Graphic: The Recording Academy
Participating Talent For 2022 GRAMMYs Nominations Livestream Announced: BTS, H.E.R., Jon Batiste, Måneskin, Carly Pearce, Tayla Parx, Gayle King, Nate Bargatze & Special Guests Confirmed
BTS, H.E.R., Jon Batiste, Måneskin, Carly Pearce, Tayla Parx, Nate Bargatze, and special guests join Recording Academy CEO Harvey Mason jr. and Board of Trustees Chair Tammy Hurt to celebrate this year's nominees in virtual livestream on Tuesday, Nov. 23
Editor's Note: The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, <a href="https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement "https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement"">has been rescheduled to Sunday, April 3, at the MGM Grand Garden Arena in Las Vegas. The below article was updated on Tuesday, Jan. 18, to reflect the new show date and location.
The Recording Academy announced today the talent who will join CEO Harvey Mason jr. and Board of Trustees Chair Tammy Hurt to help reveal the nominees of all 86 categories for the 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, on Tuesday, Nov. 23, via a virtual livestream event.
Comedian Nate Bargatze, past GRAMMY nominee Jon Batiste, past GRAMMY nominees BTS, four-time GRAMMY Award winner H.E.R., "CBS Mornings" anchor Gayle King, rock band Måneskin, past GRAMMY nominee Tayla Parx, singer/songwriter Carly Pearce, and special guests will be part of the nominations livestream that will begin at approximately 9 a.m. PT / 12 p.m. ET live from the GRAMMY Museum in Los Angeles. The event will be available to view on live.grammy.com and the Recording Academy's official Facebook, TikTok, Twitter, and YouTube channels. Immediately following the livestream, the press release and the full nominations list will be made available on GRAMMY.com and the Recording Academy's social media platforms.
Nominations for the 2022 GRAMMYs Awards show are officially here! See the full list of nominations.
The Recording Academy will present the 2022 GRAMMY Awards on Sunday, April 3, on the CBS Television Network and stream live and on demand on Paramount+ from 8–11:30 p.m. ET / 5–8:30 p.m. PT.
Additional details about the dates and locations of other official GRAMMY Week events, including the GRAMMY Awards Premiere Ceremony, <a href="https://www.musicares.org/person-year "https://www.musicares.org/person-year"">MusiCares' Person of the Year, and the Pre-GRAMMY Gala, will be announced soon.
Follow "Recording Academy / GRAMMYs" on Twitter, Instagram and Facebook and use #GRAMMYs to join the conversation as it unfolds on Tuesday, Nov. 23.
Drizly is the official delivery partner of the 64th Annual GRAMMY Awards nominations.
The 64th GRAMMY Awards: Everything You Need To Know About The 2022 GRAMMYs Awards Show & Nominations
The 2023 GRAMMY Awards Premiere Ceremony To Feature Performances From Carlos Vives, Samara Joy, Madison Cunningham, Arooj Aftab & More; Presenters Include Babyface, Jimmy Jam, Malcolm-Jamal Warner & Others
Streaming live on Sunday, Feb. 5, at 3:30 p.m. ET/12:30 p.m. PT on live.GRAMMY.com and the Recording Academy's YouTube channel, the 2023 GRAMMY Awards Premiere Ceremony is where the majority of this year's 91 GRAMMY Awards categories will be awarded.
Editor’s note: This story has been updated to reflect additional performers and presenters.
Officially kicking off the 2023 GRAMMYs, the 65th GRAMMY Awards Premiere Ceremony will return to the Microsoft Theater in Los Angeles with a star-studded celebration of performers, presenters and awards. Taking place Sunday, Feb. 5, at 3:30 p.m. ET/12:30 p.m. PT, just hours before Music's Biggest Night, the 2023 GRAMMY Awards Premiere Ceremony will stream live on live.GRAMMY.com and on the Recording Academy's YouTube channel.
The beloved annual event, in which the majority of this year's 91 GRAMMY Awards categories will be awarded, will be hosted by current GRAMMY nominee Randy Rainbow and will feature an opening number performance by Blind Boys of Alabama, La Marisoul from La Santa Cecilia, and additional surprise performers. Other artists scheduled to perform include current nominees Arooj Aftab, Madison Cunningham, Samara Joy, Anoushka Shankar, Carlos Vives, Shoshana Bean, Maranda Curtis, Buddy Guy and Bob Mintzer.
