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Erika Ender

Photo by Dimitry Loiseau ​

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Quarantine Diaries: "Despacito" Writer Erika Ender quarantine-diaries-despacito-co-writer-erika-ender-getting-back-basics

Quarantine Diaries: "Despacito" Co-Writer Erika Ender Is Getting "Back To The Basics"

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Apr 15, 2020 - 10:56 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, "Despacito" co-writer Erika Ender, who just released a Quarantine-themed single "Back To The Basics," shares her Quarantine Diary.

Sunday, April 12

[8 a.m.–10 a.m.] I usually wake up around 8:00 am, do a 30-minute meditation, if not in bed, out in the balcony to get a little of vitamin D. Then, do some training online, with my personal trainer, who's been creating ways of keeping me working out using water bottles and whatever we have handy. :-) 

[10 a.m.–12 p.m.] After taking a shower, I have a smoothie (I mix some fresh fruits like banana, strawberry, papaya or pineapple and, sometimes, add some chia seeds or kale). Then I usually have a conference call with my team, since we are all working remotely, from home. Depending on the day, I start either working on ongoing matters of Erika the singer, the songwriter, the philanthropist or the producer/entrepreneur. Sometimes it feels like I need as much arms as an octopus, but I enjoy so much, each facet, that I don´t see myself only working on one of them. So I need lots of organization to make sure each project has the right amount of time and attention to get the best result, and my team helps me to achieve that. Today will be promo day.

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[12 p.m.–6 p.m.] Since I just released my new single "Back To The Basics" ("Cosas Que Echo De Menos"), today we had some interviews online for different media platforms . I'm sharing the need of spreading a message of love and trying to use this song as a tool for us to reconnect with the essentials in life, in such a vulnerable moment. I think we all need to do so, and make things better inside and out, when this quarantine moment ends. Between 1:00 p.m. and 1:30 p.m., I stopped for lunch (today I had vegan chili beans) and went back  online for the next interview. 

[6 p.m.–8 p.m.] After finishing all interviews I stopped to have some dinner and then got prepared to go online  at 7:00 p.m. (ET) on my instalive #EriKonversa (EriKonverses), a space I created to connect with collegues of the music and entertainment world, where, three times a week, we share their inspirational journey with our followers, and all they´ve learned through their life path and career experiences. Today my special guest was the amazing songwriter Desmond Child.

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[8 p.m.–12 a.m.] After finishing EriKonversa, I get to check some e-mails, organize the next day, talk to my family and friends, before going to bed and, then, around 10:30 p.m, I take a shower and lay down to either watch an uplifting movie or an interesting documentary, or read something until I fall asleep around 12 a.m.

This is what's going on during these quarantine days… I'm by myself, so, trying to be as positive and productive as possible. I do miss traveling and being close to my loved ones, but I do understand this is something we need to do in order to take care of ourselves and the whole world. I hope this moment becomes a wonderful lesson and we all become better human beings after understanding that this is just one big home called planet earth and we have to be the best version of ourselves to get the best out of it and each one of its living beings. Stay safe people. This shall pass… Love and peace.

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If you wish to support our efforts to assist music professionals in need, learn more about the Recording Academy's and MusiCares COVID-19 Relief Fund.

If you are a member of the music industry in need of assistance, visit the MusiCares website. 

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Photo: Robyn Beck/AFP via Getty Images

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Election 2020: The Issues Affecting Musicians election-2020-artists-speak-out-issues-impacting-musicians-voting-season

Election 2020: Artists Speak Out On The Importance Of Copyright, Musicians' Rights And Relief Efforts This Voting Season

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GRAMMY.com spoke to a number of artists and musicians about some of the most pressing issues impacting the music community this election cycle
Crystal A. Frost
GRAMMYs
Nov 2, 2020 - 9:53 pm

This week, Americans will decide on the next president of the United States, and musicians across the country are among the hundreds of millions of lives that will be impacted by the outcome. In a recent article, which cited industry executives on both sides of the aisle, Billboard broke down what's at stake for musicians in this upcoming election cycle, underscoring copyright as the most important policy issue in the music business right now. Since the copyright industries collectively contribute more than $1 trillion dollars annually to the Gross Domestic Product, many members of the music community might therefore assume this to be the big-ticket issue that could help them decide between candidates. Unfortunately, though, it's not that simple. 

