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Photo by Lior Phillips

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GRAMMY U SoundChecks With BTS bts-shine-grammy-u-soundchecks-chicago

BTS Shine At GRAMMY U SoundChecks In Chicago

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"We work around the clock, and technology has developed that allows us to collaborate with people around the world," BTS told the Recording Academy prior to their Windy City event
Lior Phillips
Membership
May 16, 2019 - 11:37 am

"When we think of painting, artists just describe how it looks. As time passed, Picasso came and started to express image and feeling. And now with social media, we can communicate through the painting. We can think of the image, talk to it and ask questions." -BTS

While the ecstatic, eager crowds gathered in hungry anticipation around Soldier Field prior to BTS' second night in Chicago, there was a serene, enchanting aura inside the pop sensations' forum with GRAMMY U Chicago students at a SoundChecks event on Sunday, May 12.

The afternoon began with the students getting a bird's eye view of BTS' soundcheck, looking down as the Korean septet performed two songs for the sea of about 2,000 members of the ARMY (as fans of the group are known). Though the fans toting hand-painted signs and wearing bedazzled cat ears at the front of the stage screamed for joy at every evocative dance move and flutter of confetti, the GRAMMY U students took in the big picture, learning how such a big show is produced.

When BTS and the students were ushered into a private room not long after, the group shared details on all of the hard work that goes into making a performance seem so effortless. "We work around the clock, and technology has developed that allows us to collaborate with people around the world," BTS told the Recording Academy prior to their Windy City event.

As GRAMMY U is designed to celebrate music's future, it seems fitting to give the students access to one of the most groundbreaking artists of today, a group that strives to redefine the way in which artists interact with their fans and bring their music to life. "Our music and performance receiving so much love from so many people around the world is proof that the language and borderlines in music are diminishing, and we hope that we can continue to remove those barriers," the band said. "We always try to communicate with the audience on stage. Although the venue has grown in scale, we will continue to pour our passion and energy as we always do."

K-pop phenomenon BTS (Beyond the Scene) formed in 2013 as Bangtan Sonyeondan, which translates roughly to "Bulletproof Boy Scouts." Together, Jin, SUGA, J-Hope, RM, Jimin, V, and Jung Kook  have quickly catapulted to a massive worldwide fandom comparable perhaps only to Beatlemania, a comparison born out by the fact that, with MAP OF THE SOUL: PERSONA, BTS charted three Billboard number one albums in less than a year, a feat the lads from Liverpool achieved in the mid-'60s. Though proud of that fact, BTS aren’t focused on the past, but always working hard to build something new for the future. "It’s such a great honor to be mentioned alongside The Beatles, but BTS is just BTS," RM said.

BTS On What They're Listening To Now & More

The fact that the day’s event was connected to GRAMMY U naturally brought to mind the critical appreciation growing to match the worldwide K-pop phenomenon. Multiple students expressed curiosity regarding the differences between international markets, asking questions about BTS' experience breaking into the American music scene. And though they've become easily the biggest group from Korea, BTS wanted to make it clear that they remain focused solely on themselves. "We aren’t the representatives for K-pop," the band said. "We can’t define or say what it is, but these days, thanks to social media and fans, we’re lucky to have the opportunity to share our words with the world."

The other major difference the group noted relates to the ways in which labels work and the very size of the industry itself. In the U.S., they explained, there are many discrete teams that interact and work together, whereas in their home country, the label might be bigger and more all-encompassing. "I think this is quite interesting: In Korea, there’s a big label that gets young talent and they help bring everything together for them," they said. "It’s like a year-round song camp."

Though all the moving pieces may be arranged under one tent, as with BTS' home Big Hit Entertainment, artists and label representatives alike need to develop strong communication skills—something the group stressed as important for anyone aspiring to join the industry. "Each artist has their own preferences and pace, and each sound engineer has their own sphere of artistry," SUGA said. "Every venue is different, so we sit down and meet with engineers and make sure we communicate. The most important thing is to be sensitive."

While they’ve been focused internally on their music, BTS have also been incredibly outward-facing socially, making an astonishing impact as philanthropists. In 2018 alone, the group’s "Love Myself" campaign raised more than $1 million for UNICEF. Beyond those charitable acts, countless ARMY fans look up to BTS for guidance or positivity. That can be a difficult task, but one the group are ready for. "It would be a lie if we said we didn’t feel pressure, but it’s always great to hear from our fans all over the world that our music changed their lives," the band said. "It makes us think more deeply about what we do and our music and puts even more responsibilities on our shoulders."

The group's rapid ascent has been dotted with exciting performances and recognition. BTS presented the award for the best R&B Album at the 61st GRAMMY Awards in February, and made their SNL debut in April. In all these experiences, the group explained, they remain focused on the fans. “While achievements are important, we hope to give our fans happiness above all else," BTS said. "In fact, [Map of the Soul: Persona]  is also made to enjoy with fans, so as long as we can enjoy and be happy, I don't think there is a better achievement."

K-Pop Phenoms BTS Keep Breaking Records: Here's Why

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Behind The Record

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Behind The Record Returns To #GiveCredit behind-record-returns-givecredit-behind-scenes-music-creators

Behind The Record Returns To #GiveCredit To The Behind-The-Scenes Music Creators

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The Recording Academy's global social media initiative to celebrate the music makers behind the records you love is back to give credit where credit is due
GRAMMYs
Oct 14, 2020 - 10:11 am

On Oct. 15, join the Recording Academy for Behind The Record, a global social media initiative celebrating the producers, mixers, engineers, songwriters, composers and all the creators across all music genres who work tirelessly to make the songs and albums you love. This year's launch is marked by a new animated film narrated by spoken word artist and Recording Academy Chicago Chapter President J. Ivy highlighting 33 album titles to help tell the story about everyone who works Behind the Record.

Behind the Record’s mission is to inspire a conversation around the importance of credits, while giving credit where credit is due, especially during a time when the music community needs it the most.

Launched in 2019, Behind the Record returns this year to honor the work of all music creators by highlighting their contributions through album credits. Last year’s campaign featured more than 3,000 credit covers created and shared by artists, reaching hundreds of millions of fans around the world.

https://twitter.com/bandzoogle/status/1316386422111309824

We're thrilled to be a partner of @RecordingAcad's #BehindTheRecord-bringing the names of the producers, mixers, engineers, songwriters, composers, and collaborators who work behind the record to the front. Learn more about the initiative here: https://t.co/qNKgvVYhZh #GiveCredit pic.twitter.com/PeaQ5pgJZT

— Bandzoogle (@bandzoogle) October 14, 2020

To participate, artists can create a custom Credit Cover to post on Instagram and other social networks, using the hashtags #BehindTheRecord and #GiveCredit, on Oct. 15 where they can tag all the creators who worked on their record and invite other artists to do the same. The Credit Covers, which can be created for a single track or a full album, will live in a gallery on the Behind the Record website where music fans can view and discover the roles of creatives behind some of their favorite records.

New for this year, artists participating in Behind the Record can sign the #GiveCredit petition, an official artist petition urging all digital music streaming services to display complete credits for songwriters, producers, engineers and non-featured performers on albums and tracks, the same way lyrics are available to those seeking them. Sadly, liner notes were largely left behind in the evolution of digital streaming. As a result, artists haven’t had a platform to publicly recognize the incredibly talented musicians and creators behind the music we love. By signing this petition, we hope to change that for future music-makers.

Behind the Record is supported by the Recording Academy's Producers & Engineers Wing®. Jaxsta, the world's largest public-facing, dedicated database of official music credits, provided credits for Warner Music, Sony Music, Universal Music Group and Merlin releases.

Look for your favorite artists' Credit Covers on Oct. 15, and be sure to follow and join the global conversation on social media using the hashtags #BehindTheRecord #GiveCredit and #WeAreMusic. Together, we can ensure that all creators are recognized for their work and contributions Behind the Record.

Learn More About The Recording Academy's Behind The Record

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Photo by: Giuseppe Greco/REDA&CO/Universal Images Group via Getty Images

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COVID-19 Resources: Asia, Europe & The U.K. resources-music-creators-professionals-affected-covid-19-asia-europe-uk

Resources for Music Creators & Professionals Affected By COVID-19: Asia, Europe & The U.K.