Presenting the first GRAMMY Awards of the day include current nominees Judy Collins, Babyface, DOMi & JD BECK, Myles Frost, Arturo O'Farrill, Malcolm-Jamal Warner, Amanda Gorman, and five-time GRAMMY winner and former Recording Academy Board of Trustees Chair Jimmy Jam. Recording Academy Chair of the Board of Trustees Tammy Hurt will provide opening remarks. Additional talent and co-host to be announced in the coming days.
This year, City National Bank has signed on as the first-ever presenting sponsor of the GRAMMY Awards Premiere Ceremony.
All Premiere Ceremony performers and hosts are current nominees at the 2023 GRAMMYs, as are most presenters. Aftab is nominated for Best Global Music Performance ("Udhero Na" with Anoushka Shankar); Babyface is nominated for Best Traditional R&B Performance ("Keeps On Fallin'" with Ella Mai); Blind Boys of Alabama are nominated for Best Americana Performance ("The Message" with Black Violin); Cunningham is nominated for Best American Roots Performance ("Life According To Raechel") and Best Folk Album (Revealer); DOMi & JD BECK are up for Best New Artist and Best Contemporary Instrumental Album (NOT TiGHT); Frost is nominated for Best Musical Theater Album (MJ The Musical); Joy is nominated for Best New Artist and Best Jazz Vocal Album (Linger Awhile); La Marisoul is up for Best Tropical Latin Album (Quiero Verte Feliz with La Santa Cecilia); O'Farrill is nominated for Best Latin Jazz Album (Fandango At The Wall In New York with The Afro Latin Jazz Orchestra Featuring The Conga Patria Son Jarocho Collective); Rainbow is up for Best Comedy Album (A Little Brains, A Little Talent); Shankar is up for Best Global Music Performance ("Udhero Na" with Arooj Aftab) and Best Global Music Album (Between Us… (Live) with Metropole Orkest & Jules Buckley Featuring Manu Delago); Vives is nominated for Best Tropical Latin Album (Cumbiana II); Warner is nominated for Best Spoken Word Poetry Album (Hiding In Plain View); Bean is up for Best Musical Theater Album ("Mr. Saturday Night"); Curtis is nominated for Best Gospel Album (Die To Live); Guy is nominated for Best Traditional Blues Album (The Blues Don’t Lie); and Mintzer is up for Best Instrumental Jazz Album (Parallel Motion).
"We are so excited to kick off GRAMMY Sunday with the Premiere Ceremony ahead of Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said. "Not only do we have an incredible lineup of presenters and performers, but this ceremony will also reveal the winners in the vast majority of our categories, celebrating this amazing year in music across many of our genre communities."
Following the Premiere Ceremony, the 2023 GRAMMYs will be broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET / 5-8:30 p.m. PT.
On GRAMMY Sunday, fans can access exclusive, behind-the-scenes GRAMMYs content, including performances, acceptance speeches, interviews from the GRAMMY Live red-carpet special, and more via the Recording Academy's digital experience on live.GRAMMY.com.
Photo: Allister Ann
Meet The First-Time GRAMMY Nominee: How Carly Pearce's Darkest Personal Moments Helped Her Reach Milestones
Blending her personal story of heartbreak with her passion for traditional country storytelling, Pearce’s "Never Wanted to Be That Girl" earned her new career highs — including her very first GRAMMY nod.
Carly Pearce and Ashley McBryde may reflect different corners of the country music spectrum, but they share a reverence for tradition and a penchant for heartbreak songs. The singers explore their stylistic common ground in “Never Wanted to Be That Girl,” a duet that tells the story of two women who have been cheated by the same man.
The country ballad resonated deeply with audiences, both because of its traditional leanings and its gripping personal narrative. At a spring 2022 show in Albany, N.Y., Pearce even saw two fans holding a sign saying that the song told their story of being romantically entangled with the same unfaithful man. The experience brought them together, and they wound up becoming friends.
"Never Wanted to Be That Girl" reached the top of the country radio chart — one of only three female-female duets to do so since 1993. One of those, Reba McEntire and Linda Davis’ “Does He Love You,” specifically influenced Pearce and McBryde. In addition to its chart success, "Never Wanted to Be That Girl" won Musical Event of the Year at the 2022 CMA Awards, and earned Pearce her first GRAMMY nomination, for Best Country Duo/Group Performance.