"While there is no shortage of issues that differentiate Trump and Biden, music is generally not one of them," Daryl Friedman, the Recording Academy's Chief Advocacy Officer, told Billboard. The fact is, both Joe Biden and Donald Trump share very similar views on copyright and have pro-music policies on their records, making it very difficult for undecided voters in the music community to choose a candidate based on copyright policy alone. 

Ahead of the 2020 Election, GRAMMY.com spoke to a number of artists and musicians about some of the most pressing issues impacting the music community this voting season.

https://twitter.com/GRAMMYAdvocacy/status/1308478685503258624

🗓 Early voting?
📬 Mail-in ballots?
📍Polling locations?

📲 Register, get your ballot, and learn more about #MusicVotes: https://t.co/NyyQsII7qD #VoteReady pic.twitter.com/amp0dhxCD5

— GRAMMY Advocacy (@GRAMMYAdvocacy) September 22, 2020

Pandemic Music Rights

Many musicians and industry professionals show tremendous concern over the handling of the COVID-19 pandemic, which has directly impacted the music industry in drastic ways. In fact, when Vice Presidential candidate Kamala Harris took to Instagram Live with artists Miley Cyrus, Billie Eilish and Selena Gomez in October, the pandemic was central to their conversations. The inability to tour has proven particularly devastating for the careers of indie musicians, and the same goes for indie music venues, which are struggling to survive

Read: Sacred Spaces: Rufus Wainwright, YUNGBLUD, Keb' Mo' And Others Reflect On The Independent Venues And Clubs That Changed Their Lives

"The lack of a national strategy has not just meant live music venues across the country being shut down, but many having to shut their doors permanently," one Los Angeles music venue manager tells GRAMMY.com. "Many big venues will be fine, but what does that mean for small businesses?"

Tour Stop(ped): Honest Talk With Touring Artists

The Recording Academy has worked closely with lawmakers and policy makers, including in the Trump Administration, on relief efforts to support the music ecosystem, and it continues to advocate for a substantial relief package—inclusive of funding for musicians, venues, studios and other music small businesses affected by the pandemic.

According to Ruth Vitale, CEO of CreativeFuture, piracy has also worsened since the pandemic, as Americans find it increasingly more difficult to pay for streaming services. "In a time when few can work, piracy cuts into the already reduced legitimate revenue streams from our creations, exacerbating our economic challenges," she explains in a letter to Joe Biden last month.

Indie pop duo Flora Cash expresses similar concerns for the music industry amid the pandemic. "The music industry as a whole is in a really tough spot right now due to the situation around COVID-19, and some real help is going to be needed, especially for live music venues that have not been able to open for almost the entirety of 2020," they told GRAMMY.com in a joint statement. 

Music Rights

When asked what issues matter most to her this voting season, GRAMMY-nominated songwriter and R&B artist Victoria Monét addressed musicians' rights. "There are [policies in place] that don't reflect the way today's music is consumed or accurately accommodate creatives in general," she tells GRAMMY.com. "Among many other political issues, fair and equal pay for songwriters is very important to me." 

Monét's point is supported by many musicians who argue that the payout to artists, songwriters and producers from streaming services such as Spotify and Apple Music is too low, especially given the significant role the copyright industry plays in our economy. 

"The core copyright industries are an important economic driver for our country, employing 5.7 million Americans and contributing more than $1.3 trillion to the Gross Domestic Product," CreativeFuture's Vitale shares in her October letter to Biden. "[This is] more than aerospace, agriculture, or pharmaceuticals."

Read: How ONE Musicfest Is Engaging Voters In 2020: "The Underlying Message Is To Get Folks To The Polls"

Musicians' rights are a hallmark of the Recording Academy's advocacy efforts. Just recently, Academy Trustee Yolanda Adams testified in front of the U.S. Senate Judiciary Committee on the Digital Millennium Copyright Act, and earlier in 2020, the Academy's Chair and Interim President/CEO Harvey Mason jr. spoke to the same committee about the importance of establishing a terrestrial radio performance right for artists. The Academy will continue to advocate for fair pay for artists and creators in a more inclusive and modern copyright system.

