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GRAMMYs

Lzzy Hale of Halestorm

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'Tour Stop(ped)' But The Show Must Go On tour-stopped-show-must-go-laura-jane-grace-lzzy-hale-more

'Tour Stop(ped)' But The Show Must Go On: Laura Jane Grace, Lzzy Hale & More

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MusiCares & the Recording Academy Florida & Chicago Chapters host a candid discussion between top rock acts on mental health and adapting to life without the rush – or revenue – of touring.
Lior Phillips
GRAMMYs
Oct 29, 2020 - 5:27 pm

"I miss airport coffees. I miss sleeping in a bus bunk. And I miss being part of a team," Against Me!'s Laura Jane Grace said with a melancholy smile, followed by knowing nods from her colleagues. Even before the pandemic sent countless hearts and minds into a heady darkness of isolation, the importance of frank discussion of mental health for musicians had come to the foreground. Suddenly taking away sources of revenue, of connection, of support, of stability, of routine, from people already facing the challenges of the life of an artist. Presented by Recording Academy Florida and Chicago Chapters with MusiCares and bringing together a variety of Recording Academy members to share their perspective on it all, Tour Stop(ped) opened the floor to the essential conversation regarding the value of self-care and strategies for thriving as an artist unable to hit the road.

Tour Stop(ped): Honest Talk With Touring Artists

"You're basing your life on connection to people," explained rising English rocker Yungblud. "I want to be out there causing chaos but now I'm just looking at the walls, watching the paint dry!"

Stephen Gibb served as the perfect moderator for the conversation, a familiar face in a cozily familiar studio setting, keeping the conversation focused and spirited. As a member of hard rock bands such as Black Label Society, Crowbar, and Saigon Kick, Gibb is intimately familiar with tour life. And as current host of the podcast Addiction Talks, his deft hand with sensitive conversations encouraged openhearted conversation, first focused on a general sense of how everyone was coping with this strange new reality. In addition to Yungblud, veterans Grace and Lzzy Hale of Halestorm, and new wave experimentalist KennyHoopla contributed an array of perspectives on Tour Stop(ped), both in terms of their careers and their personal experiences, offering viewers a variety of valuable lessons.

Hale found herself stumped by the first chunk of time without a gig on the schedule since the band's founding. "Even when I was 13 I had a gig at the bowling alley lined up," she laughed, framed in her home studio by racks of her distinctive Epiphone Explorer guitars. From her home in Chicago, Grace reiterated the confusion that comes from utter stillness after decades of constant movement, but with a sense of contentment. "This very well might be one long manic episode," she laughed. "I've been doing this for 20 years, and in a way it was 20 years of wondering when it was all going to go away. And that it did, but not because of anything I did, something totally out of my control, was calming."

A large part of the conversation focused on strategies to ensure that musicians can feel creative and fulfilled in this time, to keep from falling into unhealthy ruts. As an artist still early in his touring career, KennyHoopla has seen the inability to perform as an opportunity for reflection. "I'm just trying to catch up to myself," he said. "To use this time to hone the fragile parts of me and make them stronger."

Grace, meanwhile, compared the time to Bob Dylan's self-imposed years off from touring, saying she was similarly using the pandemic as a period of woodshopping and working on her craft. "Being an artist is about being creative, and we're in a situation right now that's asking us all to be our most creative selves to make this work and to make the best of this," she mused.

Gibb and the panelists elaborated on the importance of maintaining a connection with fans—as a way of keeping the audience engaged, of garnering financial support for new projects while tour revenue is gone and of maintaining the necessary emotional support. When the pandemic necessitated canceling gigs, Yungblud was already in the midst of a global tour. When he got home, he immediately knew he'd need to put together a livestream event and to stick close to his social media accounts. "Luckily, I love being online and I love social media. That's our stage right now," he said. "Everybody's in the same boat, feeling that need, like, ‘I'm going to mosh my head off, I'm going to go crazy, I'm going to release my energy even if it's in my bedroom with my cat.'"

Read More: Yungblud Talks Turning His Tour Postponement Into An Online Rock & Roll Variety Show

While the panelists were all musicians, the entire music industry, Gibb noted, are struggling through this pandemic. Countless individuals are having their livelihoods hit hard by the inability to work in crews, sell merch, and promote tours, among countless other outlets. "My heart is breaking for my friends and family, the techs, lighting guys, riggers," he said, holding back the tears. "We're in the fun business, the happiness business. We bring joy and we connect with people on a visceral, emotional level. It's heartbreaking for there not to be any end date to this."

