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Record Store Day 2020 Moved To Three Separate "RSD Drops" This Fall

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The announcement of August, September and October installments comes after the independent record store celebration's initial move from April to June
Nate Hertweck
GRAMMYs
Apr 30, 2020 - 8:59 am

Record Store Day 2020 has moved once again, and will now involve a series of “RSD Drops” occurring on three Saturdays this fall: Aug. 29, Sept. 26 and Oct. 24.

Originally scheduled to take place on Apr. 18, Record Store Day was initially pushed back to June 20 due to the coronavirus crisis. But the new model of the annual celebration of independent record stores is built to fit the uncertainty of the of 2020's musical landscape. 

"2020 is different. So what we're doing this year is going to be different too," RSD posted. "No one knows what kind of party we'll all be in the mood for, or able to hold safely, at any time this year, in any part of the world. So we're focusing this year not on the party aspect of Record Store Day, but on getting the great releases on the RSD 2020 List into your local record store, and then into your collection."

The three RSD Drops will still get exclusive titles into participating indie record stors, and an updated list of RSD releases will be available June 1. 

The aim of Record Store Day continues to be, "Bringing revenue to the stores, as well as to the artists, labels, distribution and every other business behind the scenes making record stores work."

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The Recording Academy Welcomes Valeisha Butterfield Jones As First-Ever Chief Diversity & Inclusion Officer

The Wiltern in Los Angeles

The Wiltern in Los Angeles

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Live Nation Looking To Convert More Than 100 Venues Into Polling Places

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The plan is part of Live Nation's newly announced, wide-spanning initiative aimed at increasing civic engagement and supporting voting access in the upcoming 2020 elections
John Ochoa
GRAMMYs
Sep 16, 2020 - 10:38 am

Live Nation, the world's largest concert promoter, has announced a voting and civic engagement initiative that's aiming to convert more than 100 of the entertainment company's nationwide venues into polling places, a company representative unveiled Wednesday (Sept. 16). 

The global entertainment company is currently working with local officials across the U.S. "to examine the feasibility" of using the Live-Nation-owned venues as polling places, a press release notes. 

Currently, the company has confirmed four of its properties as polling sites in their respective jurisdictions: The Wiltern and Hollywood Palladium in Los Angeles, Emo's in Austin and The Buckhead Theatre in Atlanta. Philadelphia's The Fillmore is in the "final stages of the vetting process," according to the press release. 

Read: Capturing Los Angeles' COVID-Closed Venues

The plan is part of Live Nation's newly announced, wide-spanning initiative aimed at increasing civic engagement and supporting voting access in the upcoming 2020 elections. The initiative also includes benefits for Live Nation employees, including paid time off to vote on Election Day. 

The company, in partnership with poll worker recruitment initiative Power The Polls, is also providing active employees with a full day of paid time off to serve at the polls in an effort to address the national shortage of poll workers caused by the ongoing COVID-19 pandemic.

To support the wider initiative, Live Nation is partnering with multiple organizations, including: More Than A Vote, a coalition of Black athletes and artists "combating systemic, racist voter suppression," according to the nonprofit's Facebook page; Civic Alliance, "a non-partisan group of businesses working together to build a future where everyone participates in shaping our country," according to the organization's website; and HeadCount, a "non-partisan organization that uses the power of music to register voters and promote participation in democracy," according to its website. 

"Core to what we do at Live Nation is helping amplify voices on stage around the world, and supporting voting is another important way we want to continue making voices heard," Live Nation President and CEO Michael Rapino said in a statement. "We're honored to work with such incredible partners and will do everything in our power to support and empower voter engagement among our employees and the public."

Soul Clap Wants You To Rave The Vote This 2020 Election

Nick Demangone of Exeter Township sanitizes his hands before browsing records for sale at Vertigo Music in West Reading

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RIAA 2020 Mid-Year Report: Recorded-Music Revenues In The U.S. Grew More Than 5 Percent During The First Half Of 2020 Amid Coronavirus Pandemic

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A new study from the RIAA shows that revenues from recorded music in the U.S. grew to $5.7 billion in the first half of the year, a boost largely driven by strong streaming numbers.
John Ochoa
GRAMMYs
Sep 10, 2020 - 11:55 am

A new mid-year report from The Recording Industry Association of America (RIAA) shows that revenues from recorded music in the U.S. grew to $5.7 billion, up from $5.4 billion as Billboard reports, in the first half of 2020; the change marks an increase of 5.6 percent.

Paid streaming subscriptions, which increased by 24 percent to more than 72 million on average, a growth of 14 percent in the first half of 2020 when compared to the first half of 2019, largely drove the aforementioned revenue growth.

Streaming music revenues—returns from subscription services like paid versions of Spotify, Apple Music, Amazon and others; digital and customized radio services, including revenues distributed by SoundExchange like Pandora, SiriusXM and other internet radio; and ad-supported on-demand streaming services like YouTube, Vevo, and ad-supported Spotify—grew 12 percent to $4.8 billion in the first half of 2020. 

Paid subscription revenues grew 14 percent to $3.8 billion, and further increased their share as the largest contributor, accounting for 67 percent of total revenues in the first half of 2020, according to the RIAA report. 

Digital downloads, a market that continues to shrink in the streaming age, fell from 8 percent to 6 percent for the category's share of total revenues in the first half of 2020. 

As the COVID-19 pandemic continued to wreak havoc on the U.S. and international music business as well as the global advertising markets, "growth in ad-supported streaming revenues slowed dramatically," the RIAA writes.