Fortunately, both candidates have expressed similarly strong views on the issue of copyright. In 2018, President Trump signed into law the Music Modernization Act (MMA)—the most significant update to music licensing in a generation, with significant support from the Recording Academy and its members. President Trump also recently signed the USMCA, which included a number of substantial pro-copyright modifications.  

And as Billboard recently reported, Vice President Biden has a long and verifiable track record in supporting pro-copyright policies, citing his eight years as chairman of the Senate Judiciary Committee. "Look, piracy is outright theft," Biden said in 2011. "People are out there blatantly stealing from Americans - stealing their ideas and robbing us of America's creative energies. There's no reason why we should treat intellectual property any different than tangible property." (The Recording Academy honored Biden at the 2011 GRAMMYs on the Hill Awards in Washington, D.C.)

Delving further into the candidate's track records reveals that Joe Biden was behind the American Recovery and Reinvestment Act (ARRA) of 2009, which was responsible for millions of dollars going back into the pockets of musicians and arts organizations that were impacted by the economic crash of 2009. "ARRA supplemented my income so that I could continue Chorus America," GRAMMY-winning choral conductor Peter Rutenberg tells GRAMMY.com. 

Despite widespread criticism of the Trump Administration's handling of the pandemic, they haven't left musicians completely empty-handed either. At the urging of the Democrat-controlled House of Representatives, the Coronavirus Aid, Relief, and Economic Security (CARES) Act of 2020 , which was signed by President Trump, took steps to help musicians combat the economic challenges spurred by the pandemic by temporarily allowing gig workers to apply for unemployment assistance.

Funding The Arts

As for the classical community, one of the primary concerns for voters is the funding of the arts. "I am deeply concerned for the arts in America," Stephen Williamson, principal clarinetist for the Chicago Symphony Orchestra, tells GRAMMY.com. "We are usually the first genre to be cut from schools and/or underfunded by the government."  "I sincerely hope that our country sees the need for the arts in the enrichment of the human spirit ... something that all people are truly craving in light of this pandemic." 

The Recording Academy annually submits testimony to the House of Representatives and Senate in support of additional funding for the National Endowment for the Arts (NEA). As part of Congress' response to the COVID-19 pandemic, the Academy successfully advocated for the establishment of a $75 million supplemental fund for the NEA to help struggling creators as part of the CARES Act.

Your Voice Matters

From Black Lives Matter to the environment, the list of issues that matter to the music community is vast. Ultimately, Americans must decide for themselves what issues matter most and why. No matter who you support, musicians and music-lovers alike are encouraged to get to the polls on Election Day (Tuesday, Nov. 3) if you haven't yet cast your ballot via the #MusicVotes campaign. You can visit the Recording Academy's election page for voting resources and additional information to make your vote matter.

"It's important for everyone, not just musicians, to get out and vote," GRAMMY-nominated film composer Bruce Broughton tells GRAMMY.com. Broughton, who is known for such film scores as Tombstone, Young Sherlock Holmes and Moonwalker, believes there is more at stake in this election than ever before. "This year, the choice is big, and the repercussions of that choice will be bigger. I don't see anyone not being [affected] by whichever side wins this year."

Are You Ready To Vote? Design Your Voting Plan With #MusicVotes Campaign

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REYNA

Photo: Ariel Kassulke

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Quarantine Diaries: REYNA quarantine-diaries-reyna-making-dia-de-los-muertos-ofrenda-picking-exercising-promoting

Quarantine Diaries: REYNA Is Making A Dia De Los Muertos Ofrenda, Picking Up Exercising & Promoting "7'11"

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As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Oct 30, 2020 - 4:29 pm

As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, REYNA share their Quarantine Diary. Their single "7'11" is out now. 

