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Liza Anne

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Quarantine Diaries: Liza Anne Is At The Beach quarantine-diaries-liza-anne-spending-time-beach-hanging-her-cat-ralphie

Quarantine Diaries: Liza Anne Is Spending Time At The Beach & Hanging With Her Cat, Ralphie

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Jul 28, 2020 - 1:10 pm

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, indie-pop singer/songwriter Liza Anne shares her Quarantine Diary. Liza's new album Bad Vacation is out now via Arts & Crafts.

From March until July, I was quarantined in my home in Nashville. As the situation continued with no end in sight, I figured I could spend time in my hometown—I have not been there for longer than a few days over Christmas since I moved in the beginning of 2012. As much as hometowns hold a lot of strangeness, it’s always been a healing mechanism for me to be by water where I cannot see the other side. It’s the only other place I’ve lived besides Nashville and as I enter into my late 20s, I start to find a sense of gratitude for all the things that were apart of my growing—here is a very usual, for the year, Thursday—safely distanced in Saint Simons Island, GA.

[6:15 a.m.] I love how long the day feels when I’m up before everything. In some ways, quarantine feels like being stuck in a loop of being "up before everything" while also being a moosh of chaos and unknown. I think there is a meditative space held in the first peak of sun—it’s easiest for me to meet the morning when I am in my hometown (where I am currently quarantined) or when I am in Paris. Both places have held so much for me—I often think of Paris as my second childhood. I think about Paris most every day—in my dreams, that is where I frequent most. I dreamt the other night that my favourite restaurant in Paris—this small family-owned place called Les Fabricants—closed and in its place was this white-walled coffee shop that looked like every other white-walled coffee shop that you might see on any millennial's Instagram. I am so anxious of what will disappear after all this unknown.

[8 a.m.] I relate most feeling of lightness to my antidepressants and Ralphie. Both came within the same three-week timeframe, both necessary with the psychological symptoms of this "unprecedented time." As I’ve rounded almost nine weeks on antidepressants, I’m kind of kicking myself that I didn’t do this earlier on. I have come to feel at home in my brain: 26 years of flail, all to arrive at some sense of calm. And, right in time to sit still, I wonder what it will feel like to tour with this new care I’m showing for my brain. I also wonder what it will feel like to tour without Ralphie. I'm becoming used to being home. You spend so much time in one state and without realizing, you have roots. I hope the habits I'm forming, the health I’m feeling and this strange new sense of calm (thank you Zoloft) sticks past the pandemic. I feel strange that any good has been held in such a time of communal pain. Our grief will knit empathy into this moment in human history. At least, I hope so.

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[8:30 a.m.] Around 8:30, I step outside again and sit by my parents' pool. My mom made her famous gluten-free blueberry pancakes—she does this once a week. I ate them and enjoyed coffee in a borrowed mug, also my mother's. I've been painting a lot. I think that the more this year continues, I'm aware of where it is growing things in me. Softness, mostly. But, lots of tiny griefs to feel through—communal pain... individual pain. Pain has always been the precipice to deep growth.

I am in my hometown. I thought I was going to be on tour, clothed in an orange suit, sharing air with strangers and not anxious about it (well, just not covid-anxious about it; I am actually always anxious about social situations). Just last year, I wouldn’t have spent more than a few days over the Christmas holiday here and I've carved a full three-month span to just be here ... taking a breath ... a warmth of gratitude amidst the colossal anxiety this year holds.

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[12 p.m.] Around noon, I talked with the band: Lou and Cody and Josh. Minus Robbie: He must have been doing something else. In January of this year, we made our new record [Bad Vacation] and had pretty exciting plans for touring it all year. Obviously, everything changed. There was grief in the immediate change in plans, but I have had this sense recently: getting to watch each of them carve out a space for themselves, that this time had some necessity. Lou, writing music and spending time in her home of France… Cody, having time at home with his beautiful wife Amy, starting to fish, biking, building his home studio… Josh, giving room to his own creative space like he so generously gives to others, having time to be in love without so much interrupting… Robbie, having space and time to make his own music and have real time with his girlfriend, Abby. I have started to believe we all needed the pause—each for reasons separate, but all echoing the same feeling. Who are we when we are not doing all the things we filled our days with before this? I think for me, I’m learning how to like myself without my value being some scale of "how accomplished I am." I have learned to let myself rest.

[3 p.m.] I relate my naps with Ralphie to a second dose of antidepressants. I am learning to incorporate rest into my life without shaming myself. I am the first to tell others "give you what you need" and yet too often I am starving myself those things. This year, and especially being home in this beach town, I’m finding this reuniting with the afternoon nap.

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[5:45 p.m.] So much of quarantine freedom has been felt in the drives I was taking at the beginning of everything shutting down. Those somehow were untouched by the chaos of 2020. When I was in high school, the first real feelings of catharsis were felt when I could drive from school to the beach, especially on days where there were spring storms rolling in. I would drive my car to this little point called Gould’s Inlet, park and watch the puffed chests of angry clouds have heated discussions with the lighting and long rolls of thunder. Most days, I would play whatever mix CD I had made for a friend to make sure the sequence was right before passing it off. There’s a part of me stuck in that emotional catharsis when I come back here; when I’m taking the causeway from the mainland over to the island, I feel this flood of old feelings. Not for people or anything, but for this version of me that grew here.

[6 p.m.] Around 6, which is about 2 hours before the sun starts to set, I like to take a masked walk around the little downtown area called The Village. There are small steps that spit you right out into the Saint Simons Sound if the tide is high. When it's low, there’s this gooey dark sanded walk that takes you right under the pier. I love everything about the face of earthy things right where one extreme meets another: barnacle-stricken rocks and sand clashing with an abyss of ocean. I used to sit on the beach and squint my eyes and trick my kid brain into thinking I could see Europe. I love the shit we did when we were small and everything was possible.

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[7 p.m.] I’m cooling my limbs for one more dip before the day is done. I spent a little time writing, strumming Josh’s guitar we brought down here—it’s an old Gibson. Anything Josh has written on has secret mojo to it. He’s my favorite songwriter and I just happen to be sharing a bed with him. I think I’ll look back on this year—or this window of however long it is—and be thankful. It is the window where I remembered how to be with myself off stage, the window where I learned how to give love and how to let someone love me not for the things I "do" but for the person that I am, the window where I learned to paint, the window where I got to spend time with my parents that felt causal—not all dressed up into some event, I felt I got to meet them as friends—the window where I felt a softness for my hometown that needed to return.

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[11 p.m.] I have been dreaming so vividly the entire time quarantine has been happening. Because I miss travel so much, I’ve started—just as I’m falling asleep—to recount to myself in my head all the steps between getting off the plane in Charles de Gaulle and the walk through customs, out the glass doors and towards the train. The train into Paris. The Metro to the stop where I usually stay. The quick unload and freshen up and then the early morning walk that usually has me as the first customer at Le Chambelland. The taste of the sugar bread. The espresso. The cigarettes. The early mornings, where everything is held. I guess if anything, this year has given me early mornings. Okay, it’s late now and I don’t want to miss it tomorrow.

Goodnight, sweet dreams. :)

If you wish to support our efforts to assist music professionals in need, learn more about the Recording Academy's and MusiCares COVID-19 Relief Fund.

If you are a member of the music industry in need of assistance, visit the MusiCares website.

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Black Pumas

Photo by Jackie Lee Young

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Quarantine Diaries: Black Pumas' Eric Burton quarantine-diaries-black-pumas-eric-burton-working-new-album-spending-time-garden

Quarantine Diaries: Black Pumas' Eric Burton Is Working On A New Album & Spending Time In The Garden

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Sep 29, 2020 - 10:50 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, Eric Burton from the GRAMMY-nominated duo Black Pumas shares his Quarantine Diary.

[10:05 AM] Good morning! It’s 10:05 AM in my world and trying to ride a vibe. My mornings usually start off with a cup of coffee, and one of my favorite tunes or a new tune that I had yet to have heard.

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[11:20 AM] I love visiting the garden! The squash at my friend’s place is beginning to produce. It’s nice to reflect on the process of growth and it’s very grounding to see it and touch it physically on a daily basis.

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[12:15 PM] One of my favorite things to do is check in with friends overseas. I feel so connected to be able to hear how things are going from their perspective as it pertains to our world and our lives. 

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[1:25 PM] Now I’m sitting down at a piano trying to keep that inspiration going to some degree. I make sure that there’s a lot of equipment or instruments around especially analog. The Black Pumas are working on our new album right now. We’ve got a few handfuls of ideas for material that my bandmate Adrian and I have been trading back and forth.

I think we spend most days really stoked about the opportunity we have to create time and space for ourselves to continue to do what we know and love. I usually am very motivated and competitive with myself to do something better than I did the last time. I tend to stay committed and focused playing music, just jamming out and seeing what I can come up with.

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[3:33 PM] I've moved from the piano to an analog keyboard now. I usually like to listen to music that is very much natural and acoustic and/or listen to music that has a lot of different weird kooky sounds that are more on the digital side, just for the idea. 

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[4:22 PM] The weather in Texas can be ever changing and in a short period of time. In that, it’s nice to observe it and reciprocate some art from it. I’m an autumn baby anyway, so maybe that plays a hand in how I feel at home in the rain today.

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Quarantine Diaries: Lisa Loeb Is Celebrating 25 Years Of "Stay (I Missed You)" & Watching "RuPaul's Drag Race"

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Lisa Loeb

Photo courtesy of Lisa Loeb

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Quarantine Diaries: Lisa Loeb quarantine-diaries-lisa-loeb-celebrating-25-years-stay-i-missed-you-watching-rupauls

Quarantine Diaries: Lisa Loeb Is Celebrating 25 Years Of "Stay (I Missed You)" & Watching "RuPaul's Drag Race"

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The GRAMMY-winning '90s mainstay is also releasing a new music video featuring Michelle Branch, "Doesn't It Feel Good"
GRAMMYs
Sep 23, 2020 - 8:22 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, GRAMMY-winning indie-pop/rock favorite Lisa Loeb shares her Quarantine Diary. Lisa Loeb's latest studio album A Simple Trick To Happiness is out now. Watch Lisa's new video, "Doesn't It Feel Good" featuring Michelle Branch and directed by Jessa Zapor-Gray, exclusively on GRAMMY.com below. 

[7:00 a.m.] I start off the day early before the kids get up, to feed my 19-year-old diabetic Tortie cat and give her insulin, drink a strong coffee (Lisa Loeb Wake Up! blend, of course, perfect flavor and strong with milk and sugar), Ezekiel Bread toast with almond butter and super fruit jelly, and a walk outside before the day begins. The sun shines pink through the window at the top of the stairs at my house in Los Angeles. You can see the sunscreen on my nose, because it’s early and I always wear my sunscreen, but was probably too tired to notice I didn’t finish blending.

[7:45 a.m.] I make the kids breakfast, something like bagels or pancakes, fruit, bacon, yogurt, and hope that they eat it before they get into their virtual classes.

[9:30 a.m.] while my 8-year-old, Emet, has a break, I take a tap class—distanced, in the back yard, with masks. I love walking, dance classes and strength training, most of which is happening online, but I finally moved the tap class into the back patio with a couple of like-minded moms. Connecting with humans, safely, set to music, really lightens things up. 

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[1:00 p.m.] After I make lunch, the kids go back to their virtual school. I stay in earshot of my son while trying to scoot into my office to answer a million emails and stay on top of the myriad projects I have going on: a new family friendly children's album, new songs for a new grown-up album, voice-over auditions, fan club vinyl signing of my 25th anniversary no. 1 song, "Stay (I Missed You)," which was also GRAMMY-nominated!

[4:00 p.m.] Later, after the kids are done with their school, I change clothes, turn on the bright lights, set up the gear, and start pre-recording events and concerts. There are so many virtual events happening all over the country: from voting events to women’s cancer and lupus, I’m honored to play all of them, and people have been reaching out to musicians a lot. Sometimes the events are live, but often they’re prerecorded, so I’ve become a pro with lighting, makeup, hair and audio, and really trying to get our wi-fi up to speed—literally. 

Sometimes I have fan club events online, watch-alongs, or live concerts, including two concerts in which I’ll be playing my entire Tails album acoustically on Sept. 26 on the LoopedLive app, to celebrate the 25th anniversary of its release. Here I am pre-recording a TV appearance for a Ziggy Marley duet that will air on the Kelly Clarkson show, then I’ll finish up with an appearance for a Hallmark special to honor Hero Dogs. 

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There’s usually a number of Cameo shout-out requests that have come in at this point for birthdays, anniversaries, or just uplifting message, and I try to squeeze them in before I make dinner for the kids. Or if I’m smart, order in Thai food!

[7:30 p.m.] After dinner, Emet watches part of an Avengers movie with my husband, Roey. I cuddle with my daughter, Lyla and our aforementioned cat, Sweetie McGee, while we eat ice cream with chocolate chips and watch "RuPaul’s Drag Race." 

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[8:30 p.m.] Then it’s up to bed to brush teeth, get in the PJs and read with each kid, if it’s not too late, and then time to finish up some work, clean the kitchen and get in bed to read. I’m an avid reader, and during the distancing orders, I’ve been able to read more than ever. Then, time for sleep, and to set the alarm for the next day to see what it will bring.

Making Heads Or 'Tails' Of Success: Lisa Loeb Celebrates 25 Years Of Her Major-Label Debut Album

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Ruston Kelly

Photo by Alexa King

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Quarantine Diaries: Ruston Kelly quarantine-diaries-ruston-kelly-listening-perfume-genius-playing-nintendo

Quarantine Diaries: Ruston Kelly Is Listening To Perfume Genius & Playing Nintendo

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Aug 20, 2020 - 11:00 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, singer/songwriter Ruston Kelly shares his Quarantine Diary. Ruston Kelly's new album Shape & Destroy drops on Aug. 28.

I get up relatively early and go for a run. I try and get 10,000 steps before breakfast because it helps with the claustrophobic depression, anxiety, lack of motivation and a general sense of social abandonment. Just go in for the kill the moment you wake up.

I then eat breakfast. Kind of boring. Healthy bland oatmeal but I get charged and then start writing or running through songs. I set up a mini-performance situation to at least feel somewhat close to an actual stage. 

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Ok, I then eat lunch which is also boring. Then I drive aimlessly for a while listening to *very* heavy metal or Perfume Genius. I allow for some random activity to happen if there isn't any specific work to be done. I bought a house recently so I kind of shop for furniture.

I lament past mistakes but then try and make sense of why I did this or that and ultimately better myself because of it. I do not let obsessive or anxious thoughts last long. I'm working on that. 

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I make food with a friend or alone which is less boring than breakfast and lunch and then I either read or play Nintendo with a friend before I listen to more Perfume Genius in bed and I go to sleep believing tomorrow will be better and the next day and the next.

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Read More: Perfume Genius' Outer Space Magic

If you wish to support our efforts to assist music professionals in need, learn more about the Recording Academy's and MusiCares COVID-19 Relief Fund.

If you are a member of the music industry in need of assistance, visit the MusiCares website.

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Foreign Air

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Quarantine Diaries: Foreign Air's Jacob Michael quarantine-diaries-foreign-airs-jacob-michael-making-cappuccinos-watching-i-may-destroy

Quarantine Diaries: Foreign Air's Jacob Michael Is Making Cappuccinos & Watching "I May Destroy You"

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Aug 14, 2020 - 11:33 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, Jacob Michael from D.C. alt-rock duo Foreign Air shares his Quarantine Diary. Foreign Air's debut album Good Morning Stranger arrives on October 16.