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The Recording Academy is committed to sharing resources to the global community of music creators and professionals affected by the coronavirus/COVID-19 pandemic
GRAMMYs
Mar 23, 2020 - 5:11 pm

In the current coronavirus/COVID-19 pandemic, music creators and many of the professionals who support them have been greatly affected. The Recording Academy is committed to creating, amplifying, and sharing resources that will provide some form of comfort.

While The Academy’s MusiCares has set up a COVID-19 Relief Fund available as a safety net for music creators in need, below you will find resources available to those in the music community who live in Asia, Europe and United Kingdom.
 

GRAMMYs

ASIA

Hong Kong Arts Development Council
The organization has increased its support for the Arts & Cultural Sector to HK$55 million to help relieve the financial burden of the arts sector during this difficult period. Information on how to apply is on the org’s website.

Singapore Sets up Funding for Arts and Culture Sector amid COVID-19 Outbreak 
About S$1.6 million will be set aside for the arts and culture sector as part of support for the community amid the COVID-19 outbreak, and to prepare the sector for “post-disease recovery.”

GRAMMYs

EUROPE

BELGIUM

Flanders Agency for Innovation and Entrepreneurship
Self-employed persons and assistants in the main occupation and assisting spouses who have to stop their activity due to the corona virus can receive financial benefits.

Wallonia-Brussels Federation
Information on aid for artists negatively impacted by event and job cancellations and/or postponements related to COVID-19.

FINLAND

Finnish Foundations and Ministry Provide Millions In Emergency Aid For Cultural Sector in Distress
A number of large Finnish foundations, the Ministry of Education and Culture, and Arts Promotion Centre Finland (Taike) are working together to grant swift assistance to arts and culture professionals who have been hard hit by the coronavirus outbreak. Funding totaling approximately EUR 1.5 million will be apportioned during April via the Arts Promotion Centre (Taike). Foundations will also grant significant sums in aid through their own channels.

FRANCE

Institut Français COVID-19 Resources
This French institute, that promotes French culture abroad, while promoting artistic exchanges and dialogue between cultures, has compiled several available resources for French artists and those employed in cultural sectors.

French Government’s Measures for Temporary Workers and Employees in the Cultural Sector
Muriel Pénicaud, Minister of Labor, and Franck Riester, Minister of Culture, have announced exceptional measures to support intermittent workers and employees in the cultural sector in the context of the health crisis.

Pays de la Loire Region Coronavirus Emergency Plan
This €50 million plan would be devoted to supporting the local economy --- €25 million in immediately available credits in the form of existing support systems and €25 million in new measures and credits, including €2 million in support of cultural and sports associations. The Pays de la Loire covers the area to the south of Brittany and Normandy, along the lower stretches of the river Loire.

French Government Containment System Certifications
On March 16, 2020, the French Government decided to take measures to minimize contact and travel. “A containment system has been in place since Tuesday, March 17 at 12:00 p.m., for a minimum of fifteen days. Travel is prohibited except in the following cases and only if you have a certificate for: 1.) Move from home to work when telework is not possible 2.) Make essential purchases in authorized local shops 3.) Go to a health professional 4.) Travel for child care or to help vulnerable people, or for a compelling family reason, duly justified, on the strict condition of respecting barrier gestures 5.) Exercise only on an individual basis, around the home and without any gathering. Violations of these rules without a certificate will be punished with a fine of 135 euros.”

GERMANY

GEMA Corona Aid Fund
The German performance rights organization has created a $43 million fund for composers, lyricists, music publishers and songwriter members negatively impacted by the COVID-19 pandemic. Depending on how one is personally affected, members can apply for transitional aid of up to EUR 5,000.

The Luxembourg Government – COVID-19 Efforts
The Ministry of The Economy has established a website and hotline for information and recommendations for businesses

Queer Relief (Berlin) 
Created by the queer community in Berlin, this application was created to help offer support for those who are vulnerable to COVID-19. Applicants who are on the LGBTQIA+ spectrum, womxn, sex workers, refugees, and other marginalized individuals (i.e. BiPoC) will receive priority.