[9:15 a.m.] Wake up. I'm not an early riser, I'm a night owl and didn’t get to bed last night until 3 a.m which is normal for me. I scroll through my phone and cringe at the news like I do every day but at least my poodle, Lola, is snuggled up against me under the covers and it makes it better. I check my emails and messages then I roll out of bed and take Lola for a walk. 

[10 a.m.-ish] Thanks to this pandemic, I have officially become someone who works out every day. I still can’t believe it, but I guess not having an excuse does that. It is now something I need in order to stay sane and in good spirits. 

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[11:15 a.m.] I'm not a normal person. I've only had water until now and I'm not hungry yet so I make some tea. I gave up caffeine a couple years ago because anxiety and caffeine don’t mix so now, I'm a weird human that can start their day without a hot cup of fun. 

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[11:45 a.m.] Breakfast. Greek yogurt with berries, chia seeds, almonds, and honey. My sweet tooth loves this. It's like dessert for breakfast but the chia seeds make it grown up and healthy right?

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[12:45 p.m.] Waiting for Vic to come over for the day and she sends me this picture of her new newfoundland puppy, Benito Juarez, who is so cute I'm going to die. Yes, Vic and I have work to get done today but I really want her to come over so I can have Benito snuggles time. 

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[2 p.m.] Vic finally makes it down to my house with Benito. After a long snuggle sesh we grab our acoustic guitars which is the instrument we’ve been using the most lately and start rehearsing a new song and a set we have to film for a pre-recorded show. We have been doing so many virtual, stripped down shows and pre-recorded acoustic videos that it feels like our band is now acoustic. When quarantine started I was an okay guitar player (bass is my one and only love) but I can say that I am now a guitar player. 

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[4 p.m.] Time to do some promo for our new single so we record ourselves talking about the new single "7’11" for press and a video we are putting together. It’s always fun to sit and talk to Vic about the songs we write—they somehow always take on even more meaning after the song is done. This one is about a relationship that could have been perfect but it just wasn’t. I think we could talk about love songs and heart break forever. 

[8 p.m.] After dinner we decide to finally put our ofrenda up for Dia De Los Muertos which we’ve been putting off for too long,  I love love this holiday and tradition even though it can sometimes come with a lot of emotions. There is something magical and so comforting about seeing all of their beautiful faces together and taking a moment to remember them and honor them. 

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[11 p.m.] Time for some vino and to celebrate our new song "7’11" and it feels so so good to get this baby out. We wrote it in L.A. in January before this year got going with all the crazy. It feels like a life time ago. We collaborated with one of our favorite bands Coast Modern and it's probably our favorite song we’ve put out so far. Some days during quarantine are very hard but today is a good day. We don’t take for granted how lucky we are that we get to live our dream.

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War On Women Lobby For Real Change On New Album, 'Wonderful Hell'

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Peppermint 

Photo: Magnus Hastings

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Quarantine Diaries: Peppermint quarantine-diaries-peppermint-releasing-best-sex-filming-girl-me-staying-touch-fans

Quarantine Diaries: Peppermint Is Releasing "Best Sex," Filming 'A Girl Like Me' & Staying In Touch With Fans

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Oct 2, 2020 - 1:11 pm

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, actress, singer, reality star and activist Peppermint shares her Quarantine Diary. Her latest single "Best Sex" is out now. 

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[10 a.m.] It’s Day 2 of shooting my short film A Girl Like Me and I’m feeling so many emotions. Yesterday was a whirlwind of cast and crew arriving, filming the first few scenes in Jackie Robinson Park, moving into the Airbnb we rented for the remainder of the shoot, reviewing makeup/hair/wardrobe options and spending as much time as possible with my co-star Levi Smith to build chemistry. This album is a year and a half in the making and now that we’re creating a visual component, everything feels all the more intense.

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[10:45 a.m.] Cast and crew are meeting to discuss the scenes for today and, very importantly, to review safety protocols. It means the world to me to have a small team willing to come together and work on this project, so I have made it clear that we will be serious about everyone's health and well-being while on set.

[11:18 a.m.] Now it’s time to get into makeup, wardrobe and of course drink plenty of tea. Even though there isn’t dialogue in this film (the music from my album serves as the narration) I do need to keep my voice healthy because, at the end of the week, we are also filming a live performance of the album. Details on that to be announced very soon!

