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MusiCares Shares "Wellness In Music" Study Results letter-laura-segura-executive-director-musicares

MusiCares Shares "Wellness In Music" Study Results

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MusiCares Executive Director Laura Segura pens a personal letter in response to some initial results from the organization's recent "Wellness in Music" survey and discusses how MusiCares is helping the music community through these difficult times
MusiCares
Feb 11, 2021 - 12:51 pm

Dear Friends of MusiCares,

Although this is a difficult time for everyone, I'd like to take a moment to recognize one group of people who have been particularly impacted by this pandemic – the resilient individuals that MusiCares serves: our beloved music community.

I joined MusiCares as their Executive Director in June, only a few short months after we began the largest relief effort in our history. We could never have known that the music community would be sidelined — for eleven months now — by a pandemic of this magnitude. MusiCares is no stranger to helping people through difficult moments, having served the music community in times of need since 1989. But truly, nothing has reached the scope of this year. Since our COVID Relief effort began in March 2020, over $22 million has been distributed to more than 25,000 music people and their families.

But as the pandemic wears on, the financial need continues. In October, MusiCares launched a first-of-its-kind "Wellness in Music" survey to assess the music community's mental health and overall well-being. 51 percent of survey respondents indicated they had low to very low levels of confidence in being able to afford basic living expenses during the pandemic. 62 percent indicated experiencing moderately high to very high levels of financial stress, on a daily basis. Members of the live music industry have been hit particularly hard. Concert venues were the first to close, and will be the last to reopen. These days, live events account for 75 percent of an artist's income. And behind every artist, there are thousands of side musicians, crew members, and stagehands, without whom there would be no shows. For these individuals, live events often account for 100 percent of their income.

The financial insecurity faced by the music community amid the pandemic has also had an effect on mental health. 26 percent of MusiCares survey respondents reported experiencing moderate to severe levels of depression. In comparison, a 2019 National Health Interview Survey of U.S. adults found only 4.7 percent reported regular feelings of depression.

Music people – we want you to know that we hear you, and we are here for you.

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While 34.9 percent of survey respondents did seek counseling for depression, anxiety and stress, 53.5 percent of those respondents said they were unable to get counseling because they could not afford it. MusiCares can help. Our mental health and addiction recovery services include financial assistance for therapy, psychiatric care, inpatient substance abuse treatment, sober living, and more. Our team of licensed professionals provides each client with support and referrals, treating each case with confidentiality and care.

MusiCares also hosts a variety of free cyber support groups each week. Our Addiction Recovery Groups offer a safe environment in which clients can discuss the challenges of staying clean and sober in the music industry. We also offer Emotional Support Groups for those feeling stressed or anxious about the state of the music industry or are just looking for a bit of community and support. All groups are free of charge and open to any music person interested in attending.

Additionally, our "Wellness in Music" survey will be an annual MusiCares initiative in order to keep the pulse of the music industry. The survey will be used to gauge the most pressing issues at hand for the music community – as well as understand new and emerging issues – all with the goal to better serve the music industry.

While the pandemic rages on, so does our tireless work of supporting the humans behind the music – because they give so much to the world. Perhaps it is best summed up by a note from one of our own clients, a tour manager:

"As a crew member, venue worker and freelancer, this is the first time in my 17 years of experience where it feels like my profession has the spotlight it deserves as well. We get so buried in gig hunting and traveling on a bus in circles that the world passes us by and we spend our days swimming through audiences to get to our artist, and make them feel safe and successful. When our industry now finds itself in the same vulnerable position, alone on an empty stage, it's a brilliant feeling to know that the world can become our audience as well, and cheer and encourage us to keep going. Many thanks."

Together, we will keep the music playing.

Warmly,
Laura Segura

*If you are a member of the music industry in need of assistance or wish to support MusiCares' efforts to aid music professionals in need, visit MusiCares.org.

MusiCares Announces Music On A Mission Virtual Event: New Performances From HAIM, H.E.R., Jhené Aiko And John Legend Confirmed

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MusiCares Announces Music On A Mission Event musicares-music-mission-announcement-haim-her-jhene-aiko-john-legend

MusiCares Announces Music On A Mission Virtual Event: New Performances From HAIM, H.E.R., Jhené Aiko And John Legend Confirmed

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Taking place Friday, March 12, 2021, MusiCares' Music On A Mission, a first-of-its-kind virtual fundraiser and official GRAMMY Week event, will honor the resilience of the music community, which has been deeply impacted by the COVID-19 pandemic
MusiCares
Feb 18, 2021 - 5:56 am