The panelists provided fascinating and refreshing perspective on what might happen when touring does start to kick back into swing. "If everyone is going to try to tour at once, then the market will be completely flooded and it's going to be just as much pandemonium," Grace insisted. "[We need to be] figuring out a strategic way through this and a strategic way out of this for the community that we have spent so long building that is collapsing around us."

As life, and this year, have shown us difficult times can manifest surprising moments. Two surprise guests dropped into the conversation as well in order to ask questions that hit close to their hearts. Frontwoman of legendary LA hard rockers L7, Donita Sparks popped in first ("I don't know if I'm a guest or a Zoom bomb!" she grinned). Her question centered on what the artists missed most; for Sparks, it was her tour family, the larger crew beyond the band, and how artists can keep that connection while at home. "I always feel invincible because I know they have my back," she said.

On top of lamenting the inability to connect more personally with his fans, Yungblud encouraged everyone on the call to let out their most raucous shout, a release of pent-up punk-energy inspired by Sparks' iconic spirit. Experimental songwriter Grandson popped in later (first thanking the "music Illuminati" for the invite), and then offering a succinct and powerful explanation of the importance of gratitude. "Set your goals internally to make the best art you can, be the best friend you can, and let the things that are out of your control remain that way," he said.

https://twitter.com/RecordingAcad/status/1321852899614355456

TODAY 🎶Join our @MusiCares conversation on self-care, juggling career strategies and adjusting to life off the road with @LZZYHALE, @LauraJaneGrace, @KennyHoopla, @yungblud, @StephenGibb, and @grandson.

⌚️ 4pm PT / 7pm ET
📍#RecordingAcademy Facebook
📲 https://t.co/jxfcsCbB9F pic.twitter.com/BUg03FNOTd

— Recording Academy / GRAMMYs (@RecordingAcad) October 29, 2020

Naturally, the conversation wound its way through to coping mechanisms, strategies which the individual musicians would recommend for keeping their mental health strong. Aerobic exercise as a replacement for long nights on the stage were a common refrain. Hale added that an herb garden had become a centering activity and Gibb extolled the virtues of meditation, while Grace vouched for long baths with epsom salts and apple cider vinegar. Yungblud's solution was endless jamming at the exasperation of his neighbors, while KennyHoopla's suggestion for boosting spirits focused on one word: love.

"Having time to elaborate on my love for everyone in my life and loving myself... just putting out love as much as I can and continuing to give myself to the universe," he said. "When you give yourself to the universe, it will always return."

In addition to the panelists' discussions of their own experiences, the event featured video interludes. In the first, Warped Tour founder Kevin Lyman highlighted the Academy's collaboration with MusiCares, noting that the organization had already assisted nearly 20,000 individuals in the music industry and dispersed over $19 million, whether for helping cover rent, fixing broken instruments, organizing doctor's appointments for uninsured members, and even establishing cyber support groups and addiction and rehab counseling.

Later, Chief Advocacy Officer of the Recording Academy Daryl Friedman led a conversation regarding how artists can help in the fight to sustain independent stages. Throughout, short videos from Academy members sharing stories of their favorite venues and what they missed on the road reinforced not only the community aspect of the music industry, but also the Academy's commitment to bringing everyone together in the fight to make lives better until things can get back to a relative normal.

But then even this very panel showcases just how important that community feeling can be, the four panelists exchanging their own biggest takeaways. "Laura said earlier, you have to do things quickly [because] when you have time you can overthink things," Yungblud reiterated. "Right now, what the f*ck do I have to lose? Why not push my boundaries?"

KennyHoopla had been meant to open for Yungblud on a series of tour dates, and the two naturally bonded during this time over their joint focus on pushing boundaries during pandemic. "There's this sense of urgency because people are relying on you to give them a sense of escapism and a high," he said. "I've gotta keep going and keep providing art and putting myself out there."

As the conversation neared its end, Hale insisted that when they were all back out on the festival circuit, they'd need to find a way to get together for a hug and a beer -- a simple pleasure that's somehow turned into a transformative dream. And after all of the sage advice dispensed throughout the evening, Grace offered perhaps the most important three-word signoff: "Just stay alive."