[8 a.m.] 8 a.m. is when I usually wake up. Sometimes I'm in my bed but most of the time I’m still on the couch from the night before. I'll check Need2Know's daily news email. For me it's a good way to skim the news without diving too deep into anything that is going leave you feeling depressed about the current state of the world at the start of your day.

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Photo credit: Luke Adams

[8:30 a.m.] It’s coffee time. I'll always make fresh ground espresso in the morning. I am still working on perfecting the world's best cappuccino. This of course requires a lot of research. I'll usually have a record playing as well. Right now I'm listening to Dirty Art Club's new album Gardens. I recently moved into a house in NE D.C. but haven’t been home very much because we’ve either on tour or working on finishing the album out in L.A.  It’s been really nice to finally be able to spend some time at home and I've enjoyed falling into a routine. 

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Photo credit: Luke Adams

[9 a.m.] Something special happens when we are sleeping and we let our subconscious take over. I like to throw down a quick idea right away. I always feel the most creative right when I wake up, so I try to capture whatever is going on in my head without thinking about it too much. 

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Photo credit: Luke Adams

[11 a.m.] I'm meeting up with our drummer Luke Adams for a very competitive game of tennis. We like to bounce creative ideas off each other and just talk through whatever's happening in our lives. We've been touring and playing in bands together for over 10 years now. It's kinda nice to be able to reflect on things with someone you know that well.

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Photo credit: Luke Adams

[12 p.m.] I’ll dive into whatever we are working on this week. Right now it happens to be a song we wrote with Jax Anderson a couple months ago before Covid hit. Jax just sent over vocals her friend PVRS recorded, which sound SO GOOOD. I'm a big Jax Anderson fan and it’s always amazing to me when you get to collaborate with artist that you really love and respect.

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Photo credit: Luke Adams

[6 p.m.] Around this time everyday I start spacing out and become a lot less productive. I'll usually try to take a break and ride my bike to get out of the house for a little bit. I consider myself very much an East Coast person in the sense that I like being in the city and being able to ride or walk around and catch a vibe for what's happening. Not having as many cars in the city has definitely been one of the more positive things this to happen due to Covid.

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Photo credit: Luke Adams

[7 p.m.] By this time, I definitely need a drink. My choice as of late has been Amaro, particularly Cappelletti's Sfumato. It’s smokey, herbal, and has a little sweetness to it but still finishes on the dry side. It’s really great poured over an ice cube, which is how I usually take it. I also like to try to support as many local restaurants around me as I can, but ultimately I've been cooking a lot more at home which I have come to enjoy quite a bit. A lot of vegetable-based dishes occasionally paired with a fish.

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Photo credit: Luke Adams

[8 p.m.] When Covid hit in March, everything around us slowed down. Writing trips were cancelled and the headlining tour we had planned was postponed and then ultimately cancelled as well. It’s been very strange being home and having this much time off. I've tried to make the most of it by building out a home studio in the basement of my house which is where I probably spend most of my day now. I've also gotten back into buying and restoring vintage gear like this Crumar Orchestrator. I bought it at Atomic Music in Maryland awhile back but a couple of the keys stopped working and it would always fall out of tune. Now it's become a go-to instrument for me. The same goes for the Juno-106 that I recently got from a friend. 

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Photo credit: Luke Adams

[10 p.m.] I'm usually watching Michaela Coel's "I May Destroy You" on HBO, reading Yuval Noah Harari's Homo Deus: A Brief History of Tomorrow or re-watching one of Dave Chappelle's stand-ups on Netflix.

[12 a.m.] I'm passed out on the couch. If I'm lucky, I'll make it into bed, but honestly what’s the point when you're quarantined during a global pandemic? :)

If you wish to support our efforts to assist music professionals in need, learn more about the Recording Academy's and MusiCares COVID-19 Relief Fund.

If you are a member of the music industry in need of assistance, visit the MusiCares website.

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.