As well, revenues from physical products decreased by 23 percent year-over-year to $376 million in the first half 2020, Variety reports. The RIAA report indicates a "significant impact from music retail and venue shutdown measures around COVID-19, as Q1 2020 declines were significantly less than Q2 compared with their respective periods the year prior." 

Revenues from vinyl albums increased in this year's first quarter, but later decreased in the second quarter, resulting in a net overall increase of 4 percent for the first half of 2020, the report reports. Vinyl album revenues, which reached $232 million, accounted for 62 percent of total physical revenues, marking the first time vinyl exceeded physical CDs for such a period since the '80s, as well as 4 percent of total recorded-music revenues.

Read the RIAA's 2020 mid-year report in full.

RIAA Report: Latin Music Is Growing Faster Than The Overall U.S. Music Market

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The Recording Academy Establishes Black Music Collective

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The newly launched collective comprises a group of prominent Black music creators and professionals who share the common goal of amplifying Black voices within the Recording Academy and the wider music community
Recording Academy
Sep 3, 2020 - 6:30 am

The Recording Academy has today (Sept. 3) announced the creation of its Black Music Collective (BMC), a group of prominent Black music creators and professionals who share the common goal of amplifying Black voices within the Academy and the wider music community.

As part of the Recording Academy's commitment to evolving hand-in-hand with its membership, BMC will serve as a space for members to speak openly about new and emerging opportunities in Black music across all genres and identify ways to drive more representation.

The launch of BMC follows the Recording Academy's recent partnership with Color Of Change, the nation's largest online racial justice organization, in July, which set forth to create a Black music advisory group. The BMC fulfills this promise and is bringing together creators and business leaders to create a pipeline of future industry trailblazers. Leaders will meet regularly and initiate programs that will encourage participation and accelerate Black membership in the Recording Academy.

Jeffrey Harleston, Jimmy Jam, Quincy Jones, Debra Lee, John Legend, and Sylvia Rhone will serve as honorary chairs of the BMC. A distinguished leadership committee will be confirmed in the coming weeks and will work in sync with the honorary chairs to propel the collective's mission. Recording Academy Trustee Riggs Morales and Washington, D.C., Chapter Executive Director Jeriel Johnson will lead the initiative internally. 

"The Black Music Collective is necessary to help drive the Recording Academy into a new era. Creating an open space for Black music creators can only benefit our membership as a whole," Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy, said. "Through the past few months, I've been personally invested in propelling this collective along with Chapter leadership within the Academy. Together, we will elevate Black music creators within our organization and the industry at large." 

"As Black music continues to drive culture, it is essential we grow and maintain representation within the Academy and the music industry," Valeisha Butterfield Jones, Chief Diversity & Inclusion Officer of the Recording Academy, said. "We're thrilled to help develop the leaders of tomorrow with impactful educational and experiential programs that we will announce in coming weeks."

In March 2018, the Recording Academy established a third-party task force to examine issues of diversity and inclusion within the Academy and the broader music community. The Academy has since taken action on the Task Force's initial assessment and recommendations and has made additional strides to facilitate a culture of belonging while recognizing the need to focus on underrepresented communities. Recent initiatives include the hiring of a Chief Diversity & Inclusion Officer, a $1 million donation to Color Of Change, alignment with #TheShowMustBePaused movement created by Jamila Thomas (Atlantic Records) and Brianna Agyemang (Platoon), and the development of an industry Inclusion Rider and Toolkit to be released later this year.

Stay up to date on the Recording Academy's progress, future announcements and recent initiatives on diversity and inclusion.

Recording Academy Invites & Celebrates Its 2020 New Member Class

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Good Splits Debuts Free Music Royalty Calculator

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The free artist-centric tool was launched in beta in 2019 and is now available accepting sign ups for new users on a rolling basis
Ana Monroy Yglesias
GRAMMYs
Aug 25, 2020 - 1:15 pm

Last week, on Aug. 19, Good Splits officially launched their free music royalty calculator for artists, after a 2019 beta round. The new tool was created by Nashville-based music manager Jordan Mattison, who founded Good Folk Management, and New York-based digital agency Coalesce.

"The music industry has a terrible history of serving the artist last. Good Splits was built to help artists do their royalty accounting in a super accessible way—and I hope it's one step toward a more equitable music business," Mattison recently told Billboard. "Not only does it save time, it actually helps more artists get paid what they're owed, which in turn actually lets them plan for the future—something musicians feel is often out of their reach."

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Good Splits' target users are independent artists or, as their website states, "working musicians who don't have access to fancy accounting teams." With the artist in mind, the team created "a new, simple tool that would allow musicians to bid farewell to their unwieldy spreadsheets, calculate payments faster, and provide more reliability and transparency to their collaborators."

"We saw a problem in the music business and knew that some smart strategy, simple tech and savvy design could help fill the gap in a real, tangible way," Tucker Margulies of Coalesce said to Billboard. "It shouldn't take crazy technology to be able to know how much a song has made or how much you owe a collaborator."

Good Splits was designed to work with all major aggregators and distributors, including self-distributor models like Tunecore or serviced-distributors like AWAL. The only data the user needs to provide is a CSV file from whichever music service they use, along with the splits. The tool will offer "a clean, easy-to-understand earnings breakdown by song, album and collaborator" to help users make payouts simpler and more transparent.

Good Splits is accepting new users for the free service on a rolling basis—visit their website for more info and to sign up.

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