Recording Academy's 'Pass the Aux' Forms a "Zoomchella" Community

GRAMMYs
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Watch Music Business & Family: Fatherhood & Music music-business-family-fatherhood-music-dives-deep-balancing-kids-career-pandemic

Music Business & Family: Fatherhood & Music Dives Deep Into Balancing Kids, Career & A Pandemic

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Six working dads dive deep into the joys and challenges of fatherhood, balancing career and childcare responsibilities with a partner
Ana Monroy Yglesias
Membership
Nov 12, 2020 - 12:53 pm

The Music Business & Family: Fatherhood & Music panel recently brought together music professionals navigating fatherhood during the pandemic for an insightful, honest conversation about balancing life as a working father in the music industry. 

The heartfelt virtual discussion, moderated by Fake Shore Drive music blog creator Andrew Barber, featured five fellow awesome dads: clinical psychologist Dr. James Ballard III, Ph.D., producer/multi-instrumentalist and Co-Founder of BASSic Black Entertainment Adam Blackstone, Chicago rapper and mental health advocate G Herbo, songwriter/producer Billy Mann, and DMV rapper/producer Oddisee. The panel was presented by the Recording Academy's Chicago, New York, Washington, D.C. and Philadelphia Chapters, in partnership with MusiCares,

Watch Music Business & Family: Fatherhood & Music

Related: Watch: Music Business & Family: Motherhood & Music Brings Together Powerhouse Moms Working In Music

The panelists dove deep into the joys and challenges of fatherhood, balancing career and childcare responsibilities with their partner, and how much more work quarantine has left them all with. Watch the full conversation above. 

The conversation is part of a two-part series, preceded by Music Business & Family: Motherhood & Music.

G Herbo Talks 'PTSD' And The Importance Of Mental Health: "People Need To Treat Mental Health More Seriously"

Music Business & Family: Motherhood & Music
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Watch: Music Business & Family: Motherhood & Music Brings Together Powerhouse Moms Working In Music

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"You know what's the most revolutionary thing we can do during all of this? We can be joyful," MusiCares-affiliated therapist Robin Hornstein shared during the poignant conversation
Ana Monroy Yglesias
Membership
Nov 5, 2020 - 12:14 pm

Presented by the Recording Academy's Chicago, New York, Washington D.C., and Philadelphia Chapters, in partnership with MusiCares, Music Business & Family: Motherhood & Music brought together seven superwomen to talk about balancing life as a working mom. 

The lively virtual conversation (watch in full below), moderated by GRAMMY-winning singer-songwriter Melanie Fiona, featured five working moms in music: singer, educator and music publisher Kaisha Blackstone, pianist of GRAMMY-winning ensemble Eighth Blackbird Lisa Kaplan, GRAMMY-nominated soul/R&B artist Maysa, GRAMMY-nominated Ethiopian-born singer-songwriter Wayna and President/Chief Creative Officer of one77 Music publishing Jennifer Blakeman. MusiCares-affiliated therapist Robin Hornstein, who is also a mother, joined the insightful, honest chat as well.

Watch Music Business & Family: Motherhood & Music

More Industry Insights: 'Tour Stop(ped)' But The Show Must Go On: Laura Jane Grace, Lzzy Hale & More

They got real on topics including self-care, balancing priorities, thriving as a single mother, setting boundaries and keeping your family healthy during a pandemic.

"You know what's the most revolutionary thing we can do during all of this? We can be joyful. Even just in little moments during the day," Hornstein shared.

To learn more about MusiCares and how they support the music community in times of need, visit their website here. To learn more about the Recording Academy's 14 Chapters, go here.

Grimes' Non-Violent Utopia

GRAMMYs

Behind The Record

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Behind The Record Returns To #GiveCredit behind-record-returns-givecredit-behind-scenes-music-creators

Behind The Record Returns To #GiveCredit To The Behind-The-Scenes Music Creators

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The Recording Academy's global social media initiative to celebrate the music makers behind the records you love is back to give credit where credit is due
GRAMMYs
Oct 14, 2020 - 10:11 am

On Oct. 15, join the Recording Academy for Behind The Record, a global social media initiative celebrating the producers, mixers, engineers, songwriters, composers and all the creators across all music genres who work tirelessly to make the songs and albums you love. This year's launch is marked by a new animated film narrated by spoken word artist and Recording Academy Chicago Chapter President J. Ivy highlighting 33 album titles to help tell the story about everyone who works Behind the Record.