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[1 p.m.] We’ve started filming some intimate bedroom scenes and it takes major concentration...so I’m going to take a break from this and catch up with you all a little later in the day.

[5:01 p.m.] A light meal and more hot tea are all I have time for. We’re rolling right into new scene setups since this video project encompasses all of the songs on the album. Also snuck in a few interviews on Zoom to go over our release plans for the first single "Best Sex."

[5:45 p.m.] Time to film Cameos, social media and promo content. I actually really enjoy doing this kind of stuff because it breaks up the day and really connects me back to my fans. It’s a reminder of why I’m making this art.

[6:00 p.m.] We have a quick break so I'm going to go up to spend more quality time with my make-believe husband.

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[6:37 p.m.] Back to hair and makeup for another costume change. I'm really nervous about the next scene. It's one of my favorite and most anticipated moments. It's also a Carole King song so I don't want to get this wrong. I'm going to close my eyes for a few minutes while getting my makeup refreshed by Casey. She's a M.A.C. makeup artist just as I was years ago so we literally speak the same makeup language.

https://www.instagram.com/p/CADyPrbhWte/?utm_source=ig_web_copy_link

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A post shared by Miss Peppermint (@peppermint247)

[8:26 p.m.] We are filming out on the veranda for "Will You Still Love Me Tomorrow?" This scene is one of my favorites. The song, lighting, and overall mood just make me feel so beautiful and really captures a lot of the meaning of this album. Although we have to be careful because the neighbors next to the house we are filming in don't want loud music to play after dark. Also somehow slugs are falling out of the trees and dropping down onto us.

[12:13 a.m.] That’s a wrap! The day flew by but having this team together to help bring this to life is such a joy and honor. Back at it tomorrow! I promise I'll eventually get to my emails!

Unearthing A Lost Ella Fitzgerald Recording, 60 Years Later

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Black Pumas

Photo by Jackie Lee Young

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Quarantine Diaries: Black Pumas' Eric Burton quarantine-diaries-black-pumas-eric-burton-working-new-album-spending-time-garden

Quarantine Diaries: Black Pumas' Eric Burton Is Working On A New Album & Spending Time In The Garden

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As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors
GRAMMYs
Sep 29, 2020 - 10:50 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, Eric Burton from the GRAMMY-nominated duo Black Pumas shares his Quarantine Diary.

[10:05 AM] Good morning! It’s 10:05 AM in my world and trying to ride a vibe. My mornings usually start off with a cup of coffee, and one of my favorite tunes or a new tune that I had yet to have heard.

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[11:20 AM] I love visiting the garden! The squash at my friend’s place is beginning to produce. It’s nice to reflect on the process of growth and it’s very grounding to see it and touch it physically on a daily basis.

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[12:15 PM] One of my favorite things to do is check in with friends overseas. I feel so connected to be able to hear how things are going from their perspective as it pertains to our world and our lives. 

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[1:25 PM] Now I’m sitting down at a piano trying to keep that inspiration going to some degree. I make sure that there’s a lot of equipment or instruments around especially analog. The Black Pumas are working on our new album right now. We’ve got a few handfuls of ideas for material that my bandmate Adrian and I have been trading back and forth.

I think we spend most days really stoked about the opportunity we have to create time and space for ourselves to continue to do what we know and love. I usually am very motivated and competitive with myself to do something better than I did the last time. I tend to stay committed and focused playing music, just jamming out and seeing what I can come up with.

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[3:33 PM] I've moved from the piano to an analog keyboard now. I usually like to listen to music that is very much natural and acoustic and/or listen to music that has a lot of different weird kooky sounds that are more on the digital side, just for the idea. 

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[4:22 PM] The weather in Texas can be ever changing and in a short period of time. In that, it’s nice to observe it and reciprocate some art from it. I’m an autumn baby anyway, so maybe that plays a hand in how I feel at home in the rain today.

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Quarantine Diaries: Lisa Loeb Is Celebrating 25 Years Of "Stay (I Missed You)" & Watching "RuPaul's Drag Race"

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy.