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GRAMMYs

Kathy Griffin

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Where Do You Keep Your GRAMMY? | Kathy Griffin where-do-you-keep-your-grammy-kathy-griffin

Where Do You Keep Your GRAMMY? | Kathy Griffin

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The hilarious comedienne lets us into her Bel Air home to talk about her Best Comedy Album GRAMMY, for which she was nominated in 2013
Jennifer Velez
GRAMMYs
Jan 29, 2020 - 3:36 pm

Kathy Griffin keeps her golden gramophone in the most Kathy Griffin place possible: right at the door where everyone who comes in can see it.

Griffin says people "pretty much trip" on it. "Then they spend the first few minutes telling me to my face I'm an a-hole for doing it and then they all want a picture," she adds in the latest rendition of Where Do You Keep Your GRAMMY?.

Where Do You Keep Your GRAMMY? | Kathy Griffin

Griffin won her GRAMMY at the 56th Annual GRAMMY Awards for Best Comedy Album. The winning album, Calm Down Gurrl, was inspired by one of her friend's favorite thing to say. "There are many times I feel when myself and others need to be told, 'Calm down girl,'" she says. 

The comedian is one of three women to have ever won in the category. "I was nominated six years in a row so I don't even care if this is a pity GRAMMY," she quips. 

Watch the video above to see the comedienne talk about the natural similarities between music and comedy, who can and can't touch her GRAMMY, her reaction to the win, and more.

2020 GRAMMYs Red Carpet In Photos 

GRAMMYs

Kristolyn Lloyd at 2018 GRAMMYs

 

Photo: Steve Granitz/WireImage/Getty Images

 
News
Looking Ahead To The 2021 GRAMMYs 63rd-grammys-looking-ahead-2021-grammy-awards

The 63rd GRAMMY Awards: Looking Ahead To The 2021 GRAMMYs

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Need something to look forward to? Here's what you'll want to know about the 2021 GRAMMYs, including nominations, timelines, rule changes, possible formats, voting and more...
Ana Monroy Yglesias
GRAMMYs
Aug 19, 2020 - 9:37 am

Updated Jan. 5, 2021.

Given how this year has gone, perhaps you're ready to fast-forward to 2021 (we're almost there!). Beyond it no longer being 2020, next year has some other big things going for it, including Music's Biggest Night, a.k.a. the 2021 GRAMMYs. Airing Sunday, March 14, 2021, on CBS, the 63rd GRAMMY Awards recognize excellence in music released in late 2019 and 2020. Hopefully, you're as excited about the show as we are! 

To help make sure you stay in the loop, read on to learn more important dates and details about GRAMMY nominations (they were annouced on Nov. 24), the Recording Academy member voting process and everything else 2021 GRAMMY Awards!

It's Here! 2021 GRAMMYs: Complete Nominees List

When Is It?

On Sunday, March 14, 2021, the 63rd GRAMMY Awards will be happening. The health and safety of the artists, guests, crew and staff is always front of mind during every GRAMMYs, so, logistically, things will be a little different this year.

62nd GRAMMY Awards Wrap Up Show

How Can I Watch?

Music fans from around the globe will be able to watch the dazzling show live on CBS / CBS All Access. Additionally, the GRAMMY Premiere Ceremony, where the majority of the 83 categories of awards are handed out, will be streamed live on GRAMMY.com. Just like the main show, the Premiere Ceremony also features epic live performances from GRAMMY nominees and star-studded announcers.

Meet The New Class: Meet This Year's Best New Artist Nominees | 2021 GRAMMYs

Who Is Nominated?!

One of the biggest days in music outside of the show itself is the nominations announcement, when hundreds of artists learn they're in the running for a golden gramophone. For the upcoming 63rd GRAMMY Awards, the nominees were announced on Nov. 24. You can peruse the complete 2021 nominees list here and rewatch the star-studded nominations annoucement livestream here. You can also find out who are the most-nominated artists this year here.

GRAMMY nominations are always a very celebratory day for those nominated. It is truly a moment when all the love, long hours and hard work that was put into the music feels worth it. Celebrate with the 2021 nominees in this joyful reactions roundup. 

Revisit The Magic Noms Moment: "This doesn’t feel real:" 2021 GRAMMY Nominees Celebrate On Social Media

What Releases Are Eligible?

The Product Eligibility Period for the 63rd GRAMMY Awards is Sept. 1, 2019—Aug. 31, 2020.

Read: 62nd GRAMMY Awards & "Let's Go Crazy: The GRAMMY Salute To Prince" Earn Emmy Nominations

What Will The Show Look Like?

Just ahead of the nominees announcement on Nov. 24, the Recording Academy revealed GRAMMY-nominated South African comedian Trevor Noah will host the 2021 GRAMMYs.

While the format of next year's GRAMMY Awards has not been announced, Harvey Mason jr., the Recording Academy Interim President/CEO, offered some insight on what to expect at the 2021 show back in June during an interview with Variety. "We are simultaneously developing three plans for what the show would look like: One is the traditional show with the full crowd, two is a limited crowd, and three is no crowd, and there's creative around all three of those ideas: how and where we would film it. But none of them involve changing or postponing the date," said Mason. 

"I've spent a lot of time talking to artists, managers and labels and getting a feel for how the pandemic is affecting the release of music—and as I'm sure you've noticed, the amount of music released has actually increased during the pandemic, so we would not want to delay our date with so much great music coming out," he continued.

"But I also think it's important and helpful to have shows like this, when there's been so much uncertainty and unrest—to have something you know is coming around every year and to know there's a time when we all sit down together and watch great entertainment and art… We're trying to build the next evolution of the Academy, and the show will go hand-in-hand with that. Whether it's with a crowd or not, we're going to try to take things to the next level," Mason added.

Let's Add It Up: Find Out Who Has The Most GRAMMY Nominations, Which Categories Are All-Female & More: 2021 GRAMMYs By The Numbers

More recently, on Sept. 30, he spoke to Variety again and added that no matter what, the show will be executed fully live, with no pre-recorded segments.

"We're looking at Staples [Center] with a limited audience, although that seems increasingly unlikely; Staples with live performances and no audience; or something a little more virtual, with some elements from different locations," Mason said. "We're still waiting to hear back from our partners at the network and the venue and our medical experts, because obviously we want this to be safe for everyone ...

"Obviously, this is a very unique year. We've been looking at all of the [2020 awards] shows really closely and I've been talking with some of the people who put them together—the creative and also the business side. I think there have been some great examples of how to present music and awards at these shows, and I think there's some other things that we're gonna do pretty differently. The civic and social unrest deserves to be addressed, and we always encourage artists to voice their opinions, so I expect we'll see messages both from the artists' side and the Academy side."

Behind The Board: Harvey Mason Jr.

We can't wait for all the magical GRAMMY moments, epic performances and moving speeches—it's exactly what we need to start 2021 off on an inspirational note. While you'll have to wait to closer to the show to find out who the performers and presenters are (which are always announced in multiple waves), what's certain is things will be off the chain.

The Recording Academy Announces Changes For 63rd Annual GRAMMYs, Releases Rules And Guidelines

What's New For 2021?

There are quite a few exciting changes going into effect with the 63rd GRAMMY Awards! Following Ken Ehrlich's celebrated 40-year run as the show's executive producer, Emmy Award-winning producer Ben Winston is taking over the reins. The highly experienced TV/film writer/director/producer has worked on "The Late Late Show with James Corden," co-creating Corden's beloved "Carpool Karaoke" show with the comedian himself.

James Corden Subway Carpool Karaoke | 2018 GRAMMYs

Additionally, several major changes to the voting guidelines and rules, the latter which affects five award categories, go into effect this year. These updates, announced in June, reflect the Recording Academy's ongoing commitment to evolve with the musical landscape and to ensure that the nomination process and rules are more transparent and fair. More details on the changes can be found in the above link, but, the rule/category updates are highlighted below.

  • Best Urban Contemporary Album has been renamed Best Progressive R&B Album to include a more accurate definition to describe the merit or characteristics of music compositions or performances within the genre of R&B.
  • Best Rap/Sung Performance has been renamed Best Melodic Rap Performance to represent the growing hybrid performance trends within the rap genre.
  • Latin Pop Album has been renamed Best Latin Pop Or Urban Album AND Latin Rock, Urban Or Alternative Album has been renamed Best Latin Rock Or Alternative Album to represent the current state and prominent representation in the Latin urban genres.
  • There is no longer a specified maximum number of releases prohibiting artists from entering the Best New Artist category. The screening committees will determinine whether the artist had attained a breakthrough or prominence prior to the eligibility year, with such a determination would result in disqualification.

Another exciting category update occured in November, when Best World Music Album changed to the more inclusive Best Global Music Album. While this might appear subtle to those not familiar with the baggage the term "world music" carries, it represents an important honoring of its past and movement towards a more inclusive, adaptive future.

The new name was decided after extensive conversations with artists, ethnomusicologists and linguists from around the world, who decided it was time to rename it with "a more relevant, modern, and inclusive term," an email sent to Recording Academy members explained. "The change symbolizes a departure from the connotations of colonialism, folk and 'non-American' that the former term embodied while adapting to current listening trends and cultural evolution among the diverse communities it may represent."

Related: Travel Around The World With The Best Global Music Album Nominees | 2021 GRAMMYs

Key Voting Dates

As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. This means GRAMMY nominations and winners are determined by the music professionals who are voting members of the Recording Academy. 

  • Sept. 1, 2019—Aug. 31, 2020: Product Eligibility Period
  • Sept. 30—Oct. 12, 2020: First-Round Voting—eligible members vote to determine the 2021 nominees!
  • Nov. 24: Nominations Announcement!
  • Dec. 7, 2020—Jan. 4, 202: Final-Round Voting—this round determines the GRAMMY winners!
  • Sunday, March 14, 2021: 63rd GRAMMY Awards & Premiere Ceremony

Your Academy: Welcoming The 2020 New Member Class

Find more at the GRAMMY Awards FAQ page here, including on the voting process.

To make sure you don't miss a beat on anything GRAMMY Awards related, make sure to follow us on our social channels (Twitter, Facebook and Instagram) and subscribe to our newsletter (sign up below) and YouTube channel.

2021 GRAMMYs: Complete Nominees List

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GRAMMYs

Mustard

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Where Do You Keep Your GRAMMY? | Mustard where-do-you-keep-your-grammy-mustard

Where Do You Keep Your GRAMMY? | Mustard

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The "Boo'd Up" co-writer and co-producer says the win "meant everything" after evolving professionally
Jennifer Velez
GRAMMYs
Feb 5, 2020 - 5:41 pm

In the latest rendition of Where Do You Keep Your GRAMMY?, hip-hop, R&B hitmaker Mustard takes us into his home office to show us where he keeps what he calls "the highest award in music."

The three-time GRAMMY-nominated producer and songwriter won his GRAMMY at the 61st GRAMMY Awards last year for co-writing Ella Mai’s "Boo’d Up." Mustard began his career as a DJ, but also would make beats with Ty Dolla $ign.

Where Do You Keep Your GRAMMY? | Mustard

He's worked on Tinashe's "2 On" and Tyga's "Rack City," among other tracks, but Mai's song was the first time he experimented with R&B. The producer says he's grown a lot professionally over the last years.

"Now is the time when I'm actually evolving and people are seeing me grow and doing other types of music," he tells the Recording Academy. 

Mustard's GRAMMY win was definitely validating and "meant everything because all of my music to this day and to this point had never gotten even nominated."

Behind The Board: DJ Khaled Reflects On His Early Days, Working With Music's Biggest Artists & More

GRAMMYs

Guns N' Roses

Photo: Paul Rovere/Getty Images

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Guns N' Roses Release North American Tour Dates guns-n-roses-announce-north-american-tour-dates

Guns N' Roses Announce North American Tour Dates

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The wildly successful reunion tour will return to the States starting in Milwaukee on July 4
Jennifer Velez
GRAMMYs
Feb 3, 2020 - 12:26 pm

Guns N' Roses have added a North American leg to a previously announced international tour. 

The "Welcome To The Jungle" band will launch the tour in Milwaukee on July 4 then head to cities including Detroit, Chicago, Atlanta and Tampa, Fla., before closing out in Missoula, Mont., on Aug. 26. They will also become the first rock band to perform at Los Angeles' new SoFi Stadium.

https://twitter.com/gunsnroses/status/1224346845142573058

North America, our 2020 STADIUM TOUR is coming ⚡ Presales start tomorrow at 10am local. pic.twitter.com/Ef5YHvSOPT

— Guns N' Roses (@gunsnroses) February 3, 2020

GN'R previously announced 2020 dates in South and Central America in March and April, as well as dates in Europe in May and June. 

The band Not In This Lifetime Tour, which began in 2016, has become the No. 3 highest-grossing tour in history according to Billboard Boxscore. Last Oct., they gave an energetic performance at Austin City Limits Festival. . 

Presale tickets for the North American leg of their 2020 tour go on sale Friday, Feb. 3 at 10 a.m.

Watch Jennifer Lopez And Shakira Deliver Dazzling Halftime Show At Super Bowl 2020

Entertainment Law Initiative 2020 Event

22nd Annual Entertainment Law Initiative (ELI) Event & Scholarship Presentation | GRAMMY Week 2020

Photo: Jesse Grant/Getty Images for The Recording Academy

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GRAMMY Week 2020: ELI Event Embraces Change grammy-week-2020-entertainment-law-initiative-event-celebrates-change-makers-and

GRAMMY Week 2020: Entertainment Law Initiative Event Celebrates Change-Makers And Discusses Today's Most Pressing Issues

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As the music industry continues to evolve, the Recording Academy recognizes those at the vanguard of entertainment law and the leaders pushing the profession forward
John Ochoa
Advocacy
Jan 31, 2020 - 7:47 am

They say change is the only constant in life. That's a mantra by which the music industry lives. And when it comes to entertainment law, change is what drives the business forward. 

Change is the theme that defined the 22nd Annual Entertainment Law Initiative (ELI) Event & Scholarship Presentation, the most prominent gathering for entertainment attorneys and other music business professionals during GRAMMY Week. Every year, the ELI event unites the music business community and addresses some of the most compelling issues facing the music industry today. The 2020 ELI event—held last week (Friday, Jan. 24) as an official GRAMMY Week event at the Fairmont Miramar Hotel in Santa Monica, Calif.—honored an industry luminary initiating change today while also recognizing some future leaders in law. 

For over two decades, ELI has addressed the shifting landscape of entertainment law head on, providing a forum for legal thought leaders and honoring its own practitioners who are ensuring the industry adapts to the ever-changing music and entertainment industry. 

It's no wonder, then, that this year's ELI Service Award honored Jeff Harleston, a music industry veteran who has faced virtually every sea change to directly challenge the entertainment law field. 

"Over the last 25 years or so, no industry has experienced more change than the music industry," Sir Lucian Grainge, chairman and CEO of Universal Music Group, said in his opening remarks at the gathering. "But throughout this period of turmoil and transformation, there've been two constants. First, amazing artists making great music. And secondly, as if you didn't know by now, Jeff Harleston's extraordinary sound judgment."

Harleston, who currently serves as the general counsel and executive vice president of business and legal affairs at Universal Music Group, has been a champion for artists and creators throughout his decades-long career. Across his days as the head of the business and legal affairs department at MCA Records in the late '90s to his time as general manager of Geffen Records, Harleston has worked with iconic artists like Mary J. Blige, Nelly Furtado and Snoop Dogg, among many others. 

"There's no bigger friend to artists than Jeff," three-time GRAMMY winner Common said of Harleston in a personalized tribute video. "So you can call Jeff a general counsel or a board member or a role model. They all fit. But I'll continue to call him a friend. He's a true advocate for artists. And I couldn't be prouder of the recognition he's receiving today."

ELI 2020 - Jeff Harleston - Sir Lucian Grainge

Making his way to the stage, the crowd offering a well-deserved standing ovation, Harleston addressed the room with pride and jubilation in his voice and optimism in his sight. 

"This is to the lawyers in the room," he said. "At times, we know being a lawyer in the music business can be an entirely thankless task, but we love it because we love music… But most importantly, we have learned to work together. And what we've been able to do when we work together is move it forward really well. We move things forward legislatively, we've empowered new services that are finding ways to bring our music and the artists' music to places they've never been before. And it's all because we've allowed ourselves to respect each other and trust each other. I really am happy to see that happen and I really hope that we can continue that spirit." 

As he remembered his extensive career and all that he and his colleagues have together accomplished for the industry and the wider artist community, he took a moment to acknowledge the road ahead for entertainment law and the challenges to come. 

"As I reflect on my almost-27 years in this business," he said, "there's one thing that's clear about the music business: the constant is change. Change happens all the time... But what we have to do and what we've learned to do... we've learned to deal with the change. And change is hard. It can be abrupt. It can be unexpected. It can be painful. But it's important, and it has to happen.

"We are in the midst of a change as we speak. But I know that we are strong and resilient, and we will get through it. And when we come out the other side, we will be better, we'll be stronger and the world will be great. In the words of Bob Dylan, 'The times, they are a-changin’."

Fittingly, Dylan's eternal lyrics and Harleston's remarks nod to the ever-evolving music industry and the modern issues it faces, many of which were addressed by the entrants of the 2020 ELI Writing Competition. 

As one of its core elements, ELI has supported promising law students and has fostered future careers in entertainment law, having provided more than 800 students with scholarships to date. The event's popular yearly student writing competition and scholarship presentation acknowledge the outstanding law students who are seeking to push entertainment law into the future.

This year's writing competition entrants, who each addressed a compelling legal issue confronting the music industry and proposed a solution in their essays, tackled some of today's most timely and pressing matters in the field.

Christopher Chiang, a student at University of California, Los Angeles (UCLA) School of Law, won the writing competition with an essay proposing a sliding scale framework for copyright protection in music. Chiang was presented his award, which came along with a $10,000 scholarship and tickets to various GRAMMY Week events, onstage by Ken Abdo, a partner at Fox Rothschild who has been involved with the ELI Writing Competition since its beginnings. Runner-ups included John Gilbertson, a student at Drake University School of Law in Des Moines, Iowa, and Graham Fenton from UCLA Law. 

ELI 2020 - Christopher Chiang - Ken Abdo

Perhaps the most urgent issue and forthcoming change to affect the music industry today comes via California Assembly Bill 5, more commonly known as AB5. The newly passed state statute aims to protect workers in the "gig economy," namely Uber drivers. However, its impact on the music industry could prove detrimental. (Music creators, particularly those who work as independent contracts, such as studio musicians or session/backing players, would potentially need to be recognized as employees and/or employers in order to secure work, which in turn entails a more complicated hiring process and higher fees for one-time gigs and short-term projects and performances.) Having gone into effect at the beginning of 2020, AB5 today stands as one of the most timely and important issues for music creators' rights in 2020.

In a panel that followed remarks by ELI Executive Committee Chair Michael Kushner, who is executive vice president, business & legal affairs and general counsel at Atlantic Records, some of the brightest and most active voices in the battle over AB5 spoke of the well-intended law and its potentially damaging effect on the music industry.

"AB5 is the definition of the 'law of unintended consequences,'" said Jordan Bromley, a partner at Manatt Entertainment Transactions & Finance. "It was meant to hit a certain sector of California industry, and it [was] painted with such a wide brush that everyone is affected, unless there's a specific exemption in the bill. I would say the one way to look at it is if somebody is providing you or your company or your artists or your producer or your songwriter a service that is 'core to the business,' they are now your employee."

Since its passing, the music biz and artist community have largely banded together to address AB5, with many from both sides of the industry launching online petitions and meeting with California lawmakers directly in an attempt to secure exemption from the law on behalf of the wider music industry. 

Ari Herstand, an independent musician, author and music industry blogger, has been at the forefront of the AB5 debate since it went into law. He's since gathered 50,000 petitions from California music professionals who are against the law. 

"We're 20-something days into this thing right now, and I'm literally gathering stories every single day from musicians who are losing work," he said. "I've hundreds of documented cases of musicians in California that are losing work."

Daryl Friedman, Ari Herstand, Morgan Kibby and Jordan Bromley at 2020 Entertainment Law Initiative event

But much like any other major change to impact the business, the music industry is already making headway into addressing and alleviating the issues of AB5.

Both Bromley and Herstand agree education is a key component in pushing things forward.

"The unions ran the bill," Bromley said. "The unions will run the next bill, most likely. So we need the unions on board. They're all conceptually there... It's frankly a lot of education on our business because it's weird and wacky and nuanced. And even some of the unions that exist in our business don't really understand how it's evolved in the last 10 years. So it's just a lot of patience and education, but everyone's at the table and everyone is focused on a solution."

"There needs to be education," Herstand added. "Right now, because of all of the hysteria around this—that's why so many musicians are literally losing work every day. So as soon as this—hopefully it's an urgency bill—passes, everybody needs to write about it. Every lawyer needs to know this to be able to educate. So I encourage everybody here to follow this process along and, once this thing gets passed, to educate your clients on what is actually happening and that we have found a fix, hopefully."

Panel moderator Daryl Friedman, Chief Industry, Government and Member Relations Officer for the Recording Academy, concluded the chat on a high note of optimism regarding the road ahead with AB5.

"It's going to be a lot of hard work by a lot of people," he said. "Hopefully a year from now, we will realize that this has been fixed. But I think there's also another lesson that is more enduring: the lesson of when creators get involved [and] when creators speak. They make the difference here. When creators speak, policymakers listen."

It's the exact kind of dialogue that has come to define the ethos and vision of ELI throughout the decades: When change comes a-knockin', we will be there to adapt, listen, learn and educate. 

The Entertainment Law Initiative maintains its support for the music industry as a whole, from its creators to its executives to its attorneys, and will continue to foster the next generation of change-makers within the music business and legal community for decades to come.

What's Ahead In 2020 For Music Creators' Rights?

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.