Petition: Help for Freelancer and Artists during the Corona Shutdown
This petition seeks to urge Federal Finance Minister Olaf Scholz immediate financial help for freelancers and people from the creative scene, for example in the form of “1.) Non-bureaucratic bridging money, for example in the form of a temporary (unconditional) basic income 2.) Aid fund to quickly compensate for lost income, e.g. connected to the artists' social security fund (but expressly NOT limited to its members, since all freelancers are equally affected) and 3.) A short-time work benefit, in which the net income from the last available tax assessment is based on a monthly support payment by the tax offices.”

ITALY

Petition: Appeal for Urgent Support For Show Business Workers
Fondazione Centro Studi Doc has set up this Change.org petition advocating Italy’s President and government to extend immediate emergency relief to the artistic community

POLAND

Poland’s Culture Promotion Fund
Poland’s Ministry of Culture and National Heritage is offering social assistance from The Culture Promotion Fund can be obtained by artists who are in a difficult financial situation.

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UNITED KINGDOM

Coronavirus (COVID-19): What You Need To Do
The UK Government has set up a webpage offering information on financial support, school and business closures, small business support, and health related updates.

UK Tax Helpline for Businesses
New Her Majesty's Revenue and Customs (HMRC) helpline launched to help businesses concerned about paying their tax due to coronavirus (COVID-19)

Help Musicians Health and Welfare Support
Help Musicians’ Health and Welfare team offers structured support to professional musicians in times of personal crisis. Their approach is “person-centered; building tailored support around an individual’s specific needs.” Help Musicians is unable to replace lost earnings. But they are able to provide financial support in cases of significant financial hardship as well as signposting for debt/welfare-related issues. The organization also provides financial assistance for health interventions and access to music specialist health assessments for performance-related health issues. Applicants who live in the United Kingdom who have savings that do not exceed £16,000 (rare exceptions may be made; for example, the limit is a higher £20,000 for retirees) should apply.

Music Venue Trust
Emergency legal advice for music venues. The organization allows every venue in the country to access free legal and expert advice on licensing, planning, development, noise, and even tenancy issues.

Coronavirus (COVID-19) Guidance for Musicians
Incorporated Society of Musicians has compiled an online resource hub for performers, music professionals, private and employed music teachers.

Musicians’ Union Coronavirus (COVID-19) Advice
Find advice and read latest news on Coronavirus for musicians

Association of Independent Promoters
The Association of Independent Promoters (AIP) is a new not for profit trade association bringing together independent promoters from across the UK. Our aim is to represent, empower and provide a vital support network to promoters.

Petition: UK Government to offer economic assistance to the events industry during COVID-19
For the UK government to provide economic assistance to businesses and staff employed in the events industry, who are suffering unforeseen financial challenges that could have a profound effect on hundreds of thousands of people employed in the sector.

Petition: Temporary Income Protection Fund
This Change.org petition is asking the government to create a Temporary Income Protection Fund to support freelancers through the Coronavirus crisis. The idea is for a time-limited, targeted injection of funds to keep businesses afloat over the coming months and cover basic income costs like food and rent.

Scottish Government COVID-19 Relief Efforts
The Scottish government has announced a £350m fund for councils, charities, businesses and community groups. Roughly £45 million will be added to the existing Scottish Welfare Fund which makes community grants and crisis grants to those in immediate need. In addition, £20 million will be allocated to a Third Sector Resilience Fund, £40 million to the Supporting Communities Fund to support the rapidly growing and inspiring community efforts at a local level; £70m will be allocated to a Food Fund and £50 million will be given to the Wellbeing Fund which will help charities and others who require additional capacity to work with at-risk people.

Ireland Artist Emergency Relief Fund
The Civic Theatre in Dublin has created this fund to provide financial relief to Irish artists experiencing lost income related to COVID-19. Small grants of up to €500 will be paid rapidly on a first-come, first-served basis to affected artists and groups.
 

GENERAL RESOURCES

MusiCares COVID-19 Relief Fund
The Recording Academy and its affiliated charitable foundation MusiCares have established the COVID-19 Relief Fund to help people in the music industry affected by the coronavirus disease (COVID-19) outbreak and subsequent cancellation of multiple music events. From hotel and bar gigs to major music festivals, COVID-19 is deeply impacting live music events, and the creative community behind it all. Administered through MusiCares, the COVID-19 Fund will be used to directly support those in the music community with the greatest need. To establish the fund, both the Recording Academy and MusiCares have contributed an initial donation of $1 million each, totaling $2 million. Additionally, all Recording Academy Chapters have committed to fundraising in their local communities. Further updates and announcements will be made in the coming days.

GRAMMYs

Photo by Andy Cross/MediaNews Group/The Denver Post via Getty Images

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A Message From The Chairman message-chairman-interim-ceo-recording-academy

A Message From The Chairman, Interim CEO Of The Recording Academy

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The Recording Academy’s ongoing commitment to Diversity & Inclusion
Membership
Jan 26, 2020 - 10:41 am

Six months ago, when I put my hat in the ring to be your Chair, I did so because I believed that the Academy could do better – could be better. The music we create has always reflected the best of ourselves and our world. But what was true of music has historically not been true of the music business as a whole. Too often, our industry and Academy have alienated some of our own artists – in particular, through a lack of diversity that, in many cases, results in a culture that leans towards exclusion rather than inclusion.
 
The Academy is recognized for our excellence. We are a leader. And being a leader means taking responsibility even when it feels like the problems at hand are bigger than us.
 
This is hard. Some might feel that responsibility is unfair, while others might feel it’s not going far enough. But in the end, we must take on this work. Because it’s the right thing to do.
 
I ran for this position because, as a music creator, I wanted to help bring this organization in line with the values I know this community shares. I asked for your trust – and your help – as we continue to push the Academy towards a place where everyone is valued, respected, and included. That’s the Academy that we – artists and fans alike – deserve.
 
In entering this role six months ago, I was fortunate to be building on courageous and inspiring work. Artists – especially women and artists of color – had long begun demanding transparency and taking on our traditional power structure. They have found allies across the industry who believe that we can do better and have joined the fight for change.
 
In February 2018, we empowered a Diversity Task Force, led by Tina Tchen and made up of distinguished individuals from outside the Academy, to take a hard, independent look at our organization specifically and the music industry as a whole. They detailed the ways in which we were falling short, and laid out 18 recommendations for change.
 
Since I took office, we as an organization have agreed to 17 of those 18 recommendations. I know some will feel that we’re not doing enough fast enough. I understand the urgency. For me personally, and for this organization, these immediate steps are a continuation of our ongoing work.
 
But it’s not enough to pledge ourselves to change. We must take action. There is no excuse for waiting, especially when so many of our members have been tirelessly advocating for a bold new direction for so long.
 
That’s why I’m proud to announce these new initiatives, initiatives developed in partnership with the Diversity Task Force and other champions of change. They include the following:
 
The Academy will hire a dedicated Diversity & Inclusion Officer. This person will be hired within the next 90 days.
We will establish a fellowship, funded by the Academy, that will be responsible for independent review and reporting of the progress of the Academy's Diversity & Inclusion efforts. This will be in place within 120 days.

We will create a fund to be distributed annually to different “women in music” organizations that will be managed by the D&I Officer. This will go into effect immediately.

The Academy will recommit to meeting all 18 of the Task Force Recommendations as outlined in the full report and in a manner that will endure, with the caveat that we will have a deeper exploration, along with the Task Force into voting processes for the GRAMMYS.

We are committing to meet with the Task Force to review our progress on these as well as the rest of their eighteen initiatives. This first meeting will happen in 45 days. There will be subsequent follow ups to review progress.

It’s been a challenging week for our Academy family. I’ve heard from many of you who feel betrayed and hurt by the untruths being spread about our motives and actions, the integrity of our process and the artists who've rightfully earned their GRAMMY Nominations, and the reminders of the hard truths we do have to face as a community. We can all be proud that we are recommitting ourselves to transparency, to independent investigations, and to following the facts wherever they lead. And I want to thank the incredible Academy team that, through it all, work day and night, from staff, artist support services, member relations, chapter leaders, MusiCares, The GRAMMY Museum Foundation, and to those putting on a spectacular show and the week’s events.
 