MusiCares, the leading music industry charity, announced today it will host Music on a Mission, a virtual fundraiser to honor the resilience of the music community, which has been deeply impacted by the COVID-19 pandemic. The event will take place on Friday, March 12, 2021, two nights before the 63rd GRAMMY Awards telecast and will feature new performances from HAIM, H.E.R., Jhené Aiko, and John Legend as well as legendary performances from the MusiCares' vaults featuring Bruce Springsteen, Stevie Nicks and Tom Petty, and Usher. The event will also have special appearances by Carole King, Jesse & Joy, Jonas Brothers, Ledisi, Lionel Richie, Macklemore, Mick Fleetwood, Paul McCartney, Ringo Starr, and Shakira and a special pre-show DJ set performed by DJ D-Nice. Tickets are available to the public for $25 and are on sale now on MusiCares.org. All proceeds will be distributed to music people in need.

"Music on a Mission is a chance to recognize the challenges music people have faced this past year and honor their resiliency," Laura Segura, Executive Director of MusiCares, said. "After surveying the music industry, it is clear the pandemic has taken a financial and mental toll. As the leading foundation dedicated to the health and welfare of music people, it is our responsibility to support music people through this pandemic and beyond. We're thrilled to pay tribute to the people who have kept the music playing."

Since the start of the pandemic, MusiCares has distributed more than $22 million to help more than 25,000 music people across the industry, including songwriters, musicians, engineers, producers, bus drivers, crew, guitar techs, label employees, makeup artists and more. In addition to COVID-19 relief, MusiCares provides a support system of health and human services across a spectrum of needs including physical and mental health, addiction recovery, preventative clinics, unforeseen personal emergencies and disaster relief. According to recent survey data collected by MusiCares, 62 percent of music people surveyed feel moderately high to very high levels of financial stress daily and 26 percent of respondents report moderate to severe levels of depression.

Music on a Mission will take the place of the 2021 MusiCares Person of the Year tribute ceremony. This event is made possible by generous sponsors, including Amazon Music, the Recording Academy, Universal Music Group, Vivid Seats, Warner Music Group, Facebook, Greenberg Traurig, LLP, ASCAP, Concord, Gibson Gives, Live Nation, Master & Dynamic, Mastercard, PEOPLE, SoundCloud and Triller. "We are extremely thankful for our sponsors joining us to help celebrate the people behind the music, who work tirelessly to bring the joy of music to us every day," Segura said.

Purchase tickets to Music on a Mission.

MusiCares Shares "Wellness In Music" Study Results

Amythyst Kiah press photo

Amythyst Kiah

Photo: Anna Hedges

 
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Amythyst Kiah On Finding Her Community amythyst-kiah-open-letter-recording-academy-membership

Roots Musician Amythyst Kiah: From An Awkward Hobbyist To A GRAMMY-Nominated Professional

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Singer-songwriter Amythyst Kiah, who was nominated for Best American Roots Song at the 62nd GRAMMY Awards in 2020, discusses her beginnings and how she found a community in the Recording Academy
Membership
Feb 11, 2021 - 11:40 am

In a brand-new editorial series, the Recording Academy has asked its Membership to reflect on their career journeys, the current state of the music industry and what we can do to collectively and positively move forward in the current social climate. Below, GRAMMY-nominated roots singer/songwriter Amythyst Kiah shares her open letter with GRAMMY.com readers.

I have been a professional musician for 10 years. Over that time, I have had to reframe my relationship with music. What was once a personal escape within the confines of my bedroom now connects me to people all over the world.

As a child, I was riddled with anxiety and uncertainty, but when I would listen to music, I would feel a vastness—a spiritual transcendence that I could not explain. I was at peace. As I got older, I realized that I was, in fact, meditating before I even knew what that was. My suburban family home was full of music; my dad was an audiophile and my mother was happy to indulge him. Because of them, I grew a powerful connection to music and was able to turn to it for comfort when my anxiety was too much.

One of the greatest gifts my parents ever gave me (besides life, of course) was my late 80’s Fender acoustic guitar. I was 13 when the social anxiety really started to set in, and playing guitar and writing were the only ways I felt comfortable expressing myself.

In my early 20’s, I learned the history of culture and roots music and started performing old-time string band music at East Tennessee State University. It was during this time that I learned that I was able to affect people with music in the same way that it affected me. With that realization came a responsibility that I wasn't ready for, but I jumped in anyway. I am grateful to my father (my mother has long since passed away) for being there for me as I struggled to tackle my anxieties and fears and transform into a performer.

I am also grateful for the Bluegrass, Old-Time, Country Music program and my professors who believed in what I was doing and gave me the skills needed to become the performer that I am today.

I used to think that I couldn’t have that feeling of peace that I felt as a child while also feeling a sense of community with others. However, after much emotional work on my part as an adult, I learned that there is a way to maintain that sense of peace and inspiration and still be of the world. Being part of a community, working together to forge relationships and help each other create and grow are crucial for us to flourish as individuals.

This is what I aim to do within the Recording Academy. Now that I am (literally) a card-carrying member as of this month, I can only say that the nervous, awkward girl from before would never have imagined this. Musically, I tend to live in a bubble and have not kept up with the current state of music until recently. I am quite green within the music industry and am excited for this incredible opportunity to learn from others.

I look forward to contributing to this community and the fans who love and support our work!

GRAMMY-Winning Singer/Songwriter And Producer Kalani Pe'a: Creating Music With Your Authenticity And Finding Your Voice

Kalani Pe'a

Kalani Pe'a

Photo: Antonio Agosto

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Membership Open Letter Series: Kalani Pe'a grammy-winning-singersongwriter-and-producer-kalani-pea-creating-music-your

GRAMMY-Winning Singer/Songwriter And Producer Kalani Pe'a: Creating Music With Your Authenticity And Finding Your Voice

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Two-time GRAMMY-winning Hawaiian singer/songwriter Kalani Pe'a offers advice to fellow indie artists on remaining authentic, engaging with fans online and generating income and grants during the pandemic
Membership
Feb 2, 2021 - 9:41 am

In a brand-new editorial series, the Recording Academy has asked its Membership to reflect on their career journeys, the current state of the music industry and what we can do to collectively and positively move forward in the current social climate. Below, two-time GRAMMY-winning Hawaiian singer/songwriter Kalani Pe'a shares his open letter with GRAMMY.com readers. 

When we hear the word "authenticity," we think of traditional, something new or original. We automatically assume the word exemplifies one's creativity—someone who is innovative, unique and different from the rest. I'm all about that and much more. I'm not the typical Hawaiian slack key or 'ukulele artist most people expect me to be. I am a singer who speaks Hawaiian fluently, dressed in sequin blazers and Hawaiian print bowties, singing Hawaiian, contemporary and soul music. I also do Motown in Hawaiian if I had to, because I can as a modern, two-time GRAMMY-winning Hawaiian musician.

As an independent musician who is the co-founder and CEO of Pe'a Records & Entertainment, I am proud to own all of my music. I am my own label, publishing and entertainment company. My husband, Allan B. Cool, is also the co-founder and CEO of our company. We do everything on our own. We own all publishing rights to my music and we operate our own label. I answer to no one other than my husband. 

Allan is also a two-time GRAMMY-winning co-producer on my debut and sophomore albums. I am an independent singer/songwriter who won two GRAMMY awards, making history as the first Native Hawaiian to win a GRAMMY award with my debut album, E Walea, in 2017 in the Best Regional Roots Music category. I made history again winning another GRAMMY award in 2019 with my sophomore album, No 'Ane'i. 

But it's not about the history-making. It's not about the accolades. The awards don't define the true you. Awards shouldn't be able to demonstrate the person you've become. It's about making and creating music, arranging songs, finding a safe spot or space at home and jotting down lyrics and arranging music. The Recording Academy, and winning GRAMMY awards as a Hawaiian, contemporary and soul artist, has given me the opportunity to network and build relationships with thousands of members in the Academy: musicians, songwriters, producers and engineers at the Academy's functions, especially when we celebrate once a year at the GRAMMY Awards in L.A. 

Positive Vibes Only: Kalani Pe'a + Gia Peppers

The GRAMMYs gave me a full-time job as a touring musician. I am a devoted member, and I love to listen and network with all types of musicians, music-makers and creators around the world. This pandemic has really affected many of us, where all of our shows and concerts got cancelled. We really had to learn to save or generate income in order to survive. 

The questions came to mind: How are you paying for your mortgage? Other household bills? Food? Or medical bills? If I've lost shows, what do I do next? How will I survive as a multi-GRAMMY-winning, full-time touring musician during this crisis?

I had to plan a "horizon scanning" concept. Meaning, I had to plan out goals for the entire year. Some may be short-term or long-term, but these were goals that help me reflect and embrace what was truly in my reach. I panicked for a bit, but I had to collect my fears, throw them in a bottle and send that bottle away across the ocean and hopefully never see those fears return to me. 

My life as a GRAMMY-winning artist changed forever. I left a full-time teaching job five years ago to live my dreams. During this crisis, I am applying for numerous COVID-19 relief grants and cultural, competitive and music grants to help me stay afloat as a musician. I have applied to grants to help me start my third solo project, coming out later in 2021, so that I have monies to start music video content and other digital marketing content. I don't come from any label. I have to work harder as an indie artist. The struggle is real, but I am doing my best to continue to create music each day. 

I am ready to tour again and sell out shows across Hawai'i, the West and East Coast of the U.S. and Japan. I look forward to performing in Europe in the upcoming years, sharing Hawaiian language and music across the globe. I encourage all music creators to continue finding your voice: Share it through songwriting and arranging new music. Never give up.

I encourage artists to apply for COVID-19 relief funds and grants. If you get denied the first round, never give up on these grants. There are performing arts centers who truly believe in your gift. Share and speak about it. Do grants first then loans as the last resort. When the grants for music are out there, dive into it. Prepare 3-4 hours out of the day to apply for them and also gather your best work as supportive documents. I am also uploading new and old content on all social media platforms every day. 

Whether we're stuck at home, continuously post something on social media about your music. Post a blog, an old pic, some new material, some teasers for upcoming music or projects, a piece of bread or something you drank on Facebook, Instagram or TikTok. Consistently post any content, whether about music or family, during this pandemic and be engaging with your audience. Do Live feeds and talk about your music creation, sing a song or two. I was honored to have done a few Live performances. 

I am that type of musician that doesn't ask for donations or has a personal Venmo or PayPal. Every musician has their own goals and objectives when it comes to making a living. Some musicians play in bars or hotels on Maui and others are touring musicians like me. What I've done the last few months was host a 30-minute to 1-hour show. The first show was last May where I sang some of my original compositions and I had a donation link that went directly to the Alzheimer's Association. My grandmother, who turned 90 in November, suffers from Alzheimer's disease. I try my best to donate a part of my concert proceeds to the association to take care of our kupuna (elders) and their caregivers. 

My second online show was 1 hour in June, and I gave away prizes. I had local businesses and entrepreneurs, who are makers, creators and bakers of Hawai'i, donate their "art" to me, and I gave it away as prizes. Thousands tuned in and were anxious to win. I did this to build a collaboration with local businesses who are the face of Maui and Hawai'i altogether. I wanted to support the businesses during these trying times. It brought awareness to these local brands in a time like this. Many have moved to all online shopping.

Kalani Pe'a: "Music Saved My Life"

We musicians have bills to pay, so how do we stay relevant? Social media and digital marketing are important resources to stay relevant as a working musician. Get on all platforms, from Facebook, Instagram, Twitter or TikTok. The audiences and target audiences vary from each platform, but engage with your audience. You have fans all over the world if you're a recording artist. Start a website, update your website or create a Wiki page. On social media, you can post 50 times a day, but consistently share your work. 

We are indie artists. We are our own label. We do everything on our own and we don't have the support like artists do with big labels. We need to be creative and authentic in our own way as indies, as music-makers, creators and shakers of today. Continue creating and making music. Our music is our medicine. The world needs that medicine during this time. Let's heal the world with our creation of music, being ourselves as the music-makers while building "bridges," not "walls" or "cages," around the world. 

Also, know your value. If Live performances on social media is what you're good at, do it. I personally refuse to have a PayPal or Venmo link; however, it's up to you as a musician. Everyone has different goals. Know your value and surround yourself with likeminded and valuable people. If you already sell $100 tickets for your shows, why do a free online concert? 

Think of strategies on how to earn your income during this pandemic. Will you create an online ticketing show? Will you have a donation link set up and sell merchandise online? Or will you help other local businesses thrive by doing gift giveaways during your little online show? 

Be the voice during this pandemic. Continue making music. Focus on value. Be authentic. Never change your sound. Never allow anyone to define your success as an indie artist and be you. 

Learn more about Kalani Pe'a and his music.

For info on grant-writing for musicians and COVID-19 relief funds for artists and musicians, visit Kalani Pe'a's official Facebook page.

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Producer & Engineer Gena Johnson: How To Create Total Harmony In A Recording Session

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'Why? Because It's Christmas' album cover

Why? Because It's Christmas Album Cover

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'90s "Mickey Mouse Club" Members Reunite For Holiday Album, 'Why? Because It's Christmas'

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Featuring more than a dozen former Mouseketeers, the 17-track holiday album will benefit MusiCares and other charitable organizations
Ana Monroy Yglesias
MusiCares
Dec 8, 2020 - 10:12 am

Disney Channel's "The All-New Mickey Mouse Club," which ran from 1989-1996, is forever cemented in pop culture psyche as the kid's variety show that launched the careers of Britney Spears, Justin Timberlake, Christina Aguilera and Ryan Gosling. Yet they weren't the only talented, charismatic young people in the show's cast to continue on to careers in film and music.

Always In The Club, a group composed of former cast members from "The All-New Mickey Mouse Club" across the years, brings together the show's alumni to keep spreading joy and to fundraise for important causes. On Why? Because It's Christmas, more than a dozen former Mouseketeers reunited virtually to create a 17-track holiday album, released Nov. 27, that delivers cheer and financial support to those directly impacted by COVID-19. Proceeds from the album will be donated to MusiCares, the Brave Of Heart Fund and Cast Member Pantry.

GRAMMY.com checked in with singer/songwriter/producer and "Mickey Mouse Club" alum Tony Lucca, a performer and co-producer on the album, who spoke about Why? Because It's Christmas, his time on the iconic show and the vital connection between art and service.

What sparked the idea for the Why? Because It's Christmas benefit album? What does it mean to you to be able to give back to those impacted by COVID-19?

It stemmed from the fun and excitement we, the cast of the "Mouse Club," shared during our MMC30 reunion in Orlando last year. Our castmate, Tasha Danner, had casually suggested we do a cast holiday record together, and the wheels got turning instantly. Fortunately, it was Dale Godboldo, along with Chasen Hampton and Always In The Club president, Lisa Cannata, who were doing the turning.

Always In The Club is an organization that serves as a philanthropic conduit for various charitable organizations year-round, pandemic or not. Having them as the driving engine of this collaboration provided for a very clear intention for us to get behind creatively. As for the three organizations that we chose to [donate to], I simply can't imagine any other causes that could possibly be more near and dear to our hearts as a team: those within the music industry, those on the frontline of this horrendous pandemic and our fellow Disney cast members.  

"I've always maintained the belief that empathy lies at the heart of creativity."

What does the connection between art and service look like to you?

I've always maintained the belief that empathy lies at the heart of creativity. It's why so many artists, musicians, songwriters, actors, painters and authors tend to ally themselves with noble causes throughout their careers. No one's ever obligated to serve or "give back" as they find success in their line of work, but it's no surprise to me that artists tend to be the ones that do.

Related: MusiCares Launches "Help For The Holidays" Initiative On Giving Tuesday 2020

What did it feel like to virtually reunite and collaborate with your fellow "Mickey Mouse Club" alumni on a Christmas album during a year that's felt very isolating and dividing?

From the very first Zoom conference we had, seeing each other "face-to-face," sharing in the enthusiasm this project was no doubt going to require, I can't tell you how much fun it was and a rather welcomed distraction! As a producer on the record, having a front-row seat to each and every performance, I would just sit there and radiate pride and appreciation for just how much talent exists amongst this group. It was great to see how much growth and maturity has taken place and wonderful to hear these endearing and familiar voices again. It truly was a pleasure. 

What is your favorite song from the project? Who decided which Christmas classics to include?

Well, I think "Go Tell It On The Mountain" is one of the best group songs "The Mickey Mouse Club" has ever presented. It's just so much fun and came out so timelessly wonderful. I love that it starts off the record and really sets the tone.

Of course, I'd be remiss if I didn't admit that I'm also really proud of "Auld Lang Syne." [Editor's Note: Lucca performs this song on the album.] I've always been a fan of that song and kind of always saw it as the holiday season "bonus track." I'm also a fan of "firsts" when I make records, and this recording marks the first time I ever recorded myself playing slide guitar. I thought the "Amazing Grace" melody laid real nicely over the "Auld Lang Syne" progression, and the slide seemed like the best way to do that.  

What was the biggest thing you learned during your time in the "Mickey Mouse Club"? If you could give that younger version of yourself any advice, what would it be?

I learned the beauty and value [of] the art of collaboration, of taking pride in your role, your work, your contribution to the bigger picture. I learned how to show up and take chances. Looking back, I'd say I could've savored so much more of it at the time. Granted, we were kids, teenagers. It's not really in our nature to savor too much at that age. But yeah, I'd probably have quite a few more stand-out memories had I had realized how quickly and easily it can and will eventually all go away.  

To learn more about MusiCares and how you can support music professionals in need, visit musicares.org.

MusiCares & ELMA Honor Hugh Masekela With Matching Fund

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.