With a colossal amount of artists announcing tours for this summer and fall, big-room live music is so close, we can practically taste it. 

And whether intentionally or not, Nigerian Afrobeats artist Omah Lay is psyching up music fans with his performance of "Can't Relate," which sees him captivating a carpeted room with a vintage bus parked inside.

In the latest episode of Press Play At Home, watch the singer born Stanley Omah Didia and his band fire an indelible hook into the ether from within four walls.

Whether it's a coded dispatch or just a vibe Lay liked for the clip, the message nonetheless rings loud and clear: See you on the dance floor soon.

Check out Omah Lay’s vibrant, hopeful performance above and click here to enjoy more episodes of Press Play At Home.

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Nigerian Afrobeats singer Chike recognizes music's ability to release inhibitions freely. Instantly, it'll improve your mood or make you want to dance — and his new track, "Egwu," is a celebration of that movement.

“Music need no permission to enter your spirit,” Chike declares in the chorus of the song. “Anywhere, anyhow, you know say you go feel/ Life is life, life is life.”

In this episode of Global Spin, watch Chike deliver a vibrant live performance of “Egwu,” made complete by his intricately patterned colorful suit and neon stage lighting.

The original version of “Egwu,” released on Dec. 15 via Brothers Records, features the late Nigerian rapper Mohbad: “I made a ton of music with a great guy, and I’m happy I can share the first one with the world,” Chike revealed on Instagram. On March 29, he dropped a remix of “Egwu” with DJ Call Me.

In another social media post, Chike announced that he will offer “an intimate musical experience as well tell stories of love, romance, and life” at his upcoming show, Apple of London’s Eye, in England this July.

Press play on the video above to watch Chike’s technicolor performance of “Egwu,” and don’t forget to keep checking back to GRAMMY.com for more new episodes of Global Spin.

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On "Dear Life," R&B singer Genia pens a farewell letter to her lover — while simultaneously reflecting on how the intense saga crumbled her.

"I can't take anymore/ Put my pride aside, thought you could save me," she cries in the first verse. "These days, I don't know what I need/ You destroy me from the inside out/ If I go off the deep end/ You'll be sure not to bring me back."

In this episode of Press Play, watch Genia deliver a stripped-down performance of the vulnerable track alongside her guitarist.

The California native released "Dear Life" on Nov. 10, via Def Jam Recordings. She has also dropped three more singles — "Like That," "Know!," and "Let Me Wander" — leading up to her sophomore mixtape, 4 AM In The Ville, on April 19. 4 AM is a sequel to her debut, 4 PM In The Ville; both projects are inspired by Genia's experience of growing up in Victorville, California.

""[The songs] explore the different stages of grief in a relationship," she revealed in an interview with Urban Magazine. "The second tape is really me touching on falling in love, betrayal, anger, and rape."

Watch the video above to hear Genia's acoustic performance of "Dear Life," and check back to GRAMMY.com for more new episodes of Press Play.

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Now in her early twenties, R&B rookie Kenya Vaun would give anything to return to her childhood adolescence — the days of block-turned-house parties and no bills.

"Feels like it was only yesterday/ And life was so easy yesterday," Vaun raps in the chorus of her new song, "Yesterday." "If I had the chance to do it again/ I'd do it the same/ The joy and the pain/ The coldest of winters/ The summertime rain/ No, I wouldn't change my yesterdays."

In this episode of Press Play, watch Vaun deliver a live rendition of the track, straight from the recording studio.

"Yesterday" arrives on Vaun's latest EP, The Honeymoon Phase, which dropped March 22 via 300 Entertainment. She also released an accompanying music video, filmed in her hometown, Philadelphia.

"'Yesterday' talks about my experiences when I was younger because that is a huge part of what made me who I am today," Vaun said in an interview with Rated R&B. "Seeing how times are today, it's kind of like, 'Dang. Imagine if I grew up during this time.' I don't know how I would be, like, for real."

Watch the video above to hear Kenya Vaun's nostalgic performance of "Yesterday," and check back to GRAMMY.com for more episodes of Press Play.

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On "Constellations," pop singer and social media star Jade LeMac has stars in her eyes after a passionate moment in love.

"Your freckles lead the way/ I trace your constellations," LeMac sings in the chorus. But as the two leave each other's arms, it's like they're a galaxy away: "Now, you're gone in the blink of an eye/ I try to remember what you look like/ Orion's Belt in the sky/ Closest thing to you other than my mind."

In this episode of Press Play, LeMac delivers an at-home performance of "Constellations," stripping down the wavy track with just an acoustic guitar.

Initially released in 2021 via Arista Records, "Constellations" was LeMac's debut single, and eventually became the title of her 2023 debut EP. Nine months after releasing Constellations, LeMac delivered another EP, titled Confessions — and on March 1, she gave it the deluxe treatment.

"['Constellations'] started this whole journey, and I wouldn't be here without it," she said in a statement about the song, which went viral on TikTok after being featured in Netflix's My Life with the Walter Boys. "I have learned so much about myself, my songwriting, and storytelling."

Watch the video above to watch Jade LeMac's lovesick performance of "Constellations," and check back to GRAMMY.com for more new episodes of Press Play.

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