Behind the Record’s mission is to inspire a conversation around the importance of credits, while giving credit where credit is due, especially during a time when the music community needs it the most.

Launched in 2019, Behind the Record returns this year to honor the work of all music creators by highlighting their contributions through album credits. Last year’s campaign featured more than 3,000 credit covers created and shared by artists, reaching hundreds of millions of fans around the world.

https://twitter.com/bandzoogle/status/1316386422111309824

We're thrilled to be a partner of @RecordingAcad's #BehindTheRecord-bringing the names of the producers, mixers, engineers, songwriters, composers, and collaborators who work behind the record to the front. Learn more about the initiative here: https://t.co/qNKgvVYhZh #GiveCredit pic.twitter.com/PeaQ5pgJZT

— Bandzoogle (@bandzoogle) October 14, 2020

To participate, artists can create a custom Credit Cover to post on Instagram and other social networks, using the hashtags #BehindTheRecord and #GiveCredit, on Oct. 15 where they can tag all the creators who worked on their record and invite other artists to do the same. The Credit Covers, which can be created for a single track or a full album, will live in a gallery on the Behind the Record website where music fans can view and discover the roles of creatives behind some of their favorite records.

New for this year, artists participating in Behind the Record can sign the #GiveCredit petition, an official artist petition urging all digital music streaming services to display complete credits for songwriters, producers, engineers and non-featured performers on albums and tracks, the same way lyrics are available to those seeking them. Sadly, liner notes were largely left behind in the evolution of digital streaming. As a result, artists haven’t had a platform to publicly recognize the incredibly talented musicians and creators behind the music we love. By signing this petition, we hope to change that for future music-makers.

Behind the Record is supported by the Recording Academy's Producers & Engineers Wing®. Jaxsta, the world's largest public-facing, dedicated database of official music credits, provided credits for Warner Music, Sony Music, Universal Music Group and Merlin releases.

Look for your favorite artists' Credit Covers on Oct. 15, and be sure to follow and join the global conversation on social media using the hashtags #BehindTheRecord #GiveCredit and #WeAreMusic. Together, we can ensure that all creators are recognized for their work and contributions Behind the Record.

Learn More About The Recording Academy's Behind The Record

GRAMMYs

2020 New Member Class Roundtable

 
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Recording Academy Invites Its 2020 Member Class recording-academy-invites-celebrates-its-2020-new-member-class

Recording Academy Invites & Celebrates Its 2020 New Member Class

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Academy President/CEO Harvey Mason jr. says, "We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community"
Nate Hertweck
GRAMMYs
Jul 9, 2020 - 6:30 am

Today the Recording Academy invited more than 2,300 music professionals the join as its 2020 new member class. The invitees come from wide-ranging backgrounds, genres and disciplines. They have made important contributions to music and posess the potential to influence progressive changes within the music industry.

By the numbers, the 2020 class of invitees is 48 percent female, 21 percent African American/African descent, 8 percent Hispanic, and 3 percent Asian American and Pacific Islander. The representation of this class also spans ages, genre and region. The Recording Academy's current membership is 26 percent female and 25 percent from traditionally underrepresented communities.

"We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees,” said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "While this progress signifies meaningful impact, there's still more work to be done. We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community. Furthermore, we’re excited to see how the contributions of the incoming new member class will help inspire meaningful change within the music industry."

Ensuring that the Recording Academy's membership is fully representative of the music community has been a longstanding goal of Recording Academy Trustees. In December 2019, the Recording Academy pledged to implement 17 of 18 reforms set forth by the Diversity & Inclusion Task Force, including increasing outreach to diverse communities and doubling the number of women voters by 2025. Specifically, this means 2,500 new women voters by the year 2025. 

To celebrate the incoming new member class, GRAMMY.com Editor-In-Chief Justin Joseph hosted a roundtable discussion on June 24 titled "Your Academy: Welcoming the 2020 New Member Class." Featuring new invitees and existing members, the conversation showcased an authentic look into what it means to be a member of the Academy, the important initiatives worked on year-round, progress members hope to see within the Academy, and diversity and inclusion in the music industry at large.

“As part of the Membership Committee for the last year for the LA Chapter… this is what I tell everyone when we’re talking about Membership in the Recording Academy," GRAMMY winner John Legend explained. "As much as we all complain about who won the GRAMMY this year for this or that, and how we’re not being represented in the right way, we literally can change it by being there—by showing up, by telling or collaborators to show up and be there…We can literally be the change that we want to see in the Academy.”

Coming from the opposite coast, GRAMMY-winning mastering engineer Emily Lazar also weighed in on the importance of the duty and value of being an active Recording Academy member during the roundtable.

“I became a governor in my local Chapter in New York, and the second I engaged on that level, everything really changed for me as far as understanding what the Academy had for me and what I could bring to the Academy," she said. "That give-and-take was very important to me, personally.”

This message of service resonated with the new members, such as Ozuna, the Latin trap/pop hitmaker who has been hailed as the "New King of Reggaeton."

“I’m entering the Recording Academy as a new member—even though I thankfully have had success early on and throughout my career—but I am still new to experiences in the music industry," Ozuna said. "On this zoom call, I’ve learned that I can influence in the music industry by doing more than just producing and making songs.”

classof2020-infographic_final.jpg

Click To Expand

 “At first I had the idea that the Academy was more of over 40, non-black men who would base all action on popularity and stats," admitted versatile singer/songwriter Victoria Monet during the roundtable. "Now learning more about what is actually happening, I think that’s important to communicate to my peers, because I think they also have no idea—they just want the GRAMMY—if they don’t get it, they complain and have no idea about the process.”

With this diverse new class enriching the landscape of the Academy, showcasing more talents from more areas of the music community than ever before, the view for many incoming members feels more like home, somewhere anyone can see themselves making a meaningful difference.

 “I had a realization one day," said rising artist Kiana Ledé. "Why can’t I be the girl that represents all the other girls that feel like me? I think that coincides with how I felt about the GRAMMYs and the Recording Academy. I have definitely been the person to sit back and complain, and cry, and be upset when I haven’t seen myself being represented. And then I realized I have so much power within myself—to put myself in that position—to represent people like me. I can be that person to step out and do that.”

Seconding Lede's empowering words, GRAMMY-winning gospel legend and ardent advocate for music creators' rights Yolanda Adams talked about the education and opportunities Academy membership can help unlock.

 “It is up to us as artists to educate ourselves," Adams said. "We need to get ourselves informed, and the great place to do that is start with the Recording Academy’s websites, their webinars, all of those things are there just for you to make sure that your transition from non-member to member is worth it, because there’s so many things that are afforded to you through the Academy.”

Ultimately, the power is in the hands of the members, which underscores the importance of this year's class becoming involved in the process.

“As much change as you want to see, you can be the voice that makes it happen," said Legend. "If you want to get involved, if you want to make difference, you really have the ability to do so right away. You don’t have to wait until you have more seniority... You can come into these meetings right away, have your voice heard, and folks really want to be responsive to what you have to say.”

Tammy Hurt, Vice Chair of the Academy's Board of Trustees, backed up Legend's powerful words with some insight on what's keeps her passionately involved in the process. "One of my favorite things about the Academy is that everything we do is 100 percent peer-driven," she shared. "The process is driven specifically by the Members who serve the Academy. If there’s something that you love, that you want to get involved with, you’re passionate about, by all means. If there’s something you want to change, by all means. It’s rolling up your sleeves, showing up, engaging and being part of the process.”

In fact, the more than 2,300 new invitations extended today represent the continuation of the Academy's community-driven and peer-reviewed membership model, which was implemented in 2018 in an ongoing effort to be more representative and relevant.

"Building out our membership body is a process that encourages inclusivity from start to finish, and it's a privilege to extend invitations to the 2020 class of invitees that represent the wide-ranging backgrounds and crafts that makes the music industry so unique," said Kelley Purcell, Senior Director of Member Outreach at the Recording Academy. "These individuals will become the driving force behind the Recording Academy, and it's encouraging to see how our membership continues to evolve each year as we take steps toward building a more inclusive and vibrant community."

For more information on the Recording Academy's membership process and requirements, visit here. For full information and details surrounding the new class visit here.

The Recording Academy & Color Of Change Team Up To Promote Positive Change In The Music Industry

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.