Pearce’s personal missive is at the center of a breakthrough personal and musical era ushered in by two enormous heartbreaks: Her highly public divorce from fellow artist Michael Ray and the untimely death of her producer, Busbee. Rather than retreat from the spotlight, Pearce used her grief and trauma to create 29: Written in Stone, a grippingly personal artistic statement. The singer’s authenticity paid dividends: She started seeing more commercial success, more critical recognition and extra passion from her fans.
Ahead of the 2023 GRAMMY Awards, Pearce caught up with GRAMMY.com to discuss her first nomination, her powerful musical friendship with McBryde, and why she considers 29 to be the album that changed everything.
After you learned you were nominated, what was the first thing you said to Ashley McBryde?
You know, this isn’t her first GRAMMY nomination, but it is her first No. 1 song, and so we’ve kind of had this thing where we’ve given each other firsts. It wasn’t my first No. 1 song, but it was my first GRAMMY nomination. So we were just texting, and I said thank you.
I wanted so badly to collaborate with her — and I knew that it was an unlikely pairing — but I knew that if we really tried to write a song together we could do something really special. And we did.
Take me back to the day you wrote the song.
I feel like this song in particular wasn’t written like any other song I’ve been a part of. We were in the room and we had zero ideas of what we were gonna write. No riffs, no hooks, no musical hints at all. We just started talking. She was privy to what was happening in my life, and obviously [co-writer and 29 producer] Shane [McAnally] was too, so when we wrote that song, we started a story. We had no idea where it was gonna land.
We wrote this song in top to bottom chronological order. But we wanted to make sure that the choruses were the same, even though the women were experiencing different perspectives. I think we very carefully wanted to not pit the women against each other, but to show that you can both be burned by the same man.
You and Ashley have known each other since early on in your time in Nashville, just from being at the same songwriter’s nights and shows. How has your relationship evolved?
I’ve always loved her. We did kind of come up together in a lot of ways. We would play shows together and sing each other’s songs, and I just felt like she understood my voice and I understood hers. I was making this album and brainstorming with one of the members of my team, and he said, "Wouldn’t it be so awesome if you had a collaboration with Ashley? She’s so different from you, but we miss those female-female duets. There haven’t really been any since the ‘90s." So I just texted her and asked, "I don’t know if this would ever interest you, but would you write a song with me for my record?" And she was in, immediately. It just felt like it was always destined to happen.
Speaking of female-female ‘90s duets, one of your fellow nominees in this category is Reba McEntire’s new version of "Does He Love You" with Dolly Parton. I know the original version of this song with Linda Davis, in 1993 helped inspire "Never Wanted to Be That Girl."
We definitely referenced "Does He Love You" that day in the write. We knew we couldn’t touch that, but we were striving to make something as impactful. So it feels very full circle to have watched this song climb the charts, and watch it win all these different awards, and now be nominated in a category with the same woman that inspired us to even sing that song.
Have you talked to Reba about your song’s connection to "Does He Love You"?
I haven’t seen her, but I’m hoping to get to do that. Maybe at the GRAMMYs! Not that she needs any other women to tell her she’s a trailblazer, but certainly, she inspired us to double down.
When you think back to the beginnings of 29, when you were preparing to release all these personal songs. What were some of your biggest questions or fears, and how have they been resolved?
I remember turning in the first half of my album and wondering if my record label would even put it out, because it felt so personal — almost to a fault. And I remember thinking the production on it was so country that I wondered if it was going to be commercially accepted. I actually have a distinct memory of playing my song "29" for a group of friends and none of them were divorced, but they were crying, because they were inserting their own story into it.
I think this is the album that I will look back on in my life and say it was the one that changed everything for me in my career. It gave me such direction. It gave me hope that I’m not alone. That’s been the most amazing thing; when I look at it now, I go, Gosh, this album brought so many people to a place of feeling not alone, and in return, through their stories and their showing up for me when I needed it, they made me feel not alone. That’s all you ever want, when you’re an artist, to have that kind of connection.
Do you feel like people, even outside of country fans, are connecting with your story and responding to your music?
I’ve had a few albums out — this is my third — but I feel like in a lot of ways it was my first. I think we all go through the same struggles in life, and I think that people really resonated with me on a human level with this record. Everybody’s experienced heartache. And sometimes people need to feel hope, and that they’re not alone. So yes, I feel that very much.
You’re in the middle of making a new album now. What can you share about that process?
As a writer, I wish I could go through a divorce every time I make a new album, because it makes you feel so inspired. But I think what I learned through making that record is, people wanna hear how I see the world. They wanna hear what I’m going through. From [age] 29 to 32, almost 33, there’s been a lot of life that I’ve intentionally kept more private. [Now], people say to me, "Oh my gosh, you’re so happy, but we’re not gonna get those Carly Pearce heartbreak songs."
Honestly, yes, you can be happy and struggle to get there. I think there are songs that are reflective, there are songs that are nostalgic, there are songs that are in love and happy. But you don’t realize how much you’ve been affected until you try to love somebody else. I don’t think that’s a topic that’s really talked about, but it’s something that I think a lot of people go through, and I kind of share my take on that.
You’ve teased a little bit of a song called "Trust Issues." How does that song fit into your new music?
I felt very overwhelmed when I first started writing — just, you know, what this direction was. And I wrote in my phone, "trust issues." That’s kind of on the theme of, you never know how hurt you are until you try to love somebody else. But I wanted to spin it into a hopeful and happy thing, because I love titles where you look at them and you think it’s gonna be one thing, but it’s a totally different thing.
So I got in the room with two of my favorite people, [songwriters] Nicolle Galyon and Jordan Reynolds, and we crafted this song that felt so hopeful. It’s a love song, but it’s a love song out of pain. And I remember when we wrote it — I see my albums in pictures, and I thought this was such an important facet to this transitional period of my life —of moving on.
Photos (L-R): Scott Dudelson/Getty Images for Coachella, Kevin Mazur/Getty Images for Harry Styles, Kevin Mazur/Getty Images for The Recording Academy, LUFRÉ, Axelle/Bauer-Griffin/FilmMagic
The Official 2023 GRAMMYs Playlist Is Here: Listen To 115 Songs By Beyoncé, Harry Styles, Bad Bunny, Kendrick Lamar & More
Get to know this year's nominees with the official 2023 GRAMMYs playlist, presented in partnership with Amazon Music, which features 115 GRAMMY-nominated songs across pop, rap, country, and beyond from today's stars.
With the 2023 GRAMMYs less than a month away, excitement is bubbling over in the music community.
Whether you're rooting for innovative newcomers like Wet Leg and Omar Apollo or beloved legends like Beyoncé and ABBA, there is an abundance of spectacular talent to be celebrated this year. And the 2023 GRAMMY nominees are not only leading music, but they’re creatively transforming genres, from rap to alternative to reggae — and beyond.
To let the music speak for itself, stream the official 2023 GRAMMYs playlist, presented in partnership with Amazon Music, which features 115 GRAMMY-nominated songs across pop, rap, country, and beyond from today's stars, including BTS, Harry Styles, Kendrick Lamar, Lizzo, and many, many more.
Get to know this year's nominees by listening to their biggest hits and GRAMMY-nominated works on this immersive Amazon Music playlist — and tune in to CBS and Paramount+ on Sunday, Feb. 5 to experience Music's Biggest Night live.
Photo: Tommaso Ottomano
Meet The First-Time GRAMMY Nominee: Måneskin On Redefining Success, Staying Inspired & Honoring Italy
The Italian quartet first exploded onto the scene with a viral cover of Frankie Valli and the Four Seasons, but Måneskin have continued to exalt and evolve vintage rock thrills on their own terms — all on the way to their first GRAMMY nomination.
A dizzy smile spreads across Måneskin vocalist Damiano David’s face as he attempts to capture the group’s fervent energy in words.
"Going into a room where there's silence and going out with a song. Stepping on stage and then the crowd screams for you. Doing interviews where you can talk about how you think about music," he says. "It's such an open art language, such an open world."
While Måneskin’s inimitable swagger have led to a recent international meteoric rise, the Italian quartet have tapped the glitter and grime of rock’s glory days since forming as teens in 2016. Just a year later, the group made a massive leap, winning the Italian edition of reality competition show "X Factor." But it was Måneskin’s hard rock take on Frankie Valli and the Four Seasons’ "Beggin'" was inescapable following their 2021 Eurovision win — a smash success that led many eager new fans to dig into Måneskin’s catalog of chart-topping albums in their native Italy.
That prowess, ability to connect with the full spectrum of listeners, and a raucous live show netted Måneskin a GRAMMY nomination for Best New Artist at the 2023 GRAMMYs, which take place Sunday, Feb. 5, at the Crypto.com Arena in Los Angeles and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET / 5-8:30 p.m. PT. They are also a living rebuke to those questioning rock’s staying power, whose grandiose energy and adventurous fashion begs for a yet wider audience.
"This combination is really magical. It gives us the opportunity to play something that doesn't exist so much in the charts," says guitarist Thomas Raggi. "We are rock, of course, in attitude, in the music, but we can reach really different people from different places and different ages."
Global success hasn't changed Måneskin much, as their new record, Rush!, teases. Due Jan. 20, the album only reinforces their bombast via singles like grimy party-starter "Mammamia" and the slinky and suave "Supermodel" — not to mention a guest appearance from Rage Against the Machine’s Tom Morello on the recently released "Gossip."
GRAMMY.com caught up with Måneskin — David, Raggi, bassist Victoria De Angelis, and drummer Ethan Torchio — to talk about the shock of their GRAMMY nomination, how they’ve evolved into their upcoming new album, and trying to find good espresso everywhere on tour.
This conversation has been edited for clarity.
I want to wish you congratulations on your first GRAMMY nomination. After winning "X Factor" and earning various accolades, has this sort of honor started to feel natural?
Victoria De Angelis: Not really natural, but very cool. It's the craziest thing you can possibly think of.
Damiano David: Of course, when we started, we only thought the biggest thing that could happen was being big in Italy. And then everything happened, so of course our dreams got bigger and of course we thought about it as a possibility in the remote future. Not, like, now. [Laughs.]
That's such a beautiful sentiment. The bigger doors start opening to places that you never could imagine. I can imagine that puts a whole new spin on what it is to be a band, what it is to be a musician.
De Angelis: It really does. Especially touring and everything, even six months makes so much difference. We look back at the things we did six months before and we say, "Okay, now we can add this, we can change this." It's constantly developing. So that's really inspiring and keeps us in a creative process all the time.
David: We've had so many crazy things happen these last two years. We played for the Stones. We played with Iggy Pop. We met like 50 percent of our childhood idols. At the end, wrapping it all up with the GRAMMY nomination, it's a pretty huge deal. The whole journey has been remarkable and we're gonna think about it for a long time.
It seems that you’ve remained remarkably close-knit as a band, which must be so important in the midst of that. How have you remained creatively inspired by one another and that you are constantly pushing yourselves as musicians through all the fame and success?
Ethan Torchio: Fame and success, it's just a coincidence. We don't really focus on that. It's part of our life, part of our journey. But it's an important point: We've always been friends with each other, and we've shared half of our lives together.
David: It's very important to us to be close because, otherwise, this project wouldn't be what it is now. We are four [individuals], and we are very human and curious about ideas. It's not just about what we are or we feel inside, it's also what we live outside. I truly think that [embracing] the new and something that has not been created before is part of our mindset.
De Angelis: As you said, being four, we actually inspire one another even more. We are very different personalities and also have very different taste. And being four, the amount of music we can discover, it happens every day. And also we love to go see shows, so maybe some of us go to one show and then we are like, "Hey, I got this idea from this show." Being four, it keeps us in this creative environment where everyday there is something new.
Touring constantly and being away from home can make you question your identity. How do you keep tied to your roots?
David: It's still pretty easy for us because even if we travel so much, we still live in Italy. When you move from your country and you live in another country for five, 10 years, then you start changing the way you live. But now we kind of bring this huge Italian suitcase with us. We're still asking for espresso everywhere. [Laughs.] With very bad results. How we interact between us and with people, our clothes, our style in general, it's always Italian in a certain way.
It's a difficult needle to thread, needing to mold to a comfortable stance wherever you are while also standing out. Being nominated for a GRAMMY must be an extraordinary test of that balance, so it's amazing to hear that you're still like keeping so true to yourselves.
De Angelis: I think that's always been kind of easy for us in some way, because we've always had such a strong and clear idea about our identity and what we like to do. Just look at this: [points to her shirt, which reads Italians Do It Better]. We've been lucky to never experience this kind of issue. On the other hand, what we experienced is that we had a very clear idea and then maybe it was hard to keep it safe and not let other people get into it or change it. But when it comes to what we stand for, we're always very sure about that.
Talk to me a little bit about that process, then. You all seem to find clever ways to reimagine classic genres and scenes while still honoring their essence.
David: We've been very, very lucky because our only rule has always been being true to what we like — even if we are very, very different one from each other. Vic [De Angelis] and Thomas Raggi especially have a very rock and roll classic background. I'm more into mainstream and low-tempo music. And Ethan [Torchio] actually listens to everything, from very mainstream music, classical music, to crazy experimental [music].
We've always tried to keep the balance between the four of us, and especially in the next album. We really wanted to embrace the difference between the four of us. It has created a personality for the group that also made the four of us very recognizable. People can feel represented from [each of the] four of us and from the group. Every achievement that we get, for us it's not, "Okay, we want this so we have to keep doing the same thing." It's more like, "Okay, we want this because this is our mindset. We have to keep this mindset, not because it makes you win awards but because it makes you recognizable and it gives you an identity and it puts you in a specific place in the market and in the industry.
I'm curious whether your writing and recording processes changed much on your new album, Rush! With first albums, sometimes a band will throw everything at the wall to see if it sticks. On the second one, they might shift things based on audience reaction, and then the third record can either attempt to capture a true self again or push to try even more new things.
De Angelis: It was 50-50, because some of the songs we actually wrote a while ago. There's a song we wrote three years ago, for example, on the record. The whole record was written in different moments. Some of the songs we wrote in the countryside in Italy; we went to this home studio and just jammed all together. And then others we wrote here in L.A., but then we also kept doing them in Japan and in Brazil while we were on tour.
So it's been really crazy. We can hear the moment we wrote the song and the emotion we had in the moment. And it portrays this whole journey we've been through. I think it's cool that we didn't only write it in one month, but it was through the years. It shows the different faces of our personalities and development.
I wanted to ask about the song "Kool Kids", which you recently debuted live. The lyrics have this self-aware edge, where you poke at the idea of whether rock is dead — I'm sure because you’ve been bombarded by that question nonstop.
David: We talk about rock and roll because it's a part of what we do, but I think that you can apply this kind of thought to every music genre. There's no music genre that is actually ever gonna die because trends are constantly changing. The music is developing and sometimes things become other things or change slightly because of the age where they're living. But I think that what we do [is] a new way to do rock and roll, but it's not the way to do it. There's many different ways to do it. You can be super classic, you can do rock and roll music even without analog instruments and go full electro while creating rock and roll structures.
Raggi: Nothing really ends. Nothing really starts. Everything changes.
De Angelis: It's always in development. The motion that rock music created and that pushes us to do it is just that sense of rebellion towards the norms, or when people try to put you in boxes or limit you. This kind of human feeling will always exist. And that's the reason why all these musicians through the past years have been making this kind of music — to oppose something and to talk about it.
Why was music the path you chose to express that perspective?
De Angelis: I think we all started as kids so we didn't even think it did that much. It was just something in us that we had to get out in some way, to express. It just came natural for us to do it as music. When we started playing together we were like 14 years old. We were struggling, all of us individually, to find other kids that were as passionate about it and wanted to invest all their time in this.
It was crazy that we were 13 years old and wanting to be, like, six hours in a rehearsal room every day instead of going out with friends or whatever. But for us it was such a fulfilling experience when we got in the rehearsal room that we just went full in and didn't care about anything else. It just took over us. It was just something so pure that we felt in that moment. The passion came out because we felt we were being ourselves and expressing what we had inside that couldn't come out in other ways. Since then, it has developed in so many ways that it's just who we are nowadays. We couldn't even imagine who we would be without the music.
Raggi: I remember also when I saw my first guitar outside of that guitar shop. No one in my family plays instruments or stuff like that. It was something that just called to me.
Another thing you are all known for is your sense of style. You always go big! Do you have plans for the GRAMMYs red carpet yet?
De Angelis: We're gonna surprise you. [Laughs.] We won't be boring. Promise.