The movement to ensure that the Academy – and the music business – is truly representative of artists and their audiences has been going on for a long time. And that struggle will continue, not just for women and people of color, but for members of the LGBTQ+ community, for artists struggling to make ends meet, for those suffering from addiction or mental health challenges, for people of all shapes and sizes and backgrounds, and for groups we may not even recognize today. As a leading voice in the industry, we have an obligation to be on the frontlines of that change. To build a system that continuously evolves with our changing society – a system where every artist, no matter who they are, feels welcomed and supported. That’s what it will take to not just survive but thrive in an industry that’s transforming as quickly as ours.
 
This won’t be easy. But here’s the thing: I know we can do this together. Because that’s what we have always done. We are collaborators. After all, as a peer-based community, the

Academy truly represents music at its best. It has always reflected the very artists who grapple with the issues that shape our times, and push society to live up to our ideals. That’s what it means to be a part of this extraordinary community of artists – people with integrity, people with passion, and people who, above all, are committed to music and its possibilities.
 
Tonight, many of our colleagues will take the stage on Music’s Biggest Night, be honored by their community of peers and thank the Academy. On behalf of the Academy, I’d like to thank them. Thank you for the authenticity you bring to your craft, the dignity with which you carry yourselves, and the love you show to each other and our world.
 
I look forward to working side by side with you to continue building an Academy that reflects the best in us, and honors the incredible artists who lift us up every day.
 
Respectfully Yours,
Harvey Mason Jr

GRAMMYs
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Lana Del Rey Visits GRAMMY U In Nashville lana-del-rey-offers-music-industry-advice-grammy-u-students-nashville

Lana Del Rey Offers Music Industry Advice With GRAMMY U Students In Nashville

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The GRAMMY-nominated pop luminary spoke to GRAMMY U students about connecting with Jack Antonoff for her latest studio album, 'Norman F*****g Rockwell!' and the importance of having a mentor in the music industry
Sam Newton
Membership
Dec 11, 2019 - 11:55 am

Just hours after finding out she received two GRAMMY nominations, Lana Del Rey joined the Nashville GRAMMY U Chapter for an intimate performance and discussion. Fresh off a show the night before at Nashville's Municipal Auditorium, Del Rey played stripped-down versions of "Norman F*****g Rockwell" and "Bartender," both off her GRAMMY-nominated sixth studio album, and invited Nashville native and friend, Nikki Lane, to perform Lane's "Look Away" with her.   

Touching on topics ranging from the #MeToo movement to genre-crossing, Del Rey spent much of the conversation chatting about her recent album, Norman F*****g Rockwell! (up for Album Of The Year), which actually got its start at the Clive Davis Pre GRAMMY Gala. Del Rey shared with the students that she first ran into Jack Antonoff (who produced much of the album) at the party and began working with him right after. When asked what songs on the album stand out for her, she said "Norman F*****g Rockwell," nominated for Song Of The Year, was melodically one of her favorites and had enough humor to balance out the album. She also cited the very personal album closer "hope is a dangerous thing for a woman like me to have – but I have it."

As the discussion moved towards the business side of the industry, Del Rey shared that she read "All You Need To Know About the Music Business" by Donald S. Passman when she was starting out and found tips – such as not combining your publishing with your record deal – very helpful. (She put this tip into practice when signing her first record deal.)  

When asked what advice she would give a room full of students entering the music business, Del Rey noted how important it is to find mentors wherever you can. In her case, some of her best mentors have been people outside the music industry who genuinely wanted to offer her advice without a dog in the race. 

As the conversation ended, Del Rey took the time to speak with students individually about their current classes and music industry goals. It was clear from the students' reactions that Del Rey provided them with invaluable guidance about the industry. The Nashville GRAMMY U Chapter could not have been more excited to share such a special day with her.

Jonas Brothers Bring Happiness To GRAMMY U SoundChecks In New York

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.