&B Performance ("Black Parade"), Best Music Video ("Brown Skin Girl"), Best Rap Performance ("Savage") and Best Rap Song ("Savage") with Megan Thee Stallion

Nominations: Record Of The Year ("Savage") and Record Of The Year ("Savage") with Megan Thee Stallion, Best R&B Song and Song Of The Year ("Black Parade"), Best Music Film (Black Is King)

Beyoncé's Best R&B Performance win made her the performing artist with the most career GRAMMY wins in history. (She's tied with producer Quincy Jones, and Georg Solti, who has more wins, was a conductor and not a performer.) She also became the woman with the most GRAMMY wins that night.

During her acceptance speech, she shared that she's worked hard since she was 9 years old and congratulated her daughter — also 9 at the time — for scoring her first GRAMMY. Blue stars in the video for "Brown Skin Girl," the Best Music Video winner.

"It has been such a difficult time so I wanted to uplift, encourage, and celebrate all of the beautiful Black queens and kings that continue to inspire me and inspire the whole world," Beyoncé added about her Black Is King project. 

Bey also appeared onstage with fellow Houstonian Megan Thee Stallion, who couldn't contain her excitement about sharing the stage — and two GRAMMYs — with her hometown hero. "I love her work ethic, I love the way she is, I love the way she carry herself," Megan said. "My momma will always be like, 'Megan, what would Beyoncé do?' And I'm always like, 'You know what? What would Beyoncé do, but let me make it a little ratchet.'"

2023 — 65th GRAMMY Awards

Wins: Best Dance/Electronic Music Album (RENAISSANCE), Best R&B Song ("CUFF IT"), Best Traditional R&B Performance ("PLASTIC OFF THE SOFA"), Best Dance/Electronic Music Recording ("BREAK MY SOUL")

Nominations: Album Of The Year (RENAISSANCE), Record Of The Year ("BREAK MY SOUL"), Song Of The Year ("BREAK MY SOUL"), Best Song Written For Visual Media ("Be Alive" from King Richard), Best R&B Performance ("VIRGO’S GROOVE")

Beyoncé made even more GRAMMY history in 2023 — and it was her biggest record yet.

She needed four wins out of her nine nominations to become the artist with the most GRAMMYs of all time with 32. Going into the ceremony, she had two wins down (Best Traditional R&B Performance and Best Dance/Electronic Music Recording), and she was, according to host Trevor Noah, "stuck in traffic" upon winning her third golden gramophone for Best R&B Song. But she made it just in time for her history-making moment, taking deep breaths as she took the stage and noting that she was "trying to just receive this night."

Throughout her speech, Beyoncé first thanked God and her late Uncle Jonny — her main inspiration for RENAISSANCE — then went on to thank her parents as well as Jay-Z and their three kids. She poignantly ended with a tribute to the trailblazers who opened the door for her record-breaking album.

"I’d like to thank the queer community for your love and for inventing this genre," she said. "God bless you, thank you so much to the GRAMMYs."

2025 — 67th GRAMMY Awards

Wins: Album Of The Year (COWBOY CARTER), Best Country Album (COWBOY CARTER), Best Country Duo/Group Performance ("II MOST WANTED" with Miley Cyrus)

Nominations: Record Of The Year ("TEXAS HOLD 'EM"), Song Of The Year ("TEXAS HOLD 'EM"), Best Pop Solo Performance ("BODYGUARD"), Best Pop Duo/Group Performance ("LEVII'S JEANS" with Post Malone), Best Melodic Rap Performance ("SPAGHETTII" with Linda Martell and Shaboozey), Best Country Solo Performance ("16 CARRIAGES"), Best Country Song ("TEXAS HOLD 'EM"), Best Americana Performance ("YA YA")

With 11 nominations, Beyoncé wasn't just the most-nominated artist at the 2025 GRAMMYs — she became the artist with the most GRAMMY nominations ever.

While the noms helped her break yet another GRAMMY record, she continued to add to her ever-growing GRAMMY legacy when she won three more golden gramophones that night. Along with furthering her lead as the artist with the most GRAMMYs (from 32 to 35), Beyoncé also achieved another GRAMMY first with one of her three wins: the first Black artist to win Best Country Album.

In her heartfelt speech, Beyoncé admitted that she "really was not expecting" to win in the Best Country Album Category. "I think sometimes genre is a cold word to keep us in our place as artists, and I just want to encourage people to do what they're passionate about, and to stay persistent," she said, thanking God, her family, her collaborators, and "all of the incredible country artists that accepted this album."

COWBOY CARTER also won Beyoncé two more GRAMMYs, including perhaps one of the most exciting of her career for both Queen Bey and her loyal Beyhive: her first Album Of The Year victory. With five nominations in the Category prior to the 2025 GRAMMYs, the star couldn't help but acknowledge her long-awaited feat in her speech. "I just feel very full and very honored — it's been many, many years," she said. To close out another historic GRAMMY night, she left viewers with an uplifting message: "I hope we just keep pushing forward, opening doors."

The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, will air live on CBS and Paramount+ on Sunday, Feb. 2. Watch highlights from the 2025 GRAMMYs on live.GRAMMY.com.

The 2025 GRAMMYs telecast will be reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the wildfires in Los Angeles. Donate to the Recording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals.

Ahead of the 2025 GRAMMYs on Feb. 2, the Recording Academy has chosen the 2025 recipients of its Harry Belafonte Best Song For Social Change Award, Music Educator Award presented with the GRAMMY Museum, and Entertainment Law Initiative Writing Contest scholarships. 

Harry Belafonte Best Song For Social Change Award

The Recording Academy has selected the powerful anthem for unity, “Deliver” — written by Iman Jordan (performer), Roy Gartrell, Tam Jones, and Ariel Loh — as the recipient of its Harry Belafonte Best Song For Social Change Award this year. The prestigious honor will be presented to Jordan, Gartrell, Jones, and Loh at the Recording Academy’s Special Merit Awards Ceremony on Feb. 1 at the Wilshire Ebell Theatre.

Jordan, Gartrell, Jones, and Loh’s “Deliver” powerfully captures the challenges of today’s sociopolitical climate and the struggle to communicate and reconcile differences. As a rallying cry against war, the song calls for unity, civility and meaningful dialogue. It highlights how sensationalized media, politics and unchecked algorithms have compromised our ability to see each other’s humanity. The song also addresses the harsh realities of war-torn communities while offering a message of hope through understanding and tough conversations.

The Harry Belafonte Best Song For Social Change Award is a CEO’s Merit Award established by the Recording Academy’s National Trustees in 2022 to honor songwriters of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact. Recipient(s) are selected annually by a committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to effect social change. Named in honor of the late entertainment icon Harry Belafonte, a powerful voice for social justice throughout his illustrious career, this award recognizes exceptional contributions to music and social advocacy.

Read more: The Recording Academy Announces 2025 Special Merit Award Honorees: Prince, The Clash, Taj Mahal, Roxanne Shante & Many More

Music Educator Award 

Adrian L. Maclin of Cordova High School in Memphis, Tennessee, is the recipient of the 2025 Music Educator Award presented by the Recording Academy and GRAMMY Museum. Maclin will also be recognized during the Academy’s Special Merit Awards Ceremony on Sat, Feb. 1. In addition, nine music teachers have been announced as finalists for the award. Initial nominations were submitted from all 50 states. A complete list of the recipients is below. 

The Music Educator Award recognizes current educators who have made a significant and lasting contribution to the music education field and demonstrate a commitment to the broader cause of maintaining music education in the schools. The award is open to current U.S. music teachers, and anyone can nominate a teacher — students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves, and nominated teachers are notified and invited to fill out an application.

Each year, one recipient is selected from 10 finalists and recognized for their remarkable impact on students' lives. They will receive a $10,000 honorarium and matching grant for their school's music program. The nine additional finalists will receive a $1,000 honorarium and matching grants. The remaining 15 semifinalists will receive a $500 honorarium with matching school grants.

The Music Educator Award program, including honorariums, is made possible by the generosity and support of The Chuck Lorre Family Foundation. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies. Nominations and applications for the 2026 Music Educator Award are now open via grammymusicteacher.com. 

Read more: Adrian L. Maclin Named Recipient Of The 2025 Music Educator Award

Entertainment Law Initiative Writing Contest

The Recording Academy Entertainment Law Initiative has selected Melanie Sallis of Georgia State University College of Law as the winner of its annual ELI Writing Contest. In addition, two students have been announced as the runners-up for the Contest. A complete list of the recipients is below.

The Recording Academy established the Entertainment Law Initiative in partnership with the nation’s most prominent entertainment attorneys to promote discussion and debate around compelling legal matters and trends in the ever-evolving music industry. Co-sponsored by the American Bar Association, the ELI Writing Contest challenges law students to identify and research a current legal issue in the music industry and outline a proposed solution in an essay. The winning paper is published in the ABA’s journal, Entertainment & Sports Lawyer.

A $10,000 scholarship is awarded to the winner, $2,500 scholarships are given to two runners-up, and all three receive a mentor session with a leading entertainment attorney. The winner will also receive tickets to attend the 2025 GRAMMYs and MusiCares Persons Of The Year.

The 2025 GRAMMYs will be broadcast live from Crypto.com Arena on Sunday, Feb. 2, 2025, at 5 p.m. PT / 8 p.m. ET on CBS and available to stream live on Paramount+. Prior to the telecast, the GRAMMY Awards Premiere Ceremony will be held at the Peacock Theater at 12:30 p.m. PT/3:30 p.m. ET and will be streamed live on live.GRAMMY.com and the Recording Academy's YouTube channel.

Read more: How To Watch The 2025 GRAMMYs Live: Performers, Host, Air Date, Red Carpet, Streaming Channels & More

To stay updated on the latest 2025 GRAMMYs news, visit GRAMMY.com.

The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, will air live on CBS and Paramount+ on Sunday, Feb. 2. Watch highlights from the 2025 GRAMMYs on live.GRAMMY.com.

The 2025 GRAMMYs telecast will be reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the wildfires in Los Angeles. Donate to the Recording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals.

The Recording Academy and GRAMMY Museum have announced Adrian L. Maclin of Cordova High School in Memphis, Tennessee, as the 2025 Music Educator Award recipient. Maclin, an esteemed choral director with nearly two decades of teaching experience, has been honored for his exceptional dedication to music education and his lasting impact on students' lives.

He will be recognized during the Special Merit Awards Ceremony on Saturday, Feb. 1.

Maclin's choirs have performed at prestigious venues, including Carnegie Hall and the Tennessee Music Educators Association conference, and he serves on several music education leadership boards. His commitment extends beyond the classroom, supporting fellow educators and advocating for equitable access to high-quality choral music programs.

In addition to Maclin, nine other finalists have been recognized for their dedication to music education, each receiving a $1,000 honorarium along with a matching grant for their schools.

Celebrating Music Educators Nationwide

The Music Educator Award recognizes teachers who make a lasting impact on students through exceptional music education programs. The award is open to all U.S. music teachers, and nominations are submitted by students, parents, colleagues, and community members.

Each year, one recipient is selected from 10 finalists, with the honoree receiving a $10,000 honorarium and a matching grant for their school’s music program. The remaining finalists each receive $1,000 with matching grants, while 15 semifinalists receive $500 honorariums with school grants.

The program is supported by the Chuck Lorre Family Foundation, along with the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association.

About Adrian L. Maclin

Now in his twelfth year as Director of Choirs at Cordova High School, Adrian L. Maclin has been instrumental in shaping young musicians. A graduate of Philander Smith University, Maclin was inspired by his own music teachers in Memphis City Schools and has since become a mentor to educators and students alike.

Under his leadership, Cordova’s choirs have performed on national stages, gaining recognition for their emotionally compelling and thought-provoking performances.

Maclin also serves as Minister of Music at Mount Moriah-East Baptist Church, Assistant Artistic Director for Memphis Choral Arts, and conductor for the Memphis Men’s Chorale. His dedication to mentoring young musicians has earned him previous accolades, including recognition as a Country Music Association Foundation Music Teacher of Excellence.

Nominate A Teacher For The 2026 Music Educator Award

Nominations and applications for the 2026 Music Educator Award are now open. Students, parents, colleagues, and community members are encouraged to nominate outstanding music educators who inspire and shape the next generation of musicians.

To submit a nomination or learn more, visit GRAMMYMusicTeacher.com.